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Four Corgi die cast 1:144 scale Aviation Archive die-cast model WWII and later aircraft, comprising a 1:144 scale Avro Lancaster bomber 'Operation Chastise', Boeing B-17 Flying Fortress 'Memphis Belle', a Short S.25 Sunderland III Transport of BOAC's Hythe Class, and a B-29 Superfortress with Bell X-1. (4)
An early 19th century oak longcase clock, circa 1830, by Joseph Wilson of Stamford, painted arch dial depicting a turreted building, possibly Wothorpe Towers, flowers and gilt highlights to the corners, cream dial with black Arabic numerals and minute track, subsidiary seconds dial, gold 8 day twin train four pillar movement chiming on a bell, crossbanded case with shell inlaid door, 48 by 24.5 by 205cm high.
Attributed to Francis Bullock of Thame - a late 17th century walnut cased longcase clock, having re-gilded 9" square brass dial, with silvered chapter ring, subsidiary seconds dial, date aperture, twin winding holes for a brass eight day five-pillar movement, having maintaining power and striking on a bell, the narrow case with fruitwood inlays and boxbase, h.207cmCondition report: The whole has clearly had significant alterations – please see images.Whole backboard is later.Clock stands well.Mouldings around door are possibly later.Colour good and veneers complete, appears recently polished.Dial fits case quite well but not perfectly.Dial has been re-gilded.Appears to be a dial marriage.Lock over winding holes work, but appears to be replacement.Seatboard is later.Cheeks reinforced.Door inscribed Francis Bullock Thame.Movement has been over-hauled but appears all original – no inexplicable holes etc.Bell is modern replacement.Carcase is pine with oak backboard.Minor warping to door but it fits well.Minor traces of old inactive woodworm.Consigned from a local private clock and watch collector who has moved overseas.
A late 19th century French gilt brass mantel clock, having porcelain inset dial and side panels, each polychrome decorated with winged cherubs on a pink ground, twin winding holes for a brass eight-day cylinder movement striking on a bell, the case surmounted with a reclining maiden, all raised on scroll capped paw feet, h.26cm
A late 19th century French alabaster, bronze and gilt bronze mantel clock, having a convex white enamel dial signed by the retailer Maple & Co and further signed Paris, with Arabic numerals, polychrome decorated with swags of flowers, twin winding holes for a French brass eight day cylinder movement striking on a bell, the case well cast and surmounted with a basket issuing fruit, flowers and foliage, flanked to either side by billy-goats, all supported on two bronze winged cherubs, the whole further adorned with gilt bronze ribbons and swags, h.39cm
Edward Norris at The Crossed Keys in Cateaton Street - a late 17th century brass lantern clock, surmounted by a strapped bell and five urn finials between four engraved arcaded frets, over four turned columns, with side doors, on ball feet, the 6¼" silvered Roman chapter ring with wheat-ear half hour markers and inner quarter hour track, the centre signed with a cross keys pictogram over a run of flowers and foliage, centred by an alarm setting disc with engraved flower head, single steel hand and alarm, the weight driven movement with reconverted balance control, h.37cm, circa 1680, the whole sold with modern oak wall bracket and two weightsNote: Edward Norris at Ye Cross Keys in Cateaton Street was apprenticed in 1650 to William Selwood, but completed his training under Thomas Loomes as part of the Fromanteel Concern, working independantly from about 1660. He married the daughter of much older Selwood apprentice, Thomas Knifton, whose trading symbol he took as his own. Knifton premises were destroyed in the Great Fire of 1666, and he died soon after at Norris's home. Norris became master of the Clockmakers Company in 1687, and died in 1707. He almost exclusively made lantern clocks with traditional balance escapements, of which only half a dozen are known today, and only two from his Cateaton Street premises. This clock is featured extensively in an article by Brian Loomes published on clocksmagazine.com, January 2018 - a copy of which is reproduced on our website.Condition report: Was running in vendors house.The whole is very good, complete and clean, but fairly recently restored condition.
A mid-19th century French white marble and gilt brass portico clock garniture, having unsigned convex white enamel dial, twin winding holes for an eight day brass cylinder movement, having outside countwheel and striking on a bell, the case surmounted with pedestal urns in gilt brass, and having further floral swags to a shaped beaded base, h.40cm, the garniture as a pair of urns on beaded circular bases, h.26cm
Jessop of London - a George III 18ct gold pair cased doctor’s open faced pocket watch, the white enamel dial signed 'Jessop Southampton Street Strand London' and being unusual in having outer sweep seconds hand, with fine outer scale, and subsidiary main dial with Roman and Arabic numerals, push button quarter repeat, the inner case having finely engraved back cover, the outer case being plain, the chain driven verge fusee movement having rose cut diamond end stone, pierced balance cock, signed 'Jessop Southampton Street Strand London' and numbered 2503, the dust cover being further signed and numbered, case assayed London 1787, gross weight 213g, gross dia.64mmCondition report: Dial excellent all over.Glass excellent.Outer case excellent with one small mark/dent only, approx. 1mm across.Marks good.Inner case excellent.Both hinges good.Inner case lined with bell metal.Watch runs well.All visible components in excellent condition.Strikes hours and quarters correctly.
George Priest of Norwich - an early 19th century mahogany droptrunk wall clock, having a signed white enamel 15" dial with Arabic numerals, single winding hole for an eight weight driven movement striking on a bell, the case with panelled door, h.120cmCondition report: Clock runs.Name not stamped to brass movement.With pendulum but no key.Case good, recently polished.Shrinkage split to reeded bezel.Minor chips to dial but generally good.
A George III mahogany longcase clock, the London case having a domed hood, stop-fluted pilasters flanking 12" unsigned arched brass dial, the arch with engraved silvered disc depicting Cupid, brass cast mask corner spandrels, silvered chapter with Roman and Arabic numerals, rolling date dial and subsidiary seconds dial, matted centre, twin winding holes for a brass eight day five pillar weight driven movement striking on a bell, the case having arched panelled door with ogee mouldings to a boxbase, h.206cmCondition report: Foot coming away from boxbase.Small moulding loss to door.Moulding losses around glass side panels on hood.Veneer loss to hood.Colour good.With weights and pendulum.Dial, movement and seatboard appear all original and seem to belong to case.Modest tarnishing to dial, otherwise good.
AMENDMENT - CLOCK IS 30 HOUR NOT 8 DAY A late 18th century oak-cased and mahogany cross-banded eight-day longcase clock; the outset cornice above unusual verre eglomise panel and 12-inch brass dial with Roman numerals, signed Adam Costen, Kirkham, also with date aperture, the dial flanked by pierced spandrels and columns with brass capitals, shaped trunk door flanked by quadrant pilasters and raised on bracket feet, with pendulum and one weight (212cm high) Condition Report: The case has good colour and patination. The backboard of the case is split vertically, the door looks like it may have shrunk across the grain because there is 2-3mm gap near the lock (not visible from the front). There is a single weight and a pendulum, there is no bell on the movement. The movement appears to be in fairly good original untouched condition. The verre eglomise panel on the top of the hood appears to have horizontal scratches but otherwise is in reasonable condition. The hood itself looks original and in the Auctioneer's opinion we think the case is the correct case for the dial and movement. The mechanism does appear to be original to the clock face and there are two winding holes in the front of the face with cogs leading to the movement...so we think it is an eight day clock. The clock has come privately from a very reliable Vendor.It is noted that the bottom section of the case below the door has a 12-14" vertical split in the centre and in the Auctioneer's opinion the clock would need some professional restoration to bring it up to a reasonably high standard.The clock is sold as seen & viewed without guarantees. It is noted that upon opening of the dial door one or more of the frame panels may have been replaced at some stage.
Bell & Ross WW1 Chronographe Monopoussoir Ivory Neu ungetragene Stahluhr mit Automatikwerk. Stunden, Minuten, Sekunden. Datum. Chronograph mit 2 Zählern (60-Sekunden-Zähler und 30-Minuten-Zähler). Gehäuse : 45 mm Durchmesser. Polierter Stahl. galvanisch, schwarz. Ziffern, Indizes und Zeiger mit lumineszierender Beschichtung.Glas ist Saphir gewölbt entspiegelt.Faltschließe. Polierter Stahl.Box & Papiere Durchmesser 45 mm absolutes Sammlerstück Bell & Ross WW1 Chronographe Monopoussoir Ivory New, unworn steel watch with automatic movement. Hours minutes seconds. Date. Chronograph with 2 counters (60-second counter and 30-minute counter). Case: 45 mm diameter. Polished steel. galvanic, black. Numbers, indices and hands with luminescent coating. Domed sapphire glass with anti-reflective coating. Folding clasp. Polished steel. Box & papers diameter 45 mm absolute collector's item
19th century oak longcase clock, sarcophagus top over gilt painted floral blind fretwork frieze, arched hood door enclosed by turned pilasters, white enamel dial with Roman chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hammer on bell, H225cmEight day longcase clock - with key winder weights and pendulum - Condition Report
19th century and later eight day mahogany and oak longcase clock, hood with caddy top over arched door flanked by plain pilasters, full length trunk door, shaped bracket supports, silvered dial with Roman and Arabic chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hammer on bell, H237cm - Condition Report
Victorian oak, mahogany and rosewood longcase clock, white painted enamel dial inscribed 'Geo Keates, Cheadle' with Roman chapter ring, subsidiary date aperture and seconds ring, swan neck pediment over mahogany frieze and turned pilasters, box wood marquetry detailing, eight day movement striking on bell, H231cm - Condition Report
Een koperen penkandelaar, ca. 1900. Een ronde druppelvanger boven een balustervormige stam en belvormige voet, B: 26 cm, H: 72 cm. Geschatte opbrengst: € 20 - € 30. A copper pricket candle-holder, ca. 1900. A round dish drip pan above a baluster stem and bell shaped foot, W: 26 cm, H: 72 cm. Estimate: € 20 - € 30.
Zakhorloge snek spillegang, Derabours London - ca. 1730 Snek Spillegang zakhorloge met kwartierrepetitie op bel, gemaakt door Derabours te Londen omstreeks 1730. Beide kasten gemaakt van geelgoud en ajour gezaagd, gegraveerd en gedreven. Het uurwerk is voorzien van een kwartierrepetitie welke wordt geactiveerd door te drukken op de pendant. De gouden wijzerplaat is voorzien van een champleve decoratie. Het horloge verkeerd in zeer goede staat. Beide kasten vertonen slechts lichte gebruikssporen, welke passend zijn bij de leeftijd. Het uurwerk is in zeer goede staat, werkt naar behoren en loopt de ketting geheel af. Het slagwerk functioneert goed en heeft een zeer heldere klank. De wijzerplaat en wijzers zijn in zeer goede staat. De diameter is 55 mm en het totaalgewicht 184 gram Pocket watch ferge fusee, Derabours London - ca. 1730 Ferge fusee pocket watch with quarter repeating bell, made by Derabours in London circa 1730. Both cases made of yellow gold and pierced, engraved and driven. The movement has a quarter repeating movement which is activated by pressing the counterpart. The golden dial has a champleve decoration. The watch is in very good condition. Both cases show only slight traces of use, which are appropriate for the age. The movement is in very good condition, works properly and is using its full chain. The percussion functions well and has a very clear sound. The dial and hands are in very good condition. The diameter is 55 mm and total weigth 184 grams
Een cariage clock met facet geslepen glas, slag op gong. Parijs, circa 1900. Incl. bijbehorende sleutel. Niet getest op langdurige werking. 19 x 10 cm. Geschatte opbrengst: € 120 - € 220. A carriage clock with cut- glas and stike on bell, Paris ca. 1900 Incl. corresponding key. Not tested for long-term effect. 19 x 10 cm. Estimate: € 120 - € 220.
French brass repeating carriage clock, brass gorge case, white enamel dial with Roman numerals and outer minute track, two train movement repeating on a bell, with key, H13.5cm W8.5cm D7.5cm Back door comes off completely, needs to be reattached.Overwound. Not currently ticking.Scratches to glass. Wear and scratching to brass. Glass to top possibly been reattached. Scratching to bell.Scratches to base.Minor marks and scratches to dial. Stamped '609' to backplate. See photos for further details. Back door comes off completely, needs to be reattached.Overwound. Not currently ticking.Scratches to glass. Wear and scratching to brass. Glass to top possibly been reattached. Scratching to bell.Scratches to base.Minor marks and scratches to dial. Stamped '609' to backplate. See photos for further details.
19th century French gilt spelter and marble mantel clock, eight day drum movement marked 'Japy Freres & Cie', case stamped '5 P.H. Mourey 66', striking a bell on the hour and half hour, case with seated sculptor at work, on stepped serpentine marble base, and stepped rectangular stand, H29 x W38cm
French cast metal mantel clock, white enamel dial with Roman numerals signed Leroy a Paris, the case with seated robed male figure above scrolling floral and vine leaf decoration, with pendulum and key, twin train movement chiming a bell on the hour and half hour, movement signed and numbered 1319, H43 x W47cm
20th century Italian burr walnut and gilt metal mounted bracket clock, the dial with enamel hour plaques with Roman numerals, marked 'Made in Italy', Franz Hermle eight day two train movement striking a bell on the hour and half hour, with sun burst pendulum and key, H54cm Minor scratches to glass. Scrolling floral finial has come attached from one screw.On metal mount to shoulders on reverse is very slightly loose.Very minor scratches to case.Some minor scratches and marks to enamel hour plaques. No Key.Cannot guarantee the working order. Minor scratches to glass. Scrolling floral finial has come attached from one screw.On metal mount to shoulders on reverse is very slightly loose.Very minor scratches to case.Some minor scratches and marks to enamel hour plaques. No Key.Cannot guarantee the working order.
Early 19c Eight day longcase clock, the 33cm square painted dial signed J L D Terry, Manchester and having Roman numerals and having sprays of flowers within fan shapes in the corners. The dial centre has a date ring and a moonphase dial. The movement is rack striking on a bell and has anchor escapement. it is contained in an oak and mahogany case with a broken architectural pediment to the hood above a painted horizontal panel above the dial. The hood has freestanding fluted columns and the trunk has inset fluted quarter columns. The long trunk door has a wavy top and has edge crossbanding of mahogany. The base has canted corners and an applied front panel with indented corner which is also crossbanded in mahogany and bracket feet. 214cm h.
A mid 19c French mantel clock the waisted case having a glazed pendulum aperture below the dial and decorated with gilt mounts and fret and surmounted by a gilt cherub. The case is veneered in mother of pearl and the front inlaid with brass foliage designs. The 9cm dia white enamel dial has Roman numerals and the two train movement has countwheel striking on a bell and a gilt shaped pendulum bob. The backplate is stamped Edward Bright, Paris and the clock stands on a rectangular giltwood base. Overall 44.5cms h.
A late 18c 8 day longcase clock the 30.5cm arched painted dial signed Hampston Prince and Cattles , York. the dial is plain with no corner decoration and has Roman numerals with outer Arabic 5 minute markers and has seconds and date dials. The hands are of unmatched steel and the four pillar movement is rack striking on a bell and has anchor escapement. it is contained in an oak and mahogany case with swan necks to the hood and three bell and spire finials. there are freestanding fluted columns flanking the dial and the trunk has fluted quarter columns. the long trunk door has a wavy top and a mahogany cross banded strip around its edges. the base has a rectangular applied panel with a similar strip and a plinth with bracket feet. 228.5cms h.
After Camille Fonce (French 1867-1938) "Chartres", coloured etching, artist' proof limited edition, published by Alfred Bell, signed in pencil, 17½in x 24¾in (44.5cm 63cm), and "The River Vesle at Rheims" after the same hand, together with three other coloured etchings including a pair signed in pencil by Henri Fourday (5)
A late 19th century Swiss three-bell cylinder Music Box, playing six airs on 5in (12.5cm) cylinder and one-piece comb, the bells with flower finials, in hinged rectangular rosewood and faux rosewood case with floral marquetry decoration, music box in working order but bells need adjusting, comb missing one tooth, 16½in (42cm) wide x 10in (25cm) deep x 8½in (21.5cm) high.
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123939 item(s)/page