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Lot 648

Worcester circa 1770, to include a bell shape tankard, twin handled bowl, tureen stand, pierced basket, sucrier, and a tea canister, (extensive damages and restorations to all) (7). Condition top to bottom, left to right: 1: long crack, holes filled from old staple repair. 2: Old restoration, once broken in to three. 3: big body crack and associated hole, replacement hallmarked silver cover. 4: lacking handles, body crack, typical losses to applied flora and leaves. 5: old restoration to restuck piece of cover, no finial, base cracked. 6: overall old restoration covering several re-joins.

Lot 1022

Minton green tinted Parian figure of Clorinda, after John Bell inscribed February 1848, impressed marks and 1868 date code, (small base chip) 35cm high

Lot 1026

Minton Parian figure of Dorothea, after John Bell, impressed marks and 1884 date code to base, 34cm high

Lot 1030

Minton Parian figure of Miranda, after John Bell, inscribed marks to side of base, (one hand restuck) 38cm high

Lot 1160

VANESSA BELL (1879-1961) British Design for a carpet, circa 1913. Watercolour & pencil. Atelier stamp. 12.5x7.5 ins. Provenance: Alexander Postan Fine Art.

Lot 134

MORRIS, Rev. F. O. `A Natural History of British Moths`, Bell & Daldy, 1872. 4to. 132 cold. plts. a. c. f. glt. cl. 4 vols. (see illustration)

Lot 137

LOWE, E. J. `Our Native Ferns; or A History of The British Species and Their Varieties`, George Bell, 1874, 4to. cold plts. with tissue guard. glt. embossed. cl. 2 vols.

Lot 364

ROBERT ANNING BELL (1863-1933) - `Cahors`, signed and dated `21, watercolour, 9 1/2" x 13 1/2".

Lot 467

JAMES MILLER (1893-1986) - View of the Doges` Palace and the Bell Tower of St. Mark, Venice, signed, gouache, 10" x 16 1/2".

Lot 196

A Louis XV-style `ormolu` and marble clock garniture, the clock with bronzed metal terminal figures, lyre-shape clock with enamelled dial, movement striking on a bell, complete with pair of matching six sconce candelabra

Lot 401

A continental silver figural bell, in the form of a lady wearing long embossed full-length dress, 4.5in.

Lot 36

Three vintage candlestick telephones and 2 bell boxes.

Lot 157

An early 19th century oak and mahogany longcase clock, arched painted dials, painted spandrels, twin winding holes, with eight day movement, striking on a bell, the hood with swan neck pediment terminating with draught turned roundels, turned pillars and door to waist, with bracket feet .

Lot 167

A flintlock blunderbuss probably of Afghan origin with decorative barrel with bell shaped mouth, length of barrel 73cm, the lock dated 1802, fully stocked with crook shaped butt with brass and bone decoration, also a similar blunderbuss, length of barrel 44cm (2)

Lot 168

A flintlock musket probably of Afghan origin, with decorated barrel and bell shaped muzzle, length of barrel 123cm, fully stocked with crooked stock, with bone inlaid decoration, a similar flintlock musket with octagonal shaped barrel, length of barrel 109cm fully stocked with crooked butt and decorative brass bands together with two powder flasks (4)

Lot 290

A Stuart Kay Limited Edition signed print of famous Manchester City footballers comprising Francis Lee, Mike Summerbee and Colin Bell, mounted but unframed

Lot 387

A Manchester City FC Official replica X-large shirt, sponsored by First Advice, no.8 and name Bell to reverse, signed

Lot 104

A small silver inkwell in the form of a bell, a Jasperware pendant, a silver cigarette case, various gold studs and a gold pin brooch.

Lot 534

A Continental mantel clock, the case with sculptured figures of a putti and young woman feeding a dove, with decorative floral painted porcelain inserts, the enamel dial painted with Roman numerals, the movement striking on a bell, 20" wide.

Lot 539

A 17th Century style lantern clock with turned finial over a bell, decorative frets and chapter ring with Roman numerals, 14" high.

Lot 282

After Morland engraved by Bell, Fox Hunting, The Death and Going Out. After Cecil Aldin, The hunt going out and Dinner (4)

Lot 553

An early 19th century silvered brass ship`s compass in mahogany case (incomplete) 14.8cm diameter, hand bell with leather handle stamped maker `J Shaw, Radford`, and a pond yacht labelled `Ailsa made in Largs`, 41cm long (3)

Lot 614

A mixed lot of trinkets, carved wood and other items to include study of dog, bear, spill holder, plated snuffbox, study of a bird, bell, small ebony candlestick, etc.

Lot 1168

An early electric bell push. Round engine turned violet colour enamel silver collar, contacts to wooden base, measuring 47mm. Hallmarked London import mark for 1912. Maker `BK`.

Lot 125

A Birmingham 1912 silver inkwell, silver bell, pepper pot, and a selection of silver plated spoons,

Lot 325

A German walnut cased mantel/alarm clock, made in Wurttenberg, the eight day movement with ivorene chapter ring, the circular case surmounted by a brass bell with carrying handle and supported by a cradle fronted by brass buttons, the rectangular base with bracket front feet, 9" high.

Lot 334

A late 19th Century oak cased bracket clock, by Chas Taylor & Sons, London and Bristol, with eight day movement striking a gong to the hour, a bell to the half hour, the arched brass dial engraved with an eagle amidst scroll work to the arch, the sides and back door with pierced grills, the case with apex top and fluted pillars over a break front and moulded base, 25 1/2" high (illustrated).

Lot 336

An early 19th Century French ormolu mantel clock, by L Mallet A Paris, the eight day movement with silk suspension and striking to bell, the white enamel dial with Roman numerals and in arched case surmounted by a battle axe, sword and wreath and with applied foliage beneath the dial, a Roman soldier proffering his helmet stands to the right, all over a frieze of classical figures, on adjustable feet, 15 1/2" high (illustrated).

Lot 338

An 18th Century longcase clock, by Robert Dunn of London, the eight day four pillar movement striking to bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, floral engraved centre with subsidiary seconds dial and date aperture and with recessed silvered plaque signed Robert Dunn, London to the arch, the black Japanned case with pagoda hood and gilded chinoiserie scenes, the broken arched case door over a stepped platform base, circa 1770, 97 3/4" high (illustrated).

Lot 146

British Theatre. A collection of plays in 18 volumes as performed at the Theatres Royal, Drury Lane and Covent Garden, London: John Bell 1791-3, 12mo, engraved frontispieces, half red morocco gilt (grubby) (18)

Lot 279

MORRIS (The Rev F O) A Natural History of the Nests and Eggs of British Birds, second edition, in 3 volumes, London: George Bell & Sons 1875, 230 (of 232) chromolithographic plates, some stitching loose, embossed blue cloth gilt

Lot 285

GREENE (W T) Parrots in Captivity, 3 volumes, London: George Bell & Sons 1884-87, 8vo, 81 coloured plates, in generally clean condition, 2 plates in vol 2 loose, cloth gilt (head and foot of spines torn)

Lot 4

A Dutch wine glass with bell shaped bowl set on a gauze and thread double series opaque twist stem with shoulder and secondary knop on conical foot, 16cm high together with a similar wine glass with bell shaped bowl on a thread and gauze double opaque series stem with shoulder knop on a conical foot, 16.5cm high. (2)

Lot 11

A wine glass the bell shaped bowl the rim wheel cut with fretted panels and husks set on a flattened knop, inverted baluster and basal knop on a folded foot, 15.5cm high, circa. 1740-50.

Lot 13

A Dutch wine glass the bell shaped bowl on a knopped red and white single series opaque twist stem, 16.5cm high, together with another with bell shaped bowl wheel cut with fruiting vine on a straight red and white double series opaque twist stem on conical foot, 16.5cm. high and a plain example on a straight red and white thread and gauze double series opaque twist stem on conical foot, 15cm high, the latter two with minor chips. (3)

Lot 15

A set of four wine glasses the bell shaped bowls cut with printies and set on a facet cut stem with swelling central knop on a conical petal shaped foot, 15.5cm high, circa. 1800.

Lot 20

A pair of English `balustroid` wine glasses each with bell shaped bowl, the rim diamond point etched with a delicate floral and foliate band and an armorial device, probably for Kelly, 18cm high, circa. 1750, chips to both feet.

Lot 24

A wine glass with waisted bell shaped bowl with teared solid base on straight stem and folded foot, 17cm high, circa. 1740, another larger example with waisted bell shaped bowl with teared base, straight stem and folded foot, 20cm high, circa. 1760 together with two similar glasses. (4)

Lot 81

A Minton parian figure of Clorinda, modelled after the original by John Bell, partially attired in armour with glove and helmet at her feet, 34cm high, impressed ermine mark and 2-1852 and verso John Bell February 1845, minor flake verso.

Lot 565A

John Thwaites, London and Goodman, Kentish Town, A mahogany bracket clock with bracket, the five pillar, eight day duration movement striking the hours on a bell with pull repeat, with the backplate engraved with typical Thwaites border engraving and signed to the centre `Goodman, Kentish Town`, the frontplate stamped `I. Thwaites` with the serial number `3727`, the seven inch round, convex painted dial having black Roman numerals, blued steel decorative hands and signed `Goodman, Kentish Town`, with a gilt cast brass bezel, the arched `lancet top` mahogany case having raised moulding to the front, brass fishscale frets to the sides, complete with matching mahogany bracket, height 45 cms, 68 cm (inc. bracket). * John Thwaites (the ` J` usually stamped `I`) was a well known clockmaker having been apprenticed in 1772 and becoming a member of the Worshipful Company of Clockmakers in 1782 until his death in 1820. He supplied many of the leading clockmaker`s of the period with both movements and finished clocks as in this case. In 1808 he went into partnership with George Jeremiah Reed to form Thwaites & Reed who continued the business with the same practices. The serial number, 3727, indicates a date of manufacture of 1806.

Lot 566

A French four glass mantel clock, the eight day duration movement striking the hours and half hours on a bell with a twin tube mercury compensating pendulum, the two-piece white enamel dial having black Roman numerals, blued steel decorative hands and an inset visible escapement with jewelled pallets, having a Corniche brass four glass case, height 35cm.

Lot 567

Smith`s of Clerkenwell, A passing strike skeleton clock, the eight day chain fusee movement striking once on a bell at each hour, the silvered chapter ring, of typical Smith`s form, engraved with black Roman numerals and having blued steel spade hands, the scroll shaped plates having turned pillars, with an engraved, silvered scroll plaque to the front plate signed `Vale, Bury St. Edmunds`, standing on a white marble oval base typical of this maker and complete with glass dome, height 40cms; 43cm (inc. dome). * John Smith and Sons of Clerkenwell, London were, along with Evans of Handsworth, at the forefront of skeleton clock making in the Victorian period. The business was founded circa 1844 in St. John`s Square, Clerkenwell at the former manufactury of Colnel Magnier with skeleton clocks making up a large part of their varied horological output. Their factory had it`s own brass foundary, clock case workshop and assembly areas for the various types of clock produced as seen in an article printed in the Illustrated London News of 1851 entitled `Visit to a Clerkenwell Clock Factory`. This frame design is illustrated in one of their catalogues of the period. *John Vale is recorded as a clockmaker and retailer working in Abbeygate Street, Bury St. Edmunds, Suffolk from 1839 until 1864 and for whom Evans would have made this clock.

Lot 569

Japy Fils a Paris, A French boulle mantel clock, the eight day duration movement striking the hours and half hours on a bell with the backplate stamped with the trademark and serial number of the movement maker `Japy Fils, 1805` along with the clockmaker`s name `Woppenheim, Paris`, the repousee dial having blue Roman numerals to the porcelain cartouches and decorative blued steel hands, contained in a red tortoiseshell boulle case inlaid with engraved brass and having applied ormolu mouldings, height 44cm. * Japy Fils were the two sons, Adolphe and Jules, of the clockmaker Frederic Japy later becaming the well known Japy Freres concern, working in Beaucourt, France from the mid 19th Century. * Woppenheim is recorded in Paris at the same period of time.

Lot 571

Japy Freres, Paris, A gilt metal and bronze mantel clock, the eight day duration movement striking the hours and half hours on a bell with an outside countwheel, the repousee dial having inset porcelain cartouches with black Roman numerals and blued steel spade hands, the case in the form of a bronze elephant on which stands the drum clock surmounted by a model of a cherub playing the cymbals, standing on a stylised gilt metal oval base, height 50cm. * Japy Freres were founded by Frederic Japy at Beaucourt, France who had, circa 1776, been the first to use machines to manufacture watch & clock parts. By the mid 19th Century they had become one of the largest suppliers of roulant blancs to the horological trade with premises in both Paris and London.

Lot 579

A Regency round dial mahogany longcase clock, the eight day duration movement striking the hours on a bell with the white twelve inch circular painted dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the mahogany flat top case having canted corners, with scroll capitals, to the hood and a panelled base, standing on bracket feet, height 192cm.

Lot 580

Thomas Chune, Shifnal, An oak longcase clock, the eight day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, cast rococo spandrels to the four corners, a matted dial centre with subsidiary seconds dial and date aperture, blued steel hands and a silvered boss within the arch engraved with the maker`s name `Thos. Chune, 1773`, the oak case having a raised panel to the base with canted corners, fluted quartered columns to the trunk with cast brass capitals, the hood having fluted pillars, with the swan neck pediment having a turned wooden finial to the centre, height 226cm (inc. finial). * Thomas Chune is recorded as working in Shifnal, Staffordshire until 1796.

Lot 581

J. Summerhayes, St Ives, A 19th century pine longcase clock, the eight day duration movement striking the hours on a bell, the arched hood with turned columns, with an arched waist panel door, on a box base, the thirteen inch painted arched dial signed `J.Summerhayes, St Ives`, with subsidiary seconds dial and date aperture, height 200cm.

Lot 199

A Salters no 80T trade spring balance with brass dial, a Brades Co cast steel herb chopper with fruit wood handle, a meat cleaver stamped Thomas Stanniforth & Co, warranted Sheffield with turned fruit wood handle, a copper strainer, a brass bell modelled as an 18thC female and two brass rails with fleurs-de-lys brackets.

Lot 234

A Venetian glass goblet with a green tinted wrythen moulded bell shape bowl on a figure of eight flower encrusted stem, from a conforming foot, 24½cm high.

Lot 144

A selection of silver, white metal and silver plated items to include a bell shaped ink well

Lot 333

A collection of graduated brass and bell metal weights, from 2oz to 14lb

Lot 476

An Indian Mughal carved ivory khandjar handle, modelled on a lioness`s or panther`s head, with open mouth and a collar of bell flowers, raised palmetted decoration to the bifurcated hilt, 15cm (6in) long (see front cover)

Lot 532

A Georgian design mahogany cased bracket clock, inverted bell top, with brass handle, pierced fish scale brass panels to the sides, raised on brass bun feet, enamel dial with Arabic numerals, eight-day striking movement, dial 10.8cm (4 1/4in) diameter, 36cm (14in) high

Lot 349

A rosewood handled gun metal bell with iron striker

Lot 581

19th Century mahogany Longcase Clock, swan-neck pediment, fluted supports, short door with three-quarter columns and on bracket feet, arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Barber, Nottingham", eight-day movement, striking on a bell.

Lot 585

19th Century oak and mahogany Longcase Clock, the hood with turned supports, short door, the base with bracket feet, square brass dial, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Step: Sutcliffe, Oxonhope", eight-day movement, striking on a bell.

Lot 73

A Georgian balustroid gin glass, having bell-form bowl with blade knop at its base, on a slender inverted baluster stem with ball knop above a folded foot, circa 1750, 12cm high

Lot 415

An Early 20th Century Cast Iron Lambert II Patented Dial Typewriter by Gramophone & Typewriter Limited, London, the circular keyboard on a black japanned cast iron scroll arm set with a bell, the break bow front base cast and highlighted in gilt with maker`s name, with a brass plate numbered 6210, length 30cm.

Lot 456

COLLECTION OF CRANBERRY WINE GLASSES comprising twelve bell-shaped bowls with clear glass stems and domed bases, and eleven with conical-shaped bowls, clear glass stems, on single knop supports and circular bases (23)

Lot 346

A mid 18c. English wine glass circa 1750, with a bell shaped bowl raised on a single series air twist mercury corkscrew stem and plain foot, 16cms. high.

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