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Lot 25
The marble tops with inlaid fan and bands of Neoclassical motifs including anthemion, Greek key, and roundels featuring alternating laurel branches and bell-shaped flowers, the giltwood bases composed of fluted frieze with upper egg-and-dart molding and interrupted by carved rosettes, the three slightly-tapered square legs with masque and acanthus terminals over fluting, ending in square tapered feet.(H: 33 1/2 in. W: 48 1/4 in. D: 19 1/4 in.)ProvenanceCollection of Alan I. and Dianne Kay, Bethesda, Maryland.The Estate of Alan I. and Dianne Kay, Bethesda, Maryland.NoteFor a similar pair of tables, see Christie's, London, November 23, 2005, lot 120.To receive a condition report, additional images or for any other information, please email Andrew Taggart at ataggart@freemansauction.com
Lot 36
NO RESERVE World.- Bell (Gertrude) The Desert and the Sown, first edition, frontispiece, plates, and large folding map, occasional light spotting, modern half calf, 1907; Amurath to Amurath, first edition, plates, light finger-soiling and foxing, modern half calf, 1911 § Edwards (Bryan) The History Civil and Commercial of the British Colonies in the West Indies, 3 vol., third edition, frontispiece to vol.1, bookplates to pastedown, light foxing, contemporary half calf, lightly rubbed, for John Stockdale, 1801; and 9 others, travel, v.s. (14)
Lot 276
Murdoch (Iris) Under the Net, portion lacking from jacket upper panel, 1954; The Flight from the Enchanter, half-title browned, light toning to lower panel of jacket, 1956; The Sandcastle, signed by the author to title, ink ownership name to front free endpaper, 1957; The Bell, very small portion lacking from spine tail, 1958, first editions, original boards, light bumping to spine ends, dust-jackets, some fading or browning to spines, extremities lightly frayed but overall crisp and excellent copies; and 25 others by Murdoch, 8vo (29)⁂ A complete run of Murdoch's novels in excellent condition.
Lot 207
Wordsworth (William) The Waggoner, a Poem. To which are added, Sonnets, first edition, some spotting, lightly browned, contemporary speckled calf, sympathetically rebacked, rubbed, [Wise 17; Healy 49], Printed by Strahan and Spottiswood, 1819; and a first edition of Peter Bell (with engraved frontispiece, but without half-title), uniformly bound as first mentioned, 8vo (2)
Lot 3496
A quantity of loose Military Uniform circa 1970's 1980's which includes camouflage jackets, belts and similar along with a Chameleon LED Torch, a very early Super Paxette Camera and a GB-Bell & Howell 8mm vintage Cine Camera on a tripod. Nothing in this lot has been checked or tested. Conditions of the uniform generally appears to be Fair to Good although would benefit from a clean and the vintage camera and cine camera do generally appear to be Good although as stated not tested. (qty)
Lot 3262
Corgi - a boxed Military group to include 07501 (Fighting Vehicles) a Land Rover and 2 Wheeled Trailer "British Army", US51904 (Forgotten Heroes) a Bell H-13/HTL-USMC-HMX-1 Military Helicopter "Korean War Series II", US50104 (Fire Base 'Nam Series) an M151 A1 "Mutt" Utility Truck (US Army) along with others. All contents do generally appear to be Good although not checked for completeness and are all in generally Good outer pictorial boxes/window boxes. (5)
Lot 1158
Claude Henry Buckle RI, RSMA (1905-1973) - the Bell Foundry with men working on large bells, light streaming in from a window nearby, signed, watercolour, 19.5" x 24.5" **He worked for J.S. Fry & Sons, chocolate manufacturers in Bristol as an assistant architect. During this time with Fry's, he was involved in the building of a new factory at Keynsham, Somerdale and was supported by Fry's to study architecture at Bristol University. In 1926, at the age of twenty-one, Buckle moved to London and joined Wallis, Gilbert and Partners and became responsible for building the Ford factories at Dagenham. He became one of the youngest amateur members of the British Savages Art Group based in Bristol. He travelled to France, Spain and North Africa and later became responsible for designing railway posters, he was a close friend of Terence Cuneo, both artists have surviving artwork in The National Railway Museum in York. From 1958 onwards, he became a member at The Royal Institute of Painters and Watercolours and a member of the Federation of British Artists as well as a member of the Marine Society and exhibited works at the London Boat Show Full-scale lithographic reproductions were distributed to high street retailers including Fenwick in London, he also held exhibitions of his work in Marlborough, Wiltshire, and London in his studio at Vernham Dean, it is said that the artist produced an estimated three hundred watercolour paintings. In appreciation of Claude Buckle's career, Terence Cuneo, paid tribute to Buckle's style of painting. His work can be seen at National Railway Museum, Kirkcaldy Museum and Art Gallery, Birmingham Museums Trust *The work is contained within a gold leaf plaster and wooden frame
Lot 91
Two cased clarinets. An cased ebony clarinet, mouth piece stamped B & H (Boosey & Hawks?); With one other Chinese made cased clarinet. (2)The black clarinet with the B&H mouthpiece is 22cm in length from the bottom of the bell to the tip of the mouthpiece. On closer inspection, there is another identical B&H mouthpiece in the lot, however, there appear to be no other markings on the clarinet.The Chinese-made clarinet is missing a barrel joint.
Lot 131
A Late 19th century Paillard & Co, drum and bell music box. Featuring a 23.5cm cylinder playing ten airs, stop/start and repeat controls, a six-beater drum and four bells, three of which are struck by an array of enamelled butterfly strikers, the drum and bell mechanisms can be switched off. The movement is contained within a polished veneered case with banding and marquetry to the lid, maker's label to the interior of the lid. Height 23.5cm, width 53cm, depth 30.5cm.There is some wear to the cog that starts the mechanism when winding the lever. On closer inspection, there appear to be a few missing and repaired pins. The tune sheet is also missing. The bells may require attention, as two of them have a fairly dull sound. In spite of these points, the box plays well and has a lovely sound.
Lot 224
Trevor Bell (British, 1930-2017)Gust signed, titled and dated 'GUST/2010/Trevor Bell' (on board verso)oil on board and plywood50.5 x 110 x 5.5cm (19 7/8 x 43 5/16 x 2 3/16in).(unframed)Footnotes:ProvenanceWith New Millennium Gallery, St. Ives, where acquired by the present owner, 5 August 2010Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3027
LATHAM, Robert and William MATTHEWS (editors). The Diary of Samuel Pepys. London: G. Bell and Sons Ltd., 1971-1983. 11 vols., mixed editions, 8vo (215 x 135mm.) (Mild toning.) Original green cloth, dust-jackets. Note: volumes 4-11 are first editions (11).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 3041
WOOLF, Virginia. Flush. London: Hogarth Press, 1933. First edition, large paper copy, 8vo (214 x 134mm.) Photographic frontispiece, 9 further plates including 4 illustrations by Vanessa Bell. (Toning to text and plate margins.) Original tan cloth (some spotting to upper cover and spine), dust-jacket (toning, minor staining to upper panel, closed marginal tear to lower panel).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
![[BRONTE, Charlotte.] 'Currer Bell'. Shirley. London: Smith, Elder and Co., 1849. 3 vols., first edition, 8vo (185 x 104mm.) 3](https://cdn.globalauctionplatform.com/02537358-0481-477d-bfa2-afac010d0d41/f27c4577-6e08-4a5c-92f2-afc100fd4b29/468x382.jpg)
Lot 3022
[BRONTE, Charlotte.] 'Currer Bell'. Shirley. London: Smith, Elder and Co., 1849. 3 vols., first edition, 8vo (185 x 104mm.) 3pp. 'Jane Eyre' advertisement to rear of volume 3. (Lacking half-titles and the 16pp. catalogue, toning, spotting to titles, two endpapers with corner loss and 'Contents' leaf of volume 2 torn with loss.) Near contemporary black half morocco over black buckram (volume 1 with boards detached and spine lacking, rubbing to all extremities). Note: Charlotte Bronte's third novel. Provenance: William Hale-White ['Mark Rutherford'] (bookplates to the front pastedowns, and name inscribed verso front-free endpapers) (3).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 3050
HERBAL. - Joseph MILLER. Botanicum Officinale; or a Compendious Herbal: Giving an Account of all such Plants as are now used in the Practice of Physick, with their Descriptions and Virtues. London: E. Bell, 1722. First edition, 8vo (198 x 119mm.) Engraved headpieces and initials, 10pp. 'Index Rerum' to rear, 10pp. 'Table of English Names', 2pp. 'An Explanation of Some Abbreviation…'. (Occasional spotting and minor soiling, marginal tear to *3, initial blank replaced, illegible names inscribed to rear pastedown.) Contemporary calf, brown morocco lettering piece to spine (spine ends and corners repaired, minor scuffing). Provenance: Robert Willan (armorial bookplate to front pastedown).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 662
Sydney Charles Seymour Lucas(1878-1954)Portrait pair of Great War soldiers Major James Leadbitter Knott DSO, and Captain Henry Basil Knott (1891-1915), each in military uniform,signed, dated, and inscribed, painted posthumously in 1918 and 1919 respectively,oil on canvas, each 90 x 70cms, uniformly framed.Following the deaths of the Knott brothers in the First World War, their father, Sir James Knott, donated the bell tower at St George’s Memorial Church in Ypres, Belgium in their honour. The Knott brothers were also memorialised closer to home; in Fenham, Newcastle, at St James and St Basil’s Church. The tenor bell inside the church bares the inscription ‘We ring in memory of James and Basil Knott, God knows’.
Lot 1027
Bryson & Son, Dalkeith: a mid 19th Century Scottish mahogany longcase clock, the circular silvered roman dial with subsidiary seconds dial, two train movement fitted a deadbeat escapement with bell, the case with architectural pediment above a door with circular glass panel, rectangular waist door on panelled and plinth base, with weight and pendulum, 201cms high.
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