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Click here to subscribeA Sèvres two-handled chocolate cup and saucer 18th century, later decorated with panels of birds reserved on a dark blue ground with a formal gilt border, titled in blue to the base, and a Ludwigsburg bell-shaped cup painted with finches perched on branches amid moths and insects, covers lacking, the saucer cracked, 16.6cm max. (3)
A mixed lot of glass 18th and 19th centuries, including two Bohemian large flared beakers with moulded bases, a bell-shaped wine glass on a plain stem and domed folded foot, a drawn trumpet wine on a folded foot, two beakers with moulded ribs, and four various rummers, 17.5cm max. (10) Provenance: from the collection of David Ferguson Esq.
A Bow bell-shaped mug c.1770, painted in polychrome enamels with colourful birds, a large moth and a grasshopper, and a Bristol coffee cup painted with three Chinese figures standing in a garden and holding various attributes, a red chain border to the interior rim, the mug with a stained crack, 9cm max. (2)
A carved oak longcase clock, square brass dial with subsidiary second dial and date aperture, signed Nathan Haynes, silvered chapter ring, cast coronet and cherub spandrels, eight day two chain movement, striking on a bell, the case with a scrolled pediment piece, the door with a lion rampant, scrolling foliage, height 220cm.
A mahogany and satinwood longcase clock, arched brass dial, with subsidiary second dial and date aperture, signed Ar Kennedy Dungannon, silvered chapter ring with a strike silent dial to the lunette, cast scrolled spandrels, eight day two chain movement, striking on a bell, the case with a fretted bowed pediment piece, long door with marquetry decoration and stringing, satinwood canted corners, crossbanding to the plinth, height 229cm.
Walnut longcase clock, hood with moulded and cavetto cornice, three quarter turned columns, long door, crossbanding and moulded outlines, plinth base 12" arched brass dial, signed to the lunette "Devereux Bowley, London", cast seraphim spandrels, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 221cm.
An oak longcase clock, the hood with cavetto moulded cornice, turned columns, long door with mahogany crossbanding flanked by quarter columns, box base, 12" square painted dial with floral spandrels, Roman numerals, subsidiary seconds dial, thirty hour movement strking on a bell, height 208cm.
A French gilt metal repeating carriage clock, cast and ornamented case, with cherub caryatid and wreath handle, canted corners with niche figures in the Medievalist style, white enamel dial with alarm dial, platform escapement, repeating on a bell, movement signed Japy Freres & Cie Exposition 1855 Grande Med D'Honneur, 17cm in a morroco travelling case.
Aster Hobby Co.Inc Gauge I live steam 3 Cylinder Shay locomotive, metal and brass constructed locomotive No.6 with full chassis and engine details including vertical cylinders, piston rods and crank shaft, boiler with chimney, domes, bell and whistle, backhead details include pressure and water gauges, tender with hand operated feed pump, in original wooden packing case with tools and accessories, 17” (43cm) long. Because of the size and weight of this item, shipping will be done by Mail Boxes Tunbridge Wells t: 01892510155
Diecast Military tanks, vehicles, ships and aircraft, Solido 230 AMX 13 90mm tank, good condition, box good with inner packing, window boxed 226 Bussing, lacks upper frame, 241 Hanomag half-track, 242 Dodge 6x6, 244 M 3 half-track, all good, boxes fair to good some creases, three Dinky bubble pack boats 672 OSA2 missile boat, good, damage loss to bubble, 675 Motor Patrol boat, 678Air Sea rescue launch, both good, boxes fair to good some staining to bubble, 730 US Navy Phantom, good lacks missiles, box good, 732 Bell Police helicopter, good box fair stained, Corgi juniors E2012 Military transporter and armoured car, good box good, Zylmex of Hong King Japanese type 61 tank, good box fair, and a selection of loose military vehicles, fair to poor, (quantity).
Maxwell Hemmens Gauge I live steam model of a 0-4-0 H.K. Porter Company Industrial locomotive and tender, the metal and wooden locomotive and tender, saddle tank with dome, bell, large chimney and light, backhead fittings include pressure gauge, water glass, safety valve and lever, tender with detachable logs revealing Butane gas tank, 17” (43cm) long.
A brass 0 gauge model of a 4-6-0 American locomotive and tender, finely detailed two-rail electric engine and tender, details include front lamp, external piping, cylinders, whistle, domes, bell, ladder and rear lighting to tender, in black livery, together with a partly constructed Southern PS4 4-6-2 locomotive from Central Locomotive Works, five boxed sections with instructions, (2 items).
A George III mahogany longcase clock, Wilkinson, WIGTON, the brass dial with silvered chapter ring bearing Arabic and Roman numerals, with subsidiary seconds dial, date aperture and moonphase, the twin train four pillar movement striking on a bell, enclosed within a broken arch top hood supported by tapered cylindrical supports with fluted and brass inlaid details, the trunk with arched door above a rectangular base and square feet, weights, pendulum and key present, overall 214cm high.
A George III mahogany longcase clock, Heny Sanderson, London, the brass dial with an 11¼ inch silvered chapter ring bearing Arabic and Roman numerals, centred by a subsidiary seconds dial and date aperture, the twin train four pillar movement striking on a bell, the arch with STRIKE/SILENT dial, enclosed by pierced scrolling spandrels, within a dome topped hood, the trunk with panel door, on a rectangular panelled base raised on bracket feet, weights, pendulum and key present, overall 223.5cm high.
A 19th century mahogany drum head longcase clock, ALEXR. BLACK, KIRKCALDY, the 12½" enamel dial with Roman numerals and subsidiary seconds dial, the twin train four pillar movement striking on a bell, enclosed within a drum head case, the trunk with rectangular panelled door flanked by half columns, on a rectangular panelled base with bracket feet, pendulum, weights and key present, overall 207cm high.
A 19th century mahogany longcase clock, JAS. ROBERTSON, POMARIUM, Perth, the enamelled dial with Arabic and Roman numerals with subsidiary second and date dials, the twin train four pillar movement striking on a bell, the spandrels with gilded fan shaped detail, the arch painted with roundel enclosing a cockerel under blue drapery, the broken swan neck hood supported by tapered cylindrical columns, the trunk door with shaped upper corners, on a rectangular base with shaped apron and bracket feet, key, pendulum and single weight present, overall 209cm high.
An 18th century lantern clock with dial inscribed 'Jonathan Lowndes in ye Pall Mall', bearing date '1680', the 6" brass dial with brass 5 1/2" brass chapter ring bearing Arabic and Roman numerals, with applied mask and scroll spandrels, the arch with circular roundel bearing date 1680, inscribed on crescent shaped tablet, the 30 hour weight driven movement striking on a bell, with single lead weight and later wooden bracket, 21cm high x 15.5cm wide.
A late 19th century French ormolu, marble and bronze mounted mantle clock, the dial signed Maple & Co., A Paris, the slightly convex white enamel dial with Arabic numerals and floral garland, the twin train movement striking on a bell, supported by a pair of putti, below a basket of flowers and pair of goats surmount, raised on four bun feet, 39cm high x 32cm wide.
A late 19th century French ormolu, marble and cobalt blue porcelain mounted mantle clock, the dial inscribed E. DE LABROUE, PARIS, the circular dial with Arabic and Roman numerals, the twin train movement striking on a bell, enclosed within a porcelain urn with foliate cast mounts, flanked by putti sitting on cushions, on a marble plinth with six bun feet, 42.5cm high x 43cm wide.
A late 19th century French ormolu and porcelain mounted mantle clock, the circular dial with individual Roman numeral panels, the twin train movement striking on a bell, above a painted bleu celeste ground porcelain panel decorated with putti, the case with urn surmount, rams mask terminals and putti, on four bun feet and giltwood plinth, overall 39.5cm high x 26cm wide.
A late 19th century French ormolu and opaline glass mounted mantle clock, the circular dial with individual Roman numerals, the twin train movement with stamped marks for JAPY FRERES ET CIE, 7448, striking on a bell, the case with urn and Classical figure surmount, decorated with blue and white opaline glass oval and circular shaped medallions, 40cm high x 34cm wide.
A late 19th century French ormolu and porcelain mounted mantle clock, the circular dial with Roman numerals and painted mermaid decoration, the twin train movement stamped 'OPPENHEIM 238' striking on a bell, no longer present, within an architectural case, with urn shaped surmount and four bun feet, 35cm high x 21cm wide.
An impressive late 19th century French bronze and marble clock garniture, the clock with a white enamelled dial bearing Roman numerals and floral garland, the twin train movement striking on a bell, supported by a floral garland being held by a winged putti sitting on a marble column, 54cm high, together with a pair of four light candelabra supported by putti, 50cm high.
A late 19th century French Empire style mantle clock, the dial signed ALEXANDRE ROUSSER A PARIS, the circular dial with Roman numerals and twin train movement striking on a bell, the case with figural surmount, on a rectangular plinth with foliate cast border and scroll feet, 49cm high x 34cm wide.
A late 19th century French mahogany and gilt metal mounted Empire style mantle clock, the slightly convex circular enamelled dial with Arabic numerals and floral garlands, the twin train movement striking on a bell, stamped 'MAPLE & CO. LTD. PARIS', within a lyre-shaped case, on an oval base with four bun feet, 45cm high x 23cm wide.
A 19th century Scottish mahogany longcase clock, the enamelled dial with Roman numerals, subsidiary seconds and date dials, the twin train four pillar movement striking on a bell, the spandrels decorated with figures emblematic of the seasons, the arch decorated with 'Pattie & Peggy', enclosed within a rectangular hood with broken swan neck surmount, the trunk with rectangular door, on a rectangular base with bun feet, pendulum, weights and key present, overall 217cm high.
A 19th century mahogany longcase clock, ALEXR. LOW, ERROL, the enamelled dial with Roman numerals, subsidiary seconds and date dials, the twin train four pillar movement striking on a bell, the spandrels decorated with colourful birds, the arch decorated with lady and attendant dog, enclosed within a broken swan neck hood supported by cylindrical columns, the trunk with a rectangular door flanked by quarter columns, on a rectangular base with a shaped apron and bracket feet, pendulum, weights and key present, overall 211cm high.
A George III mahogany longcase clock Alexander Ferguson, Cupar, Fife, the silvered dial with Arabic and Roman numerals, with subsidiary seconds dial and date aperture, the twin train four pillar movement striking on a bell, within a broken swan-neck pediment hood supported by three quarter columns, with crescent-shaped sound fret, the trunk with shaped rectangular door on rectangular base with shaped apron and bracket feet, pendulum, weights and key present, 235.5cm high.
Brunelot, Paris, a French brass carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell, with the backplate stamped with the trademark of Brunelot, a capital B within a circle, the inside of the plates stamped with the serial number 1684, the white enamel dial having black Roman numerals steel moon hands and signed for the retailer Howell & James, To the Queen, London, the brass corniche case with a three-bail carrying handle, height 13cm/16cm, handle down/up.
A William IV mahogany bracket clock: the eight-day duration, double-fusee movement striking the hours on a bell (bell missing) with shouldered plates, the seven-inch painted round dial having black Roman numerals, blued steel trefoil hands and a cast brass bezel, the mahogany case having a shaped inset panel to the front with brass surround, flat tapered columns with brass stringing, carved scroll and floral decoration across the top of the case, with a round pagoda top surmounted by a cast-brass acorn finial, with brass fish-scale frets to the case sides, with a repair label within for Willman Bros, Dublin, height 52cm. Missing bell, bell hammer and strike/silent lever.
A mid-Victorian French marble mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and silk suspension, the round white enamel dial with black Roman numerals and decorative brass hands, the white marble case with gilt mounts to the front, beaded and rope mounts to the edges and surmounted by an ormolu eagle, standing on round ormolu feet, height 35cm.
A French bronze and ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate bearing the name of the retailer Maple and Co Ltd, Paris along with the trademark of the clockmaker Samuel Marti showing the award of the Medaille d'Argent in 1889, along with the serial number 1967, the white enamel dial with black Arabic numerals, fast/slow regulation above XII o'clock and fretted and engraved brass hands, the urn shaped bronze case with gilt-brass ormolu mounts, feet, bezel and swan neck handles, height 38cm. * Biography Maple & Co. were well known maker's and retailers of furniture from the Victorian period and produced many fine pieces including clocks, often using the movements made by the well-known Parisian clockmakers Samuel Marti et Cie. *Notes For details of Samuel Marti see lot no. 755
An Art Deco three-piece clock garniture: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel and stamped to the backplate with the trademark of the clockmaker Samuel Marti, the gilt-metal octagonal dial with black Arabic numerals and blued steel hands, set within a case of green, pink and black verigated marble, with spelter figures of naked females in contemplation to either side of the centre block, all standing on a rectangular base, with matching green, pink and black marble side vases, height: 26.5 cm. * Biography; Samuel Marti was one of the prolific French makers of the 1800's and was known to be working circa 1860 at Le Pays de Montbeliard, Paris making roulant blancs. Along with Japy Freres and Roux they set up a business in 1863 to market their movements to such firms as L'Epee. Their Paris address was Rue Vieille-du-Temple from 1870.
Henry Marc, Paris, a French four-glass mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with the backplate stamped with the trademark of the movement maker Samuel Marti along with the name of the clock maker and serial number Hy Marc, Paris, 66344, with a two jar mercury compensating pendulum, the two-piece round white enamel dial having black Roman numerals, a visible escapement with ruby pallets, blued steel moon hands, and signed Hy Marc, Paris, the gilded brass four-glass case having decorative cast mounts to the corners, matching feet and surmounted by a decorative cast urn, height 43cm. * Biography Henry Marc was a well-known maker and retailer of clocks, being prolific in Paris the mid-to-late 1800s. His trademark is often seen on early style carriage clocks, often in wooden cases and having 'Jules' type platform escapements. * Notes For details of Samuel Marti see lot no. 755
Searle & Co, London, a late-Victorian 17th century-style brass lantern clock: the eight-day duration, double-fusee movement striking the hours on a bell and the quarters on two bells all set within the brass straps to the top, the backplate engraved with the maker's details Searle & Co, 78 & 79, Lombard St, London, EC, No. 370, the brass lantern case with turned pillars to the corners, matching feet and finials and fretwork to the top, the six-inch brass dial having a raised chapter ring engraved with black Roman numerals, the dial centre with engraved floral decoration and having blued steel hands, the inside of the rear door having an engraved presentation inscription to Robert Love, Esq dated May 1904, height 40cm.
Winterhalter & Co, City, a walnut four-glass mantel clock: the eight-day duration, double-fusee movement striking the hours on a bell, the six-inch square brass dial engraved with black Roman numerals, rococo corner spandrels, with the maker's name to the centre Winterhalter & Co. 99, Bishopsgate St, City, with blued steel spade hands, the walnut four-glass case with glazed sides and top, serpentine moulding to the base and standing on flat feet, height 32cm. * Biography L. Winterhalter & Co are recorded as working in London circa 1850 and were a part of the German clockmakers of the same name.
George Clarke, White Chappel fecit, a brass lantern clock: the thirty-hour birdcage movement having an anchor escapement and striking the hours on a bell with an outside countwheel, the frame with turned pillars to the corners, turned brass finials to the top and ball feet below, the brass dial having a raised chapter ring with engraved Roman numerals, meeting arrow-head half-hour markings, the centre engraved with floral decoration and the maker's name George Clarke, White Chappel, fecit, with a decorative blued-steel single hand, engraved brass frets to the top and surmounted by a brass bell strap under which sits the bell, height 34cm. With a later oak wall bracket. * Biography: George Clarke is recorded as working in White Chappel (Whitechapel), London prior to 1760 as a turret clock maker.
Samuel Marti, an ormolu French wall clock: the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped with the trademark of the maker Samuel Marti, Paris, the round four-inch white enamel dial having black Roman hour numerals, Arabic five-minute outer numerals and decorative brass hands, the shaped tapering ormolu case having applied floral mounts goats-head mounts to the top of the canted corners and surmounted by an ormolu urn, height 42cm. *Notes For details of Samuel Marti see lot no. 755
Robert Murray, Woolwich, a Georgian mahogany longcase clock: the eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch break-arch silvered dial engraved with black Roman numerals, with subsidiary seconds and date dials to the centre, a strike/silent dial to the arch and with the maker's name to the centre, Robt. Murray, Woolwich, the mahogany case with the pagoda top having a fluted cresting and fretwork panel, the hood having fluted columns with cast brass capitals, with fluted canted corners to the trunk having brass stop-work and a raised panel to the base, height 230cm. * Biography Robert Murray is recorded as working in Woolwich, London in the mid-to-late 18th century.
A Meissen porcelain figural mantel clock: of rococo outline, the scroll base with a woman holding a garland of flowers, a child with a basket of fruit and her male companion playing a flute, the pierced case applied with garden flowers and surmounted by a barefoot lad holding a grape vine, the enamel dial with Roman and Arabic numerals, the movement striking on a bell, blue crossed swords, incised 572 with press number 163, mid 19th century, [some losses] and ebonised stand.
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