A group of twenty glass apothecary bottlesthe seven green glass examples, early 20th century, to include a set of four small bottles, with bell form stoppers, labels inset, and three further larger examples, to include a pair and one similar, with gilt shield form labels, a set of three small brown bottles, early 20th century, with flat stoppers and worn gilt labels, and a group of six clear glass examples, various stoppers, four with inset octagonal labels, two with gilt shield form labels, and a group of four Bristol blue glass poison bottles, with stoppers, to include one smaller and darker coloured example, (20)largest height 25cm, smallest height 13cmCondition: The four small green glass examples: three have stoppers which cannot be removed, one has damage inside to its neck. Height 18.5cmThe three green glass bottles: wear to the labels and two stoppers stuck. Height 24cm.The brown bottles: one stopper stuck and wear and losses to the labels. Height 13cmThe six clear glass bottles: the interior of one now an orangey /brown colour, one damaged to its neck and with an associated stopper, the Acid Citric bottle with a damaged stopper also the Pot Bitart bottle.The four blue bottles: There is a small chip to the rim and to the stopper of the smaller, darker blue example. One has only a hand written paper label, the one with the Syr:Scillae label is in good order, the last one has only the remains of its gilt label.
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Hmong silver collar necklace with a fish and butterfly pendants. Etched designs of mirrored squirrels or rodents. With flower and bell ornamentation.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Length: 13 in x width: 6 in. Weight: 141.7 grams.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Hasui Kawase (Japanese, 1883-1957). Japanese woodblock print titled "Bell Tower at Okayama" depicting a beautiful bell tower in traditional Japanese architecture style, 1947. Signature seal marked along the lower left in plate; ink titled along the left margin; seal marked along the lower right corner in plate; further signed along the left margin.Height: 15 1/2 in x width: 10 1/2 in.Condition: No visible tears, losses, or restoration under UV light. The paper is lightly toned and has no foxing or soiling. Light wear along the upper margin as shown in the listing image, original to the artistic practice. The color is bold and bright. Along the margins, there are light creases that do not affect the center image; please see the listing image. Along the verso, the paper is toned and has light skimming. Along the margins, there are old framer's tape adhered; they do not affect the recto. Along the lower margin of the verso, there is pencil inscription "MLK69EM" and "485".
19th Century French mantel clock having rosewood and inlaid case with enamel dial and Roman numerals, inscribed ' Sifflet J.Ne à Paris ', with two train movement striking on a bell, (damage around winding holes to dial) 27cm high x 15cm wide x 13cm deepWorking but not can not guarantee for any period of time. Does have some losses to case, movement appears clean. No key present. Dial does have chips. (please see further images)
Unusual late 19th / early 20th Century brass cased carriage clock of Japanesque design by Duverdrey & Bloquel, the stylised case enclosing an enamel dial with applied dark patinated and gilt fretwork decoration depicting exotic birds and foliage, the enamel dial with Arabic numerals and subsidiary alarm dial with a single train movement and subsidiary alarm train striking on a bell (lion trademark to the back plate), 12cms high excluding the loop handle
19th Century mahogany longcase clock, the broken arch hood with a swan neck pediment and ball finials above an arched panel door with flanking quarter pilasters and a conforming plinth base, the painted dial with Roman numerals and subsidiary seconds and date dials, signed Robert Matthews, Ely, the two train movement with anchor escapement striking on a bell, 223cms high
An English latten musical handbell, Henry Symondson, late 18th c, 12cm h and four others by or attributed to Martineau & Smith, c1800 and one other marked E V W, 19th c (6) A Private Collection of Musical Handbells (lot [982] to lot [993]) Symondson bell and smaller M&S bell lacking the clapper
Fifteen English musical handbells, early - late 19th c, several with leather handle, various sizes and approximately 35 bell metal, brass, aluminium and iron hand, desk, commemorative, decorative and other bells, late 19th c - c1930 (approximately 50) A Private Collection of Musical Handbells (lot [982] to lot [993]) Generally good condition
Bell founding and bell ringing. Books, principally comprising Butler (William) - Musical Hand Bells, 2000, L E Springer - The Collector's Book of Bells, 1972, E Morris - Tintinnabular, 1959, M Crockett - Bells in our Lives, 1973 [W Jones et al - Clavis Campanalogia Or a Key to the Art of Ringing], 1810 or circa, defective and about 33 others, including two 19th c handwritten notebooks of peels and changes with several late annotations, one dated 1939 A Private Collection of Musical Handbells (lot [982] to lot [993])
Corgi Mini 7 Racing Club Minis, including rare signed ltd edition of 10 CC82226 Ian Gunn Car No.3 on Sports Pack body, others include CC82203 Christopher Huck, CC82237 Dave Kimberely, C82227 Andrew Howard, CC82214 Ian Gunn, CC82238 Sarah Munns, CC82212 Dave Braggins, CC82202 Steve Bell, CC82211 Peter Badwin, CC82241 James Hall and many others, in original boxes, E, boxes F-VG (29)
Mahogany longcase clock,the hood with swan neck pediment, Corinthian columns, the trunk with long door, box base, thirteen inch arched brass dial with subsidiary seconds dial, eight day movement striking on a bell, height 226cm.Condition report:The hood has a split and veneer loss to the upper left hand scroll, and rubbing from the door opening. The case has the very occasional wormhole. The base panel has a significant split running straight through the centre of the inlaid panel. Some veneer loss to the right hand side of the trunk.
George Dobbie, Falkirk, mahogany longcase clock, swan-neck pediment, Corinthian columns, long door, quarter columns, bracket feet, 13" arched brass dial, cast spandrels, silvered Roman chapter ring, subsidiary seconds and date dial, eight-day movement striking on a bell, 232cm.Condition report:We cannot confirm if this clock is working. There are some cracks to the hood and bottom left panel. There are some indentations to the top left corner of the base and to the bottom right panel. Pendulum and weights are present. Please see additional uploaded images.
Oak and mahogany longcase clock, the hood with swan neck pediment, turned columns, trunk with short door inlaid with a shell, bracket feet, twelve inch square painted dial with floral spandrels, subsidiary seconds dial and date aperture, signed William Lee, Northampton, eight day movement striking on a bell, height0207cm, with pendulum, weights and winding key.
French gilt metal and alabaster mantel clock, white enamelled dial, striking on a bell, ebonised platform with engraved plate, height overall 44cm.Condition report:No glass dome, the base may not be the original to the clock as the presentation plaque doesn't fit very well under it. Hairlines across the dial with some enamel loss near the V numeral. The movement not tested for working order. The alabaster panels flanking the dial are a little loose and one has a split across the width. Rear right foot is broken off (but present).
A George V silver travelling timepiece, of rounded square outline with enamelled decoration right inside “From Joey 18th Dec 1923” by H. Matthews, Birmingham 1923; together with a silver sovereign case, a silver miniature Dutch figure, a silver “Hair pins” box; a Coronation commemorative pen-knife; a small silver pig and horseshoe figure; a miniature silver vase; an enamelled bell-push (A/F); and a small silver George IV vinaigrette, the vase 7.2cm high, 3.8oz. weighable silver. (10)
Small silver pepperettes: a pair of late Victorian cauldron pepperettes, by F. Brasted, London 1877; a pair of Edwardian bell-shaped peppers, by S. M. Levi, Birmingham 1907; a pair of egg-shaped peppers, by Hilliard and Thomason, Birmingham 1902; and a pair of plated egg-shaped peppers, the latter 4cm high, 3.25oz. weighable silver. (8)
An Austrian Hagenauer bronze figure group,of three brass figures, each modelled as braves paddling a wooden canoe,19cm wide, andan Austrian brass bell,1950s, designed by Richard Rohac, with striped sides, 12cm high (2)Condition ReportWear to the bell. Minor knocks and wear to the canoe, otherwise in good condition.
A late Victorian novelty silver bell,by Joseph Braham, London 1895,naturalistically modelled as a tortoise, with a brass winder to the underneath, the bell and movement contained within the shell,15cm wide 10cm deepCondition ReportWith some buildup to the recesses.The hallmarks with some wear and rubbing.
VICTORIAN & LATER LONDON HALLMARKED SILVER SPOONS (11) along with one pair of sugar tongs, lot includes a pair of mustard spoons 1841, Maker John James Whiting, 11cm lengths, jam spoon with pear/bell shaped bowl, 1849 William Robert Smily, 14cms L, a pair of large teaspoons, 1861 The Portland Co (Frances Higgins III), 14.5cms, three further spoons and sugar tongs, 1863, 66, 99 and 1900, various makers, 11cms L the tongs, large Kings pattern teaspoon 1922 Goldsmiths & Silversmiths Co Ltd, 15cms L, Bowling Club teaspoon 1937 and a Studio teaspoon fashioned Celtic style, 1962, maker's mark 'H E M', 14.75cms L, 8.9ozt gross
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123896 item(s)/page