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A FRENCH PAINTED PORCELAIN-MOUNTED ORMOLU STRIKING MANTEL CLOCK LATE 19TH CENTURY THE PORCELAIN SIDE PANELS DEPICTING CLASSICALLY DRESSED FIGURES, GILT-HEIGHTENED DIAL WITH GILT-BRASS HANDS (MINUTE LACKING), TWIN BARRELS MOVEMENT WITH ANCHOR ESCAPEMENT AND COUNTWHEEL STRIKE ON BELL; VELVET COVERED GILTWOOD BASE 10½ IN. (26.5 CM.) HIGH, EXCLUDING BASE View on Christie's.com
A FRENCH MARBLE AND PATINATED METAL STRIKING MANTEL CLOCK LATE 19TH CENTURY The white enamel dial with painted floral swags and signed 'BUTHEAU/AUTUN', gilt-brass hands, twin barrels movement with anchor escapement and countwheel strike on bell; pendulum 18½ (47 cm.) high View on Christie's.com
A FRENCH BRONZE AND MARBLE STRIKING PORTICO CLOCK AND GARNITURE LATE 19TH CENTURY The white enamel dial with floral decoration, gilt-brass hands, twin barrels movement with anchor escapement and countwheel strike on bell; pendulum; triple-light candelabra en-suite The clock-- 17½ in. (44.5 cm.) high The garniture-- 13 1/3 in. (34 cm.) high (3) View on Christie's.com
A 19th century oak longcase clock, with a cavetto moulded cornice, the hood with turned supports, the door flanked by three-quarter columns and on bracket feet, square painted dial with Arabic numerals, subsidiary seconds dial and date aperture, floral spandrels, signed J.N. Evans, Pwllheli, eight-day movement, striking on a bell.
A 19th century oak and mahogany longcase clock, the hood with a plain moulded cornice and turned tapering supports, long arched door with three-quarter columns, on ogee bracket feet, square painted dial, with Roman numerals and subsidiary date aperture, thirty-hour movement, striking on a bell.
A George III oak longcase clock, signed Whitehurst, Derby, square brass dial with cast rococo spandrels, silvered chapter ring, date aperture, eight-day movement, striking on a bell, the case with a broken architectural pediment, arched long door with a marquetry star motif, panelled plinth, bracket feet.
RODS (2): Pair of early drop ring London rods, a rare Chevalier Maker, 12 Bell Yard Temple Bar (1817-1853) 7 piece (1 short tip) greenheart and ash fly rod with drop rings whipped black, brass fittings, screw butt cap, two lance wood tips within, in MOB and an Eaton & Deller maker, 6/7 Crooked Lane 3 piece ash and greenheart drop ring fly rod, brass fittings, tapered butt, fair, in MOB.
A 19th Century longcase clock, painted arch dial with shepherdess and sheep in landscape, seconds and date aperture, eight day movement striking on a bell, indistinctly inscribed Phillip Tredegar, enclosed by a glazed hood surmounted with a finial and broken swan neck pediment, over a short inlaid trunk door, canted bracket plinth, 208cm high
A late 19c French mantel clock in tortoiseshell and boullework case with cast gilt mounts, feet and side frets. The boullework extends to the inside of the rear door and the inner base, visible through the glazed aperture below the dial. The cast gilt dial has blue enamel numeral plaques and the Vincenti movement is countwheel striking on a bell, 14.5" tall overall.
An early 19c thirty hour longcase clock with 12" square painted dial, having geometric corner paintings and a church painted in the dial centre. The plated movement is rope driven and rack striking on a bell. It is contained in a plain oak case with swan neck pediments to the hood and plain columns flanking the dial. The long trunk door has a round top and the plain base has a plain plinth (front section missing), 78" tall overall.
An early 19c thirty hour longcase clock, the 12" square painted dial signed `A. Heale, Chulmleigh` and having florally painted corners. The plated movement is chain driven and is countwheel striking on a bell. The pine case has swan neck pediments to the hood and turned columns flanking the dial. The long trunk door is plain and the base is plain with a wavy plinth. The case is heavily varnished and stands 83" tall.
A mid 18c thirty hour longcase clock, the 10" square dial signed `Jas. Wright Knoll` and has urn spandrels and a matted centre. The plated movement is chain driven and countwheel striking on a bell. The oak case has a tall flat top hood with sound fret and no hood columns. The long trunk door has a shaped top and edge moulding and the small base is plain with a shaped plinth, the case back has been replaced, 77" tall overall.
An early 20th Century French mahogany lancet shaped boxwood line and fan inlaid mantel clock, the circular enamel dial with eight day movement and Roman numerals inscribed "Henri Marc a Paris", striking on a bell, brass batwing twin carrying handles on a plinth base to brass ball feet (ILLUSTRATED)
* A Ridgeway tea cup and saucer, and matching coffee cup and milk jug, early 19th c., decorated with large bell-shaped pendant flowers in two shades of blue with intertwining gilt decoration, manufacturer’s pattern number 3984, (saucer 14.5cm diam.), together with nine other similar items of early 19th c. tea and coffee ware (13)
Werle (Don) Design for a Siamese costume with long trailing gown and elaborate headdress signed in pencil 491 x 304mm. § Fletcher (Robert) A gouache costume design for “The Taming of the Shrew” on black paper depicting Vincento at the wedding party captioned and signed by the artist 391 x 286mm. § A gouache costume design on black paper ?by Robert Fletcher possibly for Othello 353 x 184mm. § Rice (Peter) A gouache costume design for “Arabella” depicting a doorman bell captain and waiter 268 x 371mm. all framed and glazed(4) ***The second design was for a production at the American Conservatory Theatre San Fancisco in 1960..
A pair of Victorian Corinthian column two-light table candelabra, the square bases moulded with acanthus leaves, ram`s heads and festoons of bell husks, the removable scrolling branches with a fleur de lys to the centre, the batswing sconces moulded with acanthus leaves, removable nozzles, maker`s mark of Elkington & Co, Birmingham 1893, height 26 cm (10 1/4 in.)
A collection of six 18th Century Hanoverian pattern table spoons, comprising two with fancy backs to the bowls, maker`s mark of Henry Bailey, London 1758; another fancy back spoon with maker`s mark of Jos. Bell (date letter obscured), and three plain spoons, total approx. weight 9 troy oz (6)
A Gilt Brass Striking Carriage Clock, retailed by F Manning, Paris, circa 1890, the case with carrying handle, glazed bevelled panels, white enamel dial with Roman numerals and signed, twin barrel movement with platform lever escapement and striking on a bell, movement backplate numbered 138, 15.5cm high to top of the handle
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123896 item(s)/page