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Lot 179
Two Victorian brass and cast iron door porters, last quarter 19th century, one with a stag beside a tree cast in relief, with shaped iron base, 41cm high; the other cast in the manner of a bell with trophy in relief to the front, the stem and ring handle above, 35cm high Lots 75-220 are from the collection of Laurence W. Hodson (1863-1933) and thence by descent. To view the full introduction to the collection please visit the Dreweatts website (download the pdf version of the catalogue) or contact Dreweatts Donnington Priory saleroom for details.
Lot 3
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Jos Clarke, Alcester, the 11" brass dial with scroll engraved centre and mask pierced spandrels, signed, powered by a 30 hour movement striking on a bell, housed in a flat topped case with linette carved frieze and free standing fore columns, over a long trunk door and raised on a plain base with bracket feet, 79 1/2" (202cm) high
Lot 5
LATE EIGHTEENTH CENTURY MARQUETRY AND LINE INLAID MAHOGANY LONGCASE CLOCK, the 13 1/4" painted dial with subsidiary seconds dial, floral centre and fruit painted spandrels, indistinctly signed, powered by an eight day movement striking on a bell, housed in a case with broken swan neck pediment, gilt painted frieze, free standing fluted fore columns, over three oval shell and fan inlays and flame cut long trunk door with shaped top, flanked by quarter, fluted square cluster columns and raised on a crossbanded base with chamferred forecorners, 82" (208cm) high, lacks bracket feet
Lot 17
EARLY NINETEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, by Fairbrother, Stockport, the 14" painted Roman dial with chapel ruins to the corners and female harvester to the arch, powered by an eight day movement striking on a b bell, housed in a case with swan neck pediment and brass ball and spike finial, above reeded oblong free standing fore columns, trunk door with shaped top and panel below, flanked by rounded corners and raised on a panelled and chamferred base with ogee bracket feet, 91" (231cm) high
Lot 394
A George III mahogany longcase clock, arched brass dial, signed "Heny. Sanderson, London", with subsidiary second dial, strike silent dial to the lunette, cast rococo spandrels, eight-day two-chain movement, striking on a bell, pagoda hood with a fretwork panel and brass urn finials, arched top to the long door, bracket feet, height 242cms.
Lot 398
A Louis XVI style gilt metal and white marble three-piece clock set, the clock dial signed "Tison-Delfosse", French cylinder movement, signed Japy Freres, striking on a bell, the gilt drum with flower basket surmount, supported on a canopy with four columns and cast swags, shaped platform, 40cms and matched with a pair of three-light candelabra, 27cms, (3).
Lot 400
A Louis XVI style alabaster and gilt metal three-piece clock garniture, white enamelled dial, French cylinder movement, indistinctly signed, striking on a bell, cherub and floral wreath cresting, the drum supported on four columns with swags, platform base, 38cms, matched with a pair of ornamental campana shaped urns, 29cms, (3).
Lot 118
Lots 118-122. A collection of original photographs of pubs, commissioned by Hawkes Brewery, Bishop’s Stortford during the period 1878-1880. Photographed by Simpson Bros. of Cambridge, the majority show their landlords outside, sometimes with other figures. Images are 7½in x 5½in, mounted on card 16in x 11in. They have been divided into five lots. Twenty-one photographs of Hawkes pubs in Essex (18) and London (3), to include: White Horse, Ongar; Royal Oak, Hempstead; Bell, Broxted; Sutton Arms, Little Hallingbury; Chequers, Matching Green; White Horse, Tye Green; Leather Bottle, High Laver; Chequers, Nettleswell; Red Lion, Potter Street; George, Harlow; Marquis of Granby, Harlow; White Horse, Harlow; Cross Keys, North Weald; Fox and Hounds, Epping; Chequers, Epping; Black Lion, Epping; Royal Oak, Epping; White Horse, Moreton; Hope, Mortlake; Queen`s Head, Mortlake; Express, Kew (21)
Lot 119
Twenty-one photographs of Hawkes pubs in Essex, to include: Bell, Stebbing; Red Lion, Stebbing; Bell, Great Easton; Beer House, Molehill Green; Four Ashes, Takeley; Reindeer, Takeley; Jolly Waggoners, Manuden; King William IV, Leaden Roding; Three Hurdles, Beauchamp Roding; Cock, Manuden; Fox, Matching Tye; Fox and Hounds, Clavering; Robin Hood, Elsenham; Green Man, Finchingfield; Three Horseshoes, Hazel End; Rose and Crown, Stansted; Three Colts, Stansted; Fox and Hounds, Hatfield Heath; Fox, Hatfield Broad Oak; Cock, Hatfield Broad Oak; Marquis of Granby, Helions Bumpstead (21)
Lot 120
Twenty-one photographs of Hawkes pubs in Essex, including: Saracen`s Head, Thaxted; Green Dragon, Saffron Walden; Duke of York, Saffron Walden; Rose and Crown, Ashdon; White Horse, Ashdon; Cock, Henham; Star, Henham; Neville Arms, Wenden`s Ambo; Bell, Wenden`s Ambo; Rose and Crown, Newport; Star, Newport; Chequers, Ugley (`Oakley`); Falcon, Littlebury; Cricketer`s Arms, Rickling; Coach and Horses, Rickling; Potash, Radwinter; Plough, Radwinter; White Horse, Great Sampford; White Horse, Bardfield; Bell, Birchanger; Ancient Forester, Bush End (21)
Lot 122
Thirty-two photographs of Hawkes pubs in Hertfordshire, including: Black Bull, Langley; Windmill, Standon; Three Horseshoes, Hormead; White Lion, Furneux Pelham; Cock, Stocking Pelham; Adam and Eve, Buntingford; Chequers, Wareside; Royal Oak, Widford; White Swan, Widford; The Fox, Albury; Catherine Wheel, Albury; Crown, Hoddesdon; Bull, Much Hadham; Half Moon, High Wych; Greyhound, Spellbrook; Old Bell, Sawbridgeworth; Bull, Sawbridgeworth; Bell and Feathers, Sawbridgeworth; Hand and Crown, Sawbridgeworth; King of Prussia, Sawbridgeworth; Half Moon, Bishop`s Stortford; Old Bull`s Head, Bishop`s Stortford; Star, Bishop`s Stortford; Old Swan, Bishop`s Stortford; Royal Oak, Bishop`s Stortford; Red Lion, Hockerill; Beer House, Barrells Down; Old Elm, Start Hill; Bull, Barkway; Raven, Berden; Angel, Little Hadham; Fox, Little Hadham (32)
Lot 312
An oak longcase clock, with arched brass dial, inscribed for `Thomas Bennet, Coggeshall`, with subsidiary seconds dial and date arch, eight-day movement chiming on a bell, 227cm high. Thomas Bennet of Coggeshall, watchmaker appears in Pigot & Co. London and Provincial New Commercial Directory 1823/4.
Lot 1207
Various Makers: 35mm equipment including Pentax ME Super with 50mm lens, Bellows-Takumar lens with bellows, other K-mount lenses by Pentax and Tokina, Canon AE1 with power winder and 50mm lens, Optomax 300mm lens (M42), folding cameras including Ensign Selfix 420 and 820 Special, Kindermann 35mm slide projector, cine editor and boxed Bell & Howell 2146 XL Super 8mm camera (a lot)
Lot 161
A Collection of Brassware: A late 18th century sheet brass chamberstick with candle ejector & snuffer on integral rectangular tray base. A pig scraper/bristle singer. A 19th century telescopic toasting fork. A leather strap of horse brasses. A pair of greyhound hearth ornaments. A small tilt top trivet. Four bell weights, a lamp and a small jam pan, along with a pair of steel sugar cutters.
Lot 450
AUTOGRAPH ALBUMS: Two autograph albums containing over 180 signatures by various popular singers and musicians of the 1960s including Tony Hicks, Eddy Grant, Andy Fairweather Low, Blue Weaver & other members of Amen Corner, Barry Mason, Marmalade (Dean Ford, Junior Campbell, Graham Knight, Pat Fairley & Alan Whitehead), Fleetwood Mac (Mick Fleetwood, John McVie, Jeremy Spencer, Peter Green & Danny Kirwan), Unit 4 + 2, Cupid's Inspiration, Ray Royer, Bobby Harrison, Joe Cocker, John Walker, John Peel, Arthur Brown, O. C. Smith, Richard Barnes, Nick Lowe, Stuart Henry, Spencer Davis, The Yardbirds (Jeff Beck, Keith Relf & Jim McCarty), Hank Marvin, Graham Bell, Colin Gibson, Graham Nash, Kathy Kirby, Mick Gallagher, Dusty Springfield, Richard Shirman, Marianne Faithfull, Wayne Fontana, Bobby Jameson etc. Many pages are multiple signed and most are annotated in the hand of a collector and some have small attached newspaper photographs. FR to about G, 2
Lot 596
NICHOLSON BEN: (1894-1982) British Abstract Artist. Interesting A.L.S. Ben, three pages, 4to, Ticino, Switzerland, n.d. ('Mon 9th'), to John [Russell]. Nicholson thanks his correspondent for their note and continues to refer to an article (?), 'I think the fact that I was bottom boy of the school in work makes an amusing contrast, couldn't we pop that in? You say “unheard of†which is probably an “easier†way of saying it but in fact it had never been done before. I have pencilled in various points… where facts are concerned - or where I wished to alter quotes from me. As I see it you could well introduce “Bloomsbury†as something that was part of that time & this did affect us because they had considerable power & we then set about forming the 7 & 5 as a place where the new generation of painters could show. The New English Art Club belongs to the previous period & the Slade & Tonks belonged to that'. Further adding 'Picasso's remark to me how is that England's the only country which has not contributed to the Contemporary movement? All they show me is Duncan Grant?' Nicholson further states “Bloomsbury†had not got beyond Cezanne & it bred 100's of third rate imitations of Cezanne - they “Bloomsbury†had no painters or sculptors? But Fry, Bell, V. Woolf and Keynes etc supplied the vitality.' He also writes about his mother, to whom he is tremendously indebted, remarking 'She was mysterious & enigmatic & silent…. & used simple language. When you say “Jargonistic†this is not in her character, whereas “art talk†is. Could we not just quote me on this? Which as far as I remember was “when there was a lot of art talk she remarked it made her want to go & scrub the kitchen table†as far as the past goes we all see it through our own eyes even though - in this case myself - who took part in it. But it is those who take part in it that are likely to be nearest the truth of the situation.' Nicholson also comments on the current political situation between Czechoslovakia and Russia, concluding 'Meanwhile work is at a standstill - & I read Stevie Smith at bedtime in the Not So Mutchmore Likely event that I shall dream on those lines & not on the cruelty & stupidity of the Russian leaders.' Some extremely minor, light creasing, VG Mabel Pryde (1871-1918) Artist & mother of Ben Nicholson, best known for being the wife of artist William Nicholson.
Lot 1054
SCIENCE & EXPLORATION: Selection of A.Ls.S., signed photographs of various sizes, a few signed cards etc., by various Nobel Prize winning scientists, explorers etc., including James D. Watson (printed extract signed), Eric Laithwaite, Jocelyn Bell Burnell (2), Antony Hewish (A.Q.S. from his Nobel speech), Christiaan Barnard, Jacques Cousteau, Valentina Tereshkova etc. Some of the letters have interesting content and most are accompanied by the original envelopes. VG to EX, 9
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