We found 123939 price guide item(s) matching your search
There are 123939 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123939 item(s)/page
Lot 1286
A third quarter of the 19th Century boule style Mantel Clock, the case decorated on three sides with caddy top, surmounted by a floral urn, to an arched pediment with applied mask and foliate decoration, over an inset panel, and raised on four scrolling feet, to a cast bezel with heavy convex bevelled glass, enclosing a 3" gilt dial with applied white enamel lozenges, and blue Roman numerals, with blued steel spade hands, to a circular brass movement with anchor escapement and strike on a bell, height 12"
Lot 1287
A late 19th Century gilt bronze "Pendule D`officier" of typical form, with cast snake carry handle, over laurel and oak swags, to a caddy top, and flanked by rosettes and raised on four bladed feet, to a cast brass bezel with convex glass, enclosing a 4 ¼" Arabic enamel dial, with further Arabic quarters, and outside minute track with pierced and stamped gilt hands, to a glazed back door, enclosing a circular brass movement with signed Lepine A Paris, with platform escapement and strike on a bell, height 8 ¾" (ILLUSTRATED INSIDE BACK COVER)
Lot 1328
A late 19th Century gilt Brass four glass Mantel Clock, the plinth-shaped case set with four bevelled glass panels, to a brass bezel enclosing a 3 ¾" Roman enamel chapter ring, with outside minute track and blued steel moon hands, to a white enamel centre (A/F), and visible brocot escapement, to a circular brass movement, signed Roblin and Fils Freres, with twin mercury pot pendulum and anchor escapement strike on a bell, height 11 ¾"
Lot 1330
A late 19th Century gilt brass and porcelain set Mantel Clock, the oval body surmounted by a half-round dome, beneath a strapwork frame with central finial, the dome decorated with cobalt blue field, and panels decorated with military trophies, to a moulded circular 3 ½" dial, with Gothic Roman numerals, and further trophy detail, to a pierced base set with statues and figures, to a spreading oval base, and raised on six supports and three further decorated panels, to a circular brass movement, with anchor escapement strike on a bell, height 12 ½"
Lot 1333
A late 19th Century gilt metal mounted Alabaster Clock Garniture, the tapering square section case surmounted by a lidded urn, and scrolling side pieces to a breakfront tapering base, and raised on four bladed feet, centred with an enamel rosette and 4"cast bezel, and alabaster dial set with applied gilt Roman numerals and spade hands, to a circular brass movement with anchor escapement and strike on a bell, flanked by a pair of similarly decorated four light Candelabra (3)
Lot 1340
A late 20th Century faux tortoiseshell and brass inlaid Mantel Clock, the case of waisted form surmounted by a cast and pierced foliate finial, with further applied mounts and scrolling feet to a single shaped and glazed door, enclosing a cast dial with applied Roman lozenges, to a spring-driven movement with strike on a bell, height 22"
Lot 1345
A late 20th Century Mahogany cased Mantel Timepiece, signed for Knight & Gibbins of London, the case with caddy top and Brass carry handle, to a glazed front and a Brass sound fret on a plinth base with compressed bun feet, to a signed dial, with outside minute track and blue steel moon hands, and circular Brass movement, signed Franz Hermle, with strike on a bell, height 11"
Lot 1366
An unusual early 20th Century cast Brass Mantel Clock, modelled in the form of a decorated Church Bell, with large ring suspension, the body decorated with bands of text, and fruiting vine and foliate borders, with images of Saints to the base, to a cast bezel and dial, applied with Roman enamel lozenges and white painted fleur de lys hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a coiled gong, height 11 ½"
Lot 1367
A late 19th Century black Slate and Rouge Marble mounted Mantel Clock, the plinth shaped case with inset quarter corners, to a cast Brass bezel with bevelled glass enclosing a 4" Roman and Arabic enamel dial, with blue steel fleur de lys hands, to a circular Brass movement, marked "GR", with back mounted count wheel, anchor escapement and strike on a bell, height 11"
Lot 1421
A mid-19th Century Scottish Mahogany cased 8 Day Long Case Clock, F J Wild of Dundee, the arched hood with shaped pediment over a moulded throat with acanthus leaf cap quarter columns flanking a panelled trunk door, and further panelled base, to a cast brass bezel enclosing a signed 12 ½" painted circular dial, with Roman chapter ring and outside minute track, enclosing subsidiaries for seconds and date, with blued steel moon hands, to a movement with plates united by four knopped pillars and anchor escapement strike on a bell, height 79"
Lot 1423
A first half of the 19th Century Mahogany and Oak cased 30 hour Long Case Clock, Pizzi & Ortelli of Buckingham, the hood with swan neck pediment over free-standing gilt metal mounted columns, to a moulded throat and plain frieze, to a short trunk door centred with an inlaid floral vase, and raised on a plinth base, to a 12" square painted third period dial, with floral vase spandrels to a Roman chapter ring, with outside minute track and further floral detail to the centre, over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80"
Lot 1426
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, R Davy of Hoveton, the arched hood with scrolling pediment, and brass capped free-standing plain columns, to a moulded ogee throat and long arched trunk door, to a plinth base, to a signed 12" first period painted dial, with plain arch and gilt highlighted gessoed spandrels enclosing a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a movement with plates united by five knopped pillars, with anchor escapement and strike on a bell, height 86"
Lot 1427
A Mahogany Burr Walnut, Boxwood and Ebony inlaid 8 Day Long Case Clock, with moon phases, signed R D Lear, Pinhey of Plymo Dock, the hood with overhanging cornice to a dentil work panel and blind fret frieze, with further moulding and free-standing fluted columns, to an ogee throat and further blind fret panel, to a large shaped trunk door, decorated with an image of Old Father Time, with applied foliate and ropetwist detail, and flanked by canted corners to a panel base, the arched brass dial centred with an ivory sphere depicting moon phases over a rising tide, flanked by silvered subsidiaries for moons age and state of the tide, to case and applied mask spandrels enclosing a Roman and Arabic silvered chapter ring, to an engraved centre with subsidiary seconds and large date sector, to pierced blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 89"
Lot 1428
An unusual second quarter of the 19th Century Mahogany and Ebony line inlaid 8 Day Long Case Clock, with moon phases, Robt Gidney of Norwich, the arched hood with scrolling whale`s tail pediment, and set with three lacquered brass sphere and eagle finials, over brass capped and reeded baluster free-standing columns, to a moulded throat and long arched trunk door with panelled plinth case, to a 12" third period painted dial, set with moon roller and depictions of eastern and western hemispheres over gilt highlighted shell spandrels, to a signature chapter ring naming William Bilby, enclosing subsidiary seconds and date section with black painted hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 92"
Lot 1430
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, Thos Aldridge of Deal, the arched hood with overhanging cornice to a blind fret panel over ¾ baluster columns with gilt gesso capitals, to a plain moulded throat and long arched trunk door with plinth base, to a 12" arched brass dial with signed silvered boss with cast and applied "C" scroll spandrels, enclosing a silvered Roman and Arabic chapter ring, enclosing a silvered and engraved centre with subsidiaries for seconds and date aperture, and blued steel pierced hands, to a movement with plates united by five knopped pillars and anchor escapement, strike on a bell, height 88"
Lot 1392
A late 19th Century French Gilt Spelter and Alabaster figural Mantel Clock, the circular plinth shaped case flanked by a young maiden, with a pair of doves, to a shaped and stepped base, raised on scrolling feet, (some damage), to a circular Brass dial with gilt Roman numerals and moon hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 17"
Lot 197
A 19TH CENTURY FRENCH GILT SPELTER PORCELAIN MOUNTED MANTEL CLOCK, having classical figure above drum shaped clock with foliate painted porcelain face, the base with central portrait panel flanked by two floral porcelain panels overall decorated with scrolls and swags. Standing on a gilt wood base under a glass dome. The clock 16" High x 15.5" wide. French drum movement striking on one bell.
Lot 202
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, marked J Kern and Company Swansea, having arched hood with brass ball and spike finial`s above arched aperture flanked by twist turned columns, the waist with twist turned columns flanked by plain door on a panel base. Overall decorated with chequered inlaid decoration. Arch brass face with eagle "tempus fugit" to the arch, foliate spandrels Roman numerals and seconds and date dials. Eight day movement striking on one bell The dial 19" x 13". 85" Overall.
Lot 24
CRICKET: A page removed from an autograph album individually signed by fourteen members of a South African cricket team of the 1930s including Dudley Nourse, Eric Dalton, Eric Rowan, H. B. Cameron, Alex Bell, Bruce Mitchell, Herbert Wade, Kenneth Viljoen, Arthur Langton etc. Each have signed with their names alone in fountain pen ink. Together with a similar page individually signed by thirteen members of the New Zealand cricket team, 1949, including Walter Hadlee, Tom Burtt, Verdun Scott, John Reid, Frank Mooney, Jack Cowie, Burt Sutcliffe, Merv Wallace, Harry Cave etc. All have signed with their names alone, most in fountain pen ink. VG, 2
Lot 360
HEMINGWAY ERNEST: (1899-1961) American Writer, Nobel Prize winner for Literature, 1954. Bold blue fountain pen ink signature (`Best always, Ernest Hemingway`) on a 12mo white card featuring the logo of the American television network CBS in the upper left corner. Very light staining at the centre of the card, only slight affecting the signature which remains perfectly legible. About VG Between 1952-1960 seven of Ernest Hemingway`s works were produced by CBS Broadcasting Inc. including A Farewell to Arms and For Whom The Bell Tolls.
Lot 996
An Ormolu Striking Mantel Clock, Retailed by Lopes & Cie, 17 Rue des Tournelies, Paris, circa 1880, the elaborate case with scroll and floral decoration throughout, 4-inch enamel dial with Roman numerals, pierced gilt metal hands, twin barrel movement with striking on a bell, movement backplate stamped Marti and numbered 3022, pendulum bob also stamped 3022, 36cm high See illustration
Lot 997
A Marble and Gilt Metal Striking Mantel Clock and Garniture, the case surmounted by a basket of flowers and flanked at either side with winged cherubs, the base with beadwork and putti plaques and raised upon turned feet, 4-inch enamel dial with Arabic numerals, twin barrel movement with striking on a bell, movement backplate stamped Samuel Marti and numbered 2638 45, sunburst pendulum bob, 40cm high, together with associated two light candelabra, 22cm high See illustration
Lot 1002
A Small Gilt Metal Cartel Wall Timepiece with Pull Repeat, signed Tavernier, A Paris, circa 1870, the case with scroll work and floral decoration, pendulum front viewing window and above a pull repeat cord, 4-inch white enamel dial with Arabic and Roman numerals and signed, single barrel movement with pull repeat with two hammer striking on to a bell, movement backplate signed, 30cm high See illustration
Lot 1010
A Mahogany Striking Mantel Clock, Retailed by Aubert & Klaftenberger, Geneve, circa 1890, the nicely coloured arched case with a rectangular shaped base upon brass pad feet, white enamel dial with Roman numerals, recessed dial centre with visible Brocot escapement and signed, twin barrel movement striking on a bell, movement backplate signed, 34cm high See illustration
Lot 1011
A Yewwood Striking Five Glass Table Clock, Penlington & Batty, the nicely figured case with five bevelled viewing windows, rectangular base raised upon brass bun shaped feet, 5-inch silvered dial with Roman numerals and finely engraved with floral and scroll decoration around the borders, double fusee movement with anchor escapement and striking on a bell, 32cm high (case possibly made later for the dial and movement) See illustration
Lot 1012
A Mahogany and Brass Inlaid Striking Bracket Clock, Thomas Farr, Bristol, circa 1820, the arched top case with side carrying handles and pierced sound frets, recessed front with brass inlay, rectangular base raised upon brass ball feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders and secured with brackets, pendulum bob with matching engraving, 46cm high See illustration, Thomas Farr is recorded working in Bristol 1820-30. See Bailllie (GH) Watchmakers & Clockmakers of the World, pg 105.
Lot 1014
A Rosewood Striking Bracket Clock, circa 1840, case with arched top and applied carved mounts, side carrying handles and sound frets, rectangular base raised upon bun shaped feet, 8-inch silvered dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, 44cm high See illustration
Lot 1017
A George III Ebonised and Gilt Metal Mounted Chiming Table Clock, signed Thomas Field, Bath, circa 1790, the inverted bell top case with finials and applied scroll decorated mounts, side carrying handles and pierced sound frets, front door flanked by mask and floral mounts to the canted corners, the base raised upon bracket shaped feet, 8-inch arched brass dial with silvered central dial and Roman and outer Arabic numerals, inner date ring with corresponding central date hand, dial centre signed Thomas Field, Bath, the arch with a silvered dial for strike/silent selection, triple fusee movement with verge escapement, quarter chiming with eight hammers striking onto eight bells and a further hammer striking a bell for the hours, movement backplate elaborately engraved with a central pagoda and scroll work, bob pendulum, movement secured by brackets, 60cm high See illustrations , Thomas Field is recorded working in Bath 1773-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, page 108.
Lot 1018
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
Lot 1019
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
Lot 1020
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
Lot 1022
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
Lot 1023
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
Lot 46
A Wine Glass, circa 1740, the drawn trumpet bowl with teared stem, 18.6cm high; A Wine Glass, circa 1750, the bell bowl on a multiple spiral air twist stem, 16cm high; and A Wine Glass, circa 1750, the drawn trumpet bowl on a short stem with compressed cushion basal knop, folded foot, 14cm high (3)
Lot 401
A French Parcel Gilt Chalice and Paten, Choiselat-Gallien, Paris, mid 19th century, the gilded bell bowl within a plain pierced "armature" of wheatsheaves, grapes, stylised florets, anthemion and portrait oval medallions, on a multiple knopped stem, the domed base with three shaped scenes and the Stations of the Cross, divided by dribbling bunches of grapes, on a swept circular foot, 30cm high, the paten plain circular, engraved on the reverse IHS, 16.1cm diameter, in the original chamois leather lined case See illustration
Lot 625
A Derbyshire Spar Classical Vase on Stand, early 19th century, the integral bell shape cover with ormolu fluted bud finial, the shoulder with triple reeded band and incised girdle string line, the vase of a general deep russet and white colour, on a short swept circular foot, on a veined spar and white and black marble mounted base, 41.2cm high overall See illustration, Underneath with cloth small label inscribed MAP 116 II.
Lot 417
A George III oak longcase clock by George Payne, Ludlow (1743-1795), with square glazed hood and trunk door, the 12 inch square painted dial with date and seconds indicators and painted with colourful birds and flowers, Roman and Arabic numerals, the 30 hour movement striking on a bell, 192cm high
Loading...-
123939 item(s)/page