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Eight books relating to 20th century art, comprising: Wendy Baron `The Camden Town Group` Jane Carruthers and Marion Arnold `The Life and Work of Thomas Baines` David Martin `The Glasgow School of Painting` George Bell & Sons 1897 Richard J Boyle `American Impressionism` Vivien Hamilton `Joseph Crawhall 1861-1913: One of the Glasgow Boys` Roger Billcliffe `Scottish Colourists` William Hardie `Scottish Painting 1837-1939` Michael Stephenson `Thomas Baines: An Artist in the Service of Science in Southern Africa` (8)
Olympics - Berlin, 1936, a superb medal, `Olympic Order 2nd Class` (55mm x 56mm) in original case of issue, gold plated with white enamel in form of Olympic rings with gold eagle and swastika. Metal bell bearing eagle and Olympic rings design to front of case. Ribbon also has separate Berlin Olympics badge attached. Nice item. (vg)
Armstrong (Sir W.G.) Bell (I.Lowthian) Taylor (J second edition illustrations mostly folding corners of title and first page of preface missing original green decorated cloth London and Newcastle-upon-Tyne 1864 § [Edington (Robin)] A Treatise on the Abuses of the Coal Trade second edition original boards uncut foxing rebacked to style new lettering label 1817 § Thomas (William) Hints for establishing an office in Newcastle.....relative to other collieries in its neighbourhood.... to which are added Observations on the Necessity of Adopting Legislative Measures to diminish the probability of the recurrence of fatal accidents in collieries pamphlet rebound in later quarter calf Newcastle 1815 § Bulman (H.F.) and R.A.S.Redmayne. Colliery Working and Management.. first edition illustrations original cloth spine faded slightly rubbed 1896 § Collection of Mining Pamphlets illustrations many folding contemporary half calf slightly dusty internally some contemporary annotations rubbed 1854-1870; and 5 others mining v.s. (10)
Autograph book containing signatures from Jenny Agutter, Ronald Allen, John Amis, Benny Andersson, Jane Asher, Rowan Atkinson, David Attenborough, Rosalind Ayres, Catherine Bach, Robin Bailey, Cheryl Baker, Tony Brandon, Keith Barron, Michael Barrymore, Christopher Beany, Beverley Sisters, Caroline Blakeston, Brenda Blethyn, Basil Boothroyd, Robin Boyle, Robin Boyle, B Bresslaw, Peter Brough, Joe Brown, Simon Callow, Frank Carson, Ian Charleson, Phil Collins, Billy Connolly, Ray Cooney, Ronnie Corbett, Michael Crawford, Kid Creole, Jimmy Cricket, Ben Cross, Dickie Davies, Bobby Davro, Linsey De Paul, Les Dennis, Anne Diamond, Peter Duncan, Gerald Durrell, Noel Edmonds, Bella Emberg, Chris Emmett, David Essex, Michael Fish, Wayne Fontana, Bruce Forsyth, David Frost, Fiona Fullerton, Derek Guyler, Susan Hampshire, Rolf Harris, Mary Hayley Bell, Edward Heath, Charlton Heston, Patricia Hodge, Simon Hoggart, Gordon Honeycombe, Michael Howe, Roy Hodd, Gloria Hunniford, Jill Ireland, Jimmy Jones, Gordon Kaye, Howard Keel, Barbara Kelly, Bonnie Langford, Diane Langton, Humphrey Littleton, Barbara Lott, Nicholas Lyndhurst, Patrick Macnee, Arthur Marshall, Francis Matthews, Barry McGuigan, Rory McPherson, Spike Milligan, Hayley Mills, John Mills, Roger Moore, Patrick Mower, Coati Mundi, Dame Anna Neagle, Barry Norman, Duncan Norvelle, Tom O`Connor, Roy Orbison, Mary Parkinson, Michael Parkinson, Steve Race, Christopher Reeves, Engelbert Reynolds, Griff Rhys Jones, Tim Rice, Cliff Richards, Robert Robinson, Clodagh Rodgers, Patsy Rowlands, Telly Savalas, David Schilling, Anne Shelton, Ned Sherrin, Pat Simmons, Tommy Steele, Eric Sykes, Emma Thompson, Frank Thornton, Bjorn Ulvaeus, Ian Wallace, Derek Waring, Marti Webb, Paula Wilcox, Marty Wilde, Simon Williams, Gary Wilmot, Peter Woods, Edward Woodward and Mike Yarwood.
A Continental White Metal Open Faced Alarm Verge Pocket Watch, circa 1820, gilt fusee verge movement with pierced balance bridge, turned pillars, striking the alarm with a polished hammer on to an inside case back polished bell, white enamel dial with Arabic numerals and small inner alarm dial, three winding holes for the alarm, handsetting alarm and winding movement, case with engine turned decoration, 53mm wide see illustration
Robin Furness (b.1933), "Found `im-Manor House", Signed, extensively inscribed on a label verso-A pre-ban view of the Bedale Hunt, inspired by the superb oak tree ….., oil on board, 40.5cm by 50.5cm. Attached to the reverse is a photocopy of the oak tree by Robin Furness. The work was exhibited at the Zillah Bell Gallery, Thirsk
A Brass Carriage Alarm Timepiece, retailed by Leroy & Fils Palais Royal 13 & 15 Paris, stamped Drocourt, circa 1890, the corniche case with carrying handle and glazed bevelled panels, white enamel dial with Roman numerals, alarm dial, single barrel movement with later platform lever escapement, striking the alarm on a bell, movement backplate signed Leroy & Fils and stamped DC for Drocourt within a oval shaped monogram, movement numbered 6968 and 8656, 17cm high
A French Gilt Metal and Porcelain Mounted Striking Mantel Clock with Garniture, circa 1880, the case surmounted by a porcelain mounted urn with acorn finial, bowed porcelain mounted sides depicting seascapes with boats, the base with floral and mask decoration and raised upon turned feet, Roman numeral dial with below painted scene, twin barrel movement with striking on a bell, movement backplate stamped Japy Freres and numbered 188 35888, 42mm high, together with associated garniture 25cm high see illustration
A Gilt Metal and Porcelain Mounted Clock Garniture, retailed by J T Barry, Cardiff, circa 1880, the elaborate case surmounted by an urn shaped finial and decorated throughout with painted porcelain plaques depicting interior figural scenes, 3-3/4-inch dial with Arabic numerals and signed, twin barrel movement with striking on a bell, movement backplate stamped Hy Marc and Japy Freres, 40cm high, together with matching gilt metal and porcelain mounted garniture depicting interior scenes, 29cm high see illustration
A French Gilt Metal and Red Marble Striking Mantel Clock with Garniture, circa 1870, the case surmounted by a classical lady in costume raised upon a red marble base and the borders with acanthus leaf decoration, later 3-1/2-inch enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Japy Freres and numbered 5307, 47cm high, together with matching urn shaped garniture, 45cm high see illustration
A French Ormolu and White Marble Striking Mantel Clock with Garniture, circa 1880, the case with twin handled urn finial and floral swag decorated sides, white marble base raised upon turned gilt metal feet, 3-1/2-inch white enamel dial with Roman numerals, twin barrel movement with striking on a bell, movement backplate stamped JBD and numbered 23643, 33cm high, together with associated garniture, 34cm high (no pendulum) see illustration
A French Black Slate and Bronze Striking Mantel Clock, retailed by F L Hausburg, A Paris, circa 1870, the case surmounted with bronze figure of a lady in robes, upon a black slate base, 4-inch white enamel dial with Roman numerals signed, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped by retailer and numbered 2707, 46cm high see illustration
A French Ormolu Striking Mantel Clock, retailed by Pepin A Paris, circa 1850, the highly elaborate case with floral and scroll decoration throughout, 3-1/4-inch white enamel dial with Roman numerals and signed, blued steel hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate stamped Pepin A Paris and Raingo Freres numbered 2064, 35cm high, together with a gilded wooden base and rosewood plinth, (no glass dome) see illustration
A White Marble Striking Mantel Clock with Garniture, circa 1890, the portico case surmounted by an urn finial, applied gilt metal floral mounts and raised upon turned feet, 4-inch enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, sunburst pendulum bob, 43cm high, together with matching garniture, (one light missing on each candelabra) 39cm high
A 17th Century Brass Striking Lantern Clock, 6-inch Roman chapter ring, dial plate engraved with floral decoration and bearing inscription Peter Closon Neer Holburn Bridge, Londini, (dial plate with vacant holes to the corners), later pierced frets, side opening doors, two train movement with verge escapement and large oscillating balance wheel beneath top mounted bell, (base with two vacant holes), countwheel striking on a bell, (chapter ring and dial plate with bearing inscription later associated to movement), 39cm high (both weights missing) see illustration
A Mahogany Wall Timepiece with Passing Strike, Thos Woodward, 7 Gracechurch St, London, circular case with side viewing door and bottom opening door, 12-inch painted dial with Roman numerals, single fusee movement with shaped movement plates and anchor escapement, passing hour strike on a bell, 38cm wide see illustration
A Regency Mahogany and Brass Inlaid Table Clock, signed Grave, London, the nicely figured arched case with beaded corners, side sound frets, brass inlaid front, rectangular base raised upon ball shaped feet, 8-inch dial with Roman numerals signed, twin fusee movement with anchor escapement, striking on a bell, shaped movement plates secured by brackets, 45cm high see illustration
A George III Ebonised Striking Table Clock, signed Willm Randall, Newbury, circa 1810, the single padded arched top with later finials, side carrying handles and sound frets, gilt metal mounted masked canted corners, rectangular base raised upon bracket shaped feet, 9-inch arched silvered dial with Roman and Arabic numerals and signed, date dial, the arch with fast/slow selection, engraved with floral decoration to the corners, twin fusee movement with anchor escapement, striking on a bell, movement backplate signed and engraved with scroll decoration, movement secured with brackets, 55cm high see illustration. William Randall is recorded working in Newbury 1795-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 263.
A Regency Mahogany and Brass Inlaid Chiming Table Clock, signed Cripps, Bath, the nicely figured brass inlaid case with an arched top, side carrying handles, sound frets and pull repeat, rectangular base raised upon ball shaped feet, 8-inch arched painted dial with Roman numerals, two subsidiary dials in the arch for fast/slow and strike/silent, triple fusee movement with anchor escapement, striking eight hammers onto eight bells and striking a further bell for the hours, movement backplate signed and engraved around the borders, movement secured by brackets, 52cm high see illustration. Cripps is recorded working in Bath circa 1819. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 70.
An Oak Thirty Hour Longcase Clock, signed Wm Lawson, Keighley, circa 1800, case with swan neck pediment, turned columns, trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and upon later bracket feet, 12-inch square white painted dial with Arabic and Roman chapter ring, dial centre with date aperture and signed, floral decorated spandrels, four pillar movement with anchor escapement and outside countwheel striking on a bell, 220cm high see illustration
An Oak and Mahogany Eight Day Longcase Clock, signed Prince, Leeds, circa 1810, case with swan neck pediment, fluted columns, trunk door flanked by inset fluted pilasters, rectangular plinth raised upon bracket shaped feet, 13-inch arched painted dial with a Arabic and Roman chapter, dial centre with two subsidiary dials for seconds and date, painted figural spandrels and the arch depicting a lady and gentleman within a landscape scene, four pillar movement with attached false plate stamped Walker & Finnemore, anchor escapement and rack striking on a bell, 227cm high see illustration
An Oak Eight Day Longcase Clock, signed Jno Stokes & Son, Bewdley, circa 1770, the nicely coloured case with flat top pediment, turned columns, plain rectangular trunk door, rectangular base upon bracket shaped feet, 12-inch square brass dial with Arabic and Roman chapter ring signed, matted dial centre with subsidiary dials for seconds and date aperture, later hands, four pillar movement with anchor escapement and rack striking on a bell, 210cm high see illustration
An Oak and Mahogany Eight Day Longcase Clock, signed Geo.Goodall, Abberford, circa 1780, case with swan neck pediment, later inlaid door, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with raised panel and upon later bracket feet, 13-1/4-inch arched brass dial with silvered chapter ring and inner date ring with corresponding central date hand, centre seconds, dial centre signed and with engraved scroll work, centre seconds, the arch with rolling moonphase, four pillar movement with deadbeat escapement, rack striking on a bell, 230cm high see illustration
An Oak Thirty Hour Longcase Clock, signed Tho Lister, circa 1760, flat top pediment with turned columns, wavy trunk door with inset pilasters, rectangular plinth with raised front panel and upon later feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring, dial centre with so called "Halifax" moonphase aperture, date aperture and signed, four pillar movement with anchor escapement and outside countwheel striking on a bell, 200cm high see illustration
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123939 item(s)/page