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Lot 1425
A spectacular French Brass Clock garniture, the clock having a case with intricate pierced details, splay/scroll feet, mirrored twist columns and an urn pediment, the Japy Freres movement having ivory coloured chapter ring with Roman numerals and striking on a bell, 17 3/8`` tall approx. the pair of five light candelabra having pierced splay footed bases and supports with matching urn details, complete with snuffers and 20`` tall overall
Lot 2080
A 9 carat. gold heart shaped locket, a neck chain 27`` long marked 750, a Berlin 333 pendant and Egyptian head charm, 6 yellow metal charms possibly gold and including a bell, Turkish coffee pot, statue of liberty, etc. and a ring enclosed turquoise stone wristlet watch with 15 jewels Swiss movement
Lot 515
A quantity of pictures and prints to include CONTINENTAL SCHOOL "Figures in a street with a monument mountains rising in background", watercolour, monogrammed "HL" lower right, AFTER T. WAGHORN "The Blue Shield Rouen" and "Old Houses Amersham", coloured prints, EARLY 20TH CENTURY ENGLISH SCHOOL "An Edwardian gentleman and lady holding hands beside a stream in a river landscape", watercolour monochrome wash, AFTER ALEX FRASER "The Expected Penny", black and white engraving by Robert Bell, etc.
Lot 640
An 18th century oak and mahogany banded longcase clock of eight day movement striking the hour on a bell, the square brass dial, 25cm, with Roman numerals, secondary calendar dial and signed John Jones, London to the matted centre, the hood with a swan neck pediment and turned pilasters, over a trunk with an oblong door, inset with a glass lenticle, on bracket feet, 203cms high.
Lot 411
A Victorian twin-handled oval tray, the pierced gallery with running wave rim and mounted with urns and cameo relief heads united by festoons of bell husks, chased to the centre with four female heads united by festoons of flowers, cameo relief heads to the handles, maker’s mark of Susannah Brasted, retailer’s stamp of Arthur &Co., 36 New Bond Street, London 1895, approx. weight 82 troy oz
Lot 194
PINEWOOD STUDIOS: The Visitors Book from Pinewood Studios, the oblong 4to leather bound book, with marbled endpapers and gilt Pinewood Studios logo to cover, containing over 300 signatures of visitors to the film studios from September 1969 to February 1984, including (listed in chronological order) Ursula Andress, Stanley Baker, Ava Gardner, Jack Hawkins, Roger Moore, Flora Robson, Beryl Reid, Leslie Phillips, Harry Secombe, Rod Steiger, Christopher Plummer, Allan Cuthbertson, Topol, Anton Diffring, Elke Sommer, Susannah York, Peter Finch, Hughie Green, Constance Cummings, George C. Scott, Cornel Wilde, Michael Bentine, Eamonn Andrews, James Booth, Charlton Heston, Spike Milligan, Barbara Windsor, Kenneth Williams, Ringo Starr, Gladys Cooper, Tony Curtis, Margaret Rawlings, George Lazenby, Simead Cusack, Dora Bryan, Leo Genn, Kenneth More, Donald Pleasance, Kathleen Byron, Googie Withers, Terry-Thomas, Sean Connery, Linda Christian, Una Stubbs, Jill St. John, Richard Harris, Christina Sinatra, Robert Wagner, Bette Davis, Bernard Cribbins, Alfred Hitchcock, Sarah Miles, Robert Bolt, Shirley MacLaine, Lynne Frederick, Susan Hampshire, Claudia Cardinale, John Mills, Mary Hayley Bell, Richard Chamberlain, Michael Wilding, Margaret Leighton, Malcolm Muggeridge, Tom Jones, Kirk Douglas, Rex Harrison, Arthur Lowe, Dana Andrews, Geraldine Chaplin, Warren Mitchell, David Lodge, June Whitfield, Bill Fraser, Rolf Harris (with small self caricature), Arsenal FC 1972 (19 signatures including Bob Wilson, Pat Rice, Sammy Nelson, Charlie George, Ray Kennedy, Alan Ball, George Graham, Frank McLintock, Bertie Mee, Ted Drake etc.), Hylda Baker, Reg Varney, Jack Wild, Sidney Poitier, Paul Newman, Margaret Lockwood, James Mason, Harry Andrews, Jane Seymour, Sid James, Lilli Palmer, Robert Beatty, Marius Goring, Robert Redford, Omar Sharif, Candice Bergen, Maureen O`Sullivan, Mia Farrow, Julie Andrews, John Gielgud, Lana Turner, Sophia Loren, Tommy Steele, Samantha Eggar, Glenda Jackson, Michael Caine, Sylvia Anderson, Ernie Wise, Eric Morecambe, Richard Harris, Edward Kennedy, Edward Kennedy Jr., Cubby Broccoli, David Hedison, Burgess Meredith, Andrew Ray, Burt Reynolds, David Niven, Carroll Baker, Otto Preminger, Roy Kinnear, Anthony Andrews, Mel Ferrer, Jack Palance, Norman Tebbit, Clint Eastwood, Jackie Stewart, Vanessa Redgrave, Anthony Hopkins, Lewis Collins, Diana Dors, Lysette Anthony, Pamela Stephenson, George Harrison, Willie Carson, Maud Adams, Helen Slater, Maurice Denham, Tom Courtenay, Albert Finney, Edward Fox, Peter O`Toole, Alan Parker, Peter Cook, Ernest Borgnine, Judy Geeson, Peter Yates, Olivia Hussey, Honor Blackman, Shirley Anne Field, Adam Faith, Patsy Rowlands and many others. Each of the signatories have added the date of the their visit, most also adding either their address and/or a personal comment to Wally Clarke, Chief Security Officer and later Commissioner at Pinewood Studios. A superb souvenir of Pinewood Studios during the 1970s and early 1980s. VG
Lot 358
REID THOMAS: (1710-1796) Scottish Philosopher, a contemporary of David Hume. Founder of the Scottish School of Common Sense. A.L.S., Tho. Reid, one page, small 4to, Glasgow College, 28th June 1796, to [John Bell, his publisher]. Reid acknowledges receipt of `the two books sent by Gabriel Watson, & these handsomely bound which was more than I asked.` and continues `You may please to present Mr. Dugald Stewart with a copy of the new edition from me, & Dr. Gregory with another. I shall want a third for myself.` In concluding Reid writes `I wrote you when I sent the first Vol. corrected, that I had the second corrected by me which I should send when it was wanted. I send it now by Gabriel Watson.` With partial blank integral leaf. Rare. VG Published in the Correspondence of Thomas Reid (Edinburgh Edition, Vol. 4, letter no. 125, p.236, edited by Paul Wood). It is believed to be the only letter in the collection which remains in private hands, making its appearance at auction a rare opportunity for a collector to acquire an autograph by Reid.
Lot 365
CLOCKS - A 19TH CENTURY FRENCH GILT BRASS MANTEL CLOCK, the case with pineapple finial above an octagonal fronted housing, supported by twin winged female figures, mounted on a bead decorated black slate plinth, the 8-day Japy type mechanism with silk suspens ion and locking plate bell strike, 29cm high
Lot 47
SILVER - "G. KELLER AN EDWARDIAN STYLE SILVER LADY`S BOUDOIR ALARUM CLOCK, the case with arch ribbon tied front and bead plinth decoration, the 8-day mechanism with bell strike and platform escapement, faced by an unsigned Arabic enumerated silvered dial, bea" rs UK import marks and personal inscription of the back door, plus double end key, 9cm
Lot 1356
AUTOGRAPHS Folder containing signed magazine photos of the stars of the 60s and early 70s, many big name autographs, Bobby Moore (2), Peters, Osgood (2), Bell, Ball, 5 x Rangers ( Stein, Henderson, McKinnon, Greig, Provan), Eastham, Haynes (2), Beal, Hurley, Milne, McLintock, Bobby Robson, Docherty, Shilton, Stiles, Paine, Hollins, Yorath, Moncur, Neill, Cooper, Madeley, Hunter, Jack Charlton, Ure, Cliff Jones, Hector, Sammels, Toshack, Allan Clarke and many others. Generally good
Lot 314
Dust Jackets. A collection of 30 original modern first edition jackets, 1920’s-60’s, including Ian Fleming’s On Her Majesty’s Secret Service, 1963, You Only Live Twice, 1964, The Man With the Golden Gun, 1965 (four copies), A.A. Milne’s Winnie-the-Pooh, 1926 and The House at Pooh Corner, 1928, Ernest Hemingway’s For Whom the Bell Tolls, Scribner’s, 1940 (first issue without photographer’s name on rear panel), John Steinbeck’s East of Eden, Viking, 1952 (first issue with author photo and no review), and Ayn Rand’s Atlas Shrugged, Random House, 1957, varying condition (30)
Lot 386
Murdoch (Iris). The Flight from the Enchanter, 1956; The Bell, 1958; A Severed Head, 1961; An Unofficial Rose, 1962; The Unicorn, 1963; The Italian Girl, 1964; The Red and The Green, 1965; & The Time of the Angels, 1966, all 1st eds.,. together with twenty other novels and related works by Iris Murdoch, all 1st eds., all signed by the author and inscribed to ‘Chantal and Brian’, with occasional additional inscriptions, mostly orig. cloth in d.j.s., generally G/VG, 8vo (28)
Lot 417
Woolf (Virginia). A Room of One’s Own, 1st ed., Hogarth Press, 1929,. orig. cinnamon cloth lettered in gilt, pale pink dust jacket with design by Vanessa Bell printed in navy blue, light discol. to spine, very sl. chipped to extreme head and foot, with minimal loss, 8vo. Woolmer 215B. 3040 copies printed. (1)
Lot 418
Woolf (Virginia). Three Guineas, 1st ed., 1938, photographic plates, endpapers partially browned, original cloth, some toning, d.j. designed by Vanessa Bell, spine darkened and rubbed, repairs and strengthening to verso, 8vo. Presentation copy, inscribed to half title: “To Genevieve, 13.3.38, Virginia Woolf”.. (1)
Lot 516
* Peter Pan. Nobody Calls Pan a Coward!; I’ve Got You This Time!; A Firefly! A Pixie! Amazing!; Tinker Bell; Tinker Bell Stand; Oh Dear, Dear, Dear, all WDCC, c. 1990s, together five figurines & a stand, each with COA (except last figurine and stand), height approx. 9.75 inches and smaller, all mint in orig. boxes (last figurine lacking box) Third figurine limited edition 11532/12500. (6)
Lot 556
Brettell (Richard R., with Roy Flukinger, and others). Paper and Light. The Calotype in France and Great Britain, 1839-1870, pub. USA, 1984, b & w illusts., orig. cloth in d.j., 4to, together with Gernsheim (Helmut), The Rise of Photography 1850-1880. The Age of Collodion (History of Photography series, vol. 2), Thames & Hudson, 1987, num. b & w and sepia illusts., orig. cloth in d.j., square 4to, plus Erwitt (Elliott), Between the Sexes, New York & London, 1994, b & w illusts., orig. cloth in sl. chipped d.j., square 4to, and Geldzahler (Henry), Charles Bell. The Complete Works 1970-1990, New York, 1991, port. frontis., num. col. illusts. from photos, orig. cloth in d.j., oblong 4to, with other photography, mostly 20th c. hardback publications, many in d.j., G/VG (approx. 110)
Lot 691
Dovaston (John F.M.). Poems, Legendary, Incidental, and Humorous, Printed and Republished By and For W. Morris, Shrewsbury, 23rd April, 1825, half-title, vign. title and woodcut vign. on final leaf by T. Bewick, uncut, first few leaves detached, orig. boards, worn on spine and covers detached, some dust soiling, 8vo, together with a large collection of 19th c. poetry and literature, mostly small-format, including Sharpe’s Edition of the British Poets, in orig. boards, Bell’s British Theatre (bindings perished), and many others (4 shelves)
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123896 item(s)/page