We found 123939 price guide item(s) matching your search
There are 123939 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123939 item(s)/page
Lot 1
A mid 19th Century brass French mantel clock the double A frame open movement with twin cylinder strike and going train and gridiron pendulum, the top surmounted by a bell, having a circular white enamel chapter ring with Roman numerals, inscribed Silvani Paris with similar inscription to the reverse, the whole raised on four gun barrel supports with flat platform and a further four ebonised pillars beneath with brass mounted capitals and bases, under a glass dome, 57cm (22.25") high
Lot 1
* Crawford (Joan, actress). Signed reproduction black and white photo. portrait, c. 1960s, showing Crawford head and shoulders facing camera, boldly signed and inscribed in lower blank part of image to Donna, plus three other b & w photo. ports. signed and inscribed to Donna, all c. 1960s, incl. Deborah Kerr, Glenda Jackson and Shirley Bassey, all approx. 25 x 20 cm, plus four smaller signed b & w photos. of actresses incl. Lauren Bacall (slightly creased), Sophia Loren (to Donna Bell), Princess Grace of Monaco, and Ingrid Bergman (with Angus McBean stamp to verso), approx. 14 x 9 cm. and slightly larger. (8)
Lot 1
[Owen, Richard, compiler]. Descriptive and Illustrated Catalogue of the Physiological Series of Comparative Anatomy contained in the Museum of the Royal College of Surgeons in London, 5 vols. in 6, 1st eds. (except vol. 1 2nd ed.), 1852, 1834-40, seventy-nine eng. plts. (after William Bell, van Rymsdyck and others) incl. a few folding or partly col, occ. spotting or browning, ink inscriptions at head of titles, orig. cloth with leather spine labels, rubbed and faded on spines, 4to. Garrison Morton 326. Contains the first appearance of John Hunter's notes on his collection. (6)
Lot 1
Murdoch (Iris). The Bell; An Unofficial Rose; The Unicorn; The Italian Girl; The Red and the Green; The Time of the Angels; The Black Prince; Nuns and Soldiers; The Philosopher's Pupil, all 1st eds, pub. Chatto & Windus, 1958-83, all orig. cloth in d.j.s, some general wear, 8vo, together with a qty. of other 1st eds. incl. Muriel Spark, Beryl Bainbridge, Margaret Atwood, John Fowles etc. (3 shelves)
Lot 1
A Victorian brass cased repeating carriage clock, the platform lever escapement striking on a bell to a circular enamel dial, inscribed 'Howell James & Co, To The Queen, London', the rectangular case with shuttered winding holes and a large swing handle, 6in (15. 2cm) h, with a leather outer case.
Lot 1
An early 19th century marble and ormolu mounted mantel clock, the 8 day movement with an outside countwheel and striking on a bell, to a circular enamel dial inscribed 'Jeannin A Paris', the case with a flaming urn finial, reeded side pilaster with an urn (one missing), on turned feet, 13in (33cm) h.
Lot 1
A 19th century mahogany and brass mounted musical automaton table clock, the triple fusee movement striking on a bell and twelve subsidiary bells, with pull repeats to an engraved back plate and a bob pendulum, to an enamelled and brass dial with a silvered chapter ring including calendar, the central crescent shape aperture inscribed 'William Rogers, London', with subsidiary dials for 'Strike/Silent' and 'Minuet/Song/Hornpipe/ Gavot', the lunette painted an exterior inn scene with seated figures and musicians playing a fiddle and a harpsichord with a central dancer, the case with a dome top and brass urn finials, stop fluted canted corners on ogee bracket feet, 24in (61cm) h.
Lot 1
A George III oak provincial longcase clock, the 30 hour movement striking on a bell stamped 'W. H. & Co. Bristol', to a 10in square brass dial with date aperture and silvered chapter ring inscribed 'Jno Ettry, Horton', with cherub mask spandrels, the base reduced, 6ft 3.5in (192cm) h. Brian Loomes states ' John Ettry, Horton, ca. 1750-70'.
Lot 1
A Victorian mahogany longcase clock, the eight day movement striking on a bell to a painted arch dial with subsidiary seconds and calendar dials, inscribed 'F. Birckley, Manchester' (worn), the moonphase painted ships and landscapes, the carved and veneered case with rosewood banding, 7ft 7in (231cm) h.
Lot 1
A French gilt-bronze and kingwood pedestal clock, Paris, circa 1850 in Louis XVI style, after the celebrated model by J H Riesener, with a two train weight-driven bell-striking movement, number 9260 with deadbeat escapement, the enamel dial surmounted by cherubs holding garlands of summer flowers amongst clouds, the tapering pedstal surmounted by a mask of Apollo, with a pendulum and two weights h.230cm.
Lot 1
AN 18TH CENTURY OAK AND CROSSBANDED LONGCASE CLOCK by James Somervell, no.547, the case with long arched door with a lenticle, above a square base on ogee bracket feet, the hood with square fluted columns surmounted by an arched pediment with brass eagle and ball finials, the arched brass dial with Roman and Arabic numerals to the chapter ring, date aperture, subsidiary seconds dial and moon phase in the arch, the two train eight day movement striking on a bell, 82".
Lot 1
A WILLIAM IV MAHOGANY LONGCASE CLOCK by Harris, Truro, the case with long arched door inlaid with satinwood stringing flanked by wrythen twist columns surmounted by an arched hood, the painted arched dial with Roman numerals, date aperture and subsidiary seconds dial with two train eight day movement striking on a bell, 84".
Lot 1
AN EARLY VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK by Peacock High Worth, the case with crossbanded door inlaid with olivewood and satinwood shell paterae flanked by fluted quarter columns surmounted by a hood with swan-neck pediment, the painted dial with subsidiary date aperture and seconds dial with two train eight day movement striking on a bell, 85" high.
Lot 1
A Webbs amethyst glass vase, of bucket shape with moulded horizontal wavy banding, 20.5cm high, a Webbs blue glass vase, of waisted shape with flared neck rim and wavy banding, 19.5cm high, and another amber coloured glass vase, of bell-shape with moulded bosses, 17.5cm high, all have etched maker's marks.
Lot 1
A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.
Lot 1
A South Gloucestershire line inlaid mahogany eight-day longcase clock dated 1820, the four-pillar rack and bell striking movement with 13.5 inch circular white painted Roman numeral dial signed 'Henry Wilkes, Thornbury & Wootton, 1820' to centre, the case with arched shaped crest over break-arch pedimented hood with fluted Corinthian pilasters, with rectangular trunk door flanked by canted corners beneath, on conforming plinth base with shallow skirt, 211cm high. Henry Wilkes is recorded in Dowler, Graham 'The Gloucestershire Clock and Watch Makers' as working from Thornbury in the early 19th century.
Lot 1
A George III London mahogany eight-day longcase clock circa 1770, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and applied silvered nameplate 'James Milner, London' to the matted centre within a silvered Roman numeral chapter ring with Arabic minutes, the angles with Indian mask spandrels and with Strike/Silent dial between dolphin mounts to arch, the break-arch top case with cavetto cornice to hood over break-arch trunk door and plain plinth base with moulded skirt, 221cm high. A James Milner is recorded in Britten's 'Old Clocks and Watches and their Makers' as working in London from 1737.
Lot 1
A Regency line inlaid mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral circular dial with subsidiary seconds and calendar dials to centre, the break-arch pedimented case with concave sided crest and reeded angles to hood over crossbanded trunk door flanked by conforming angles to trunk, on plinth base with bracket feet, 220cm high.
Lot 1
A mahogany crossbanded oak longcase clock, now with four-pillar eight-day rack and bell striking movement to the 12 inch square brass dial with subsidiary calendar dial to the foliate engraved silvered centre inscribed 'John Lawrence 1775', within applied silvered Roman numeral chapter ring and cast rococo spandrels, the flat-top case with turned hood columns over shaped-top crossbanded trunk door flanked by quarter columns, on plinth base, 202cm high.
Lot 1
A brass lantern clock circa 1650, of posted construction, originally with balance wheel escapement, now with early conversion to anchor, with countwheel strike on a bell mounted within the domed cage above, the replaced? dial with tulip engraved centre within a narrow 6.25 inch Roman numeral chapter ring, with original iron hand, removable side doors and brass backplate applied with spurs beneath hanging loop, replacements and restorations, 39cm high; with later pendulum and weight. The distinctive baluster turning of the arbors is reminiscent of the work of Peter Closon, see White, George 'The English Lantern Clock' page 102. The countwheel also bears the 'matchstick man' foundry mark on its inner surface.
Lot 1
A French Louis Phillipe ormolu figural mantel clock on musical stand, the eight-day bell-striking movement with engine-turned silvered Roman numeral dial, in chased gilt and parcel silvered case depicting Mazeppa tied to the back of a horse leaping over a leafy knoll, the base with foliate cast borders on scroll feet, 45cm high; the separate inlaid rosewood stand containing a musical box. The subject of this clock is based upon a woodcut first published in 1838 to advertise the production of 'Mazeppa' with Mr West Jnr in the title role.
Lot 1
An oak and mahogany 30-hour longcase clock circa 1830, the bell-striking movement with 12.5 inch white painted Roman numeral break-arch dial with arch calendar aperture to centre and floral decorated spandrels, the arch decorated with a pheasant, the swan neck pedimented case with turned hood pilasters and short trunk door over plinth base, 207cm high.
Lot 1
A French belge noir and verde antico marble drum-head mantel clock circa 1890, the eight-day bell-striking movement with visible brocot escapement to the two-piece Roman numeral enamel dial, the case with side scrolls supporting movement drum, on plinth base with shallow arcade apron, 32cm high.
Lot 1
A George III inlaid figured mahogany eight-day longcase clock with moonphase circa 1790, the four-pillar rack and bell striking movement with 12 inch white painted break-arch Roman numeral dial, the centre with subsidiary seconds and calendar dials and signed 'Thomas Vennall, Rye', with polychrome and gilt rose painted spandrels and moonphase to arch, the case with fretwork arch crest to the break-arch hood with fluted pilasters, over break-arch trunk door and applied panel plinth with fan inlaid angles, on moulded skirt base, 205cm high. A Thomas Vennall is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working from Deal 1826-9. This clock may well be an earlier example by this maker or by a relative.
Lot 1
A Regency brass inlaid rosewood drop-dial wall clock, now with twin-train bell-striking movement, the 11 inch circular cream painted convex Roman numeral dial within octagonal exotic bird and foliate scroll inlaid bezel, the salt-box style case with glazed pendulum aperture, scroll outline side ears and curved foot with pendulum adjustment flap, with conforming inlay to borders, general damage and losses to case, 65cm high.
Lot 1
A 17th century style brass lantern clock, of posted construction with verge escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Dent, London, England' within an applied silvered Roman numeral chapter ring with trident half-hour markers, with blued steel hand and removable side doors, 38cm high; with wall bracket and original instruction booklet.
Lot 1
A 17th century style brass miniature lantern clock, early 20th century, the eight-day timepiece movement with platform lever escapement, with engraved dial signed 'Smiths' applied with Roman numeral chapter ring, in a traditional posted case with domed superstructure housing a bell, 25cm high.
Lot 1
An 18th century Continental iron framed 30-hour posted longcase clock movement and dial, with anchor escapement and countwheel strike on a bell, the 8.5 inch square brass dial with matted centre within applied Roman numeral pewter chapter ring with double C-scroll half-hour markers, with cherub head spandrels applied to angles and later crown and sceptre surmount, movement associated to dial.
Lot 1
A Victorian papier mache drop-dial wall clock, the twin-train bell-striking movement with 12 inch cream painted Roman numeral dial within shaped mother of pearl inset polychrome painted black ground bezel, with scroll outlined short trunk beneath with conforming decoration and shaped pendulum aperture, 65cm high.
Lot 1
An early 18th century 30-hour longcase clock movement and dial, the posted movement with anchor escapement and countwheel striking on a bell above, with associated 10.5 inch square brass dial with matted centre and vacant calendar aperture, applied with Roman numeral chapter ring and cherub and crown pattern spandrels.
Loading...-
123939 item(s)/page