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Lot 987
A George III yew wood longcase clock by James Booth, Dublin. With castellated swan neck pediment, marquetry inlaid fluted Corinthian column supports, having feather stringing and raised on a stepped plinth. With square brass dial ornamented with cherub mask spandrels, silvered chapter ring with Roman numeral markers, having subsidiary seconds and date display. Housing an 8 day movement striking on a bell, 2m 36cm high, dial 36cm. Condition Report. To be used as a guide only. Sold with weights and pendulum. No keys. Case in good order.
Lot 777
An early 19th century French gilt bronze mantel clock on rosewood and marquetry plinth under glass dome. Surmounted with a horse and dog, with enamel dial and adorned to the base with acanthus scrolls and a satyr mask. Housing an 8 day movement with silk suspension pendulum and chiming half hourly on a bell, clock 27.5cm, overall 39cm. Condition Report. To be used as a guide only. Dial cracked. Clock not running. Right hand spring broken or lacking. With key and pendulum.
Lot 722
A Biedermeier mahogany cased eight day fusee bracket clock. With enamel dial having Arabic numeral markers signed Le Cems est court. With a brass four pillar two train movement having anchor escapement and striking hourly on a bell with pull repeater, stamped R. Maurer, Eisenbach, clock 43cm, with bracket 67cm. Condition Report. To be used as a guide only. Running. With pendulum but no key. Some alterations inside the case where the movement sits. Hair cracks and slight filled repair to the dial.
Lot 738
A mid 19th century French bronze and sienna marble figural mantel clock. Surmounted with Zeus and attendant. Housing an eight day cyliner movement striking half hourly on a bell, 54.5cm high. Condition Report. To be used as a guide only. Case in good condition. Slight marble chips only. With pendulum, no key.
Lot 786
An early 20th century French brass cased oval four glass mantel clock with enamel dial having white paste set bezel. Housing a cylinder movement striking half hourly on a bell and with mercury pendulum, 26cm high. Condition Report. To be used as a guide only. Running. No key. Glass panels in good order. Movement slightly loose in its housing.
Lot 626
A 19th century French alabaster clock garniture by Thomas of Paris. Surmounted with a figure of Cupid in a hushing pose, with gilt brass dial having foliate bezel and signed. Housing an eight day silk suspension movement striking half hourly on a bell, 47cm high. Condition Report. To be used as a guide only. With pendulum. Some repair to the wings. Cupid lacking little finger on his right hand. One urn separate from the plinth. Some chips.
Lot 719
A 19th century French assembled ormolu clock garniture with Sevres style panels. The clock with urn shaped finial is painted with a Watteaesque scene and housing and eight day movement striking half hourly on a bell, stamped H. P. & Co. Flanked by a pair of larger covered urns, turquoise ground, gilded and jeweled and each finely enamelled with Classical subjects. Urns, 38cm. Condition Report. To be used as a guide only. Urn finial loose. No pendulum. Clock lacking one foot. Some jewelling lacking from the lower panel of the clock. No cracks or repair to the porcelain.
Lot 701
A 19th century slate mantel clock and barometer set. The clock with visible anchor escapement and enamel dial is signed C. Bastien, Limoges. Housing an 8 day movement striking half hourly on a bell, 39.75cm. Condition Report. To be used as a guide only. Some slight slate chips. Mechanism working.
Lot 674
A 19th century gilt metal mantel clock set with Sevres style panels and surmounted with a twin handled neo Classical urn. Housing an eight day cylinder movement striking half hourly on a bell, stamped Bennett, Cheapside, London, 42cm high. Condition Report. To be used as a guide only. No pendulum. Case and panels in good order. Some gilt wear to the porcelain.
Lot 47
Collection of Marc Bolan (T.Rex) memorabilia including Born to Boggie by Chris Welch & Simon Napier-Bell, Scrapbook Series T.Rex volumes 1 & 2, Record Collector 1986. Poster Magazine Marc Bolan Edition, eight photographic prints with copywriters from Marc Bolan Family Society and Marc Bolan Fans Scrapbook with various newspaper cuttings, pictures etc
Lot 433
AN EDWARDIAN WALNUT CASED EIGHT DAY MANTEL CLOCK fitted twin fusee chiming movement, the case with carved bell husk decoration, the engraved gilded face with silvered chapter ring with Roman hours and Arabic minutes, having strike/silent and regulati on indicators, on bun feet, case 35cm high
Lot 2046
William G Bell (b.1928) ''Ship Street, Barrow'' Signed, signed and inscribed verso, mixed media, together with a further charcoal study by the same hand ''Underground at Solway Colliery'' and another pastel ''Old friends, Barrow Island'' 28cm by 41cm, 29cm by 34cm and 34cm by 48cm respectively (3)
Lot 2012
Roger Silvester (1939-2016) ''Medway Industrial'' Signed in pencil, inscribed and dated (19)61, lithograph, together with a coloured lithograph entitled ''Brick Kiln'', a drawing of a still life with pigeon and a further lithograph of an industrial scene by the same artist 40cm by 55cm, 42cm by 54cm, 36cm by 49cm and 54cm by 76cm respectively (4) Exhibited: Pigeon II and Brick Kilns exhibited with Zillah Bell Gallery, Thirsk
Lot 2155
Margaret Shields (b.1942) ''Fish & Bone'' Mixed media, together with a further signed work by the same artist entitled ''A passing ship'' and an abstract landscape oil by another artist 28cm by 38cm, 14cm by 19.5cm and 44.5cm by 49.5cm respectively (3) Provenance for Margaret Shields ''Fish and Bone'': Zillah Bell Gallery, Thirsk Margaret Shields was born in Middlesbrough, Cleveland in 1942. She attended Middlesbrough College of Art where contemporary art students included Len Tabner, William Tillyer and Dave Mulholland. After studying music at the Royal Academy of Music, London, she returned to the North of England to paint and teach music. Margaret's work reflects the juxtaposition of industry alongside great natural beauty. She specialises in seascape and landscape, connecting back to the fact that her father was a master mariner. Alongside marine pictures she also paints urban subjects; her townscapes exploring the clash of old and new, often including figures. Margaret has exhibited at Austen Hayes Gallery,York, Billingham Art Gallery, The Northern Art Exhibition, Grey Gallery and Zillah Bell Gallery,Thirsk to name a few. Further biographical details relating to the artist are sold with this lot
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123896 item(s)/page