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A quantity of Cine cameras and equipment including a Bell & Howell Autoset II with case, a Chinon B72 Autozoom, a Kodak Automatic 8 with case, a Bell & Howell Electric Eye with case, a G.B. Bell and Howell 624 EE Autoset with case, a Sekonic Zoom 8 Simplomat with case, a Compact GR 193 Tripod, a Dixons Splicer and a Haynor Animette Film Viewer.
An Oak cased long-case Clock having a painted arched face with Arabic numerals, the arch with a depiction of a lady with a dog flanked by urns and birds, the eight day movement striking on a bell and by "Mainwaring, Burwafh", 18 1/2'' wide x 9 1/2'' x 85'' high including finials. Ran briefly at the time of lotting.
An Oak cased long-case Clock having an eight day movement striking the hours on a bell, the silvered chapter ring with Roman numerals and by "Jos Norris, Abingdon", 84'' high x 17 5/8'' high x 9 1/4'' deep. Has been running for several days in the run-up to the auction, keeping quite good time and striking the hours on an attractive sounding bell.
Große Prunkpendule mit Boulle-MarketerieFrankreich, Samuel Marti et Cie, gegr. 1832 für Balthazar Paris, mechanisches 8-Tagewerk mit Halbstundenschlag auf Glocke, Rückplatine bezeichnet Medaille d'Bronze S. Marti et Cie., hoher, seitlich gerader Aufbau auf zugehörigem geschweiftem Sockel, oben halbrund segmentbogig geschlossen, bekrönt mit einem sich nach oben verjüngenden Aufsatzsockel, darüber vergoldete Bronzefigur einer posauneblasenden Nike, Marketerie in Boulletechnik und Verwendung von geflecktem Schildpattgrund mit Messingeinlagen, die Sockelkanten mit Messing belegt, mit fein ziselierten Profilen und Eckapplikationen in Form von weiblichen Hermen, Treize pièces-Zifferblatt mit schwarzen römischen Ziffern für die Stunden und arabischen eingravierten Minutenziffern, bezeichnet Balthazar Paris, über dem Zifferblatt weiblicher Maskaron, Höhe ohne Sockel 74 cm, Sockel Höhe 24 cm, 1 Uhrenschlüssel anbei, Gebrauchs- und Altersspuren, ein Fuß loseA large grand pendulum with boulle marquetryFrance, Samuel Marti et Cie, founded 1832 for Balthazar Paris, mechanical 8-day movement with half-hour strike on bell, back plate marked Medaille d'Bronze S. Marti et Cie., tall, laterally straight construction on an associated curved base, semi-circular segmental arch closed at the top, crowned with an upward tapering attachment base, above gilded bronze figure of a trombone-blowing Nike, marquetry in boulle technique and use of spotted tortoiseshell ground with brass inlays, the base edges inlaid with brass, with finely chiselled profiles and corner appliqués in the form of female herms, three pièces dial with black Roman numerals for the hours and Arabic engraved minute numerals, inscribed Balthazar Paris, above the dial a female mascaron, height without base 74 cm, base height 24 cm, 1 clock key enclosed, traces of use and age, one foot loose
Biedermeier-Kaminuhr mit GlassturzFrankreich, ca. 1820, französisches 8-Tage Pendulenwerk, Messing feuervergoldet, voller und Halbstundenschlag auf Glocke, Regulage über veränderbarer Fadenaufhängung, Schmetterlingspendel, Emaillezifferblatt mit römischen Ziffern, Holzsockel mit Intarsienarbeiten in floralem und Schmetterlingsdekor, Höhe mit Glassturz 38 cm, Uhrenschlüssel anbei, gangbar, Emaille an den Aufzugslöchern beschädigtBiedermeier fireplace clock with glass lintelFrance, c. 1820, french 8-day pendulum movement, brass fire-gilt, full and half hour strike on bell, regulation over changeable thread suspension, butterfly pendulum, enamel dial with Roman numerals, wooden base with inlay work in floral and butterfly decoration, height with glass lintel 38 cm, clock key enclosed, operable, enamel on winding holes damaged
FUJIWARA KATSUNORI: A SUPERB IRON TSUBA DEPICTING SCENES FROM NOH THEATRE By Fujiwara Katsunori, signed Fujiwara Katsunori sakuJapan, Tokyo, Meiji period (1868-1912)The iron tsuba in the shape of a Buddhist temple bell crowned with kirin heads, finely worked in iro-e takazogan of gold, silver, copper, shibuichi, and shakudo, depicting a pair of Noh actors from the play Takasago in conversation, the old couple with fans in hand and dressed in mizugoromo decorated with foliate motifs. The reverse alluding to another Noh play, Kiyohime, depicting a Hannaya mask and striker. Signed FUJIWARA KATSUNORI saku [made by Fujiwara Katsunori].HEIGHT 9.5 cm, LENGTH 7.5 cmWEIGHT 124.6 gCondition: Very good condition with minor wear, some light malachite encrustations. This tsuba cleverly juxtaposes the eternal love and devotion imagined in Takasago to the pain of rejection and jealousy in Kiyohime. The two sides of the gong, where Anchin also faces his untimely death, present the range of emotions experienced in love to the viewer. On the one hand, the old couple in Takasago personify divine devotion to each other and on the other hand, Kiyohime alludes to the dangers of jealousy, infatuation, and revenge as if to warn one of the perils of love.The artist is listed in the Haynes Index of Japanese Sword Fittings and Associated Artists on pp. 594 (H 02858.0).Auction comparison:Compare a closely related iron tsuba with similar inlays, by the same artist, signed Fujiwara Katsunori koku, at Christie's, Japanese and Korean Art Online, 27 September 2022, New York, lot 9 (sold for EUR 3,276).
Convoy (1978) Original concept artwork by Mike Bell, paint on board, signed to the front 'from the collection of Brian Bysouth', overall 55 x 69 cm. Provenance: This lot has been consigned by Brian Bysouth and is sold with a letter of authenticity signed by Ewbank's Auctioneers.Please note this lot is sold without copyright, reproduction rights, licensing agreements or any other type of legal release.
Henry Kenion of Chapel-le Frith - early 18th century 8-day movement & brass dial housed in a later carved oak case, with a flat topped pediment and wide cornice, square dial door flanked by turned pilasters, trunk with a long shaped door with carving, square plinth with applied skirting, brass dial with engraving and crown and cherub spandrels, silvered chapter ring with Roman numerals, minute and inner quarter hour tracks, steel hands, seconds dial and circular date aperture, dial pinned to a two train weight driven movement with an inside countwheel and anchor escapement, striking the hours on a bell. With weights key and pendulum. Henry Kenion is recorded as working c1710-40 in both Ashbourne (Derbys) and Chapel-le-Frith.Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 24cm
John Smith of Chester - late 18th century mahogany 8-day longcase, brass moon roller dial and three-train movement, with a swans necked pediment, brass paterie and an inlaid oval to the centre, hood door with contrasting banding and scalloped edge, shaped back splats and reeded pilasters with Corinthian capitals, trunk with canted corners, wavy topped door with conforming banding and inlay, square plinth with an applied decorative base, brass dial with scroll spandrels, diagonally engraved dial centre, wide chapter ring with Roman numerals, five minute Arabic's and minute dots, seconds dial, date aperture and steel hands, makers name boldly engraved round the arch of the dial, rack striking movement with a recoil anchor escapement, striking the hours on one bell and the quarters on four. With three brass cased weights, pendulum and key. John Smith (father and son) are recorded as working in Chester in 1753 and 1784, this clock is probably the work of John Smith II.Dimensions: Height: 215cm Length/Width: 50cm Depth/Diameter: 24cm
Harry Bush of Mear - early 18th century walnut 8-day longcase with a brass dial and penny moon to the arch, Arched hood with a deep cornice and blind fret beneath, break arch hood door with attached pillars and capitals, long trunk with a conforming break arch topped door, beaded edge and inlay, plinth with star inlay and applied decorative base, brass dial with cast spandrels, engraved dial centre, silvered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks, seconds dial and square date aperture, substantial six pillar movement with rack striking and anchor escapement, striking the hours on a bell. With weights, pendulum and key.Dimensions: Height: 220cm Length/Width: 30cm Depth/Diameter: 23cm
Unsigned - small longcase clock in a bespoke oak case with a two-train late 18th century weight driven movement and brass dial, small case of pleasing proportions in a mid 18th century style, square brass dial with spandrels and chapter ring, plain dial centre and steel hands, rack striking two train movement with an anchor escapement striking the hours on a cast bell. With weights, pendulum and key.Dimensions: Height: 180cm Length/Width: 33cm Depth/Diameter: 23cm
Richard Swaine of Stratford on Avon - 19th century 30-hour oak and mahogany longcase with a painted dial and earlier countwheel striking movement, with an inlaid swans necked pediment, brass paterie and an eagle and ball finial, square hood door with two reeded pilasters and brass capitals, trunk with recessed quarter columns, short trunk door and crossbanding, square plinth raised on a decorative base, ten inch painted dial with depictions of fruit within a gesso border to the spandrels, Roman numerals, five minute Arabic's and steel hands, dial pinned to an earlier birdcage movement with a countwheel strike and recoil anchor escapement, striking the hours on a bell. With weight and pendulum.Dimensions: Height: 210cm Length/Width: 42cm Depth/Diameter: 22cm
W. Phillips of Bromyard - 8-day mahogany longcase with a painted moon roller dial, c 1790,swans neck pediment with dog tooth moulding, raised carving and brass paterie, break arch hood door beneath flanked by reeded pilasters with brass Corinthian capitals, trunk with a blind fret, reeded quarter columns and long wavy topped door,Plinth with a deep moulding and canted corners raised on a shaped base, painted dial with gesso spandrels, Roman numerals, five minute Arabic's and minute dots, with steel hands, seconds dial and square date aperture, dial pinned to a rack striking movement with an anchor escapement, striking the hours on a cast bell. A clockmaker by the name of John Phillips is recorded as working in Bromyard (Worcs) in the early to mid 18th century, certainly by 1770-90. W. Phillips was possibly an unrecorded son or brother also working in the same family clockmaking business during the later part of the 18th century.Dimensions: Height: 250cm Length/Width: 54cm Depth/Diameter: 27cm
French early 19th century 8-day mantle clock, with a gilded figure of a Turkish lady resting on a drum enclosed Parisian movement, on a broad decorated plinth resting on scroll feet, silvered dial with Roman numerals and steel moon hands, with a silk suspension and count wheel striking movement, striking the hours on a bell.Dimensions: Height: 33cm Length/Width: 25cm Depth/Diameter: 10cm
French - late 19th century 8-day four glass clock c 1890, with four rectangular bevel glass panels, two part enamel dial with a visible Brocot deadbeat escapement and jewelled cornelian pallets, Roman numerals, minute markers and steel moon hands, two train rack striking movement with a twin-file mercury filled pendulum, striking the hours and half hours on a bell. Dimensions: Height: 36cm Length/Width: 22cm Depth/Diameter: 17cm
French - Early 20th century white marble and gilt-metal striking portico mantel clock and garniture, circa 1910, with four free-standing columns above a shaped plinth raised on four feet, gilt metal drum case surmounted by two small nesting birds, convex enamel dial with floral garlands and Arabic numerals, gilt Louis XV hands and minute markers, 8-day outside countwheel striking movement striking the hours and half hours on a bell, with a sunburst pendulum and matching pair of garniture urns with conforming decoration.Dimensions: Height: 40cm Length/Width: 25cm Depth/Diameter: 13cm
Duchemin of Paris - Imposing mid-19th century 8-day Louis XV styleebony and brass inlaid Boulle clock, with a serpentine shaped case surmounted by a detachable top with a winged angel holding a trumpet, with brass scrolling inlaid foliate decoration to the door, front, sides and pediment, case raised on conforming scroll mounts, enamel dial with makers name on the dial and movement backplate, cartouche Roman and Arabic numerals, fully glazed door with putti and visible pendulum, five pillar twin train going barrel movement, recoil anchor escapement and countwheel strike, striking the hours and half hours on a bell. With key and associated pendulum.Dimensions: Height: 110cm Length/Width: 50cm Depth/Diameter: 23cmCondition Report: Some brass inlay detached or missing.
Henry Marc of Paris - early 19th century 8-day French mantle clock c1820, in a porcelain rocaille scroll design case encrusted with flowers and gilt leaf ornament, enamel dial with makers name, Roman numerals, trefoil steel hands within a gilt bezel, countwheel striking movement and silk suspension, striking the hours and half hours on a bell.Dimensions: Height: 32cm Length/Width: 24cm Depth/Diameter: 17cmCondition Report:Dial marked in places with a faded numeral.
Cherillier - Paris, late 19th century brass cased 8-day mantle clock on a white marble base, break arch top with non matching finials surmounted by an oval bowl festooned with flowers, enamel dial with retailers name, Arabic numerals and floral swags, pierced Louis XV gilt hands within a convex glass and brass bezel, twin train rack striking movement striking the hours and half hours on a bell. With key and pendulum. Dimensions: Height: 36cm Length/Width: 19cm Depth/Diameter: 12cm
French - late 19th century green onyx 8-day clock garniture, rectangular stepped case with gilt mounts raised on scroll feet, pediment surmounted by a painted faux bronze figure of an angel, Parisian drum movement with an enamel dial, Arabic numerals, steel hands and minute track, twin train countwheel striking movement, striking the hours and half hours on a bell. With conforming garni entitled Le travail and Le commerce. Garni Height 40cmDimensions: Height: 50cm Length/Width: 30cm Depth/Diameter: 15cm
A TURKOMAN TEKKE TRIBAL SILVER AND FIRE GILDED CARNELIAN AMULET PENDANT, KUMUSCH-DOGA, 19/20TH CENTURY. A central cylindrical container from Koran prayer sheets or pages above a row of bell pendants. With material once use to hang around the neck.Provenance: With receipt from The Read Molteno Gallery Hampshire, stating the pieces were acquired in N.Afghanistan in the early 1980s and sold in 1995. 26cm length. Loss of two drop bells. Wear to material.
A GROUP OF INDIAN CHINESE BRASS AND JADE ITEMS, 20TH CENTURY. To include a rotating lotus form oil lamp on turtle stand; A vajra handled bell; An incised round bowl marked 'China'; An incised shallow dragon dish marked 'China'; A reclining figure; Together with an archaic style jade bi disc pendant with phoenix. Largest dish 20.5cm diam. (5) Good overall condition with signs of wear from use only.
A CHINESE BRONZE BELL WITH XUANDE MARK, 19/20th CENTURY. The bell decorated in relief with dragons and animal form handle, suspended in hardwood faux bamboo frame featuring a bat. With mallet. Frame size 41cm x 29cm.Provenance: Property of Terence E B Harnden who served as Senior Naval Stores Officer in Hong Kong between 1937 - 1940. Acquired in Hong Kong before returning to England, thence by descent. In good order with no obvious signs of damage or repair. Minor signs of wear in places to wood frame.
RUDYARD KIPLING: A LETTER SIGNED BY THE AUTHOR Dated June 10th 1903, on stationary headed Bateman's, Burwash, Sussex and addressed to His Majesty's Collector of Customs, Southampton or Liverpool, requesting that a copy of his book Outward Bound belonging to a Mr. William Bell be passed through the Custom House. Together with three volumes of the author's works Condition Report:Available upon request
Bell and Boeing Collection of Literature includes Bell 505 Product Specifications 2017, Bell 429 and 429 WLG, Bell 407 GXP( Brochures) Bell 525 Relentless (Info Card in Japanese) The Westland Civil WG.30 - Brochure B1345 August 1980 (55 pages), Boeing Commercial Chinook - Model 234 - The Passenger Carrier (20 pages), good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Multi-Signed Book - Night Flight - Halifax Squadrons at War by Geoffrey Jones 1981 Multi-Signed by George Dunn DFC and John Bell DFC on the Title page (Includes photos of Signing), Vera Lynn Signed Chailey 2004 Air Show Programme, Plus The Aeroplane 1936 Hardback Book (containing all of 1936 editions) from The Ministry of Aviation Central Library, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
NATURAL HISTORY TITLES, including Lowe (E.J.) A Natural History of British Grasses, 1858, half morocco, marbled covers, Lee (James) An Introduction to the Science of Botany, 4th Edn., 1810, full gilt tooled morocco, Steggall (John) Elements of Botany, 1831, with hand-coloured engravings, rebound half calf, Martyn (Thomas) Thirty-Eight Plates With Explanations, 1788, hand coloured engravings , half calf with marbled covers, Harrison (Joseph) The Floricultural Cabinet, vol. 1, 1833, hand coloured engravings, gilt tooled half morocco bound by Richard Bailey, Nowl Humphreys (E.) River Gardens, 1857, 8 hand coloured engravings, Sowerby (John E.) The Ferns of Great Britain Illustrated, 1855, 49 hand coloured engravings, Bell ( Thomas) A History of British Quadrupeds including the Cetacea, 1837, full gilt tooled calf, with inserted annotations, drawings, watercolours,; and Donaldson & Red (printed) The Origin of Laws, Arts, and Sciences, and their Progress among the most Ancient nations, 1761, vol 3, full calf (9)Provenance: private collection Cardiff
19TH C. SWISS ROSEWOOD MARQUETRY CYLINDER MUSICAL BOX, 15inch brass cylinder playing eight airs on six bells and brass tambourine, single piece comb, tune indicator, tune sheet, no. 44872, 64cms wProvenance: private collection CardiffComments: minor damage to box, one bell missing retaining nut, one metal collar missing from front, front moulding damaged/broken, lid warped, case generally faded
Seltene Pendule "À la Cathédrale" Bronze, vergoldet. Gestrecktes, architektonisch gegliedertes und durchbrochen gearbeitetes Uhrengehäuse in Form einer stilisierten, gotischen Kathedrale mit Maßwerk und Fialen auf gestuft ansteigendem Podestsockel. Ornamentiertes Zifferblatt in Form einer großen Fensterrose. Pendulenwerk mit Fadenaufhängung sowie Halbstundenschlag auf Glocke im oberen Dachaufsatz. Platine bez. Medaille d'or Pons 1827. H. 53 cm.Vgl. Tardy, Abb. S. 451.A rare French gilt bronze mantel clock "À la Cathédrale". Strikes half hour on a bell.Frankreich. Um 1830-1840.
Empire-Pendule "Aurora" Bronze, vergoldet. Über querrechteckig angelegtem Sockel mit Palmettenfries und reliefierter Darstellung von Genien mit Festons vollplastische Darstellung der römischen Göttin Aurora mit Fackel, den Schleier der Nacht hebend und einen neuen Tag enthüllend. Rundes Uhrengehäuse mit besch. Emailziffernring bez. Legras à Paris. Pendulenwerk mit Fadenaufhängung sowie Halbstundenschlag auf Glocke. H. 44 cm. 34 cm x 12 cm. A French gilt bronze Empire mantel clock. Strikes half hour on a bell. Dial ring damaged.Frankreich. Paris. Um 1820.
Napoleon III-Kaminuhr Bronze, vergoldet und teilw. dunkel patiniert. Über gestuft ansteigendem, breit reliefiertem Sockel vollplastische Darstellung von zwei Mohrenknaben mit üppigem Draperiewerk als Träger für Uhrengehäuse. Verglastes Zifferblatt, bez. Raigo Frer. Paris. Pendulenwerk mit Pendelfeder sowie Halbstundenschlag. Pendel und Glocke fehlen. H. 38 cm. 28 cm x 14 cm.A French gilt bronze Napoleon III mantel clock. Pendulum and bell missing.Frankreich. 2. Hälfte 19. Jh.
FOOTBALL AUTOGRAPH BOOK 1909-10 INCLUDING MANCHESTER UNITED An album in which Speirs collected the signatures of players who played against Bradford City including 17 full teams: Bradford City signed by 26 players, Bolton Wanderers X 12, Nottingham Forest X 13, Sunderland X 15, Everton X 12, Middlesbrough X 13, Manchester United X 12 including Bell, Livingstone, Turnbull, Picken, Whalley, Quinn, Hayes, Wall Stacey, Moger, Young and Rimshaw, Notts. County X 13, Tottenham Hotspur X 11, Chelsea X 13, Blackburn Rovers X 11, Liverpool X 12, Bristol City X 15, Aston Villa X 13, Sheffield United X 11, Woolwich Arsenal X 13 and Sheffield Wednesday X 13. Good
Brass Steam Locomotive Three Chime Whistle Flat top long brass bell with underside pull lever, marked with the 'G' and '2' on the bottom edge, reportedly from the Illinois Central Railroad 2-10-2 engine and produced by Lima Locomotives, mounted on a wood base Property from: a Private Collector, Huntley, Illinois Height: 30 1/2 inches, Width: 22 1/2 inches, Depth: 11 1/4 inches (including base with lever extended) Condition: untested, overall light wear consistent with normal use, paint splatter, dents and scratches throughout, minor rust, possibly repainted Disclaimers: not checked for replacement parts; we cannot guarantee the operation, accuracy or lifespan Category: Collectibles > Railwayana Estimated Sale Time: 3:02 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lunkenheimer Dome Top Steam Whistle Brass having a 1.675-inch bell and 0.5-inch steam line, marked on valve; together with a Jas. P. Marsh brass pressure gauge marked on dial Property from: a Private Collector, Huntley, Illinois Height: 13 inches, Diameter: 10 1/2 inches (larger) Condition: overall light wear consistent with normal use, not tested, light scratching, tarnish, verdigris, Marsh having some wear to face Disclaimers: not checked for replacement parts; we cannot guarantee the operation, accuracy or lifespan Category: Collectibles > Railwayana Estimated Sale Time: 3:04 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1
Model Train G Scale Assortment (5) items including (2) USA Trains C&O Chessie Systems diesel engines #5284 and a #5285, a #904122 caboose, a Milwaukee Road #992216 caboose as well as a K-Line Milwaukee Road #2002 diesel engine Property from: an Estate, Downers Grove, Illinois Height: 6 1/4 inches, Length: 18 1/4 inches, Width: 4 inches (longest) Condition: overall light wear consistent with normal use, a bell broken (present) on #5285, partially detached railing on #5284 Disclaimers: not tested, we cannot guarantee the operation, not checked for replacement parts Category: Collectibles > Model Trains - G Scale Estimated Sale Time: 4:44 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Two George III Royal silver sauceboatsfull marks only clear on one, Thomas Heming, London 1766 Each of bombé oval form, spirally fluted body capped with a wave design below a reverse fluted and everted rim, cast flying scroll handle with applied acanthus foliage and bell flower with scroll top, on cast spiral fluted and scroll shaped-oval pedestal foot, engraved below the lip with Royal Household garter badges, each of a varying form, one flanked by the engraved cypher GR, also engraved below with a later owners crest, with motto 'LIBERTAS' above, underside of one with engraved scratch weight '20'9', length 19cm, weight 37.9oz.Footnotes:The two badges surmounted with Imperial crowns relate to ownership by the household of King George III (1760 - 1820), of Great Britain and Ireland.It is interesting to note that the service was originally engraved with Royal Arms and King's ciphers and that most pieces were subsequently re-engraved with the new Royal Arms as used after 1801.It is recorded that the cost of the original engraving of the Royal Arms and King's ciphers was charged at an extra £232 19s 6d (PRO Lc5/ 110, f. 356).Thomas Heming was appointed Principal Goldsmith to the King in 1760 and was the first working goldsmith to hold this post since the early seventeenth century.These sauceboats are in a style that was a modified version of the French rococo, still fashionable in the early years of George III's reign and influenced by the designs of Parisian Goldsmith Pierre Germain's 'Eléments d'orfèvrerie devisés' published in Paris in 1748.They are almost identical to a set of sixteen silver-gilt examples in the Royal Collection, also by Thomas Heming, exhibited, The Queen's Gallery, Buckingham Palace, London.The sauceboats held in the Royal Collection form part of the 'Coronation Service'. Despite this title, the commission for the service was not finished in time for use at the King and Queen's coronation banquet on 22 September 1761. The service was used at the 'extremely magnificent banquet' held on 19 September 1768 at the Queen's House in honour of Christian VII of Denmark, who was George III's first cousin in addition to being his brother-in-law, following his marriage to Princess Caroline in 1766.Modest additions were made to the service throughout the 1760s.The second later crest cannot be identified. Notably the motto LIBERTAS is used widely in the United States in the early years of the nineteenth century, possibly to indicate the freedom gained in the earlier War of Independence.LiteratureVanessa Brett, The Sotheby's Directory of Silver, 1600-1940, London, 1986, p. 223, no. 989.Published to coincide with The Queen's Gallery exhibition, George III & Queen Charlotte: Patronage, Collecting and Court Taste, The Queen's Gallery, 2004, no. 339, pages 322, illustrated 324.The Royal Collection Trust, accessed via https://www.rct.uk/collection/51843/sauce-boatThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Attributed to Claude Galle (French, 1759-1815): A good early 19th century French gilt bronze and rouge griotte marble figural mantel clockThe figural mount perhaps in the manner of Louis-Simon Boizot (French, 1743-1809)The arched rectangular case on a stepped rectangular pedestal, with applied winged flambé torch and fruiting laurel and oak leaf wreath mounts, and with foliate and stiff leaf cast borders, the front with an applied figural mount formed as a classical maiden, holding aloft drapery to partially conceal the dial, the whole raised on conforming rectangular plinth base and moulded foot, the rotating dial with Roman enamelled chapter ring with milled centre and poker hands, the brass twin train movement with silk suspension and outside count wheel striking on a bell, with pendulum, 53.5cm highFootnotes:ProvenanceNorman Mackinnon (1923-1989), former MD of Drambuie, Scotland and self-proclaimed 'Whisky Baron' and a collector of fine art, furniture and objects, cars, and properties. The clock stood on the mantlepiece in the grand dining room of his Edinburgh home and at the end of a dinner party when it chimed midnight he would announce to his guests that the evening was over. By repute it had been inherited from his mother Gina Mackinnon who was famous for safeguarding the Drambuie recipe. Thence by decent to the present owner.The offered lot is thought to be one of three known examples of this model attributed to Claude Galle, one of the other two being a near identical clock, excepting the case, which is in green marble, which is in the permanent collection of clocks at Belmont House, Kent. Known as the 'Amitea clock', the name is perhaps derived from 'Laudatio Luliae Amitae' which was a funeral oration that Julius Caesar gave in 68 BC to honour his dead aunt Julia, the widow of Marius with the figure to the front of the clock perhaps representing a mourning praeficae. One of the leading French bronziers of his day, Claude Galle created numerous gilt bronzes for the Royal and subsequently Imperial household. Born at Villepreux near Versailles, he was apprenticed to the fondeur, Pierre Foy at rue du Four. In 1784 he married Foy's daughter and after his masters death, took over the workshop and built it into one of the finest of its kind, eventually employing about 400 craftsmen. In 1786 he became a maitre-fondeur and in the same year received the first of many commissions from the Garde-Meuble to furnish the royal palaces. Galle moved the business to Quai de la Monnaie and from 1805 traded from 60 Rue Vivienne.Louis-Simon Boizot worked in the atelier of the sculptor René-Michel Slodtz (1705–1764) who also trained Houdon. In 1778 he was admitted to the Académie royale de peinture et de sculpture and exhibited at the yearly salons until 1800. His portrait busts of Louis XVI and Joseph II were created in 1777 and made in bisque porcelain at Sèvres. From 1773 to 1800 Boizot directed the sculpture workshop of the Sèvres porcelain Manufactory, producing the series of unglazed biscuit figures with a matte finish resembling that of marble. Boizot also created terracotta designs for gilt-bronze clock cases including the allegorical 'Avignon' clock, now in the Wallace Collection in London, which was cast and chased by Pierre Gouthière in 1777.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
OHNET GEORGES. The Battle of Life, The Ironmaster. 3 vols. Half titles. Orig.dec. red. cloth, wear & some splitting. 1st ed., 1884; also Harrison Ainsworth, Beatrice Tyldesley, 3 vols. in one, 3 half titles & 3 titles, worn blue cloth, 1st ed., 1878 & 7 other vols. incl. vol. 3 only of (Charlotte Bronte), Shirley by Currer Bell, 1849. (12)
CRICKET AUTOGRAPHS. Ashes Victory, The Official Story of the Greatest Ever Test Series in the Team`s Own Words. Illus. Orig. blue cloth in d.w. 2005. With the original signatures of 9 of the team members to the outer dustwrapper & the title page -Trescothick, Hoggard (signed twice), S. Jones (signed twice), Strauss, Giles, Pieterson, G. Jones, Vaughan & Bell, 11 signatures in all.
NEALE JOHN P. & LE KEUX JOHN. Views of the Most Interesting Collegiate & Parochial Churches in Great Britain including Screens, Fonts, Monuments. Vol. 1. Many eng. plates. Quarto. Well worn cond. with top brd. det. but present; also William C. Lukis, An Account of Church Bells With Some Notices of Wiltshire Bells & Bell-Founders, plates, rubbed & worn half calf, 1857 & William Howitt, Ruined Abbeys & Castles, Second Series, with mounted photo illus., 1864. (3).
MANCHESTER UNITED F.C.: A printed folding 8vo menu card for a Sportsmans Dinner with Soccer Legends held by the Gordon Clayton Testimonial Fund at the Sachas Hotel in Manchester on 23rd February 1992, signed to the verso by twelve football players and managers, most associated with Manchester United (and a few Manchester City) including George Best, Bobby Charlton, Denis Law, Nobby Stiles, Pat Crerand, Johnny Giles, Tommy Docherty, Bryan Robson, Francis Lee, Colin Bell, Mike Summerbee etc. All have signed with their names alone, most in blue fountain pen inks. A few very light, minimal creases, otherwise VG
[HENDRIX JIMI]: (1942-1970) American rock guitarist and singer. A pair of funky red corduroy ribbed bell bottom trousers owned and worn by Jimi Hendrix in 1968, with a zip fastener and elasticated waist band, and two small inside pockets, measuring approximately 38” in length and 11” wide at the base. A wonderful and desirable piece of memorabilia associated with one of the most celebrated musicians of the 20th century, who was also noted for his fashion sense, typifying the 1960s and counter-culture movement. Some light age wear, VG Provenance: The present trousers were previously sold by Bonhams in their sale of Film Entertainment and Autographs, Psychedelic and Underground Posters, Rock and Pop, Rare Records on 21st, 22nd & 23rd March 1995 (Lot 2472). Their catalogue, a copy of which is included in the present lot, stated that the trousers were worn by Hendrix ‘in 1968 Civic Auditorium, Bakersfield, California, Oct. 26, seen on camera by Ron Rafaelli, photographer with Jimi at this time’.
OASIS: A colour printed small oblong 8vo concert ticket for a performance by the English rock band at Finsbury Park, London, on 6th July 2002, individually signed by all five band members comprising Noel Gallagher, Liam Gallagher, Andy Bell, Gem Archer and Alan White. Signed by each in bold black inks, a few with their first names only. Some very light, extremely minor surface creasing, VG
Betjeman (John) Metro-Land, one of 220 copies signed by the author and illustrator, 15 colour lithograph plates by Glynn Boyd Harte, original pictorial cloth, slight foxing to upper cover, original cloth box, Warren Editions, 1977; Summoned By Bells, one of 125 copies signed by the author, portrait frontispiece, plates and illustrations, original green morocco, gilt bell design to covers, t.e.g., others uncut, head of spine very slightly rubbed, 1960; A Nip in the Air, one of 175 copies signed by the author, original cloth, 1974; New Bats in Old Belfries, signed twice by the author on title, loosely inserted 3 T.L.s. and one A.L.s. by the author to different recipients, original cloth, 1945; and 9 others by the same, all signed or signed limited editions, 4to and 8vo (13)
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