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Lot 8
A late Georgian oak longcase clock, with moulded arched and pillared hood, full length trunk door with thumb nail moulding over a plain base on plinth, the 30cm brass square arched dial having rocking tempus fugit figure over a silvered ring marked with his name and that of Wm Batt-Petersfield, silver chapter ring and subsidiary second ring and date aperture, applied figural spandrels, 8 day movement striking a bell, 215cm high.
Lot 614
Medical Dissertations by Irish Doctors Labatt (Sam. Bell) Disputatio Medica Inauguralis, De Podagra, 8vo Edin. 1797, First, 36pp; Coyne (Bernard) Dissertatio Medica Inauguralis De Typho, 8vo Edin. 1824, First, hf. title. 23pp; Townsend (Richard) Dissertatio Medica Inauguralis de Usu Sulphatis Quinae, Edin. 1824, Pres. Copy, inscribed, 29pp; Elliott (Gilbert) Dissertatio Medica Inauguralis de Hepatitide, Edin. 1824, First, 16pp; Fitzpatrick (Patrick) Dissertatio Medica Inauguralis de Febribus in Genere Sed Praecipue de Typho, Edin. 1824, Pres. Copy, inscribed, hf. title, 23pp. Together 5 works, all disbound. (5) * Ex Collection R.C.P.
Lot 165
A collection of Bell China Art Deco coffee wares with printed and infilled crinoline lady and garden decoration comprising coffee pot, milk jug, sugar bowl, five cups and five saucers together with two Royal Doulton Character Flasks of Falstaff D6385 and The Poacher D6464, a collection of Wedgwood green ground jasper wares including a circular lidded box and cover and two further trinket boxes and an ashtray, a set of six tall slender stemmed cut glass drinking glasses, a cut glass jar and cover, a pair of boxed cut glass napkin rings, etc, together with a brass and wooden handled marking tool, etc
Lot 210
A selection of seventeen mostly 19th century drinking glasses to include a large rummer with slice cut bucket shaped bowl on an inverted knopped stem, a further simple rummer, a pair of small drinking glasses with slice cut bell shaped bowls on bladed stems, further examples with cut and etched decoration, etc
Lot 217
A set of six large and six smaller good quality clear cut wine glasses with bell shaped bowls with flared rims with extensive garland and hob cut decoration leading to faceted knopped stems, 18 and 17 cm tall approx together with six matching champagne flutes, 20 cm tall approx, also together with a substantial cut glass ewer with matching cut decoration with diamond shaped stopper, all marked Cristalleries De Lorraine to undersides
Lot 160
Leroy a Paris, a 19th century eight-day duration movement striking the hours and half hours on a bell with an outside countwheel,: the backplate stamped with the makers name as above, with a nine-bar compensating pendulum with a knife-edge escapement and gilt-brass cast bob, the gilt-brass dial with black Roman numerals and blued steel moon hands and with a cast acanthus leaf bezel, contained in a later mahogany portico case with brass capitals to the pillars and within a further mahogany glazed case.
Lot 162
Bally a Paris, A 19th century French gilt metal mantel clock: the eight-day duration movement striking the hours and half hours on a bell, with the backplate stamped with the makers name as above, the white enamel dial with black Roman numerals, gilt-brass spade hands and signed for the retailer Alfred B Pearce, 25 Ludgate Hill,, the rococo style case surmounted by a figure of a shepherdess with an open book, standing on a shaped matching giltwood base, height 44cm, including base.
Lot 527
A French Victorian carriage clock: the eight-day duration movement striking the hours and half hours on a bell, with a silvered platform lever escapement, the backplate stamped with the serial number 1324, the white enamel dial having black Roman numerals, a subsidiary alarm dial and blued steel moon hands, the brass corniche case with a three-bail carrying handle, height 13cm (handle down) 16cm (handle up)
Lot 530
Japy Freres et Cie, a French spelter mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the round ivorine dial with black stylised numerals and decorative blued steel hands, the Art Nouveau case in the form of a winged female reading a book whilst leaning against the clock case, standing on a marble base, height 53cm.
Lot 533
A French marble mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped Samuel Fritz, Paris, with the round ivorine dial having black Arabic numerals with coloured swags of flowers between and pierced and engraved brass hands, the squat variegated marble case with a stepped base and top standing on gilt-metal cast feet, complete with a matching pair of side pieces, height 20cm.
Lot 596
Thomas Heming, London, a mahogany longcase clock: the eight-day duration, five-pillar movement (fifth pillar removed) striking the hours on a bell, the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, the matted dial centre with subsidiary seconds dial and date aperture, with cast brass spandrels to the corners, engraved with the makers name Thos. Heming, London, the mahogany case with a break-arch top and matching trunk door.
Lot 598
Thos. Cachett, Cranbrook, an oak longcase clock: the thirty-hour duration birdcage movement striking the hours on a bell, the square brass dial having a raised chapter ring engraved with black Roman numerals and signed Thos. Cachett, Cranbrook fecit, the dial centre with a subsidiary date aperture, the flat-topped oak case with a plain base.
Lot 643
Richard Drury, Charlecote, a carved oak longcase clock: the associated eight-day duration movement striking the hours on a bell, the associated thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and five-minute outer numerals, the centre with an applied roundel engraved with the name Richd Drury, Charlecote, with cast-brass c-scroll corner spandrels and a decorative spandrel to the arch depicting boys blowing trumpets within a floral and rococo setting, the oak, flat-top case profusely carved with floral decoration, with turned pillars to the hood and a shaped top to the trunk door, height 216cm.
Lot 188
Manfred Albrecht von Richthofen (`The Red Baron`), a part compression rib from Richthofen`s Fokker triplane, inscribed in pencil `Piece of compression rib from Baron Richthofen`s Fokker triplane, Sgt. Mark F Hides, Rifle Brigade R, G. Walker Chief Mechanic RAF, I Bell Ops Mech`, 13.5cm long Von Richthofen is credited with eighty victories during WW1. He was finally shot down near Vaux-sur-Somme on 21 April 1918. It remains unclear whether Captain Roy Brown was victorious (as official records suggest), or whether a shot from the ground by an Australian infantryman resulted in the fatal injury.
Lot 68
Four Jelly Glasses,a `B` handled Glass,c.1750, with a bell-shaped bowl, applied handles and a domed foot,11cm high,an hexagonal Jelly Glass,c.1760, with a plain tapering bowl,11.5cm high,a large ribbed Jelly Glass,c.1750, with a bell-shaped body, a teared cushion knop and a moulded domed foot,12.2cm high, anda Glass,early 19th century, with a double ogee bowl over a teared cushion knop and a domed foot (4)Exhibited: The hexagonal glass: Chertsey Museum, Chertsey, 1981-1997.CONDITION REPORT: No obvious major faults.
Lot 78
Three Jelly Glasses,a Jelly Glass, c.1740, the bell-shaped bowl with a cut rim over a compressed beaded knop and a chamfered foot,11cm high,Another, possibly Irish, c.1820-1830, with an elaborately cut body,11.2cm high, andAnother, early 19th century, the straight funnel bowl with wrythen moulded decoration on a folded foot,13cm high (3)CONDITION REPORT: No. 1 with minor nibbles to the rim.Nos. 2 and 3, no obvious major faults.
Lot 393
A quantity of silver flatware to include a Scottish silver sifter spoon, Edinburgh c.1830, George Bell, four Georgian silver table spoons, a set of twelve Victorian silver teaspoons, London c.1824, Richard Pearce, Queens pattern, twelve German silver coffee spoons and various further teaspoons, approx gross weight 35oz. (lot)
Lot 679
William Bell Scott, British 1811-1890- "The Norns Watering the Tree of Life" 1876; etching, signed and dated within the plate, 25.5x17cm: Dante Gabriel Rossetti, British 1828-1882- "A Sonnet"; wood-engraving, inscribed within the plate DG Rossetti pro matre fecit Apr: 27. 1880 and ANIMA, 9.5x15cm: Hubert Von Herkomer, German/British 1849-1914- "Caller Herrin" after John Everett Millais, publ. August 1st 1882 by The Fine Art Society Limited, 148 New Bond Street, London; mezzotint and etching, inscribed with the artists and remarques of their profile, 68x53cm: Robert Bowyer Parkes, British 1830-1904- "Sing Birdie Sing" publ. July 8th, 1870, by Henry Graves & Co, the Proprietors, Publishers to H.M. the Queen, and T.R.H. the Prince & Princess of Wales, 6 Pall Mall, London; etching and mixed technique with hand-colouring, 71x52.5xm: together with a quantity of 19th century prints, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
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