Worcester circa 1770, to include a bell shape tankard, twin handled bowl, tureen stand, pierced basket, sucrier, and a tea canister, (extensive damages and restorations to all) (7). Condition top to bottom, left to right: 1: long crack, holes filled from old staple repair. 2: Old restoration, once broken in to three. 3: big body crack and associated hole, replacement hallmarked silver cover. 4: lacking handles, body crack, typical losses to applied flora and leaves. 5: old restoration to restuck piece of cover, no finial, base cracked. 6: overall old restoration covering several re-joins.
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A flintlock musket probably of Afghan origin, with decorated barrel and bell shaped muzzle, length of barrel 123cm, fully stocked with crooked stock, with bone inlaid decoration, a similar flintlock musket with octagonal shaped barrel, length of barrel 109cm fully stocked with crooked butt and decorative brass bands together with two powder flasks (4)
A late 19th Century oak cased bracket clock, by Chas Taylor & Sons, London and Bristol, with eight day movement striking a gong to the hour, a bell to the half hour, the arched brass dial engraved with an eagle amidst scroll work to the arch, the sides and back door with pierced grills, the case with apex top and fluted pillars over a break front and moulded base, 25 1/2" high (illustrated).
An early 19th Century French ormolu mantel clock, by L Mallet A Paris, the eight day movement with silk suspension and striking to bell, the white enamel dial with Roman numerals and in arched case surmounted by a battle axe, sword and wreath and with applied foliage beneath the dial, a Roman soldier proffering his helmet stands to the right, all over a frieze of classical figures, on adjustable feet, 15 1/2" high (illustrated).
An 18th Century longcase clock, by Robert Dunn of London, the eight day four pillar movement striking to bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, floral engraved centre with subsidiary seconds dial and date aperture and with recessed silvered plaque signed Robert Dunn, London to the arch, the black Japanned case with pagoda hood and gilded chinoiserie scenes, the broken arched case door over a stepped platform base, circa 1770, 97 3/4" high (illustrated).
A Dutch wine glass with bell shaped bowl set on a gauze and thread double series opaque twist stem with shoulder and secondary knop on conical foot, 16cm high together with a similar wine glass with bell shaped bowl on a thread and gauze double opaque series stem with shoulder knop on a conical foot, 16.5cm high. (2)
A Dutch wine glass the bell shaped bowl on a knopped red and white single series opaque twist stem, 16.5cm high, together with another with bell shaped bowl wheel cut with fruiting vine on a straight red and white double series opaque twist stem on conical foot, 16.5cm. high and a plain example on a straight red and white thread and gauze double series opaque twist stem on conical foot, 15cm high, the latter two with minor chips. (3)
John Thwaites, London and Goodman, Kentish Town, A mahogany bracket clock with bracket, the five pillar, eight day duration movement striking the hours on a bell with pull repeat, with the backplate engraved with typical Thwaites border engraving and signed to the centre `Goodman, Kentish Town`, the frontplate stamped `I. Thwaites` with the serial number `3727`, the seven inch round, convex painted dial having black Roman numerals, blued steel decorative hands and signed `Goodman, Kentish Town`, with a gilt cast brass bezel, the arched `lancet top` mahogany case having raised moulding to the front, brass fishscale frets to the sides, complete with matching mahogany bracket, height 45 cms, 68 cm (inc. bracket). * John Thwaites (the ` J` usually stamped `I`) was a well known clockmaker having been apprenticed in 1772 and becoming a member of the Worshipful Company of Clockmakers in 1782 until his death in 1820. He supplied many of the leading clockmaker`s of the period with both movements and finished clocks as in this case. In 1808 he went into partnership with George Jeremiah Reed to form Thwaites & Reed who continued the business with the same practices. The serial number, 3727, indicates a date of manufacture of 1806.
A French four glass mantel clock, the eight day duration movement striking the hours and half hours on a bell with a twin tube mercury compensating pendulum, the two-piece white enamel dial having black Roman numerals, blued steel decorative hands and an inset visible escapement with jewelled pallets, having a Corniche brass four glass case, height 35cm.
Smith`s of Clerkenwell, A passing strike skeleton clock, the eight day chain fusee movement striking once on a bell at each hour, the silvered chapter ring, of typical Smith`s form, engraved with black Roman numerals and having blued steel spade hands, the scroll shaped plates having turned pillars, with an engraved, silvered scroll plaque to the front plate signed `Vale, Bury St. Edmunds`, standing on a white marble oval base typical of this maker and complete with glass dome, height 40cms; 43cm (inc. dome). * John Smith and Sons of Clerkenwell, London were, along with Evans of Handsworth, at the forefront of skeleton clock making in the Victorian period. The business was founded circa 1844 in St. John`s Square, Clerkenwell at the former manufactury of Colnel Magnier with skeleton clocks making up a large part of their varied horological output. Their factory had it`s own brass foundary, clock case workshop and assembly areas for the various types of clock produced as seen in an article printed in the Illustrated London News of 1851 entitled `Visit to a Clerkenwell Clock Factory`. This frame design is illustrated in one of their catalogues of the period. *John Vale is recorded as a clockmaker and retailer working in Abbeygate Street, Bury St. Edmunds, Suffolk from 1839 until 1864 and for whom Evans would have made this clock.
Japy Fils a Paris, A French boulle mantel clock, the eight day duration movement striking the hours and half hours on a bell with the backplate stamped with the trademark and serial number of the movement maker `Japy Fils, 1805` along with the clockmaker`s name `Woppenheim, Paris`, the repousee dial having blue Roman numerals to the porcelain cartouches and decorative blued steel hands, contained in a red tortoiseshell boulle case inlaid with engraved brass and having applied ormolu mouldings, height 44cm. * Japy Fils were the two sons, Adolphe and Jules, of the clockmaker Frederic Japy later becaming the well known Japy Freres concern, working in Beaucourt, France from the mid 19th Century. * Woppenheim is recorded in Paris at the same period of time.
Japy Freres, Paris, A gilt metal and bronze mantel clock, the eight day duration movement striking the hours and half hours on a bell with an outside countwheel, the repousee dial having inset porcelain cartouches with black Roman numerals and blued steel spade hands, the case in the form of a bronze elephant on which stands the drum clock surmounted by a model of a cherub playing the cymbals, standing on a stylised gilt metal oval base, height 50cm. * Japy Freres were founded by Frederic Japy at Beaucourt, France who had, circa 1776, been the first to use machines to manufacture watch & clock parts. By the mid 19th Century they had become one of the largest suppliers of roulant blancs to the horological trade with premises in both Paris and London.
A Regency round dial mahogany longcase clock, the eight day duration movement striking the hours on a bell with the white twelve inch circular painted dial having black Roman numerals, a subsidiary seconds dial and blued steel spade hands, the mahogany flat top case having canted corners, with scroll capitals, to the hood and a panelled base, standing on bracket feet, height 192cm.
Thomas Chune, Shifnal, An oak longcase clock, the eight day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, cast rococo spandrels to the four corners, a matted dial centre with subsidiary seconds dial and date aperture, blued steel hands and a silvered boss within the arch engraved with the maker`s name `Thos. Chune, 1773`, the oak case having a raised panel to the base with canted corners, fluted quartered columns to the trunk with cast brass capitals, the hood having fluted pillars, with the swan neck pediment having a turned wooden finial to the centre, height 226cm (inc. finial). * Thomas Chune is recorded as working in Shifnal, Staffordshire until 1796.
J. Summerhayes, St Ives, A 19th century pine longcase clock, the eight day duration movement striking the hours on a bell, the arched hood with turned columns, with an arched waist panel door, on a box base, the thirteen inch painted arched dial signed `J.Summerhayes, St Ives`, with subsidiary seconds dial and date aperture, height 200cm.
A Salters no 80T trade spring balance with brass dial, a Brades Co cast steel herb chopper with fruit wood handle, a meat cleaver stamped Thomas Stanniforth & Co, warranted Sheffield with turned fruit wood handle, a copper strainer, a brass bell modelled as an 18thC female and two brass rails with fleurs-de-lys brackets.
19th Century oak and mahogany Longcase Clock, the hood with turned supports, short door, the base with bracket feet, square brass dial, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, inscribed, "Step: Sutcliffe, Oxonhope", eight-day movement, striking on a bell.
An Early 20th Century Cast Iron Lambert II Patented Dial Typewriter by Gramophone & Typewriter Limited, London, the circular keyboard on a black japanned cast iron scroll arm set with a bell, the break bow front base cast and highlighted in gilt with maker`s name, with a brass plate numbered 6210, length 30cm.
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123939 item(s)/page