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Click here to subscribeA CHINESE FAMILLE ROSE LIME-GREEN GROUND GU-SHAPED VASE SIX CHARACTER JIAQING MARK AND PROBABLY OF THE PERIOD Constructed in two sections and decorated with leafy lotus scrolls and interspersed bajixiang emblems, separated by bands of ruyi-heads, lappets and plantain leaves, the interior and base covered with turquoise, the trumpet neck detachable from the bell-shaped base, 32.2cm overall. (2)
A RARE CHINESE WHITE-GLAZED ANHUA-DECORATED 'DRAGON' STEM BOWL SIX CHARACTER JIAJING MARK AND PROBABLY OF THE PERIOD The flared bell-shaped bowl, decorated with two scaly dragons in pursuit of a pearl of wisdom, the interior with a third dragon, all raised on a high slightly flared foot incised with clouds, 13.7cm.
A RARE CHINESE 'LANTERN FLOWERS' CUP DAOGUANG 1821-50 The bell shaped bowl painted with a leafy branch with seven lantern flowers, and with butterflies to the reverse, the base with a Xiezhu zhuren zao mark, with a wood stand, 5.8cm. (2) Provenance: an English private collection, and thence by descent.
Neil Bousfield The Calling, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast. Education MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video) Select Exhibitions/Awards RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020) Gallery Representation Rabley Gallery Statement about AOAP Submitted Artwork The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Neil Bousfield Scout, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast. Education MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video) Select Exhibitions/Awards RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020) Gallery Representation Rabley Gallery Statement about AOAP Submitted Artwork The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Neil Bousfield Coastal Sunrise, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast. Education MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video) Select Exhibitions/Awards RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020) Gallery Representation Rabley Gallery Statement about AOAP Submitted Artwork The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Neil Bousfield The Return, 2022 Multiple Block Engraving on Paper (Original Print) Signed verso 10 x 15cm (3¾ x 5¾ in.) About Neil Bousfield studied at the University of the West of England, Bristol, where he gained his MA in Multi-Disciplinary Printmaking, awarded with Distinction. He is a Fellow of the Royal Society of Painter-Printmakers (RE) and elected Member of the Society of Wood Engravers. Working in contemporary relief engraving and printmaking, his layered prints with their subtle hues and fine line give Neil's work a timeless quality. Neil's reduction wood engravings commissioned by the Folio Society in 2018 to illustrate the poetry of Wilfred Owen drew international acclaim. In 2020 the Director of Pallant House Gallery commissioned new work to be made in response to the book 'Natural History of Selborne' by Gilbert White, for an exhibition to celebrate the book's publication over 200 years ago. Public collections include: Pallant House Gallery, Chichester | Manchester Metropolitan University, MMU Special Collections, Manchester | China Central Academy of Fine Arts (CAFA) Beijing Shi, China | Jiangsu Art Museum, Nanjing, China | The National Art Library, Victoria & Albert Museum, London | The Ashmolean Museum of Art & Archaeology, University of Oxford. Neil currently lives and works on the North Norfolk coast. Education MA Multi-Disciplinary Printmaking | MSc CAGTA | BA (Hons) Animation (Photography, Film & Video) Select Exhibitions/Awards RWA 169th, Royal West of England Academy, Bristol (2022) Royal Academy of Arts Summer Exhibition (2022) Created Territories: Relief Engravings 2012-2022 (solo show), Zillah Bell Gallery (2022) Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery (2021-22) Cutting it Fine: The Art of the British Wood Engraver, Salisbury Museum (2021-22) Connections, The Scottish Gallery, Edinburgh (2021) IMPRESSIONS: British Wood Engraving Today, Muban Educational Trust (2021) Scene through Wood: A Century of Wood Engraving, Ashmolean Museum, Oxford (2020) Drawn to Nature: Gilbert White and the Artists, Pallant House Gallery, Chichester (2020) Mapping the Broads, Community and Creativity, East Gallery, NUA, Norwich (2020) IFPDA Print Fair, represented by Rabley Gallery, Javits Center, New York (2022) London Original Print Fair, represented by Rabley Gallery (2022) Woolwich Contemporary Print Fair (2021) London Art Fair, Rabley Gallery, Business Design Centre (2020) Gallery Representation Rabley Gallery Statement about AOAP Submitted Artwork The work I make explores the concepts of place and home, fragility and loss, and the relationship between land and sea. The engravings here are from a series of 10 multiple block relief engravings currently in development. They explore the notion of a dog's sense of place, and of how mapping territory through routine dog walking builds an attachment to the places where we live both for the walker and their dogs. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Ulysse Nardin for Schlegel & Plana. An 18K gold diamond set automatic bracelet watch with onyx dialDate: Circa 1970Movement: 25-jewel Cal.NB7QU automaticDial: Onyx, diamond hour markers, gilt pointed baton hands with black inserts, centre secondsCase: Brushed and polished bell form, back secured by 4 screws, No.5297AStrap/Bracelet: Integral woven linkBuckle/Clasp: Signed 18K gold folding claspSigned: Case & dial signed Schlegel & Plana, movement signed Ulysse NardinSize: 32mm x 42mmFor further information on this lot please visit Bonhams.com
Mar. Storr, London. An 18K gold key wind quarter repeating pair case pocket watchDate: Circa 1710Movement: Gilt full plate fusee, pierced and engraved balance cock, diamond end stone, silver regulation, two polished hammers striking on a bell secured to inner caseDial: White, black Roman numerals, black outer minute track, gilt spade handsCase: Pierced and engraved inner, engine turned outer, signed cap numbered 10025Signed: Inner cap, stamped DA beneath bellSize: 47mm Accompaniments: Fitted LeRoy & Fils caseFootnotes:Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com
William Webster, Exchange Ally, London. A silver key wind quarter repeating pair case pocket watchDate: Circa 1720Movement: Gilt full plate fusee verge, pierced and engraved winged balance cock, silver regulation, hammers striking on bell secured in the case, No.589Dial: White, black Roman numerals, black outer minute track with Arabic numeral 5 minute markers, blued steel beetle and poker handsCase: Pierced and engraved inner and outer cases, finely engraved cap numbered 589Signed: Dial & movementSize: 57mmFootnotes:William Webster is recorded as a member of the Clockmakers Company from 1710 until his death in 1734 and was formerly an apprentice to Thomas Tompion. The current lot was displayed at the Antiquarian Horological Society's exhibition at the Science Museum in 1994.For further information on this lot please visit Bonhams.com
ROSENTHAL, F. Humor in early Islam. 1956. Ocl. w. dust-j. (Spine browned). -- B. LEWIS & P.M. HOLT. Historians of the Middle East. 1962. Ocl. -- D. WARRINER. Land reform and development in the Middle East. A study of Egypt, Syria, and Iraq. 2nd ed. 1962. Ocl. w. dust-j. -- G.L. BELL. Syria, the desert & the sown. (1928). Prof. ill. Ocl. (W. stamp, spine faded/browned). -- And 5 o. (9).
A 1920s Steiff cow on wheels, with brown and white mohair, black boot button eyes with white felt disc behind, kid leather horns and hoofs, green painted wooden wheels, FF underscored button, inoperative squeaker and leather collar with bell -16 1/2in. (42cm.) high (a few bald spots and general thinning)
Christmas and Easter items, a papier-mache Father Christmas with basket on back, probably a candy container -12in. (30.5cm.) high; a box of three bristle Christmas trees with wooden pots; a Scottish papier-mache rabbit container with basket on back; two Erzgebirge trees; a bell brooch and composition log (missing robin)
Quantity of British manufacturers, Benbros Guy open back lorry, with red chassis and green open back lacking tailgate, with red wheels and rubber tyres. Peter Pan metal balance scales, pans are slightly rusted, boxed. Bell toys Brewers wagon with gyro action, "one push and it runs" finished in yellow plastic with blue plastic barrel and tin base, boxed. A Crescent saloon car finished in green with green painted metal wheels, hollow cast. A Condon rear dumper in red with bright yellow wheels and detachable driver. Also includes 4 unknown manufactures, small racing car by Crescent finished in burgundy, metal saloon car finished in sand colour with red spayed bumpers, hollow cast, a red saloon car with cast metal wheels again hollow cast, and a 2 piece die cast lorry with green cab and red box trailer, one side has the remains of a Benbros Lyons Tea decal, black metal wheels and hollow cast. (10 items) 2 boxed. GC - VGC. £40-60
ANTIQUE OAK LONGCASE CLOCK by George Bucke, Bungay, 12ins square brass dial having pierced spandrels, the dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell strike movement (pendulum and weights included), single glazed door hood with three quarter pillar decoration above a shaped top long trunk door and a stepped trunk base, 206cms H overall, 47.5cms W
CIRCA 1800 OAK LONGCASE CLOCK by Gabriel Smith, Chester, arched top moon phase dial set with Roman numerals, subsidiary seconds dial and date aperture with painted rolling moon detail before a twin weight pendulum driven bell strike movement (pendulum and weights included) to a single glazed door arched top hood with broken pediment and brass ball finial, ribbed pillars and glazed side views over a shaped top trunk door and stepped trunk base, 114cms H overall, 56cms W
Elizabeth I, Third issue, Sixpence, 1564, mm. pheon, large bust 3E, 2.98g/7h, Fifth issue, Sixpence, 1578, mm. Greek cross, 3.02g/8h, Sixth issue, Sixpence, 1583, mm. bell, 3.05g/9h, Seventh issue, Halfgroat, mm. 2, 0.96g/12h (S 2561B, 2573, 2578A, 2586) [4]. Fine but cleaned, first scarce, last with signs of overstriking £120-£150
A selection of Ridgway pale-blue Jasperware, comprising: three jugs sprigged with angels and classical figures within an acorn band decoration; a tobacco jar and cover with lion mask and ring handles; a small bell-shaped jar and cover; a biscuit jar with Britannia metal mounts; a jar; and a vase, incised pattern numbers and impressed numerals.
TWO JAPANESE LACQUERED WOOD NETSUKE EDO OR MEIJI, 19TH CENTURY The taller one depicting a Shinto priest carrying a large mokugyo bell around his neck, and with a beater in one hand; the other netsuke carved as a kneeling man with a red angular coat, both with details in red lacquer and gilt; 5.3cm and 3.7cm respectively. (2) Provenance: a private Irish collection, Dublin. The priest netsuke previously in the collection of T Volkner, and illustrated and discussed in his book 'The Animal in Far Eastern Art, and especially in the art of the Japanese netsuke', p118, no.66. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A JAPANESE STAG ANTLER NETSUKE OF A DOG EDO PERIOD, 18TH OR 19TH CENTURY Depicted seated on its haunches, its head turned towards the back and with its front left paw lifted, a collar with a bell at its neck and with the eyes inlaid in horn; together with a wood netsuke of an emaciated wolf, one paw resting on the carapace of a turtle, signed Masatomo, 5.6cm and 4.7cm respectively. (2) Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A JAPANESE TOOTH NETSUKE OF KIYOHIME ON THE DOJOJI BELL MEIJI ERA, 19TH CENTURY The witch is depicted with long hair and flowing robes, her snake-like body coiling around the tall bell, holding a T-shaped stricker in one hand and a strand of her hair in the other, 5.8cm. Provenance: an Irish private collection, Dublin. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
UTAGAWA HIROSHIGE (1797-1858) EDO PERIOD, C.1840 A complete set of eight Japanese woodblock prints from the series Omi Hakkei (Eight Views of Omi), comprising: - Autumn Moon at Ishiyama Temple (Ishiyama shugetsu) - Returning Sails at Yabase (Yabase kihan) - Descending Geese at Katada (Katada rakugan) - Evening Bell at Mii-dera Temple (Mii bansho) - Sunset Glow at Seta (Seta sekisho) - Twilight Snow at Hira (Hira bosetsu) - Clearing Weather at Awazu (Awazu seiran) - Night Rain at Karasaki (Karasaki yau) each signed Hiroshige ga, published by Arisei, all chuban yoko-e, all mounted on board, all approx. 17.4cm x 22.5cm. (8)
A LARGE JAPANESE BRONZE BELL MEIJI ERA, 19TH/20TH CENTURY Decorated to one side with a herd of deer in a mountainous landscape, the reverse with a smoking traveller observing boats sailing into the distance, with a continuous band of scrolling clouds above and the handle similarly shaped, raised on a fitted circular bronze stand with bamboo, reticulated bands of swastika and chidori birds in flight, 37.5cm overall. (2)
A LARGE QUANTITY OF ASSORTED WEDGWOOD, COALPORT AND ROYAL WORCESTER GIFTWARE, comprising Wedgwood 'Angela' and 'Campion' pattern baskets and bud vases, Royal Worcester 'Florena' pattern vase, Aynsley 'Wild Tudor' pattern vases, pots etc, a Wedgwood Susie Cooper design 'Glen Mist' pattern ginger jar, a Wedgwood 'Sarah' pattern vase, height 20cm, a Royal Doulton 'Camilla' pattern bud vase, height 14cm, a Spode bud vase from the Cabinet Collection, height 9.5cm, a Coalport 'The Caughley Mask-Head Jug, a Spode 'Elysee' pattern vase, a Wedgwood 'Kutani Crane' pattern bell, a Coalport 'Paradise' pattern bell, a small Minton's fluted trumpet form vase, gilt edged foot and raised leaf collar and rim, height 13cm, three Coalport miniature rose bowls, etc (Qty) (Condition report: good, no obvious signs of damage)
TWO BOXES OF CERAMICS, including eight Royal Worcester egg coddlers, patterns include 'Bournemouth', 'Lavinia', 'Woodland' and 'Birds', a Wedgwood pin dish designed by Laurence Scarfe for the National Fund For Polio Research decorated with 'The Groundwork For All Happiness Is Health' a Coalport 'Eden Toys' Paddington Bear egg cup, a Wedgwood Beatrix Potter egg cup, a Wedgwood Etruria lidded pot decorated with 'Jump Jackie' (crazed and hairline crack), a Royal Albert 'Old Country Roses' bud vase, a Coalport Buckingham Palace pill pot, two white and gold Buckingham Palace pill pots dated 1993 and 1997, a Wedgwood Susie Cooper designed 'Corn Poppy' pattern pot, a Royal Worcester F186 bud vase, a Coalport red 'Indian Tree' pattern miniature set of jug, plate, bell and egg shaped pot, etc (s.d) (2 boxes)
FOUR BOXES AND LOOSE METALWARES, to include three brass and one copper helmet shaped coal scuttles of different sizes, a small shell case marked 'Prac 2Z OY 27 59, 30.MM.RG58', a pair of opera glasses, a jewellery box, a model pit pony and wagon, a Laura Ashley Home pedestal bowl, copper and brass planters, pot and pan, candlesticks, measures, moulds, vases, a bell, a stamp box, various animals and fire irons, etc (4 boxes + loose) (sd)
Ca. 100-300 AD.A beautiful glass candlestick unguentarium with a folded rim, long, cylindrical neck, and a bell-shaped body with a slightly concave base. For a similar see The Metropolitan Museum of Art, Accession Number: 74.51.17.Size: L:190mm / W:100mm ; 105gProvenance: Property a London Ancient Art Gallery, acquired on the UK Art Market; from a private collection in southern Germany WF, Munich. In Germany since before 2000.
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