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Lot 530
Charlie Bears Plush Teddy Bears: Mischief 15” beige/brown tipping, with magnetic paws to hide eyes, jointed arms and legs. Timmy dappled brown/cream 15” with jointed arms and legs, bell. Sparrow fluffy plush brown 11” with bow, key, jointed arms and legs. Victoria plush indigo 17” with bow, key, jointed arms and legs. Cavey guinea pig in cream/beige and brown; 13” with bow, key, jointed arms and legs. All in pristine condition with tags. (5)
Lot 723
A 19th century French four glass brass framed mantle clock by Henry Marc, Paris, the stepped white enamelled dial populated with black Roman numerals, signed centrally, set within bevelled plates, striking on a single bell, 30 cm high, 17 x 13.5 cm, complete with service receipts dated 1997 and 2003.
Lot 725
A George III mahogany cased longcase clock, the arch carved ogive cornice above foliate blind fretwork frieze and arched glazed door flanked by ring turned pilasters and enclosing 12.75 inch brass dial with silvered centre subsidiary seconds dial and date aperture and engraved foliate work, the silver chapter ring with Roman and Arabic numerals within mask and bird spandrels painted in the arch with a huntsman and dog, and inscribed ‘Jacob Housman Lancaster’, 8-day movement striking on a bell above a further blind fretwork frieze and ogee arched top, flame mahogany trunk door carved in relief with scallop shell motif between stop fluted quarter pilasters and barbers' pole boxwood and ebony canted angles over a bevelled moulding base and later ogee bracket feet, case in the manner of Gillows, 212cm high
Lot 422
Clarke (Harry, illustrator). Faust by Goethe, from the German by John Anster, London: George G. Harrap, 1925, 21 plates, 8 in colour, letterpress vignettes, scattered spotting, contemporary ink inscription at head of limitation leaf, pictorial endpapers, top edges gilt, remainder untrimmed, original quarter vellum, spine slightly dust-soiled, paper-covered boards somewhat spotted and toned, corners showing, 4to, together with: Konody ( P. G .). The Art of Walter Crane, 1st edition, London: George Bell, 1902, 16 chromolithographed plates after book illustrations, 7 (of 8) photogravure plates (lacking frontispiece), 73 further plates (a few in colour), tipped-in facsimile bifolium on handmade paper reproducing two leaves from Kelmscott Press's The Story of the Glittering Plain, and numerous illustrations and decorations to text, half-title present, printed throughout in red and black, patterned endpapers (spotted), top edges gilt, remainder untrimmed, original gilt decorated two-tone cloth, damp-stained, two small holes in lower joint, folio (Qty: 2)NOTESClarke: limited edition, English issue, number 31 of 1,000 signed by the artist (a further 1000 copies printed for the American market). Konody: limited edition, number 53 of 100 copies on Arnold's Handmade Paper.
Lot 442
Vial de Sainbel (Charles). The Sportsman, Farrier and Shoeing-smiths New Guide. Being the substance of the Works of the late Charles Vial de St. Bell. Professor of Medicine at the Veterinary College, or Hospital, for the Diseases of Horses, St. Pancras, London. With Notes. To which is prefixed a short account of his life, & the Origin of the College Also, an appendix, containing valuable extracts, from the most approved veterinary writers. By John Lawrence. Late of Lambeth Marsh, Surrey, London: Printers for the Proprietors and sold by B. Crosby..., [1796], engraved title, 3 engraved plates (two slightly cropped at foot), I12 torn to upper outer corner without text loss, contemporary calf, red morocco title label, joints cracked and light wear, 12mo, together with Robertson (William) , A Practical Treatise on the Diseases of the Teeth, in which the Origin and Nature of Decay are explained; and the means of Prevention pointed out, London: Longman, Rees, Orme..., 1835, 6 engraved plates, some spotting, edges untrimmed, original cloth, frayed and some wear at head & foot of spine, covers detached, 8vo, plus Rudge (Thomas) , The History of the County of Gloucester; compressed, down brought down to the year 1803, 2 volumes, Gloucester: Printed for the Author by G.F. Harris, 1803, 2 engraved plates, ink stain to front pastedown of volume 1, contemporary calf gilt, joints cracked, rubbed, 8vo, and Christy (Miller) , The Bryant and May Museum of Fire-Making Appliances. Catalogue of the Exhibits, 2 volumes (including Supplement), London: Bryant & May Ltd., 1926 & 1928, numerous monochrome plates, original printed boards, first volume with cloth spine, 8vo, and Australia , Australasian Newspaper Directory, 2nd edition, Melbourne: Gordon & Gotch, 1888, browning throughout, endpapers renewed, original cloth, crude reback & corner repairs, 8vo, plus other miscellaneous books, including British topography, advertising & newspaper directories etc. (Qty: a carton)
Lot 478
Taylor (Richard Cowling) . Statistics Of Coal..., 1848, Philadelphia, linen lined colour folding map to the front plus 4 further folding maps, torn folding map to pp 144/145, bookplate to front pastedown, water mark from front endpapers to pp 1, contemporary blue half cloth to marbled boards, lightly rubbed, 8vo, together with Owen (Richard & Bell, Thomas) , Monograph on the Fossil Reptilia of the London clay,..., 1849-58, Palæontographical Society, 58 black & white plates, some light spotting & toning, modern endpapers, modern gilt decorated red half calf, lightly marked, large 4to, and Dodd (George) , Dodd's Curiosities of Industry contents: gold in the mine, the mint,..., 1852, some spotting & toning, original embossed brown cloth, spine slight faded & rubbed to head & foot, 8vo, plus other 19th century & modern mining, archaeology & palaeontology reference, including North of England Institute of Mining Engineers, Transactions, 4 volumes, 1853-56, Newcastle-upon-Tyne, some leather bindings, mostly original cloth, many in dust jackets, G/VG, 8vo/4to (Qty: 6 shelves)
Lot 362
A French late 19thC slate mantel clock, for Brysons of Paris, circular enamel dial, with visible Brocot escapement, chapter ring bearing Roman numerals, eight day movement with bell strike, by Japy Freres et Cie, the case of fluted scrolling barrel form, raised on a rectangular base, with key, 35cm H, 56cm W, 16cm D.
Lot 364
A French late 19thC slate and marble mantel clock, circular enamel dial with visible Brocot escapement, chapter ring bearing Roman numerals, eight day movement with bell strike by A Carlhin, Boulevard Balnetz Paris, No 4501, the case of architectural form raised on bracket feet, with key, 39cm H, 35.5cm W, 16cm D.
Lot 370
A French late 19thC slate and marble mantel clock, circular enamel dial bearing Roman numerals, visible Brocot escapement, eight day movement by Hy Marc of Paris, with bell strike, No 46524, the case of architectural barrel form with a glass fronted pendulum, raised on bracket feet, no key, 37cm H, 31cm W, 14.5cm D.
Lot 462
A George III mahogany and oak long case clock, the break arch dial painted with shells, thistles, rose and bird, chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement, with bell strike, the hood with swan neck pediment and turned brass finials, line inlay and fluted columns, the trunk with fluted quarter pilasters, raised on a shallow plinth base, with pendulum, 218cm H.
Lot 87
A George III oak longcase clock, the break arch enamel dial painted with floral spandrels, circular dial bearing Roman numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the break arch hood with turned columns, over a plain and fluted trunk, raised on bracket feet, with pendulum and keys, 198cm H.
Lot 90
S Simpson of Oakham. A George III mahogany and oak longcase clock, the square enamel dial painted with a figure aside a church, circular dial bearing Roman numerals, two train movement with bell strike, the hood with swan neck pediment and turned columns, over a cross banded trunk with shell paterae to the door, raised on a plinth base, with pendulum, 208cm H.
Lot 33
Small selection of Royal Crown Derby Imari pattern china, pattern no. 1128, including three 26.5cm plates, a 24cm scallop form serving dish, two teacups and saucers, two side plates, table bell (no clapper) and two further Royal Crown Derby plates, 22cm diameter, pattern L111 and L2451 (some seconds) (13)
Lot 570
H.J.L.J. Masse 'Pewter Plate', Revised Edition, published in London by George Bell, illus.; also Cripps 'Old English Plate', 1906; F S Robinson 'English Furniture', Connoisseur's Library General Edition, 1905; 'The little books about old furniture' by J P Blake, Vols II-IV; and William Chaffers 'Handbooks of marks and monograms on pottery and porcelain', New Edition, 1903 (7 Vols)
Lot 782
Thirty hour oak longcase clock, the hood with brass capped reeded columns flanking a 12'' brass dial, signed Baddely, Albrighton, with Roman numerals, signed engraved centre, date aperture, the movement striking on a bell, the trunk with walnut crossbanding, over a canted box base with raised panel and on bracket feet, height 206cmPlease note our special conditions of sale regarding clocks and watches
Lot 785
Paul Price of Chester (active 1848-78), a Victorian mahogany drop trunk wall clock, painted 40cm dial with Roman numerals, ogee moulded surround, eight day movement striking on a bell, the drop trunk with shaped flame mahogany door, with quarter barrel base, with weights and pendulum, height 137cm, width 52cmPlease note our special conditions regarding clocks and watches
Lot 808
Oak eight day longcase clock, having a carved case, the hood initialled and dated 1898, brass 11 1/2'' dial signed Hampson, Wrexham, and numbered 1430, with engraved matted centre, silvered chapter ring, the movement striking on a bell, the trunk and base carved and raised on bracket feet, height 212cmPlease note our special conditions regarding clocks and watches
Lot 811
Robertson of Forfar, Scottish mahogany eight day longcase clock, painted arched dial, the spandrels representing the seasons, Roman numerals, susbidiary seconds and date dial, with crown and thistle hands, eight day movement striking on a bell, the trunk with a bowed door flanked with turned pilasters, over a recessed panel box base and bracket feet, height 215cmPlease note our special conditions regarding clocks and watches
Lot 1088
An Emerald City citizen coat from The Wizard of OzMGM, 1939. Designed by Adrian. Kelly green hip-length felt coat with symmetrical cream-colored appliques, forest green trim, and large cream-colored buttons on either side of the front, attached together with a horizontal applique with hook-and-eye closures, with puffed shoulders and wide bell sleeves, bearing an interior green-lettered 'Metro-Goldwyn-Mayer' label inscribed, '38' in ink. Adrian, who was MGM's top costume designer in the 1930s, allowed his imagination to soar in the unforgettable costumes worn by all of the characters throughout The Wizard of Oz. His use of geometric shapes, oversized accoutrements, and brilliant colors brought the Land of Oz and Emerald City to dazzling life, and he is best remembered for his work on this film. The Emerald City citizens who wore the jacket can be seen in several scenes during the visit to Emerald City, including when the witch spells out 'Surrender Dorothy' with her broom. Accompanied by a vintage re-release 1970 photo and a DVD of the film.Provenance: the estate of Wes Shank.
Lot 1121
A Lois Lindsay dress from Footlight ParadeWarner Bros., 1933. Cream and midnight blue Asian-style short dress with elbow-length bell sleeves, asymmetrical hook-and-eye closures up the front and 3 stenciled dragons on the front and back of the garment, with a 'Warner Bros.' sticker on the interior lining and 'Lois Lindsey' written twice on the interior neckline. Busby Berkeley choreographed some of the most outlandish and spectacular dance sequences in this film which stars James Cagney, Dick Powell, and Ruby Keeler. In a birdseye view of one of Berkeley's famous kaleidoscopic musical numbers, 'Shanghai Lil,' chorine Lois Lindsay and a bevy of dancing girls wearing these costumes transform themselves first into an American flag and then into the likeness of Franklin D. Roosevelt. Accompanied by a DVD of the film.
Lot 1292
A Mitzi Gaynor gown by Dior worn at the New York premiere of South PacificCream-colored silk tulle strapless evening gown embellished with small silver sequins and slightly larger rhinestones densely decorating the bodice, gradually growing in size and space over the skirt, with several more layers of tulle underneath to create a full effect. The style of the gown is emblematic of the 1950s with its bell-shaped skirt and overall silhouette. On one of the most exciting nights of her life, Mitzi dazzled in this original Dior gown which she accessorized with a white fur stole. The premiere took place on March 19, 1958 at the Criterion Theatre in New York, and Mitzi basked in the glow of her fans and the barrage of photographers for whom she posed with her husband, Jack Bean, co-star Rossano Brazzi, other stars from the film, and myriad other celebrities who were on hand for the big event. Accompanied by a photo of Mitzi wearing the gown.
Lot 1311
A Mitzi Gaynor 'Madame Zenovia' costume designed by Bob MackieMulti-colored and patterned full-length costume with long-sleeved bell sleeves, breast coverings consisting of large gold coiled ropes accented by red sequined and gold tasseled pasties, a front Velcro closure, and a voluminous tapered skirt trimmed in heavy gold fringe, culminating in a medium-length train. In 1966 and during her first show with Mackie as the designer, Mitzi played the mysterious mentalist, Madame Zenovia, in the 'Mitzi Remembers Burlesque' section of the act. Accompanied by 3 photos of Mitzi wearing the costume in performance.
Lot 1320
A Mitzi Gaynor gown worn on Mitzi's 2nd Special, designed by Bob MackieNBC, 1969. Orange, pink, and purple full-length gown in a psychedelic pattern, with scoop necklines on both front and back, a sequined bodice, large bell sleeves, a full billowy skirt adorned with scattered sequins, and a full pink underskirt. The colors and style of this gown, worn by Mitzi on Mitzi's 2nd Special, are cutting-edge 1960s fashion with the bright colors and flamboyant pattern. She continued to wear the gown throughout her 1969-70 stage performances. Accompanied by a photo of Mitzi wearing the gown on the special.
Lot 1329
A Mitzi Gaynor gown worn on Mitzi...and 100 Guys, designed by Bob MackieCBS, 1975. Cream-colored full-length gown embellished throughout with hand-sewn rhinestones and clear and coral-colored bugle beads, with a mock turtleneck, bell sleeves culminating in coral and cream ostrich feathers, and a deep slit in the skirt. While wearing this gown on the special, Mitzi engaged in a humorous monologue which highlighted the benefits of a show with 100 men. She then launched into a dance routine (a feat in itself when one considers the weight of this gown). She also wore the gown in her 1974-75 concert tour. Accompanied by a photo of Mitzi wearing the gown.
Lot 1334
A Mitzi Gaynor pair of stage-worn jumpsuits designed by Bob MackieRed halter-style jumpsuit with asymmetrical stripes of cream, black, orange, and green on the bodice (along with a small stitched hole for Mitzi's microphone), embellished with bugle beads of corresponding colors and with a matching beaded back pocket; together with a brown fully beaded halter jumpsuit with a partially cut-out bodice and back accented by ties. Both costumes bear interior labels inscribed, 'Bob Mackie.' Both costumes were worn by Mitzi during her live stage appearances during the 1970s and reflect that era of bell-bottom pants and bright colorways. Accompanied by 2 photos of Mitzi wearing the jumpsuits in performance.
Lot 1339
A Mitzi Gaynor pair of Emmy Award®-winning costumes from Mitzi...Zings into Spring, designed by Bob MackieCBS, 1977. Comprising a kelly green patterned dress with a scoop neckline, long puffed sleeves, a full skirt with a ruffled hem, and a solid green silk belt at the waist, bearing an interior label inscribed, 'Bob Mackie,' which Mitzi wore while dancing with Wayne Rogers and Roy Clark (both wearing matching 3-piece suits with gargantuan collars); together with a full-length pale pink evening gown with a plunging neckline featuring a wavy pattern of bugle beads accented by scattered small floral designs made up of sequins and beads, with a deep slit in the skirt and dramatically cut bell sleeves and skirt in handkerchief-hem style. Both outfits were worn on the 1977 television special and in publicity photographs, and the gown was worn on Mitzi's 1976-77 stage show tour. Accompanied by 2 photos of Mitzi wearing the costumes on the show.
Lot 1348
A Mitzi Gaynor costume worn in the national tour of Anything Goes, designed by Bob MackieDeep red one-piece costume with a nautical flair, heavily beaded in red and clear bugle beads and sequins, nude illusion netting at the midriff, with beaded rope-like shoulder, bodice, and belt regalia, descending into large bell bottoms. It's a testament to Mitzi's strength that she was able to perform in this heavy costume in the 1989-90 Anything Goes touring production, where she played the part of Reno Sweeney. She also performed in her personal stage shows wearing this sumptuous design in 1981. Accompanied by 2 photos of Mitzi wearing the costume.
Lot 142
Five Coloured Lithographic PlatesMarcus Ward & Co. Publ., Five Chromo-Lithographic Drawings, Representing an Irish Ecclesiastical Bell, which .. belonged to Saint Patrick.., Atlas folio Belfast (Marcus Ward & Co.) 1850. Second Edn., 5 cold. litho. plts., & orig. green ptd. boards, worn, now in full light green cloth. Scarce. (1)
![[Bronte (Charlotte)] 'Currer Bell,' Villette, 3 vols. sm. 8vo L. 1853. First Edn., lacks hf. titles & adverts at end, con](https://cdn.globalauctionplatform.com/abbd3060-317d-4691-bb31-ab0900d4900c/83f79c25-c9e7-4bc5-9755-ab1000ad4b69/468x382.jpg)
Lot 524
Letter to a New York Provision Merchant, 1854Manuscript: Letter dated 8 December 1854 addressed to Abraham Bell & Son, New York, from J. & E. Currie (?), London, headed "Irish and Foreign Provision Market." Lists provisions (mainly dairy products and meat) landed at various British and Irish ports, and comments on details in a letter received from Bell.Abraham Bell & Son was a Quaker firm of shipping and commission merchants with trading contacts in Dublin, Belfast, Liverpool, London and elsewhere. During the Famine they transported thousands of emigrants from Ireland. (1)
Lot 547
Commonplace Book c. 1770. A thick folio Bell's Commonplace Book, compiled in manuscript by a student of history, law and government in the late 18th century. Printed title page (Bell 1770) and introduction, followed by a manuscript index and 144 numbered pages, remainder unnumbered. Strongly bound in full vellum with gilt borders, red mor. label titled in gilt, marbled end papers, the contents neatly written in a small copper plate hand.The unnamed compiler must have been roughly a contemporary of Henry Grattan (born 1746, called to the bar 1772) or perhaps a little younger. Subjects treated include climate, population, commerce, representation, the [English] constitution, money, Society, despotism, liberty of the Press, Habeas Corpus Act, Union of England and Scotland, Parliament of Great Britain, monopolies, trade, law, taxation, the Crusades, the Reformation, India, etc.; and at p. 100 ff. an extended report of a legal case involving John Leland, debtor, of the County of the City of Dublin and the Barons of the Exchequer. Authorities cited include Robertson's History of America, Blackstone's Commentaries, Montesquieu, Junius's Letters, Locke on Government, Bolingbroke's Dissertation on Parties, Smith on the Wealth of Nations, Goldsmith's History of Rome, Histoire de Raynal, etc. As a m/ss., w.a.f. Of considerable interest as showing in detail the authorities by which a well-tutored student in the late 18th century was guided. (1)
Lot 99
Important and Historic Collection Covering the London County Council Wartime Evacuation of School Children, with much detail from Battersea Day Continuation School, Latchmere Road SW11 (It no longer exists but there is a local primary school very close by in Burns Road) and its Headmaster Mr V.A,Bell from where the documents originated in the 1970's. The Documents, Reports and letters provide a full record of communication from the Education authority and the School and illustrated how the policy operated in practice and how difficulties were resolved. It also provides many personal touches with both detail and humour in a number of the letters, many of which are handwritten, This was one of the most important issues on the Home Front in 1939 and to find such a comprehensive Archive is rare. Both pupils and staff are mentioned in some of the correspondence. Large quantity contained in contemporary folders in a modern red file. A major research opportunity.
Lot 1
A Flemish silver diamond set Vlaams Hart pendant surmount, c.1800, crossed torch, quiver, bow and laurel motifs, grain set with rose cut diamonds, with gold faced accents, suspending a later simulation pearl drop with a silver rose cut diamond set bell cap, to later graduated bead necklace, pendant surmount 45 x 24mm
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123896 item(s)/page