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Lot 73
Quinto (b.1951) Impertinent Devils vs. Bell & Ross 24, Oggetto 3D Pop Art clock, mounted on a glass, metal and plastic battery-operated clock, from the Impertinent Devils vs.Luxury Brands series, 31 x 31 x 5cm, within original box; COA with signature and fingerprint of the artist. Condition Report: mint condition.
Lot 209
7 Dambusters Signed Philip E West Colour Print Titled Towards Victory. 19 of 100. Signed in pencil by the Artist, Geo Johnny Johnson, Basil Fish, Ken Lucas, Benny Goodman, Ray Grayston, Les Munro and John Bell. Print Measures 19 x 14 inches overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 75
Follower of ANTOINE PONTHUS-CINIER (France, 1812-1885), last third of the 19th century."Venice".Oil on canvas.Re-coloured.Signed (apocryphal signature) in the lower right corner.Size: 21 x 31 cm; 38 x 48 cm (frame).Venetian Veduta, with gondolier in the foreground crossing the channel. A few figures are crossing the stone bridge, and in the distance the beautiful profile of domes and bell towers is silhouetted against a clear sky. The influence of Ponthus-Cinier, specifically from his Italian period, can be seen in the type of framing chosen and in the palette of soft, Mediterranean tones, as well as a certain romantic bias. It also reflects the long heritage of Italian veduttists who, from Canaletto onwards, immortalised the city. In the present scene, the urban cadence is sublimated, conveying serenity and calm.Antoine Ponthus-Cinier was a French painter born in Lyon on 29 August 1812 and died on 17 January 1885. He is considered one of the leaders of the Lyon neoclassical movement and adopted an Arcadian style. His works cover all the sites of the Lyon region. He reclaimed the heritage of 18th century Vetudist painting as then represented by Giovanni Antonio Canaletto, seeking to bring in a more romantic atmosphere. In 1829 he enrolled at the École des Beaux-Arts in Lyon, where he does not seem to have been admitted, and later became a pupil of Paul Delaroche in Paris. He became a renowned painter in 1841, when he won the Second Grand Prix de Rome for a historical landscape with Adam and Eve expelled from the Earthly Paradise. He spent two years in Italy, between 1842 and 1844, and stayed in Florence, Rome, Genoa and Naples. This trip to Italy greatly influenced his artistic production. On his return, he made a long journey through the Dauphinate, the Dombes, Provence, the Alps, Savoy and the Pyrenees, and finally settled in Lyon, where he remained until his death. He became a member of the Société des aquafortistes in Paris, where his engravings were very successful. He exhibited historical and simple landscapes in Lyon between 1837 and 1885, in Paris between 1841 and 1867, in Rouen in 1869 and in Dijon in 1881. The Musée des Beaux-Arts in Lyon, Chalon-sur-Saône, Besançon, Brou and Chambéry have works by him.
Lot 11
Bell (Thomas)The Woefull crie of Rome, Containing a defiance to Popery. With Thomas Bells second challenge to all favorites of that Romish faction ...Printed by T.C, for William Welby, 1605, small quarto, [8], 77, [3] pages, the first and last blank leaves are later replacements, some age tanning and staining, annotation to title, full calf (re-backed). ESTC S101554
![[Oldmixon (John)]Arcana Gallica: or, The Secret History of France, for the Last Century ....Printed for A. Bell et al., octav](https://cdn.globalauctionplatform.com/c35f1e1a-88e1-4f87-87ac-af26010e74ee/37b95493-f549-4ffa-815c-af8500ea48be/468x382.jpg)
Lot 147
[Oldmixon (John)]Arcana Gallica: or, The Secret History of France, for the Last Century ....Printed for A. Bell et al., octavo, [8], viii, 509, [19] pages, age tanned with some staining, tear to corner of H3 touching catchword, modern panelled leather binding. ESTC T116391;Trial of Damiens; Pieces Originales et Procedures du Proces, Fait a Robert-Francois Damiens, tant en la Prevote de l'Hotel qu'en la Cour de Parlement.Paris: Pierre-Guillaume Simon, 1757, quarto, xlii, 610 pages, bound without table, a few light stains/spots but generally clean, marbled endpapers, all edges gilt, contemporary morocco gilt (volume number on spine).[Damien attempted to assassinate King Louis XV and suffered a lengthy and horrific execution] With eight others. (10)
Lot 179
The InquisitionRenneville (Constantin de), The French Inquisition: or, the History of the Bastille in Paris, the State-Prison in France: ... Written by Constantin de Renneville ....A. Bell, T. Varnham and J. Osborn, et al., 1715, [4], 322, [2] pages, endpapers tanned, contents generally clean, contemporary calf gilt (some neat restoration). ESTC N31742 (Osborn variant);Limborch (Philip a), The History of the Inquisition ..... Translated into English by Samuel Chandler.J. Gray, 1731, two quarto volumes bound as one, [4], xvi, 260, [4], 319, [1] pages, five engraved plates (four folding with folds reinforced at rear) plus three mounted hand coloured plates depicting costumes of the inquisitors. Marginal tanning/foxing, endpapers tanned and stained, re-backed and rubbed panelled calf with gilt ?Royal armorial device to upper board. ESTC T90184;[Claude (Jean)], An Account of the Persecutions and Oppressions of the French Protestants To which is added, The Edict of the French King ...,Printed by G.M., 1686, very small quarto, [2], 54 pages, age tanning and dust marking, modern full leather binding. ESTC R231693; With four others. (7)
Lot 185
Trial - Association Copy A Defence and Substance of the Trial of John Donnellan, Esq; who was convicted for the Murder of Sir Theodosius Boughton, Bart. at the Assizes held at Warwick on Friday the 30th of March 1781 ... Printed for John Bell, 1781, folio, iv, 27-72, xii, 25, [1] pages, tipped in errata slip, misbound but complete, several leaves with reinforced gutter margins, tears to horizontal crease lines, G1 with large repaired tear (laid down), extensive contemporary marginal annotation in ink, pencil note in book identifies the handwriting as that of 'Sir Wm. Wheeler, Guardian of Sir Theodosius Boughton, & one of the Witnesses in the trial, quarter calf with marbled boards. ESTC T93425.'A Barrister at Law', The Trial of John Donnellan, Esq. (Late Master of the Ceremonies at the Pantheon in Oxford-Street) .... T. Brewman, no date [1781], octavo in fours, 43, [1] pages, modern half calf. ESTC T92907. (2)
Lot 198
Voyages - South SeaCooke (Edward, Capt.), A Voyage to the South Sea, and Round the World. Perform'd in the Years 1708, 1709, 1710 and 1711 ...Printed by H.M. for B. Lintot et al., 1712, first edition, [24], 456, [12] pages, twenty plates comprising folding map frontis (with glue stained reinforced edge), a folding plan of Cusco (partially reinforced) a facsimile folding map of northern South America and seventeen single page plates (repaired tear to plate at page 323), staining to pages, early annotation to title and page one, pannelled calf (re-backed and re-cornered). ESTC T145982;Rogers (Woodes, Capt.), A Cruising Voyage Round the World: First to the South-Sea, thence to the East Indies, and homewards by the Cape of Good Hope. Begun in 1708 and finish'd in 1711 ....Printed for Andrew Bell and Bernard Lintot, 1718, second edition corrected, xix, [1], 428, 57, [7] pages, four folding maps of the Pacific Coast but lacking the world map frontis, pages a little age tanned with staining in several places, modern calf binding with gilt panels and raised bands. ESTC T131767[The two earliest accounts of the rescue of Alexander Selkirk, believed to be the inspiration for Daniel Defoe's Robinson Crusoe]
Lot 59
English ParliamentThe Names of the Members of Parliament. Called to take upon them the Trust of the Government of this Common-wealth. Which Began on Munday the Fourth of June, 1653. The day appointed by the Letters of Summons from his Excellency the Lord Gen. Cromwell, for the meeting of these Gentlemen.Printed by M. Simmons, for Tho. Jenner, 1654, small quarto, [2], 70, pages, nine engraved illustrations (two cropped at tail edge), title page worn at edges with date and price to head (1656), extensive pen trials to pages 14/15, 38/39 and 46, marginal annotation to pages, 34, 35, 37 and 63, head of E1 and E2 cropped with loss of page numbers. ESTC R2275 [bound with]A Perfect List of the Names of the Persons returned to serve in this Parl. 1656 ...no imprint, 8 pages, part of larger work, worn edges, modern full sheep binding;May (Thomas), The History of the Parliament of England: Which began November the third, M.DC.XL. With a short and neccessary view of some precedent yeares.Imprinted .. by Moses Bell, for George Thomason, 1647, folio in fours, [16], 119, [1], 128, pages. Marginal foxing throughout, encroaching into text on final leaves, stain to lower gutter margin corner, small surface abrasion to text on 2H1, creasing to pages, ink obliteration at head of title, foxing to endpapers, armorial bookplate, worn contemporary calf.With nine others on the English Parliament, six published in the seventeenth century and three in the eighteenth. (11)
Lot 108
10 Signed 50th Anniversary VE Day in Europe FDC. Signed by Bernard Maybey, Hal Gardner, Geo Dunn, Rusty Waughman, Benny Goodman, Geo 'Johnny' Johnson, Sydney Grimes, John Bell and 2 others. British Stamp and PostmarkAll autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 7
9 Signed 50th anniversary D-Day Stamp Sheet attached to Benhams Card. Signatures include Last Surviving Dambuster Geo 'Johnny' Johnson, John Bell, Jo Lancaster, Geo Dunn and othersAll autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 164
ROGER FRY (BRITISH 1866-1934) THE RAVINE, THE ALPILLES, CIRCA 1932-33 oil on canvas, signedDimensions:54cm (21 1/4in), 65cm (25 1/2in)Note: Literature: Shone, Richard E. (ed.) 'The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant', London 1999, repr. b/w p.13 fig.4.Note: In his 1999 essay 'The Artists of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant', Richard Shone used this painting to illustrate the point that 'Roger Fry, seen as the arch-exponent of formal values and aesthetic decorum, was frequently drawn in his painting to the most romantic and picturesque aspects of the landscape - to the jagged profiles of unpopulated hillsides, to ravines and mountain pools.' (op.cit., p.13).Roger Fry’s appreciation of, and efforts to promote Post-Impressionist art were key to introducing Britain to recent developments in European art. Fry curated two Post-Impressionist exhibitions in London, the first in 1910 and the second in 1912, with the intention of showing the ways in which Impressionism had expanded and developed from its French origins and taken root in other countries, specifically in England. The work of French artists such as Cézanne, Bonnard and Matisse were juxtaposed with that of a new generation of British artists made in response to art made on the Continent. Fry’s intention was to show the artistic and cultural exchange between Great Britain and mainland Europe.One of Fry’s ambitions was to encourage a better appreciation of Cézanne’s achievements and he was the first British critic to champion his work. Fry’s 1927 study, Cézanne, remains the supreme introduction to a painter he regarded as the ‘greatest master of modern times’. On a trip to France in October 1919, Fry spent time in Cézanne’s hometown of Aix-en-Provence, the surrounding areas painted by the artist, and his house, the Jas de Bouffan. The magnificent countryside inspired Fry to paint, and led him to declare Cézanne a ‘pure naturalist’.Fry believed form, not subject matter, should be the primary expressive element in art. Cézanne’s aims closely aligned with Fry’s ideal, as it gave formal expression to nature. In his 1927 study, Fry asserts that Cézanne’s art is the antithesis of the abstraction of Cubism, constantly questing instead to explore the inner face of nature. He also notes the artist’s powers as a colourist as among the supreme aspects of his genius. Typical of Cézanne’s style, according to Fry, are the pulsating rhythms and constructed strokes that create geometric forms. According equal emphasis to all areas of the canvas, the entire picture surface is imbued with ‘the vibration and movement of life’. In one passage, Fry writes ‘Cézanne reduces actual objects to pure elements of space and volume. In their abstraction, the objects are then brought back into the concrete world of real things by expressing them in an incessantly varying and shifting texture. They retain their abstract intelligibility and regain that reality of actual things which is absent from all abstractions.’For all his academic influence, however, Fry primarily saw himself as an artist. His championship of Post-Impressionism was accompanied by a dramatic change in his own painting, becoming more experimental in style. His landscapes are arguably Fry’s most notable contribution to English Post-Impressionism, in which trees are ground down to the simplest geometrical shapes and clouds stalk the skies. He was interested in the capturing of light and mood of places, and his desire for clear-cut shapes and colours is expressed in sturdy geometric shapes.Fry was a regular visitor to southern France for much of his life. He had great admiration for its various landscapes, for the light and colours of the Midi, for the lifestyle and customs of its inhabitants, its broadly democratic attitude to culture, its architecture and artistic heritage. His extensive trips deepened his love of Provence, where he was eventually to buy a farmhouse. In 1931 he acquired Mas d’Angirany, on the Route d’Antiques leading out of St Remy-de-Provence, which he shared with Charles and Marie Mauron. It was surrounded by olive groves and the upper floor looked across to Les Alpilles, extraordinary geological formations that have been weathered into grotesque shapes and pitted by ravines that have cut their way through the rocks. Vincent Van Gough’s ‘Ravine’, painted shortly after his arrival at the Saint-Paul asylum in 1889, depicts a nearby ravine in Saint-Remy; a possible inspiration for Fry’s later production of a similar scene.Frances Spalding has written ‘some of Fry’s most lyrical late landscapes, with their observation of flickering light an intense responsiveness to the spirit of the place, were painted in the area in and around St Remy’. Until the end of his life, Provence would remain Fry’s favourite part of France. It was a painter’s love, ultimately visual.
Lot 151
A gold charm bracelet,a hollow gold curb link bracelet to bolt ring and safety chain, tested as approximately 9ct gold, suspending twenty six gold charms to include, a Capri goat, a sled, an Eiffel tower, a Venitian gondolier, a guitar, a Swedish three Crowns, etc., all tested as approximately 18ct gold, a Viking ship, a Swiss cow bell with articulated clapper and enamel Eidelweiss flower, a Liechtenstein stamp, a tankard, etc., all tested as approximately 14ct gold, a flamenco dancer, a Scottish bagpiper, a Star of David, a harp, a windmill, a grumpy sitting elf, etc., all hallmarked or tested as approximately 9ct gold, 46.34g Condition ReportEleven charms tested as approximately 9ct gold, five charms tested as approximately 14ct gold, ten charms tested as approximately 18ct gold.Some wear to links. Stamp marks worns to surface of links.Visible repair and excess solder to a few curb chain links.Bolt ring mechanism wobbles slightly in housing. Bolt ring secures.Mark/scratches to surfaces.Some tarnish.
Lot 520
Various posters, a Guisborough Arts Festival poster for Folk Music September 21st at 7:30 to include Jim Wright, Dick Granger, The Cleveland Based Ceilidh, etc., 75cm x 49cm, various other jazz posters, Newham Arts Council, Jazz at the Lister Room, Tom Allen Centre Arts Showcase, various other art and related posters, Jim Warren, Theatre Venture, The Glass Bell House, various others, etc. (a quantity)
Lot 123
Maps. A collection of approximately 70 maps, 17th - 19th century, engraved and lithographic maps of foreign countries and regions, including examples by or after Schenk & Valk, Laurie & Whittle, D'Anville, Dapper, Buache, Jansson, Bowen, Desnos, Bonne, Thomson, Ortelius, De la Haye, Neele, Bell, Gibson, Coronelli, Du Val, Jefferys, Hall and Rollos, various sizes and conditionQTY: (approx. 70)
Lot 376
Thackeray (William Makepeace). Works, 12 volumes, London: Smith, Elder & Co., 1874, half titles, wood-engraved frontispieces, occasional light spotting, bookplates of the Hon. Francis Bridgeman, contemporary half calf, spines with green labels and gilt decorations, edges a little rubbed, 8vo, together with The Works of Washington Irving, 10 volumes, London: Bell & Daldy, 1868, frontispieces, previous owner inscription, contemporary green half morocco gilt, spines a little faded, 8voQTY: (22)
![[Brontë, Emily & Anne]. Wuthering Heights and Agnes Grey. By Ellis and Acton Bell. A new revised edition, with a biograph](https://cdn.globalauctionplatform.com/2a43871f-d280-4166-9f6c-af8800c0bef7/2cc3682d-1b16-4f9d-8a17-af8900aa1f28/468x382.jpg)
Lot 436
[Brontë, Emily & Anne]. Wuthering Heights and Agnes Grey. By Ellis and Acton Bell. A new revised edition, with a biographical notice of the authors, a selection from their literary remains, and a preface, by Currer Bell, Copyright edition, 2 volumes in one, Leipzig: Bernhard Tauchnitz, 1851, contemporary ink signature to upper blank margin of first title page, occasional scattered spotting and light dust-soiling, contemporary dark green half calf, joints slightly cracked, 8vo, together with: [Brontë, Charlotte], Shirley. A Tale. By Currer Bell, author of "Jane Eyre", Copyright edition, 2 volumes, Leipzig: Bernhard Tauchnitz, 1849, occasional light spotting, contemporary green half calf, gilt decorated spine with contrasting labels, extremities slightly rubbed, 8vo,[Evans, Mary Ann], Romola. By George Eliot, Copyright edition, 2 volumes in one, Leipzig: Bernhard Tauchnitz, 1863, some toning, contemporary half vellum, 8vo, plus other antiquarian literature etc., mostly 19th-century publications and few early 20th-century miscellaneous booksQTY: (a carton)
Lot 460
Morris (F. O.). A Series of Picturesque Views of Seats of the Noble and Gentlemen of Great Britain, 2 volumes in 1, Leeds: D. Banks, circa 1860, 80 colour lithographic plates, some light toning, spotting & offsetting, new endpapers, modern red & white half morocco with a contemporary gilt decorated red cloth vignette to the front board in a slipcase comprising of the original boards, large 8vo, together with:Brandon (Raphael & J. Arthur), Parish Churches; being Perspective Views of English Ecclesiastical Structures:..., London: George Bell, 1848, numerous monochrome plates & folding plates, some light toning & spotting, top edge gilt, rebound retaining contemporary full calf, boards & spine slightly rubbed with some minor loss, 8vo, plusScott (George Gilbert), Remarks on Secular & Domestic Architecture, present & future, London: John Murray, 1858, engraved title page with a contemporary inscription to the top right corner, some light toning & spotting, original embossed brown cloth, boards & spine lightly rubbed, 8vo, and other 19th-century & modern architecture reference & related, some leather bindings, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQTY: (3 shelves)
Lot 277
Victorian Kenrick cast iron doorstop, the pierced loop handle above an acanthus leaf decorated stem and bell form lower section, stamped Kenrick 440 to reverse, 36cm high, cast iron doorstop with pierced scrolled handle above a clasped hand stem, the lower section modelled as a cow on a naturalistic base, 49cm high (2)
Lot 830
BELL & ROSSArmbanduhr.Herkunft: Schweiz.Werk: Quarz.Gehäuse/Armband: Stahl, schwarzes Lederarmband mit Faltschließe, Zffbl. schwarz lackiert, Indizes weiß lackiert, tlw. mit Leuchtmasse, Zeiger weiß.Gesamtgewicht: ca. 74,5 g.Größe: Ø 41 mm, Länge 22 cm.Gehäuse-Nr.: 120510 380.Beschreibung: 7-Zeiger-Uhr. Datumsanzeige auf "6" Uhr. Original Box und Bedienungsanleitung anbei.Erläuterungen zum Katalog
Lot 34
An early 18th century and later walnut long case clock the dial signed John Longe, London The cavetto moulded cornice above a glazed door flanked by turned pilasters, the 11" dial with silvered chapter ring with Roman numerals and subsidiary seconds dial with pierced gilt brass 'boys and crown' spandrels, now fitted with a later weight driven movement with anchor escapement and rack strike on a bell; above a crossbanded trunk and plinth moulded base, 41cm wide, 24cm deep, 189cm high.
Lot 19
Group of two Japanese brass table or pillow clocks, likely Makura Dokei. Each hour marked along the dial. With ornate scrolling leaves etched throughout the front and back of the clock. One clock lacking the top bell cover. The larger clock with a key.Big; height: 3 1/4 in x width: 5 in x depth: 2 1/2 in. Small; height: 2 1/2 in x width: 3 1/2 in x depth: 2 in.
Lot 263
Group of five European items including: one Royal Vienna porcelain inkwell, marked along the underside; two silver knives with floral and coat of arms decoration along the blades; one sterling silver French case, possibly a matchstick or pill box or lipstick case, marked along the interior; one sterling silver bell, marked along the handle.(Silver case) height: 3 1/2 in x width: 5 3/4 in x depth: 5 in. (Bell) heigh: 5 in x diameter: 2 1/4 in. (Knives and inkwell) length ranges from 4 1/2 in to 7 1/2 in; width ranges from 1 in to 3/4 in.
Lot 292
J. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow. Group of six earthenware ceramic pottery transferware rice plates including five in the pattern "Keelin Hong" and one in the pattern "Makassar." Two red plates, two green and red plates, one blue plate, and one blue and red plate. All marked along the underside.Diameter ranges from 9 3/4 in to 10 in.
Lot 299
J. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow. Group of eleven earthenware ceramic pottery transferware rice plates including five in the pattern "Kwantung," four in the pattern "Buah Buah," one in the pattern "Durian (Dhurian) and Nanus," and one in the pattern "Buah and Nanas." Three red plates, one blue plate, one brown plate, two green and red plates, and four blue and red plates. All marked along the underside.Diameter ranges from 8 1/2 in to 10 in.
Lot 805
Postcards/Photographs, a collection in 2 modern albums of approx. 292 photographs and postcards of London United Electric Tramways, with trams and buses from Hounslow, Kew and Brentford, inc. RPs of postcards from London Rd Isleworth, Pears Fountain Spring Grove, High St Hounslow (2), The Broadway Hounslow, Holy Trinity Church Hounslow, Bell Corner Hounslow, Staines Rd Hounslow, Tram Terminus Hounslow Heath, Kew Bridge, Kew Bridge Corner, Kew Green, Boston Rd Brentford (4), crowded Brentford High St (with trams), High St Brentford, Boston Rd Hanwell (2) etc (gd)
Lot 813
Postcards, Northamptonshire, a collection of approx. 40 cards inc. RPs of Whatton Village, Stables Stapleford Hall, Square Nottingham, High School Retford, Market Square Retford, Kingston Dairy College, County Secondary School Bullwell, Colston Bassett, Ye Olde Bell Hotel Barnby Moor, Kingston on Soar Village, House Boats River Trent Beeston etc. Also good printed street scenes and villages etc (mainly gd)
Lot 91
Hornby Trackside Buildings and Structures, all boxed, Hornby China Skaledale, R8582 Goods Shed, R8603 Coal Staithes, R8585 Lamp Hut, R8587 Coal Stage, Hornby Margate, plastic and kit, R334 Station Over Roof, R331 London Road Station, R273 Victorian Houses, R499 river bridge (2), R8003 water tower R516 Diesel Maintenance Depot, R189 single brick bridge, R657 girder bridge, R520 water tower, R538 buffet & bar, R515 operating conveyor set and four factory sealed packs, R481 footbridge, R278 Bell In, R417 Coach Siding Platforms, R418 Dunster Station, all appear complete but unchecked, G-E, boxes G-E, (20)
Lot 147
SOUTHWARK, New Rents, Henry Tharpe, Halfpenny, 1.74g/3h (E 751; N 4979; BW. 328); Rotherhithe, Thomas Cooper, Halfpenny, 1668, 1.90g/12h (E 788; N 5006; BW. Surrey 253), Edward Moseley, Farthing, 1666, 0.44g/6h (E 803; N 5014; BW. Surrey 272); St Olave’s, Mathew Pearce, Halfpenny, 1.12g/6h (E 875; N 5084; BW. 459); St Saviour’s Dock, John Bates, Farthing, 1658, 1.18g/6h (E 876; N 5055; BW. 364); Stoney Street, I.H.L. the ship, Farthing, 1.07g/6h (E 939; N –; BW. 411); Tooley Street, Tho. Bell, Farthing, 0.51g/6h (E 949; N 5103; BW. 422), M.C. at 3 tobacco pipes, Farthing, 1.14g/6h (E 956; N 5138; BW. 427); Upper Ground, William Stewart, Halfpenny, 2.11g/9h (E 1025; N 5159; BW. 491) [9]. E 803 good fine, others in varied state, E 939 very rare £70-£90 --- Provenance: E 788 R.J. Carthew Collection, D.F. Spink Collection, Spink Auction 43, 18 April 1985, lot 105 (part), bt Seaby 1985
![Miscellaneous Tokens and Checks, GLOUCESTERSHIRE, Berkeley, White Lion Inn, T[homas] Pick, brass Threepence, 26mm, rev. stamp](https://cdn.globalauctionplatform.com/bece3757-fbab-49ed-9600-af65010ea4c2/d3594399-cd4e-4a17-a050-af6c00eb34f9/468x382.jpg)
Lot 233
Miscellaneous Tokens and Checks, GLOUCESTERSHIRE, Berkeley, White Lion Inn, T[homas] Pick, brass Threepence, 26mm, rev. stamped r [Charles Roberts] (Greenaway 1052); Bristol, Albany House, R. Norman, brass Twopence by Daniell, 23mm, Georges Brewery, uniface brass Quart, 32mm, stamped 85, lonzenge-shaped uniface brass Pint, 45mm, stamped 3 (Greenaway 1062), [Hope & Anchor], William David, copper Twopence, 23mm (Greenaway 1063), Three Blackbirds, G. Mitchell, brass Threepence, 23mm (Greenaway 1078; Whitmore p.342); Charlton Kings, New Inn, G.E. Eaketts, brass Threepence, 26mmh (Greenaway 1081; Courtney p.191); Cirencester, King’s Arms Inn, brass Twopence by Pope, 24mm (Greenaway 1088); Gloucester, Eastgate Vaults, J.M. Cazeres, brass Threepence, 24mm (Greenaway 1098), Llanthony Bridge Inn, Ford & Witts, brass Twopence-Halfpenny and Threehalfpence, both 24mm, both countermarked sm [Sidney Mitchell] on obvs. (Greenaway 1103); Sharpness, Pier View Hotel, brass Threepence, 27mm (Greenaway 1120); Tewkesbury, Bell Hotel, A[bert] Bowers, brass Fourpence, 27mm (Greenaway 1123); Thrupp, Fountain Inn, brass Twopence-Halfpenny, 23mm (Greenaway 1124); Westbury-on-Trym, Westbury Junior Benefit Society, brass Twopence by Cottrill, 1839, 24mm (W 2068; cf. DNW 136, 1307) [15]. Second fair and pierced, others generally very fine, some scarce £150-£200
Lot 257
Miscellaneous Tokens and Checks, Co DUBLIN, Dublin, J.R. Andrews & Co (W 5940), Cannock, White & Co (4, W 5980, 5990, 6000, 6005), McSwiney, Delany & Co, 1853 (W 6160), O’Grady, Clinton & Co (W 6190), Patrick Plunkett (W 6200), Scott, Bell & Co (W 6220), Talty, Murphy & Co (W 6260), Thompson & Co (3, W 6280, 6290, 6300), Todd, Burns & Co (5), 1834 (4) (W 6310, 6313, 6315, 6317, 6320), James H. Webb & Co (W 6350a); Kingstown, Harrison & Co (2, W 6500, 6510) [21]. W 6310 extremely fine, W 5980 good very fine but has been lacquered, others generally fine to very fine, some scarce £150-£200
Lot 302
17th Century Tokens, BERKSHIRE, Blewbury, George Stanton, Farthing, 1665, 0.75g/9h (N 73; BW. 14); Bucklebury, John Moorecock, Farthing, 1666, 0.80g/3h (N 75; BW. 16); Faringdon, Edward Stevens, Farthing, 1652, 1.06g/6h (N 6407; BW. 28); Hungerford, William Bell, Halfpenny, 1668, 1.54g/3h (N 87; BW. 34); Ilsley, Richard Weston, Halfpenny, 1669, 1.54g/6h (N 88; BW. 39); Lambourne, Henry Knighton, Halfpenny, 1666, 1.57g/6h (N 92; BW. 43); Longcot, Albert Williams, Halfpenny, 1671, 1.32g/9h (N 94; BW. 44); Maidenhead, Edmond Stone, Farthings (2), 0.71g/3h (N 100; BW. 49), 0.92g/12h (N 102; BW. 49) [9]. N 92, 100 and 6407 fine, others in varied state £90-£120 --- Provenance: N 87 C.F.K. Grainger Collection, DNW Auction T14, 1 October 2014, lot 113 (part); N 88 SCMB March 1966, bt S.H. Monks October 2012; N 6407 G. Atkins Collection, Reading CC Auction, 5 October 1998, lot 24, bt R. Gladdle September 2011. N 92 only illustrated
Lot 430
18th Century Tokens, SURREY, Croydon, Skidmore’s Clerkenwell series, Penny, Addington Place, rev. fictitious arms, edge i promise to pay on demand the bearer one penny, 24.20g/12h (DH Middlesex 147; Bell p.94, this piece). Extremely fine, obverse with a hint of original colour £90-120 --- Provenance: R.C. Bell Collection, DNW Auction 26, 1 October 1996, lot 61 (part); A Collection of 18th Century Tokens and Medals, the property of a Gentleman, DNW Auction 147, 12-14 June 2018, lot 1546
![Miscellaneous Tokens and Checks, SOMERSET, Bath, Albion Brewery, J[ames] C[ampbell], brass, 25mm (SPHT 9a), Angel Hotel, T[ho](https://cdn.globalauctionplatform.com/bece3757-fbab-49ed-9600-af65010ea4c2/edc2a00e-9316-4f7b-b1c6-af6c00eb0312/468x382.jpg)
Lot 542
Miscellaneous Tokens and Checks, SOMERSET, Bath, Albion Brewery, J[ames] C[ampbell], brass, 25mm (SPHT 9a), Angel Hotel, T[homas] Rose, brass Threepence, 25mm (SPHT 11), Bell Brewery, J[oseph] Reynolds, brass, 24mm (SPHT 17c), Don Cossack, copper, 22mm (SPHT 41), Fox & Hounds, brass Threehalfpence, 22.5mm (SPHT 46e), Greyhound, brass, 24mm (SPHT 59), Old Fox, W[illiam] W[illiams], brass Threehalfpence, 24mm (SPHT 90), Old Northgate Brewery, C.S.P. & B., copper, 32mm (SPHT 91), Saddler’s Arms, brass Twopence, 26mm (SPHT 111); Combe Down, Hadley Arms, F[arnham] Flower, brass by Jenkins, 25mm (SPHT 172c), William IVth, T[homas] Hine, copper, 21mm (SPHT 173) [11]. Generally very fine, one or two better, some scarce £100-£150
Lot 552
Miscellaneous Tokens and Checks, YORKSHIRE, Halifax, Samuel Hamer, 1901, mules (2), bronzed and bright aluminium, arms, revs. legend, edges plain, both 35mm, 23.58g/12h, 7.19g/12h (W 3038 obv./3039 rev.; Bell, 1966, A7/A6, and p.285) [2]. Virtually as struck, rare £100-£150 --- Provenance: D.B. Griffiths Collection, additionally: first bt S.E. Schwer December 1980; second W.J. Noble Collection, Noble Numismatics Pty Auction 61B, 3-4 August 1999, lot 419 (part) [from Spink 1973], Davissons Mailbid Sale 14, 15 November 2000 (616)
Lot 553
Miscellaneous Tokens and Checks, YORKSHIRE, Halifax, Samuel Hamer, Silver Wedding, 1911 in bright aluminium, united for mutual happiness above clasped hands, rev. fancy softly seems to glide, etc, edge whom god hath joined let none separate, 35mm, 8.01g/12h (W 3041; Bell, 1966, A8). Brilliant and virtually as struck £50-£70 --- Provenance: Bt S.E. Schwer
Lot 622
Burn, J.H., A Descriptive Catalogue of the London Traders, Tavern, and Coffee-House Tokens Current in the Seventeenth Century, presented to the Corporation Library by Henry Benjamin Hanbury Beaufoy, 2nd edn, London, 1855, xcv + 287pp, 3 engraved plates (Manville 392); Stainsfield, C.W., Descriptive Catalogue of Australian Tradesmen’s Tokens, 2nd edn, London, 1888, iii + 74pp, engraved illustrations in text; Atkins, J., The Tradesmen’s Tokens of the Eighteenth Century, London, 1892, vi + 415pp (Manville 555); Longman, W., Tokens of the Eighteenth Century connected with Booksellers & Bookmakers, London, 1916, 90pp, 3 plates, engraved illustrations (Manville 762); Bell, R.C., Specious Tokens and those struck for General Circulation, 1784-1804, Newcastle upon Tyne, 1968, xvii + 257pp, illustrations in text, dj (Manville 1165) [5]. Publishers’ bindings; first and third with defects to bindings £60-£80 --- Provenance: First ex libris James Comerford (1806-81), with his bookplate; Sotheby Auction, 16-20 November 1881, lot 408
Lot 5
LONGCASE CLOCK - CIRCA 1840 mahogany cased, urn finial capped hood with broken swan neck pediment housing a Biblical scene painted dial set with roman numerals and centre sweep calender, rolling moon twin weight pendulum driven bell strike eight day movement, pendulum and weights included, quartered pillar details and shaped trunk door, 248cms H, 54cms W, 26cms D
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