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Lot 79
19th Century mahogany eight day long case clock, having circular painted dial with Roman numerals, seconds dial and date aperture, marked: Josh Phillips, Merthyr. The face 13" diameter. Two train movement striking on one bell. 214cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in good clean condition, the name on the face is not well painted, the platform is an addition.
Lot 257
Late 19th Century French gilt brass mantel clock, surmounted with an urn above a pair of handles and shell scroll supports, the white enamel dial with central gilt boss, twin train movement striking on a bell, the movement signed Japy Freres, together with the garnitures, the clock 40cm high
Lot 76
An unusual George III 8-day longcase clock with alarum, 12in. arched, silvered dial signed Plowman, Chichester, with subsidiary date and seconds dials, moon phases to arch, movement striking on a bell, movement with separate alarum train controlling strike, mahogany case with three brass pommel finials, trunk door with ebony stringing, with weights and pendulum, 7ft. 2in.
Lot 435
A Victorian silver folding picture frame, James Samuel Bell & Louis Willmott, London 1894,plain rectangular, with fittings for three photographs and clasp, the reverse stamped with retailer's mark 'DREW AND SONS, PICCADILLY CIRCUS, W. PATENT 17613', 15.3cm highProvenance: Daisy, Countess of Warwick, Easton Lodge, Essex.Literature: In J Culme's 'Directory of Goldsmiths & Silversmiths', it is noted that this firm traded as Bell & Willmott, patentees of the Spring Clasp for securing backs of mirror, photo and other frames (1895).
Lot 557
MINIATURES OR TOYS:- A pair of candlesticks and an inkstand with lift-off bell and two ink pots, by Asprey & Co.Ltd., London 1938, a late Victorian chamberstick, a five-piece tea set & tray by C. Saunders & F. Shepherd, Birmingham 1905 and an English dictionary in a case with magnifying lens; the inkstand 2.5" (6.5 cms) long; 3 oz weighable silver (lot)
Lot 950
William Gray, London, a contemporary brass lantern clock: the thirty-hour, weight-driven movement having a verge escapement and striking the hours on a bell, with countwheel strike, the dial engraved with floral decoration to the centre, the silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and having a single blued-steel hand, the centre engraved with the name William Gray, London, the brass case with turned pillars to the four corners, a silvered bell below the bell straps, and cresting to the front and sides, height 38 cms.
Lot 939
Delepine-Canchy, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate stamped with the trademark for Delepine, the name Pons within a roundel and dated 1827 (see note below) along with the serial number 783, and retailer's name Deniere à Paris, the round white enamel dial having black Roman hour numerals and blued steel spade hands, the decorative ormolu case with ormolu floral and c-scroll mounts with a silvered figure of a cherub sat to the front holding a wine goblet and bunch of grapes, height 35 cms.* Biography Delepine-Canchy of Saint-Nicolas-d'Aliermont took over the movement making business of Honore Pons in circa 1846 before becoming Delepine-Barrois, supplying movements to amongst others Henri Jacot. They continued to use the Pons trademark stamp which shows the award in 1827 of a gold medal. They were themselves taken over by their near neighbours in the town, Couaillet frères, in circa 1913, headed by Armand Couaillet.
Lot 936
An enamelled four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the maker Mougin à Paris, with a twin mercury jar pendulum with enamelled decoration, the round gilded dial having black Arabic hour numerals to each roundel with the centre and bezel with champleve enamelled decoration, with blued steel hands, the four-glass case with further enamelled decoration to the turned corner pillars, top moulding and plaque to the front, standing on cast feet, height 40 cms.* Notes For details of Mougin see lot no.930
Lot 934
Japy freres a Paris, A French Victorian ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark for Japy frères à Paris and numbered 9799, with a starburst bob to the pendulum, the grey marble dial signed for the retailer James Neill & Co, Belfast, and having applied raised gilt Roman numerals and blued steel moon hands, the ormolu case with three cherubs at play around four fluted pillars to which the clock movement is seated and a further truncated pillar between, height 45 cms.* Notes For details of Japy frères see lot no. 929
Lot 943
Richard Chater, London, a pad-top late-Georgian bracket clock: the eight-day duration, double-fusee movement with anchor escapement, border engraving to the backplate and striking the hours on a bell, the silvered brass break-arch dial engraved with black Roman numerals, a strike/silent dial to the arch and the maker's name to the centre Richd Chater, London, with blued steel spade hands, the break-arch mahogany case having a cast brass handle to the top of the brass bound pad, fishscale frets to the sides and standing on brass bracket feet, height 40 cms.* Biography Two Richard Chater's are recorded as working in London in the late Georgian period, the first apprenticed in 1774, free of the Clockmaker's Company in 1781 and died in 1811, the second working from circa 1785, being the son of James Chater.
Lot 62
An Edward VII silver presentation cigarette case, maker James Bell & Louis Willmott, London, 1904: in the Russian style, the hammered case with lift-up lid having an applied rose diamond and ruby set Royal Cypher, with hinged strike pad to one end, contained in its Collingwood & Co fitted case, 9cm. long, 5.45ozs.
Lot 944
Nathaniel Style, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement fully engraved to the backplate with rococo decoration, with the anchor escapement having rise and fall regulation to the pendulum and striking the hours on a bell, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and outer Arabic five-minute numerals, the matted centre with date aperture and 'false-pendulum' aperture with an engraved rear, with cast-brass spandrels to the four corners, the arch engraved with rococo decoration and with two raised silvered subsidiary dials for 'strike/silent' and regulation, with an inset silvered plaque between engraved with the maker's name Nathl. Style, London, the bell-top ebonised case having curved canted corners, brass fret-work to the front and sides, a brass carrying handle to the top and wooden feet, height 49 cms.* Biography Nathaniel Style is recorded as working at Wood Street, Cheapside, London becoming free of the Clockmakers Company in 1725 and retiring in 1773.
Lot 933
A. Carlhian & Beumetz à Paris, a giant four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and Brocot regulation adjustment to the pendulum, signed on the backplate A. Carlhian & Beumetz à Paris along with the serial number 11904, the two-piece white enamel dial having a visible escapement with jewelled pallets, black Roman numerals and blued steel moon hands, the large four-glass case having black marble top and base and brass pillars and doors, height 47 cms.
Lot 940
Samuel Marti, Paris, an ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the mark of the maker Samuel Marti à Paris along with the serial number 342 with the name of the retailer C.F. Petit, Establishment du Paris, the round white dial having black Roman numerals, blued steel trefoil hands and bezel set with white and red brilliants, the ormolu case of waisted form with floral and rococo cast decoration, standing on a cream marble base, height 26 cms (not including base)* Notes For details of Samuel Marti see lot no. 935
Lot 937
Samuel Marti a Paris, A four-pillar mantel clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the maker Samuel Marti a Paris, the round white enamel dial having black Roman hour numerals, decorative coloured floral swags between and decorative gilt-brass hands, the pink verigrated marble case having four pillars with cast-brass capitals, decorative gilt-metal mounts, the base standing on gilt-metal feet, height 29 cms.* Notes For details of Samuel Marti see lot no. 935
Lot 189
AN EDWARDIAN MAHOGANY AND MARQUETRY INLAID DISPLAY CABINET, the raised three quarter gallery decorated with ribbon tied bell flowers above the bowed front with satinwood line inlay above a pair of glazed panelled doors revealing silk lined shelved interior raised on cabriole legs joined by a shaped stretcher 186cms x 122cms x 40cms
![[Brontë (Charlotte)], "Currer Bell". Jane Eyre: an Autobiography, 3 vol., third edition, half-titles, vol.1 with 2pp. adverti](https://cdn.globalauctionplatform.com/dee7acb7-0eba-4924-bdfc-a79000f74b48/8aece1c1-b799-40b2-ffe0-be6d047881b9/468x382.jpg)
Lot 354
[Brontë (Charlotte)], "Currer Bell". Jane Eyre: an Autobiography, 3 vol., third edition, half-titles, vol.1 with 2pp. advertisements to front and 16pp. publisher's catalogue dated May 1848 at rear, vol.3 with 8pp. Opinions of the Press at rear, some light toning and occasional light finger-marking to margins, original variant green cloth, recased, later spine labels, spines discoloured, rubbed and marked, [Smith 2 pp.29-30], 8vo, Smith, Elder and Co., 1848. ⁂ A rare variant, possibly trial binding, unrecorded by Smith, we can trace no other copy in a like binding.
Lot 361
Jane Eyre.- Wheelhouse (Mary V., ?-1933) The hills beyond Marsh Glen sent the answer faintly back; They went, shutting the door, and locking it behind them; I took a seat: St John stood near me, three works, pen and black ink, watercolour, each signed and the second mentioned dated lower left, each approx. 230 x 155 mm. (9 x 6 1/8 in), the first two under glass, the latter unframed, [circa 1911-1913]; together with a copy of Charlotte Brontë's 'Jane Eyre' with illustrations by Wheelhouse, G. Bell & Sons, 1911. Exhibited: 'Jane Eyre': Women's International Art Club (WIAC) exhibition, Turin, 1913 (label on reverse) Illustrated: 'Jane Eyre', published by G. Bell & Sons Ltd., 1911 (colour frontispiece, p. 8, and p. 460, respectively)
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123939 item(s)/page