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Click here to subscribeGauge l locomotive and track side accessories, Bing c/w 0-4-0 locomotive and tender, fair condition, Bing green painted ticket dispenser with gold lettering, 6 ¾” (17cm) high, tinplate painted clock with German City destination signs, Dutch railway map and timetable with destination boards above and curved roof, track bell signal, lamp post and signal, together with a packing paper twin roller dispenser, all good to fair condition, (8 items).
Scarce Early Japanese ‘Stop and Go’ traffic Cop, pre war, lithographed tin plate clockwork base, with working clock work motor and bell, celluloid policeman, stop and go sign, in excellent condition, 8 ¼” (21cm) high, with a excellent original box. Label on side of box has no 3876-Sep 1936- Y on H red logo made in Japan.
A 19th Century ormolu and servres style porcelain mounted mantel clock, stamped to the reverse "Phillip Mourey", the circular cherub decorated dial with Roman numerals, supporting an 8 day movement striking on a bell, the case decorated with a central urn and garlands above ribbons and swags, 40cm high
A George III oak longcase clock, with caddy top hood, ball and spike finials, and brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.
A Regency mahogany and brass bracket clock, by William Burwash, the domed 20cm dia. dial named and titled London revealing an eight day pendulum swung double fusee movement striking on a bell, in a polished domed case with upper swing handle flanked by quarter columns on brass orb feet, 57cm high.
Bronte (Charlotte, Emily & Anne). [Poems, by Currer, Ellis, and Acton Bell, 1st edition, later issue, Smith, Elder and Co., 1846, i.e.1848], title-page lacking, 16pp. publisher's catalogue with date May 1848 at rear, no errata slip, occasional marks, original blind-stamped olive green cloth, some water staining and fading, 8vo, together with Crabbe (Rev. George), The Borough: A Poem, in Twenty-Four Letters, 2 volumes, 4th edition, 1812, half-titles present with inscription to volume 1 half-title 'To Miss Waldron from the Author', contemporary gilt decorated calf, upper board to volume 1 detached, joints cracked and light wear, small 8vo First title see Hayward 266; Parrish pp.82-85; Wise 2. The Bronte sisters' first venture into print was a failure, selling only a few copies of the 1,000 printed when it was first published by Aylott and Jones in 1846. Several copies were distributed by the Brontes to friends, but the balance of 961 copies was tranferred to Smith, Elder and Co., who, after the success of Charlotte Bronte's 'Jane Eyre', reissued the volume in October 1848 with a cancel title-page. (3)
Foa (Edouard). After Big Game in Central Africa..., translated from the French, with an Introduction by Frederic Lees, 1st edition, 1899, portrait frontispiece, map and half-tone illustrations, advertisements at end, ink stamp of the Royal National Parks of Kenya to rear endpaper, a few thumbmarks, top edge gilt, original cloth gilt, spine darkened, joints and edges rubbed, 8vo, together with In Wildest Africa, byC.G. Schillings, translated by Frederic Whyte, 2 volumes, 1907, half-tone illustrations, a few minor spots, endpapers renewed, original pictorial cloth, Norfolk & Norwich Library stickers to upper covers, a few mottled stains, 8vo, plus The Wanderings of an Elephant Hunter, by W.D.M. Bell, 1st edition, 1923, monochrome illustrations, a few light spots, small previous owner inscription, original cloth-backed boards, some fading and light flecked stains, 4to, with four others including C.G. Schillings With Flashlight and Rifle, second and popular edition, circa 1906, Marius Maxwell's Stalking Big Game in Equatorial Africa with a Monograph on the African Elephant, 1924 and John G. Millais' Far Away Up the Nile, 1924 (8)
A George III oak longcase clock, the eight day movement striking on a bell, the brass dial with cast eagle and urn spandrels, with a silvered chapter ring with Roman and Arabic numerals, with engraved scrolls and inscribed 'Stripling Lichfield', with subsidiary seconds dial and a date aperture, the case decorated with parquetry inlay and with fluted quarter pilasters, 210.5cm high.
A late 19th century French four glass mantel clock, the eight day twin barrel movement striking the hours and half-hours on a bell, the backplate stamped '2190', with a mercury pendulum, the circular white enamel dial with Roman numerals, with bevelled panels and a gilt brass moulded case, 21.9cm high, 13cm wide.
A late 19th century French gilt and patinated brass chinoiserie mantel clock garniture by Achille Brocot, the eight day movement striking on a bell, the backplate stamped 'A STAR B' and numbered '654314', with a silvered circular dial with Roman numerals, the pagoda shaped case decorated with gilt, silvered and coppered figures with buildings, birds and trees, together with a pair of matching urns, 39.4cm high (max). (3)
A George III oak longcase clock, the eight day movement striking on a bell, with a brass dial and cast cherub mask spandrels, the silvered chapter ring with Roman and Arabic numerals and inscribed 'Tho. Bramston Oundle', with subsidiary seconds dial and date aperture, the hood with a swan neck pediment and brass eagle finials, 215.2cm high.
A George II walnut bracket clock by William Fleetwood, the eight day twin fusee movement striking on a bell, with a verge escapement, the backplate finely engraved with scrolls, flowers and the bust of a lady, the arched dial with a silvered chapter ring with Roman and Arabic numerals, signed 'WILLM FLEETWOOD LONDON', with Strike/ Not Strike dial and calendar and pendulum apertures, the case with a brass handle and a bell top, with fret carved decoration, together with a modern bracket, 49.2cm high. (2)
[Daunt, H.E.]. Inaka or Reminiscences of Rokkosan and other Rocks, Collected and Compiled by the Bell Goat, Member of the Japan Alpine Club, Member of the Ancient Order of Mountain Goats, etc., volumes 6-10, 14, 17 & 18, a total of 8 (of 18 issues), Kobe, 1917/24, black and white plates, many from photographs, some colour plates and folding plans, original cloth with pictorial gilt motif of a goat to upper covers, first 6 volumes rubbed and soiled with some fraying, volumes 8 & 14 partly damp bleached, some loss of cloth at foot of spine to volume 14, 8vo H.E. Daunt was a leading light of the Mountain Goats of Kobe (NGK), a group of Kansai-based foreign mountaineers. The Mountain Goats followed in Reverend Walter Weston's footsteps. Rare. (8)
Tokens, British, Somerset, Crewkerne (2): Roger Brewer, farthing, 1668, lion (W.106); Iohn Grenway, farthing, family arms (W.109); Croscombe, George Blindman, farthing, 1668 (W.112); Freshfield (4): Iohn Cvrle Senior, farthings (2 - different reverse dies), 1663, bell (W.124); Iohn Cvrle Ivnior, farthings (2 - different reverse dies), 1666, family arms (W.125); Frome (5): Town farthing, 1670 (W.127); Henry Marchant, farthing, 1654 (W.129); Iohn Sanders, large farthing, 1671, stocking (W.133); Robart Whitchvrch, farthing, 1651, Mercers’ Arms (W.135); Samvel Whitchvrch, farthing, Mercers’ Arms (W.137); Ilminster (3): William Crosse, farthing, hart (W.166); William Crosse, farthing, 1658 (W.167); Alice Raw, farthing, 1664, St. George and the dragon (W.170 var. - A over O in RAW); Langport, Portreeve, farthing, 1667, portculllis (W.175); Minehead, Town farthing, 1668, ship/woolpack (W.187); Montacute, Iohn Clother, farthing, 1655, unicorn (W.195); Nether Stowey, William Patey, farthing, fleur-de-lis (W.198); Nunney, George Ashe, farthing, 1652, Mercers’ Arms (W.202), W.170 and W.195 fair but rare, W.202 poor but extremely rare and the only issue for the village, the others fair to nearly very fine (20) * W.166 ex Norweb (4065), W.167 ex Norweb (4064), both rare
Tokens, British, Northamptonshire, Bulwick, William Watts, halfpenny, 1669, swan (W.15); Higham Ferrers, Twyford Worthington, halfpenny, 1656, goat (W.41); King’s Cliffe, Overseers, Town halfpenny, crown/fleur-de-lis (W.48); Northampton (6): Thomas Cooper, farthings (2 - same dies), 1652, Ironmongers’ Arms (W.68); S.R., Town farthing, castle gateway/lions (W.74); I.S., Town halfpenny, castle gateway/lions (W.75; N.3401 confirms denomination); I.S., farthing, 1651, scales, Bird Streete (W.80); Anchor Willdinge, farthing, anchor, Mercer (W.86); Oundle (3): Feefees, Town halfpennies (2 - same dies, one on thicker flan), talbot/griffin (W.88); Will Filbrig, farthing, 1658, arms, Linen, Draper (W.95), Peterborough (4): Ouerseers, octagonal Town halfpenny, 1669, crossed swords between 4 crosses (W.104, dated incorrectly 1666 in Williamson); Town Bailife, octagonal Town halfpenny, 1670, crossed swords between 4 crosses (W.106); Margret Kempe, farthing, 1664 (W.127); Richard Tompson, halfpenny, 1668 (W.138); Towcester (2): William Bell, halfpenny, Dyers’ Arms (W.157); Iohn Kingston, halfpenny, 1666, scales, Mercer (W.167); Wansford, George Boseman, farthing, 1666, sugar loaf (W.173); Wellingborough (2): William Seer, farthing, 1665, scales (W.176); Henry Smith, farthing, three cloves above bell (W.177), W.127 poor, the others fair to nearly very fine (21) W.15 and W.173 the only issues for the villages.
A George VI silver spoon and fork, by C.W. Fletcher & Son, London 1943; a George VI silver spoon and fork, by Arthur Price & Co. Ltd., Birmingham 1945; a pair of Victorian silver teaspoons, by Reid & Sons, Newcastle 1837; three George III silver teaspoons, by David Darling & James Bell, Newcastle; two William IV silver teaspoons, by Thomas Wheatley, Newcastle 1834-1835; and a George V silver teaspoons, by Thomas Sewell, Newcastle 1827, 7.5oz gross. (12)
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