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Click here to subscribeA Victorian mahogany library table, the later tooled maroon leather inset top to a crossbanded ring and an applied moulding above three frieze drawers, one with a paper label for Hammond's, 30 Bell Yard, Lincoln's Inn, 109 Chancery Lane, fitted wood knob handles, on turned and octagonal tapering legs to brass castors, 5ft (152.4cm) wide.
A French clock garniture, in Art Nouveau style, the 8 day movement striking on a bell with an outside count wheel, to a circular opaque dial, the shaped case with gilt metal mounts and surmounted by a female figure titled Moissonneuse par Aug. Moreau, 24in (61cm) high, and a pair of five light candelabra, 21in (53.3cm) high. (3)
A George III oak cased longcase clock, the 8 day movement striking on a bell to an arched brass dial with subsidiary seconds dials and date aperture, the silvered chapter ring inscribed, Geo: Wynn Wokingham, the arch with a red lacquer sun boss, the moulded arch hood with eagle and ball finials, gilt corinthian capital columns, the arched waist door mahogany banded, the base on bracket feet, 7ft 5.5in (227.3cm) high.
A 19th century oak and mahogany banded longcase clock, the 8 day movement striking on a bell to a repainted arched dial with subsidiary seconds dial and calender aperture inscribed G. Davies, Dulgelly, the corner represting the continents, the moon phase with a shipping scene and a chapel, the hood with a swan neck pediment, to a shape top waist door flanked by fluted quarter pilasters, the base on ogee bracket feet, 7ft 4in (223.5cm) high.
A mid 19th century oak and mahogany crossbanded longcase clock, the 30 hour movement striking on a bell to a painted arched dial with a calendar aperture painted foliage, the arch with a shepherdess, the hood with a swan neck pediment and fluted columns, the shaped waist door flanked by reeded quarter pilasters, the panelled base with a plinth moulding, 7ft 1in (85cm) high.
A Louis XIV tortoiseshell and gilt brass mounted mantel clock, the 8 day five pillar movement with a verge escapement, to an outside count wheel striking on a bell, the back plate inscribed 'Louis Baronneau A Paris,' the velvet covered dial with a silvered chapter ring, above a gilt brass cartouche inscribed Louis Baronneau A Paris, the case with a lift off top, corinthian capital side pilasters and glazed arched side panel, on a moulded base, 20.25in (51.4cm) high. restored
A George III ebonized bracket clock by Ellicot, the 8 day twin fusee movement striking on a bell, with a foliage, bird and basket of flowers engraved back plate, to an arched dial with a silvered chapter ring inscribed Ellicot London, the matt centre with a date aperture, rococo cast spandrels, the arch with a strike/silent dial, the caddy top with a brass handle, the circular and shaped glazed panel sides with a pull repeat to the right, on brass rectangular feet, 21in (53.3cm) high.
A late 17th century bracket clock, the twin fusee movement with a verge escapement and striking on a bell, repeating on three to a foliage engraved backplate inscribed Francis Raynsford at Charing Cross London, to a square brass dial with a silvered chapter ring inscribed Francis Raynsford at Charing Cross London, the matt centre with a date aperture, N/S lever above XII to cast churub spandrels, the ebony veneered and pearwood case with a caddy top fitted a brass handle, pierced mounts and later finials.
BELL, Caroline 'Pictures From the Pyrenees; or Agnes and Kate's Travels' Griffith & Farran, 1857. Cold. frontis, hand cold. illus. A. e.g. Glt. cl. bumped. Tog.with ST.JOHN, The Hon. Ferdinand, 'Rambles in Germany, France, Italy & Russia in Search of Sport.' London, 1854. 8vo. cold. plts. joints weak. 2.
A circa 1700 longcase clock dial and movement, the square dial, width 10ins., having matted centre, silvered chapter ring with Roman numerals and signed John Manley of Bury, single pierced blue steel winding hole, corner cherub mask spandrels, 30 hour weight driven movement, having verge escapement and striking on a bell, the whole housed in later ebony architectural wall mounted case with blind carved frieze and glazed sides, height 74cm
A large 19th century Italian wine barrel head, to form a circular wall panel, carved in high relief with a decorated bell suspended by acanthus leaves from a shield within a bold surround of fruiting vine, the base with a banner inscribed 'Felix Diogenes Talidolio' on a ribbon banner, 39.5in diam
A collection of plated cruets and other items, comprising; a cauldron shaped six piece cruet set on lion mask and paw feet, a pair of bell-shaped salt and pepper pots, a glass sugar caster, a six division toast rack, a pierced biscuit stand, a pierced round cruet frame with beaded borders, a chased ring handle and four bottles, and a pair of sauceboats with flying scroll handles and hoof feet
A French, 19th century green marble and gilt bronze mounted mantel clock, in the Louis XVI style, the drum cased movement flanked by a pair of sleeping putti, with Doves of Pliny finial. The rectangular marble base inset with pierced brass panels depicting cavorting putti, raised on four gilt metal legs. Striking on a bell. 42cms tall x 50cms wide.
A 1936 BERLIN OLYMPICS PARTICIPATION MEDAL designed by Otto Placzek, the obverse with fine Art Deco-style athletes, (representing the five continents) pulling the ropes of the Olympic bell, the reverse with a bell centred by the German eagle holding the five Olympic rings, within five concentric bands, 7cm, (2.75in) diameter.
A PAIR OF EDWARDIAN SILVER VASES each of tapering circular section on spreading circular feet, the bodies pierced and relief-decorated with bell- flower swags and oval flowerhead paterae, beneath a beaded rim, hallmarked Chester, 1902, makers G N & *H (marks rubbed), each 18.3cm, (7.2in) high (loaded) (lacking glass liners).
Japy Freres & Cie, Paris A 19TH-CENTURY ORMOLU-MOUNTED PAINTED ALABASTER MANTEL CLOCK having a pine cone finial to the two-handled urn surmount, the body having spearhead-centred rosette finials to the scrolling side ornament, on a broadening rectangular section base, the sloping front having two painted panels depicting putti resting upon clouds, on four turned brass feet, the movement, striking the half-hours on a bell, stamped 'JAPY FRERES & CIE/EXPOSITION 1855 - GRANDE MED. D'HONNEUR', numbered L1828, the dial having a painted chapter ring (worn ) with separately enamelled Roman numerals framing a painted scene with a female musician playing a wind instrument for a dancing cherub, 39cm, (15.3in) high (sold with two keys plus pendulum).
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