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County of Lancaster, Avoirdupois Bell Working Standard Weights English, dated 1902 and engraved 'LANCASHIRE COUNTY COUNCIL, DE GRAVE & Co Ltd' and each numbered 2693 with calibration verification and Exchequer marks , in a large oak case with folding steel handles, engraved brass plaque to the lid, the Avoirdupois weights of standard bell-shape in gunmetal consisting of weights 56lb down to 1lb with the small flat weights from 8oz to 1dram in a separate French polished mahogany case, case width 66cm
A Fine 18th Century Inverted Bell Top Bracket Clock, English, late 18th Century, the dial engraved 'Abraham Lynn London, the black ebonised case with inverted bell top with canted corners to the edges, fret to sides . It is surmounted by a brass carrying handle and brass finials. The 8 inch arched silvered brass chapter ring with beautifully matted centre with the makers name engraved on a cartouche in arching at the top, with a calendar aperture above 6 o'clock, with pierced steel hands, with attractively painted moon phase to the top. original clockwork replaced with much later French movement Height to handle top - 50cm
A group of seven Robert Harrop Camberwick Green models comprising Sergeant and the Water Pump limited edition no. 0152/1200, The Mayor and Philby in the Mayoral Car, Roger Varley Seasonal Sweep limited edition no. 0548/1500, Jonathan Bell and his Cow, Colley's Mill, Mrs Honeyman with Pram and Roger Varley on his Motorbike, with boxes. Condition - windmill broken and repaired, other figures appear free from damage/repair.
A Russian silver enamelled bell push piece, by Ivan Britsyn,of circular form, 28mm in diameter, decorated with opaque white enamel over a ground of blue guilloché enamel, a chalcedony push rub set to milligrain collet to the centre of a cruciform silver gilt mount, with rose cut diamond points. Marked with 88 Zolotnik and St. Petersburg mark, maker's initials I.B. in Cyrillic for Ivan Britsyn, 0.06gProvenance: The Cabinet of Curiosities - The Gary Pyper CollectionCondition ReportSome wear to the enamel.A crack to one rose cut diamond.Some patina to the metal.Cabochon integral.This is the top piece of a bell push.
A large baluster glass goblet, c.1710-20, the bell bowl with a solid base enclosing a tear, raised on a stem with a double drop baluster over a domed folded foot, 21.5cm.Provenance: the John Towse Collection. Formerly the Peter Lazarus Collection. Exhibited: City of Bristol Museum and Art Gallery, The Lazarus Collection of Drinking Glasses, 31st January - 30th September 1981, and on loan until 14th November 1986.
A 'Friendly Hunt' wine glass, c.1750, the bell bowl engraved with 'The Friendly Hunt' and a short foliate spray, raised on a plain stem enclosing a single tear over a domed foot, 16.5cm.The Friendly Hunt was a meet associated to a Jacobite Society in Worcestershire. Founded in 1747, the Association met annually in rotation in the neighbouring towns of Droitwich, Bromsgrove, Dudley, Kidderminster and Stourbridge.
A dwarf ale glass and four other glasses, c.1740-80, the ale engraved with hops and barley over a short balustroid stem, a drawn trumpet glass engraved with flowers over a plain stem and firing foot, a Continental wine glass engraved with hearts in an elaborate panel over a spiral moulded stem, a small wine with drawn trumpet bowl on a plain stem and folded foot, and a dram glass with bell bowl over a cushion knop and helmet foot, 12.8cm max. (5)
A Worcester bell-shaped mug c.1760, printed in black with The Whitton Anglers, depicting two ladies fishing in an ornamental lake, the reverse with a Milking Scene, small footrim chips, 8.7cm.The Whitton Anglers is taken from a small detail of an engraving by William Woollett showing the garden of the Duke of Argyll's home at Whitton in Middlesex.
A Worcester bell-shaped King of Prussia mug, c.1757, printed in black with a head and shoulders portrait of Frederick II of Prussia, titled and dated 1757, the reverse printed with Fame blowing trumpets, both flanking a design of pennants and military trophies, signed in the print 'RH Worcester' for Robert Hancock and with an anchor rebus for Richard Holdship, 12cm.
A rare armorial wine glass of possible Jacobite significance, c.1760, the slight ogee bowl engraved with a quartered shield and crest above the motto 'Pro Rege et Patria', flanked by flower stems, raised on a dense airtwist stem above a conical foot, 17.5cm.The crest and motto relate to the Scottish family of Bell.
Two small Worcester mugs, c.1757-60, one printed in black with the King of Prussia beside victory motifs, the other bell-shaped and printed with The Minuet and The Haymakers, and a Worcester teacup and saucer printed with The Milkmaids, 13.1cm max. (4)The Minuet is after a design by Francis Hayman, taken from The Ladies Amusement.
A large Bow blue and white mug, c.1760, the generous bell shape painted with a panel containing two Chinese figures conversing on a bridge linking small islands with pagodas, rockwork and ornamental fences, the circular foot with a formal border, the grooved strap handle with a heart-shaped terminal, 15.5cm.Provenance: the David Stopher Collection.
A good Liverpool blue and white mug, c.1765, the bell shape painted with a figure fishing beside an ornamental fence and beneath a tall fringed tree above other flowering branches, the rim with a trellis border, 15.7cm.Provenance: the David Stopher Collection. Formerly in the Geoffrey Godden Reference Collection.
A Lowestoft blue and white mug, c.1765, the bell shape painted with a bird perched on a flowering branch above holey rockwork and an ornamental fence, the reverse with a trellis fence and further branches, painter's numeral 2 inside the footrim, cracked, 11.5cm.Provenance: the David Stopher Collection.
An early Bow blue and white mug, c.1753-55, of bell shape and painted in a bright blue with a gnarled pine tree over rockwork and flowering branches, between wide formal borders, blue X mark, and a later Bow mug painted with flowering plants beneath a fringed tree, blue R mark, each with a grooved strap handle, both cracked, 12cm max. (2)Provenance: the David Stopher Collection. Formerly the Susi and Ian Sutherland Collection.
A documentary Lowestoft blue and white mug dated 1765, the bell shape painted with a fancy bird looking up to an insect in flight, standing beside elaborate flowering plants, inscribed to the underside for 'Abm. Moore, August 29th 1765', damages to the rim, 11.5cm.Cf. British Museum, Accession No. 1887,0307,XI.7 for a smaller example, and 1957,0403.1 for a modern forgery. This example is illustrated in Geoffrey A. Godden, Lowestoft Porcelains, p.79, pl.82 alongside a larger example. It is not known who Abraham Moore was, nor who produced the known fakes in the 20th century.
A Bow blue and white mug, c.1753-55, of bell shape, painted with peony sprays beneath a gnarled pine tree and beside towering rocks, the foot with a border of petal panels, the rim with a formal trellis design, a faint crack to the foot, 11.8cm.Provenance: the Peter Burke Collection. Purchased from Simon Spero, 15th June 2007.
A large and early Bow blue and white mug, c.1753-55, the generous bell shape finely painted with huts beside rocks and beneath tall pine trees with birds in flight above, with a grooved strap handle, painter's numeral 23, some restoration to the foot and base, 15cm.Provenance: the Peter Burke Collection. Formerly the Watney Collection, purchased 1st November 2000, lot 834.
A pair of armorial balustroid wine glasses, c.1750, the bell shaped bowls with a fine band of diamond point engraving including a shield possibly for the English branch of the Kelly family, one including a possible crest of a squirrel sejant and eating a nut, the other with a basket of fruit, on a continuous band of flowers, raised on plain stems with central ball knops above lower flattened knops, over domed feet, the feet chipped, 18.2cm. (2)
Three balustroid wine glasses, c.1730-40, the largest with a bell bowl engraved with a trellis border, with a cushion knop over an inverted baluster, the smallest with a bell bowl over a similar stem, the last with a round funnel bowl over a plain stem with shoulder and central knops, all over folded conical feet, 15.5cm max. (3)
Three wine glasses, c.1750-60, the largest with a bell bowl over a double-knopped multi-series opaque twist stem, the next with a large round funnel bowl over an opaque twist stem with central knop, the last with an ogee bowl over a knopped stem enclosing an opaque gauze, a chip to the foot of the last, 16.8cm max. (3)
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123509 item(s)/page