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Lot 727
A 19TH CENTURY FRENCH ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK, the blue and parcel gilt porcelain dial with Roman chapters with central cherub and dove decoration, signed Deniere a Paris, the twin train movement also signed with bell strike, the case with further matching porcelain panels with bird surmounts, 11 ½" high.
Lot 730
AN 18TH CENTURY FRENCH WHITE MARBLE AND GILT METAL MOUNTED MANTEL CLOCK, the white enamel convex Roman dial with Arabic five minutes signed Charles Bertrand, the twin train movement also signed with bell strike, the break arch case with flowering urn finials over column supports with foliate mounts and turned feet, 18" high.
Lot 740
A GEORGE III MAHOGANY BRACKET CLOCK, the bell top case with brass swing handle, break arch glazed door to front and rear, glazed side panels above a moulded skirt base, raised on gilded brass ogee bracket feet. The brass break arch dial with Roman chapter ring and Arabic five minutes, the matted centre with recessed date dial above an arched name plate inscribed Charles Wrench, London, all beneath a strike/silent ring to the arch with cast foliate spandrels, the twin train fuseé movement with bell strike, verge escapement and pull repeat, the back plate engraved with foliate scrolls and central pagoda, 20" high handle up.
Lot 741
A GERMAN WHITE METAL TABLE CLOCK of square serpentine form, the Roman dial with Arabic five minutes, glazed side apertures with cast bezels and corner masks, the hinged base with scroll feet and bell, opening to reveal a pierced balance cock, housed in an outer wooden case with white metal clasp, hinge and roundels, 3" square.
Lot 751
A GEORGE III SCOTTISH MAHOGANY AND STRING INLAID LONGCASE CLOCK with swan neck pediment, the circular white enamel dial with Roman numerals, subsidiary seconds and date dials, inscribed `D.G. Alexander, Kilmarnock`, and with painted spandrels representing portraits of `Burns`, `Ramsay`, `Fergusson` and `Scott` and also painted `Lady Of The Lake` in the arch, eight day movement striking on a bell.
Lot 753
A 19TH CENTURY FRENCH MANTEL OR TABLE CLOCK, the nautical gilt metal case in the form of a sailor upon a sail boat with rope tied bale containing a white enamel convex dial with Roman numerals signed C de. Allier a Paris with twin train movement, silk suspension and bell strike, raised on a canted base with knurled feet, 18" high.
Lot 776
A 19TH CENTURY FRENCH MANTEL OR TABLE CLOCK with white enamel Roman dial and twin train Marti bell striking movement, the gilt metal and alabaster case signed Mourey, surmounted with a figure of a smartly dressed huntsman with gun, dog and pheasant on a foliate and scroll base with additional gilt wood and ebonised bases, the clock 16" high.
Lot 163
A late Victorian black slate and marble mantel clock of architectural form, retailed by J W Benson, Luggate Hill, London, the 5 inch dial with white enamel chapter ring of Arabic numerals and centred anchor escapement, the eight day movement striking on a bell, stamped `49335`, the architectural case with half fluted side pilasters, on a rectangular stepped base, 45cm wide, 32.5cm high, 16cm deep
Lot 278
A painted satinwood Pembroke table in the 18th century taste, the oval top with painted central oval panel within radiating stylised leaves and bell flowers between painted ribbon and garland swags to the drop-leaves all within a green painted urn and swag border over a short bowed frieze drawer on slender square tapering legs terminating in brass castors, 90.5cm wide, (open), 36.5cm wide (closed), 73cm high, 60cm deep
Lot 187
DUFFTOWN-GLENLIVET-8 YEAR OLD Distilled and bottled by Arthur Bell & Sons Ltd. Level: In the Neck. Label is aged. Single malt whisky, 26 2/3 fl. ozs., 70 degree proof. INCHGOWER-12 YEAR-OLD As above. Level: In the Neck. Label is faded, ripped in places. Single malt whisky, 26 2/3 fl. ozs., 70 degree proof. 2 Bottles.
Lot 215
AUCHENTOSHAN-12 YEAR-OLD Distilled 1992, bottled May 2005. Bottled by Wm. Cadenhead. Part of the Authentic Collection. Limited edition, only 294 bottles released. Single malt whisky, 75cl, 57.2% volume. JURA-10 YEAR-OLD Distilled and bottled by Isle of Jura Distillery. Single malt whisky, 70cl, 40% volume. BELL`S MILLENNIUM-8 YEAR-OLD Blended and bottled by Arthur Bell and Sons Ltd. Blended whisky, 70cl, 40% volume. 3 Bottles.
Lot 226
GLEN GRANT-10 YEAR-OLD Bottled by Glen Grant Distillery. Imported by Giovinetti G.I.B. Old style dumpy bottle. Sealed for the italian market. Single malt whisky, 75cl, 43 degree GL. DUFFTOWN-GLENLIVET-8 YEAR-OLD Distilled and bottled by Arthur Bell & Sons Ltd. Labels are aged and damaged. Level: High Neck Fill. Single malt whisky, 26 2/3 fl. oxzs., 70 degree proof. 2 Bottles.
Lot 382
BLAIR ATHOL-8 YEAR-OLD Distilled and bottled by Arthur Bell & Sons Ltd. Level: In the Neck. Single malt whisky, 26 2/3 fl. ozs., 70 degree proof. DUFFTOWN-GLENLIVET-8 YEAR-OLD Distilled and bottled by Arthur Bell & Sons Ltd. Level: In the Neck. Single malt whisky, 75cl, 40% volume. INCHGOWER-12 YEAR-OLD Distilled and bottled by Arthur Bell & Sons Ltd. Level: In the Neck. Single malt whisky, 26 2/3 fl. ozs/75.7cl., 70 degree proof. 3 Bottles.
Lot 422
INCHMOAN Distilled 25th November 1994, bottled 26th January 2005. Distilled at Loch Lomond Distillery. Exclusively selected for The Whisky Fair. Limited edition, bottle no. 163 of 222 from Cask no. 647. Single malt whisky, 70cl, 55.4% volume. BLAIR ATHOL-8 YEAR-OLD Distilled and bottled by Arthur Bell & Sons. Level: Top of Shoulder. Single malt whisky, 75cl, 40% volume. 2 Bottles.
Lot 661
BLADNOCH PURE Distilled and bottled by Arthur Bell & Sons plc. Old style white label. Level: High Neck. In original box. Single malt whisky, 75cl, 40% volume. CARDHU-12 YEAR-OLD Distilled and bottled by John Walker & Sons Limited. Level: Upper Middle of Shoulder. Damage to neck seal. In original box. Single malt whisky, 75cl, 40% volume. 2 Bottles.
Lot 765
RAITH ROVERS THE FINAL BLEND Blended and bottled by United Distillers. Limited edition, bottled to celebrate Raith Rovers Scottish Football leauge Cup Champions 1994. Level: In the bottle. In original wooden presentation box. Blended whisky, 70cl, 40% volume. GLENMORANGIE-10 YEAR-OLD GIFT SET Distilled and bottled byGlenmorangie Distillery coy. In gift box, badly damaged, with glass and water jug. Single malt whisky, 70cl, 40% volume. KING OF SCOTS PROCLAMATION DECANTER Blended and bottled by Douglas Laing & Co. Ceramic decanter. Blended whisky, 75cl, 43% volume. GLENFIDDICH PURE MALT Distilled anf bottled by William Grant & Sons. In original tin with Clan MacPhaerson on front. Single malt whisky, 75cl, 40% volume. ANCNOC-12 YEAR-OLD Distilled adn bottled by Knockdhu Distillery Co. Old style white and gold label. Single malt whisky, 70cl, 40% volume. LOCH LOMOND SINGLE MALT Distilled and bottled by Loch Lomond Distillery Co. Ltd. In original tube. Single malt whisky, 70cl, 40% volume. BELL`S EXTRA SPECIAL Blended and bottled by Arthur Bell & Sons Ltd. Level: Upper Middle of Shoulder. Blended whisky, 70 degree proof. 7 Bottles
Lot 104
A Regency brass inlaid mahogany bracket clock, George Lowe, Gloucester, early 19th century, the five pillar twin fusee bell striking movement with original anchor escapement and shouldered plates, the 8 inch circular white painted convex Roman numeral dial signed LOWE, GLOUCESTER to centre and within cast brass bezel, the arched case with brass ring handles above gothic tracery pointed arch frets to sides and stylised star and foliate motif inlaid decoration to the ebony line edged front, on moulded plinth base with further brass line decoration and brass ball feet, 44cm high. George Lowe is recorded in Dowler, Graham GLOUCESTERSHIRE CLOCK AND WATCH MAKERS as working from Westgate Street, Gloucester 1817-42.
Lot 106
A French oval brass four glass mantel clock, late 19th century, the eight-day bell striking movement with mercury compensated pendulum and visible Brocot escapement to the recessed centre of the two-piece white enamel Roman numeral dial, the bevel glazed case with moulded cornice and base, 27.5cm high.
Lot 109
A French gilt metal mounted tortoiseshell mantel clock. Retailed by Finnigans, Manchester, circa 1900, the eight-day gong striking movement with circular white enamel Arabic numeral dial signed FINNIGANS, MANCHESTER to centre, within cast brass bezel fitted with convex bevel glass, the 18th century style case with brass hinged carrying handle and urn finials to the bell top upstand above foliate cast gilt mouldings and winged cherub head mounts above concave topped wondows to sides, on moulded plinth base with cast feet, 31 cm high excluding handle.
Lot 111
A French Empire ormolu mantel clock with moonphase, Arnout a Paris, early 19th century, the eight-day bell striking movement with outside countwheel and silk suspension, the two piece silvered Roman numeral dial with visible deadbeat escapement above rolling moonphase and signature Arnout a Paris to centre and with Breguet hands, the case with griffin cast handles to urn surmount above ivy entwined torch to frieze and Composite cast pilasters to front angles, on plinth base decorated with a laurel entwined baton to apron and block feet (gilding heavily rubbed), 56.5cm high. . Provenance: Ropley House, Alresford, Hampshire
Lot 112
A French Louis XVI gilt brass and white marble small mantel clock, late 18th century, the eight-day movement with countwheel bell strike, silk suspension and circular white Roman numeral enamel dial signed Henry Voisin to centre and with Arabic five minutes to the outer track, the rectangular case with urn surmount above reeded half-round columns to sides and foliate spray fronted glazed aperture beneath dial, on shaped white marble base inset with foliate panels, on toupie feet, 30cm high.
Lot 114
A French Louis XV style ormolu mantel clock, Raingo Freres, late 19th century, the eight-day bell striking movement with silk suspension and stamped with manufacturer‘s trademark to backplate, with gilt scroll centred Roman numeral enamel cartouche dial in a waisted elaborate assymetric scroll cast case with applied dragon to apron and on integral scroll feet, 34cm high.
Lot 115
An ebonised table clock, mid 18th century and later, the 19th century four pillar twin fusee bell striking movement with anchor escapement, applied to the original 7 inch brass break-arch dial with false bob aperture, calendar aperture and oval plate inscribed Jno. Carter, London to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minute and fluer-de-lys half hour markers, the angles with mask and scroll cast spandrels beneath arch with rosette centre engraved subsidiary regulation dial (redundant) flanked by conforming mounts, in an inverted bell-top case with brass carrying handle above break-arch windows to sides, on moulded base with squab feet, 44cm high excluding handle.
Lot 117
A French engraved gilt brass oval carriage clock, unsigned, late 19th century, the eight-day bell striking movement with replaced platform lever escapement, push-button repeat and circular white Roman numeral dial set into a foliate scroll engraved rectangular gilt mask, the case profusely engraved with foliate scrolls and geometric borders with scroll outline arch shaped hinged carrying handle above bevelled glasses and moulded plinth base, 14cm high with handle folded down.
Lot 119
A Regency brass mounted mahogany bracket clock, bearing signature for John Bennett, London, early 19th century, the five pillar twin fusee bell striking movement with anchor escapement and unusual shaped plates, the 8 inch circular cream painted Roman numeral convex dial bearing signature JOHN BENNETT, 65 & 64 CHEAPSIDE, LONDON to centre, with brass bezel and in rectangular chamfer-top case with large brass pineapple finial above ring side handles and fishscale pierced frets to sides, the front with recessed brass-fillet bordered quadrant panel infill and brass strip inlaid canted angles, on stepped base with fluted ebonised border decoration and brass ball feet, 43cm (17ins) high excluding finial, 49.5cm (19ins) high overall.
Lot 403
Drocourt, Paris, a one-piece French carriage clock having an eight-day duration movement with a platform lever escapement, striking the hours and half hours on a bell, the backplate stamped with the trademark of the maker Drocourt, with the serial number `7275`, along with the retailer`s name engraved in script `Payne & Co, 163 New Bond Street, London`, the damaged white enamel dial having black Roman numerals, blued steel `moon` hands and with repeat signature for the retailer, height, 13cm (handle down); 16cm (handle up) And one other French eight-day striking carriage clock contained in a Corniche case. * Pierre & Alfred Drocourt were one of the top makers of carriage clocks in the mid to late Victorian period, having a factory at Saint-Nicolas-d`Ailermont, the most important town for carriage clock manufacture at the time, as well as premises in Paris at Rue Debelleyme 28 and Rue de Limoges. They made superb carriage clocks which were often decorative and were awarded numerous medals at exhibitions, such as the Bronze Medal at Paris 1867, the Silver at Paris 1878 and the gold at Paris in 1889. The son, Alfred, succeeded his father Pierre sometime in the 1870`s.
Lot 408
A mid-Victorian French Lyre mantel clock having an eight-day duration movement with silk suspension and bee shaped cast pendulum bob, striking the hours and half hours on a bell with an outside countwheel, the brass champleve dial having floral decoration to the centre, black Roman hour numerals, blued steel moon hands and a decorative cast `acanthus leaf` surround, the mahogany lyre-shaped case having applied gilt metal mounts, height 44cm.
Lot 409
A William IV mahogany bracket clock having an eight-day duration, five pillar double fusee movement striking the hours on a bell, the eight-inch round painted convex dial having black Roman numerals and blued steel moon hands, the mahogany case with a shaped serpentine top with applied carving below, scroll lower sides, wooden fretwork to the sides and canted corners with inlaid brass, complete with matching mahogany wall bracket, height, 42cm (bracket 24cm)
Lot 416
Williams, Merthyr, a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted twelve-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture, painted shell decoration to the corners, a painted scene to the arch depicting a large house beside a river, decorative brass hands and signed `Williams, Watch Maker, Merthyr`, the dialplate to the movement stamped with the dialmaker`s name `Walker & Hughes, Birmingham`, the mahogany case having a short door, a swan neck pediment with three brass `eagle` finials, wavy cresting, with wavy moulding to the hood door and having fluted columns with cast brass capitals to the hood and stringing to the trunk door and base, height 226cm (inc. finial). * There were a number of makers named Williams working as clockmakers in Merthyr Tydfill at the beginning of the 19th century including Griffith Williams circa 1810, Evan circa 1822 and William 1822 until 1837. * For details of the dialmaker Walker & Hughes see lot no. 419.
Lot 417
Joseph Donisthorpe, Normanton, an oak longcase clock having an eight-day duration movement striking the hours on a bell, the associated eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and `flame` half-hour markings, the matted dial centre having a large date aperture and a raised plaque engraved with the maker`s name `Donisthorpe, Normanton`, with cast brass `vase & scroll` spandrels to the four corners, the oak case having a break-arch door and a flat-topped hood with turned wood pillars, height 190cm. * Joseph Donisthorpe is recorded as working at Normanton-le-Heath, Leicestershire until 1774. He was the eldest son of George Donisthorpe of Charley (1653-1728) and was apprenticed in 1716. He set up at Normanton-le-Heath in circa 1723, working there until 1767 when he moved to Loughborough. One of his apprentices was the well-known clockmaker Samuel Deacon of Barton-in-the-Beans.
Lot 418
James Webb, Frome, an Adam & Eve automata longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having black Roman numerals, Arabic five minute markings, a subsidiary seconds dial, date aperture, blued steel hands, painted `strawberry` corner spandrels and having an Adam & Eve automata to the arch, the falseplate stamped with the name of the dialmaker `Wilson, Birmingham`, the oak case having a raised panel to the base, fluted columns with cast capitals to the flat-topped hood and shell inlay to the base & door with further inlay to the corners, height 206cm. (movement a/f) * James Webb is recorded as working in Frome from circa 1760 until 1814 working with his son Thomas from 1806 as Webb & Son. * James Wilson was a pioneer of the painted `enamel` dial having started his manufactory in Birmingham in circa 1772 in partnership with Thomas Osborne. An advert from Aris`s Birmingham Gazette in 1772 describes the partners making `White Clock Dials in Imitation of Enamel, in a Manner entirely new`, being the new style of painted dial that was to become so popular. On the dissolution of the partnership in September 1777 James Wilson set up on his own account at 11, Great Charles Street before enlarging into number 12. James Wilson died in 1809, aged 54, and his business effectively went with him after a relative of his wife, Nathaniel Porter, tried unsuccessfully to run it but ended up going bankrupt in 1811.
Lot 419
Benjamin Mayne, Kelvedon, an Adam & Eve automata longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having black Arabic numerals, a subsidiary seconds dial, date aperture, later hands, painted `floral` corner spandrels and indistinctly signed `Bn. Mayne, Kelvedon`, with an Adam & Eve automata to the arch, the falseplate stamped with the name of the dialmaker `Walker & Hughes, Birmingham`, the oak case having fluted columns with cast capitals to the break-arch hood and arched trunk door, height 193cm. * Benjamin Mayne is recorded as working in Kelvedon, Essex from before 1839 until 1851. * George Walker & Thomas Hughes were working in Birmingham from 1812 until 1834, when the former died, having become the most important and prolific of the Birmingham dialmaker`s over the two decades.
Lot 420
Whitehurst, Congleton, an oak longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel consisting of pins set on the barrel wheel, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and signed `Whitehurst, Congleton`, with a date aperture to the dial centre and cast `four-season` corner spandrels, the oak case having a shaped top to the trunk door, turned pillars to the flat-topped hood and standing on bracket feet, height 204cm. * Egerton Whitehurst was a member of the famous Whitehurst family of clockmakers from Derby who originated in Congleton and included John Whitehurst, Fellow of the Royal Society, clockmaker & philosopher and maker of many fine clocks. The firm of Whitehurst & Son of Derby were invited to tender for the Great Clock at Westminster (commonly known as Big Ben)
Lot 421
George Weller, Exon (Exeter), a mahogany longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a matted centre with ringed winding holes, date aperture, subsidiary seconds dial and engraved with the maker`s name `Geo. Weller, Exon`, the raised, silvered chapter ring engraved with black Roman numerals, `fleur-de-lys` half-hour markings, lozenge half-quarter hour markings and Arabic five-minute outer numerals, with wheatear border engraving and `Indian-head` cast brass corner spandrels, the associated mahogany case having three-quarter turned columns to the hood with the swan-neck pediment having wooden paterae and a turned wooden finial, with reeded quarter columns to the trunk, plain base and bracket feet, height 220cm. * George Weller is recorded as working in Exeter from at least 1718 until 1742, in which period it is known that he `kept` the Exeter Cathedral clock and that he was also charged with looking after the clock and chimes of the St. Thomas church clock for which he received a salary of 10 shillings per annum.
Lot 423
Thomas Bennet, London, an oak and mahogany longcase clock, having an eight-day duration, five pillar movement striking the hours on a bell and with brass bound weights, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and half-hour lozenge markings, with cast brass `female-head` spandrels to the corners, the matted centre having a subsidiary seconds dial and date aperture, the arch having a boss engraved with the maker`s name `Thos Bennet, London` and cast `dolphin` spandrels, the flat top case having fretwork either side of the arch, raised mouldings to the trunk door and applied three-quarter columns with brass capitals to the hood, height 207cm. * Thomas Bennet was apprenticed in 1710 becoming a Freeman of the Worshipful Company of Clockmakers in 1720.
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