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Click here to subscribeAn Art Deco marble clock garniture, the movement with a wind up mechanism sticking on a bell, the oval gilt dial with black Arabic numerals, within a brass bezel, the rectangular case with canted top and composed of specimen marbles, and a pair matching vases, the clock 7½" x 11½", the vases 5½" x 3¼".
A pair of silver plated grape scissors with vine and grape moulded handles, a toasting fork with ivory handle, two white metal mate spoons, a plated candle snuffer, a pair of serving tongs, a filagree card case, alabaster pick, a spoon with 'one shilling' terminal, a bell, a tape measure, a cigar cutter, a plated cylindrical nutmeg grater, a Continental metal cast napkin ring.
A quantity of 18th/19th Century porcelain including; a German porcelain figure of a huntsman, two continental porcelain shell-salts, a Samson model of a goldfinch, a pair of continental porcelain tulip vases, an English porcelain pen holder, a garniture of three English porcelain blue ground vases and a pair of Mennecy small bell shaped vases.
Herrick, Robert. One Hundred and Eleven Poems Selected, Arranged and Illustrated by Sir William Russell Flint, limited edition 250/550, The Golden Cockrel Press, 1955. Parchment backed boards, slipcase, quarto, plus Flint, W. Russell. (Illustrator) Savoy Operas, first edition, London George Bell & Sons, 1909. Publishers gilt lettered cloth, colour illustrations, quarto, plus The Heroes or Greek Fairy Tales for my Children, limited edition 127/500, London The Medici Society, 1912. Limp vellum with silk ties, quarto. (3)
Shepard, Ernest H. (Illustrator) Everybody's Boswell, signed limited edition 302/350, London G. Bell & Sons, 1930. Cloth, octavo, plus Farjeon, Eleanor. Illustrated Shepard, The Silver Curlew, first edition, O. U. P., 1953. Dust wrapper, long author's dedication to half title, octavo, plus other volumes illustrated by Shepard. (12)
A CHERRY WOOD MANTEL CLOCK, SETH THOMAS, USA, the 11.5cms dia dial with annular chapter ring, Roman numerals, gilt metal centre and bezel, the 2 train movement striking on a bell, the case with flat pediment and gilt metal mounts, 27cms high (with pendulum) (dial and movement signed; case with Trade label)
A GILT BRASS & PORCELAIN MANTEL CLOCK, JAPY FRERES, France, the 8.5cm porcelain dial painted with a river landscape and with Roman numerals and beaded bezel, the 2 train movement striking on a bell, the case surmounted by a two handled urn, cast with masks and foliage and incorporating 2 other porcelain panels, 38cms high (dial cracked lacks pendulum) and a gilt spelter & porcelain mantel clock (af) (2)
A WALNUT & EBONISED MANTEL CLOCK, JAPY FILS, France, the 95mm dia dial with Roman numerals "moon" hands, and brass bezel, the 2 train movement with outside countwheel, striking on a bell, the case with broken arch pediment, canted corners and pierced scale fret side panels, 24.5cms high (with pendulum, dial af)
AN EBONISED AND GILT METAL MOUNTED BASKET TOP TABLE CLOCK, 17TH Century, SAMUEL TINHAM, New Sarum, the 16cm (6.25") square brass dial with silvered chapter ring, Arabic five minute intervals, fleur de lys half hour markers, finely matted centre, date aperture and gilt winged cherub's mask spandrels, the five pillar, two train wire fusee movement with anchor escapement, rack striking on a bell, the back plate engraved with tulips and scrolling foliage and signed "Samuel Tinham, New Sarum fecit", the case with pierced basket top, pierced gilt brass side panels, the door with applied pierced gilt metal panels and with moulded plinth, 33cms high (with pendulum, crank winding key and case key) see illustration
A STAINED PINE LONGCASE CLOCK the 30.5cms (12") painted broken arch dial with roman numerals, seconds dial, calendar aperture, spandrels in the form of castle and abbey ruins, the arch with cattle watering, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with flat pediment on turned pilasters, long broken arch trunk door, plain plinth and bracket feet, 196cms high (with pendulum and weights)
AN OAK MAHOGANY & INLAID LONGCASE CLOCK, W DAVIS, Birmingham, the 35cm painted dial signed in the centre as above, with Roman numerals, seconds and calendar dials, phase of the moon arch, spandrels representing the Seasons, the 4 pillar movement mounted on a false dial plate, and with anchor escapement, rack striking on a bell, the case with broken swans neck pediment, turned and twist turned pilasters, shaped trunk door inlaid with a shell flanked by conforming pilasters on plinth with canted corners, 245cms high (with pendulum, weights, crank winding key and case key)
A MAHOGANY LONGCASE CLOCK, Jn ROUCKLEIFFE, Bridgwater (fl 1755 - 1785) the 30cm (11.75") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture and gilt foliage spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement, rack striking on a bell, the case with moulded pediment, turned pilasters, long trunk door and panelled plinths, 203cms high (with pendulum & weights)
A MAHOGANY LONGCASE CLOCK, Jas ROUGH, Kircaldy, the 33.5cms broken arch painted dial signed in the centre as above, with Roman numerals, subsidiary seconds and calendar dials, spandrels representing the Continents, the arch with the seated figure of Britannia, the four pillar movement with anchor escapement, rack striking on a bell, the case with moulded pediment, blind fret carved frieze, fluted pillars, long trunk door flanked by fluted pilasters and panelled plinths, 200cms high (with pendulum, weights and key)
AN OAK LONGCASE CLOCK, Jno SPILLER, Wellington, the 30.5cms (12") square painted dial signed as above, with Roman numerals, Arabic five minute intervals, seconds dial and calendar aperture, and with foliage and flowerhead spandrels, the four pillar movement with anchor escapement, mounted upon a false dial plate, striking on a bell, the case with stepped pediment, blind fret carved frieze, long trunk door and plain plinth, 195cms high (with pendulum, weights and crank winding key)
AN OAK LONGCASE CLOCK, NICHs ROPER, Shepton Mallet, the 31.5cm square brass dial with silvered chapter ring signed as above, Roman numerals, Arabic five minute intervals, fleur de lys half hour markers, matted centre with seconds dial and calendar aperture and pierced mask and foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with brass ball and spire finials, ogee pediment and moulded cornice on turned pilasters, long trunk door and plain plinth, 213cms high (with pendulum, weights & case key)
A GEORGE III MAHOGANY LONGCASE CLOCK the 33cms (13") painted broken arch dial with Roman numerals, spandrels painted with stags and hounds, the arch with a mounted huntsman, the single train eight day six pillar movement with anchor escapement and with side mounted chain driven two pillar striking movement with outside countwheel, striking on a bell, the back plate engraved with initials and dated 1816, the case with broken swans neck pediment, fluted pillars, short trunk door flanked by fluted pilasters and panelled plinth with canted sides (with pendulum, weights & keys)
LEROY & FILS: A gilt metal four glass perpetual calendar mantel clock, the upper dial with a visible Brocot escapement and an eight-day movement striking on a bell, with a mercury filled pendulum, the lower dial with a central moon phase and day marker within a date and month dial, both set within an engraved surround, in moulded case, 141/4 " high. Provenance: Private collection, Dorset
A GEORGE III MAHOGANY BRACKET CLOCK, the brass dial signed "Eardley Norton, London 221", with a silvered chapter ring with inner date pointer, with gilt spandrels and silent/strike dial above, the two-train movement striking on a bell, with an elaborately engraved backplate, the case with all over brass and ebony inlay, 231/4 " high. Provenance: Private collection, London.
A WILLIAM AND MARY WALNUT LONGCASE CLOCK, the dial signed "John Drew Londini", the silver chapter ring with Roman numerals, with subsidiary seconds dial and date aperture, with an eight-day five pillar movement striking on a bell, the flat topped hood with a moulded border above a panel of blind fretwork, the dial flanked by ebonised spiral turned columns, the trunk door with a glass lenticel and geometric stringing, on a conforming base with small bun feet, 79" high.
A GEORGE I CHINOISERIE LACQUERED LONGCASE CLOCK, the white enamel dial signed T Strange, Kingston, with a moon phase dial above and subsidiary seconds and date dials, with an eight-day five pillar movement striking on a bell, the case with all over chinoiserie decoration against a green ground, 86" high.
A Fine 19th Century Gilt Bronze Patent Calendar Clock signed Bricot & Delettrez Paris. The dial having a raised chapter ring encircling a subsidiary calendar dial, a days of the week dial and a moon aperture amidst painted sky. The movement striking the half hours on a bell and set into a domed case surmounted by a silvered globe studded with small stars and encompassed by a ring of horoscopic emblems. The case flanked by winged cherubs draped in billowing cloths above swirling clouds on a fine verde marble break-front D-ended base, 20 ins (51 cms) in height, 15 ins (38 cms) wide.
A Matched 18th Century Silver Cruet Set. The cinquefoil stand hallmarked London 1752 & stamped with JD script maker's initials. The central stem with handle surrounded by five bottle hoops & two stopper rings, standing on broken scroll legs with fanned shell feet and having a small Rococo scrolling cartouche engraved with a wading bird to the front. The stand housing two silver topped facet cut glass cruet bottles stamped SW, and three fine silver castors hallmarked London 1747 with Samuel Wood maker's punch, and ornately pierced and engraved finialed bell tops.
A Fine George III Mahogany Bracket Clock by Jno. Roberts St James's London. The 6 inch (15 cm) brass dial having a matted centre housing pendulum swing & calendar apertures, encircled by a chapter ring engraved with Roman numerals counting the hours and an outer ring of Arabic's counting the minutes, with scrolling Rococo spandrels adorning the corners and a strike/silent and seconds ring located in the arch amidst decorative foliate engraving and inscribed maker's name Jno. Roberts, St James London. The twin fusee movement striking a bell with a rising pendulum and ornately engraved back-plate. The flame figured case having a bell-shaped pediment with gilt brass carrying handle to the top and fir-cone finials surmounting the corners. Standing 19 ins (28 cms) high on bracket feet (original unrestored condition).
A Pair of Attractive Shield Back Armchairs. The padded backs, elbow rests and seats covered in a yellow & cream woven foliate design fabric. The carved guilloche back frames crested with sprays of flowers. The sweeping moulding arms enriched with fanned leaves and curving down to meet the cabriole legs with bell flower embellishments.
A Splendid Louis XV Period Lacquered Bracket Clock with Bracket by Jacques Bothezeau Paris. The balloon case having a raised pediment and swept wall bracket painted with an abundance of flowers on an apple green ground and embellished with fine ormolu mounts cast in the form of asymmetric sprays of foliage & crested rocaille scrolls. The pediment surmounted by a crown of swirling flowers & stylized foliage. The spring driven movement striking a bell and having an 11 inch (29 cms) enamel dial with a segmented border of numeral panels, 47 ins (120 cms) overall in height.
A Large Painted Bracket Clock & Wall Bracket. The enamel dial signed Marschall Hger. de la Cour AVONAUESCHINGEN . The case and bracket decoratively re-painted with sprays of roses on a pale green ground and having embossed sheet brass mounts with a bouquet of flowers surmounting the top. The movement striking two bell. 41 ins (104 cms) overall in height.
A Sheraton Revival Painted Satinwood Carlton House Desk cross-banded in kingwood with ebony & boxwood stringing. The curved back section having a gilt brass gallery rail, banks of small drawers, concaved cupboards and down-swept lidded compartments ornamented with sprays of pink roses & musical trophies in bell flower wreaths. The top having a leather insert & measuring 44 ins (111 cms) in width above three frieze drawers with ribbon-tied reeded swing handles on square tapering legs & brass castors.
A Charming Sheraton Revival Painted Satinwood Pembroke Table. The oval top having a central panel painted with a classical scene depicting Cupid & nymphs encircled by a string of bell-flowers & beads. The outer border decorated with a guilloche chain of delicate flowers edged in ebony strings. One end fitted with a drawer and standing on square tapering legs leading down to spade feet, 38 ins x 29 ins (97 cms x 34 cms), 27½ ins (70 cms) in height.
A Fine & Unusual Inlaid Satinwood Pedestal Desk. The top heaving break front sides with a tooled leather insert framed by a border chain of inlaid bell-flowers edged in king-wood cross-banding with ebony outlines. The frieze fitted with three drawers inlaid with a row of anthemion motifs and standing on bulge topped pedestals tapering down to the swept bracket feet, each pedestal housing four cross-banded drawers with gilt metal ring handles on engraved roundel mounts, 48 ins (122 cms) wide, 23¾ ins (60 cms) deep and 30½ ins high.
A Fine Quality Sheraton Revival Inlaid Satinwood Secrétaire Bookcase of elegant proportions having cross- banded borders edged in boxwood & ebony stringing and inlaid with Neo-classical urns, scrolling foliage, swaged drapery and bell-flower garlands enriched with pen-work detailing. The upper section surmounted by a swan-neck pediment above two astrigal glazed doors enclosing book shelves. The lower section having three small drawers to the back above a fall-front secrétaire drawer opening to reveal a fitted interior within, and three further long graduated drawers below raised on outswept bracket feet. 35½ ins (90 cms) wide, 86½ ins (220 cms) high.
A Pretty 19th Century Painted Satinwood Bureau Bookcase. The upper section having two astrigal glazed doors enclosing adjustable shelves sliding into side grooves with a moulded cornice, cross-banded borders and painted garlands of bell-flowers. The sides decorated with strings of pearls, musical trophies and swagged drapery. The bureau having a ripple grained fall front painted with a fine floral bouquet suspended from flowing ribbons and opening to reveal a fitted interior with inlaid and painted embellishments. The four long graduated drawers below bordered in cross-banding and painted with floral swags, standing on swept bracket feet, 38 ins (97 cms) wide, 84 ins (213 cms) in height.
A Pair of Fine Quality 19th Century Inlaid Mahogany Corner Tables (Ex Frank Partridge). Each table having a cross-banded quadrant top with a moulded bow front edged in a row of anthemion motifs, and delicately inlaid with scrolls of acanthus swaged & entwined in bell-flower chains hung from ribbon bows. The inlay enhanced with pen -work. The bowed parquetry frieze housing a centre drawer above a scalloped under-edge inlaid with flower heads. The square tapering legs inlaid with stringing and terminating with brass caps and small bun feet. Small oval ivorine label to drawer interior stamped FRANK PARTRIDGE, Works of Arts, 26 Kings St. St. James's and NEW YORK, 31 ins (79 cms) wide, 22 ins (56 cms) deep, 30½ ins (77 cms) in height.
A Delightful Sheraton Revival Painted Satinwood Four Drawer Standing Bookcase. The top fitted with two shelves halved by a central divide and having a shaped cresting rail painted with Prince of Wales feathers tied by flowing ribbon to the centre and garlands of honeysuckle & bindweed undulating either side. The four ripple grained drawers below set in pairs, painted with swags of flowers, with reeded ribbon twist gilt brass swing handles and brass lined keyholes. Standing on square tapering legs with spade feet enhanced by pendant chains of bell flowers, 42 ins (107 cms) wide, 59 ins (150 cms) in height.
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