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A Liberty & Co gold turquoise and mother of pearl necklace, the link chain set with alternate turquoise stones and carved mother of pearl bell flowers, and another smaller chain, unmarked, 36cm. long (longest chain), (2) Provenance Private collection of Arts and Crafts jewellery. Literature Victor Arwas Liberty Style Parcos, page 64-65 catalogue number J.5 for a comparable necklace illustrated. Exhibited Art & Fashion, Cheltenham Art Gallery & Museum.
A bracket clock,late 18th century, by Joseph Blundy, the white convex enamel dial with black Roman and Arabic numerals, the double fusee movement striking the hours on a bell, signed 'Jos. Blundy, London', all within a mahogany case, with lacquered brass handles to either side and on short brass feet, dial 18cm diameter 40cm high
*Commemorative Napkin. In Loving Memory of the Miners who Lost their Lives in the Terrible Pit Disaster at the Universal Colliery, Senghenydd, South Wales, October, 1913, printed paper napkin, with vignette of a colliery above four poetic verses, with title top and bottom, somewhat spotted and creased, 1" closed tear to lower left corner (just touching border), 36 x 36cm (14.25 x 14.25ins), together with another similar, commemorating a visit by George VI and Queen Elizabeth to Newport and Cardiff in 1937, plus a small quantity of advertising and other miscellaneous ephemera, including two Bruton, Knowles, & Co. auction catalogues, both for the same sale held at Bell Hotel Assembly Room in Gloucester on July 9th 1879, each with various manuscript annotations, three unused Vere Foster's Drawing Copy Books (Horses, Song Birds, Marine Subjects, latter defective), a Mazawattee Atlas of the World, a Souvenir de France padded silk handkerchief case containing two hankies, an OXO advertising booklet Paint the A.B.C. of Health & Fitness, two Convent Garden programmes for 1911, a chromolithographed concertina booklet showing children dressed in costume through the ages, and a number of small unused envelopes, various sizes and condition Commemorative and souvenir napkins are, by their very nature, fragile ephemeral items, and those commemorating disasters were inevitably produced in smaller numbers than those printed as souvenirs to mark happy events. (-)
Woolf (Virginia). The Common Reader, 1st edition, Hogarth Press, 1925, endpapers tanned, original quarter cloth, pictorial boards designed by Vanessa Bell, small nick to head of spine, boards and edges spotted, light wear to corners, 8vo, together with Rolfe (Frederick, Baron Corvo), The Venice Letters, edited and with an Introduction by Cecil Woolf, limited edition, Cecil & Amelia Woolf, 1974, photographic endpapers, top edge dyed blue, original blue cloth, slipcase, 8vo, number 31 of 200 copies Kirkpatrick A8a for The Common Reader. Ex libris Christopher Hogwood CBE (1941-2014). (2)
*Card game. Der Landtag oder das Debattiren, La diÚte ou les debats, The diet or debates, n.p., circa 1820, eleven (of 12) hand-coloured engraved pictorial cards, and twelve printed cards with letterpress within a single line border (one lightly toned), caption to former and text to latter in German, French, and English, blue pastepaper versos, 10.5 x 7cm (4.25 x 2.75ins), contained in original wooden box (lacking one short side), hand-coloured engraved label on sliding lid (toned and slightly rubbed), together with a set of Jaques' Illustrated Proverbs, circa 1885, 63 (of 64) cards (lacking text card 'thief'), twelve hand-coloured, some light spotting, plus Interrogatory Game, Structure of the Earth, Edward Wallis, circa 1820s, 50 letterpress cards, with rule booklet (corners creased and one short edge-tear), contained in original wooden box with label on sliding lid, plus a compartmented rose wood cribbage box inlaid with brass, containing a number of pink and cream bone counters and a deck of cards published by Reynolds & Sons [between 1862 and 1882], plus a large circular wooden hinged game board, First item extremely rare: we have been unable to trace another set. The attractive picture cards show trades and occupations, for example: An artisan; A merchant; A fabricant; A burg-master; A jurist. The accompanying text cards bear various proverbs and maxims, such as: 'As the fool thinks,/The bell clinks'; 'He that cannot pay/Let him pray'; 'Great boast/Small roast'; 'Children and fools/Should not meddle with edge tools'. (1)
*Wheelhouse (Mary Vermuyden, 1868-1947). One kiss & then a long look, pen, ink & watercolour drawing for an unpublished edition of 'Mill on the Floss', depicting a young courting couple under a tree in a pastoral landscape, lightly spotted, signed lower left, 25 x 16cm (10 x 6.5ins), mounted, framed and glazed, backboard with pencilled title and reference 'Book 6 Chapter 11', together with Interior scene with three figures, pen, ink & watercolour, depicting a grey-haired woman semi-reclining on a chaise longue, with a young lady seated at her feet and a bearded gentleman standing beside, before a large window with a twilight vista of houses, signed lower left, 23.5 x 14.5cm (9.25 x 5.75ins), mounted, framed and glazed, plus a small archive relating to the artist, comprising thirteen photographs, including six old photographs (the others modern reproductions), three of wooden toys and one of the front of an early toy shop, and a quantity of photocopied correspondence (approximately 50 letters) between Mary Wheelhouse and publisher George Bell Mary Wheelhouse was both a successful artist and illustrator, and a maker and seller of toys, particularly of wooden dolls. She studied at the Scarborough School of Art in the mid 1890s, during which time she began to exhibit at The Royal Academy, and she went on to attend the Academie Delecture in Paris. By 1899 she was sharing a house with three other artists in London - 3 Pomona Studios, 111 New King's Road - and exhibiting regularly in London, the provinces and the Paris Salon. A competition win led to commissions as a book illustrator, and particularly to a long working relationship with the publisher George Bell. In 1910 she illustrated an edition of 'Silas Marner' for George Bell, and illustrations were commissioned for an edition of 'The Mill on the Floss' by publishers Herbert & Daniel in 1913, but the book was never published. In 1915 Wheelhouse teamed up first with fellow artist Louise Jacobs, and then later with sculptor A.B. Ellis, to make a range of wooden toys, and she had a shop, Pomona Toys, at 64 Cheyne Walk in Chelsea from around 1916 until 1927. After this time the shop moved to 14 Holland Street, with a workshop at 28 Gunter Grove, and it continued trading until the outbreak of World War II. The company supplied the likes of Fortnum & Mason, Harrods, and Liberty's, and its most prestigious commission was the supply of toys to the royal family, including miniature items for Queen Mary's Dolls' House, such as a tiny merry-go-round for the Day Nursery (one of the photographs included in this lot shows just such a miniature carousel). 'Everybody's Book of the Queen's Dolls' House', published in 1924, makes mention of some of the items supplied: "...and then please, if you were ever a child, squeak with joy over the precious Pomona toys! Amongst these a Sedan chair with lady all complete, a Dutch cradle with child, and a swinging bird...". (an archive)
A LATE 19TH CENTURY MAJOLICA CASED MANTEL CLOCK, the case of domed and scrolled form moulded in relief with flowers, grotesque mask, reeding and fluting, the circular white enamel dial with Roman numerals to the chapter ring, Brocot ecsapement, marked 'J. Wainwright, Southport', between the winding holes, bell strike, with key and pendulum, height approximately 37cm
A 19TH CENTURY FRENCH BOULLE MARQUETRY AND ORMOLU MOUNTED BRACKET CLOCK, in need of restoration, seated putti surmount, silvered and chased gilt dial with Arabic seconds and Roman numerals, bell strike, under the dial gilt plaque marked 'THURET' above an oval gilt relief portrait of a man surrounded by blue enamel decoration, glazed side panels, height approximately 52cm, with pendulum, key and loose strips of brass inlay
A LATE 19TH CENTURY FIGURAL GILT METAL AND WHITE MARBLE MANTEL CLOCK, cast with a male figure holding a piece of fruit and a knife beside the dial with urn of fruit surmount and side support of cornucopia with musical devices, circular white enamel dial (cracked) with Roman numerals, eight day bell strike movement marked 'BREVETE S.G.D.G 6236', lacks cover to back, on a shaped base with foliate and mask mounts, s.d., height approximately 46cm, with pendulum
A GEORGE III AND LATER MAHOGANY AND STAINED CASED BRACKET CLOCK, brass carry handle above caddy top, moulded glass door enclosing a 6''/15cm silivered dial, Roman and Arabic numerals, the spandrels engraved with foliate scrolls and the arch named 'Joseph Lum, London', glazed side panels and rear door, enclosing crown escapement double fusee movement, bell strike and repeat mechanism, the case base on bracket feet, height to top of handle approximately 51cm, with pendulum, key and case key
A LATE 19TH CENTURY GILT BRASS FIGURAL MANTEL CLOCK, clerical figure holding staff on a rocky base above a circular enamel dial (cracked), with Roman numerals, eight day movement with bell strike, lacks rear door, the dial flanked by later painted panels with bishop's mitre gilt metal decoration, on an openwork foliate scroll base, height approximately 40.5cm, with pendulum
A 19TH CENTURY GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK, urn surmount above an oval painted plaque of a lady within a foliate scrolled frame, the circular dial with turquoise porcelain ground and blue Roman numerals with central band of flowers, the dial flanked by two further oval plaques painted with floral sprays, the shaped oval base with rectangular plaque painted with a bird in a landscape, eight day movement with bell strike, the clock on a separate gilt wood stand and with a glass dome with ebonised base on bun feet, height of clock including gilt wood stand 37.5cm, height of dome 42.5cm, with key (glass dome has some cracks, the clock case has some evidence of repairs)
A GEORGE III OAK, MAHOGANY BANDED AND INLAID LONGCASE CLOCK, the hood with broken arch pediment and three gilt metal ball surmounts, veneered detail frieze, gilt topped column supports flanking the arched glazed door enclosing arched brass face with silvered dial, subsidiary seconds dial and date aperture, the arch with 'Tempus Fugit', 11''/28cm dial named Thomas Danes, Northampton, Roman and Arabic numerals, eight day movement with bell strike, the case with arched trunk door with shell paterae and flanked by quarter columns, inlaid plinth base on ogee bracket feet, height 236cm, with pendulum, two weights and door key
A GEORGE III MAHOGANY LONG CASE CLOCK, the hood with caddy top on half column supports flanking arched door, the brass face with circular silvered name plaque for 'Thomas Bell' to the arch above silvered 11 1/4'', 29cm dial, with Roman and Arabic numerals, subsidiary seconds dial with date aperture, eight day movement with bell strike spandrels, rectangular trunk door, plinth base, height approximately 228cm, pendulum, two weights and door key
Collection of earrings, square step cut aquamarine studs, estimated total weight 1.08 carats, mounted in white metal stamped 14 ct with post and butterfly fitting, with amethyst drop earrings, blue bell stud earrings and engraved hoop earrings, all in 9ct yellow gold. items in 9 ct weight 6.3 grams14 ct weight 0.9 grams, gross weight Aquamarine studs 0.54 carat per earring totalling 1.08 caratsAmethyst drop earrings with post and butterfly fittingsblue bell studs measure 1.6 x 0.8cm, with post and butterfly fittinghoop earrings with post and butterfly fitting
A 1970s Seiko Bell-Matic 4006-6040T gentleman's automatic wristwatch, the circular black dial with brushed steel baton markers, day date aperture red sweep seconds hand and blue outer seconds band, alarm, crown at 3 and pusher at 2 , square brushed steel case number 30104 with fitted bracelet strap .
A view of the Universal History, literature and the several schools of painting synchronistically & ethnographically presented in 25 illuminated chronological tables Fifth Edition, Major James Bell 1842 Provenance; A private library of antiquarian books acquired in the last 50 years. Deceased estate.
A collection of illustrated books by Rev. F.O. Morris, including Vols. I, II & III of 'A Natural History of the Nests & Eggs of British Birds', 2nd edition, published by George Bell & Sons, London, 1870, quarto, green cloth, gilt-lettering on spines.Together with Vols. 1-6 of 'A History of British Birds', 2nd edition, 1870, published by Bell & Daldy, London, with original blind-stamped green cloth along with other nature and gardening books (12)
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123896 item(s)/page