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Lot 216
A 19th century Black Forest walnut mantel clock. Naturalistically carved with a cockerel, hen and a hare amidst foliage and with a rockwork base. Having enamel Roman numeral markers and housing an 8 day cylinder movement striking half hourly, 50cm. With key and pendulum. No bell. Hare missing his right ear. Minor chips and cracks to the case. Time function running. Right hand barrel ratchet needs addressing.
Lot 231
An early 19th century French Neo-Classical style gilt bronze mantel clock of urn form and raised on a rosso antico marble plinth and with toupie feet. With enamel dial signed Gaston Joly, a Paris,. With 8 day two train cylinder movement striking on a bell 46cm high. One foot detached. No pendulum. Bell glued on. Bezel glass lacking. Some chips to the dial.
Lot 197
An Edwardian oval silver jewellery casket, William Comyns, London 1907, the hinged tortoiseshell inset cover pique decorated with a classical roundel and bell-flower swags and ribbon pendants enclosing a velvet lined interior, 9cm wide, a similar mounted circular glass dressing table jar, London 1914, with screw-off cover, 7cm diameter and a similar mounted heart shape brush, Birmingham 1927 (3).
Lot 631
A reproduction early 18th century style cream and gilt painted arched top mirror, leaf scroll and bell-flower carved, 97cm high x 43cm wide, a small Victorian walnut and parquetry frame overmantel mirror, 71cm wide x 41cm high and a George III style pedestal table, the serpentine shape top, on a turned ebonised pillar and tripod base, 52cm wide x 40cm deep x 75cm high (3).
Lot 652
Furnival Sheffield; a George III oak longcase clock, the moulded broken swan neck pediment with brass orb finials, brass mounted free standing fluted pilasters, the arched long trunk door flanked by fluted quarter columns, on a panelled base, the 12.5" circular brass dial with Roman and Arabic numerals, the twin train movement striking on a bell, 214cm high, with key (2).
Lot 654
A Victorian wall clock, altered, with an arched floral painted wooden dial, the weight driven movement striking on a bell, 39cm high, inscribed on the back board and a pair of Delft hexagonal blue and white vases, painted with panels of buildings and a figure within trellis borders with moulded fruiting vines above and below 28cm high, adapted as table lamps (3).
Lot 769
Scott Perth: a Regency mahogany satinwood crossbanded boxwood and ebony strung longcase clock, the arched hood with broken swan neck pediment and brass orb and spire finial, freestanding rope twist columns, the arched long trunk door between ropetwist quarter pilasters, the 13" painted dial with figure panels, subsidiary seconds and calendar dials, the twin train movement striking on a bell, the pendulum painted with a house in a highland landscape, 230cm high.
Lot 441
Football Colin Bell 10x8 signed colour photo pictured Maine Road stand named after the City legend. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 115
Wurlitzer Style 153 Duplex Military Band OrganWurlitzer Style 153 Duplex Military Band Organ from the Jerry Doring Collection in excellent condition. For Three-Abreast Carousels and Open-Air Dance Pavilions – this is what the advertisement said, and this Military Band Organ is truly one of the best. Restored by Dana Johnson, Louis Suieveld and the case by John Maxwell. The organ is equipped with a duplex long roll mechanism, which allows it to play music without interruption. With over 160 pipes, full percussion, 16 bell bars and swell shutters for volume control it is really a little gem. Comes with 60 multitune rolls. Rudolph Wurlitzer, North Tonawanda, N.Y. USA, Approx. 1920. 216 x 272 x 109 cm. Sold and shipped from Los Angeles. Viewing by appointment only.
Lot 284
A French gilt metal neo rococo clock garniture, late 19th century, comprising a mantle clock with pierced rocaille mounts, ivory enamelled dial, with bell and movement, with pierced acanthus mounts and scale pattern panels, flanked by a pair of two light candelabra with acanthus branches and foliate nozzles, on pierced rocaille base, the clock 40cm high
Lot 2
WALTER RICHARD SICKERT (1860-1942) 'Study for The New Home' c. 1908, oil on canvas, 34.5cm x 24cm . Provenance: Formerly the property of Vanessa Bell (1879-1961). Then Angelica Garnett (1918-2012) . Sold Christies, 21st November 1969, lot 92 (titled ‘Seated Girl’). Anthony d’Offay, London. Sold Sotheby’s, 14th November 1984, lot 40 (titled ‘Study for The New Home’) Private Collection, Wiltshire.Literature: Wendy Baron ‘Sickert, Paintings & Drawings’ p.369, catalogue number 350.2, listed as ‘Coster Girl by a Fireplace’, Yale University Press, 2006.The title of this work is borrowed from the larger painting, first exhibited by Sickert at the New English Art Club in the summer of 1908 as ‘The New Home’, a painting that was the key work in a sequence featuring the ‘two divine coster girls’ whom Sickert described in a letter written early in 1908 to his friend, the American-born painter, Anna Hope (Nan) Hudson,. As Sickert told Miss Hudson, his models were dressed “in the sumptuous poverty of their class, sham velvet &c. They always wearing for everyday dirty, old, worn clothes, but Sunday clothes. Extraordinary lives. Men, who live on them, now & again hitting them with ‘ammers, putting poisonous powders on cakes, trying to cut their throats, drugging their whisky &c.”. The two models were usually painted separately, the ‘New Home’ model with a round face, while the model in the in the misleadingly titled L’Americaine (Tate) has a slimmer face. The painting offered here, along with another small oil sketch of the two Coster girls together, has an interesting history. The Bloomsbury artist Vanessa Bell discovered them in Sickert’s old studio at 8 Fitzroy Street after Duncan Grant had moved into the space in 1920. Presumably, she told Sickert about her find and he – ever careless about the after life of his paintings – told her to keep them. The paintings were inherited by Angelica Garnett, Vanessa Bell’s daughter, and were included in her sale at Christie’s, 21 November 1969.Duke's are grateful to Wendy Baron for confirming the authenticity of this work, and for providing the additional information above.
Lot 61
An RAF Benevolent Fund hand bell, a silver metal bell with three heads of war leaders (Churchill, Stalin and Roosevelt) cast onto the sides of the bell, around the edge of the bell there is an inscription which reads ?RAF BENEVOLENT FUND, CAST IN METAL FROM GERMAN AIRCRAFT SHOT DOWN OVER BRITAIN 1939-1945?, the handle of the bell has a raised ?V? on each side, 15 cm, together with a hand bell inscribed ARP (2).
Lot 428
MAN CITY 1972, football autographed 12 x 8 photo, depicting a montage of images relating to Manchester City's 'Holy Trinity' of COLIN BELL, MIKE SUMMERBEE and FRANCIS LEE in 1972, signed by all 3 players using a black marker. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
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