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Click here to subscribeA Regency mahogany pagoda top mantel clock, early 19th century, the 8 inch white painted dial with Roman numerals, double fusee movement with repeating mechanism and striking on a bell, the back plate with swag engraved borders, paper label inside case reading indistinctly' C. Collin....STREATHAM PLACE BRIXTON HILL', arched fish scale grille sides with paper backing, on a concave moulded plinth and gadrooned bun feet, 58cm high, 18cm deep, 28cm wide
Eardley Norton: A George III mahogany and gilt brass mounted musical table clock, third quarter 18th century, the 7.75inch arched brass dial with matted centre and date aperture, silvered chapter ring with Roman numerals and outer Arabic minute ring within foliate and scroll cast openwork spandrels, the arch with Strike/Not Strike and Chime/Not Chime subsidiary dials and hand for tune selection with silvered arch marked ' MARCH, MINUET, SONG, COTILLION, MARCH, DANCE', inset silvered name plate marked in italic and Gothic script 'Eardley Norton, London' and numbered '2074', the six pillar triple fusee movement with verge escapement, hour strike on a single bell and 5.25 inch music cylinder, the backplate engraved in italic script 'Eardley Norton, London' and numbered 2074 in the top right hand corner and engraved throughout with foliate scrollwork, pierced foliate cast side grilles and upper top front corners with later green silk backing, the case with gilt brass stop-fluted canted front corners, side carrying handles, pagoda top with five cast urn finials, raised on a gilt brass plinth and ogee bracket feet, 63cm high, 30cm deep (including feet), 37cm wide (including feet ), case 33cm wide Footnote Eardley Norton, member of the Clockmakers' Company is recorded as working between 1762 and 1794 and his work is featured in the Royal Collection including an astronomical clock for George III in Buckingham Palace. Provenance: Originally purchased by W Strang, 1st Baron Strang (1893-1978) whilst c harge d'a ffaires at the British Embassy in Moscow 1930-1933.
A George III mahogany cased bracket clock, late 18 th century, the girdled bell top with gilt brass swing handle and pineapple finials above arched glazed door with foliate cast gilt metal open work spandrels, the top corners enclosing a 7 inch silvered arched dial with Roman and Arabic numerals subsidiary seconds dial, and inscribed ‘John Lingford Nottingham’, strike silent dial in the arch, 8-day double fusee movement, striking on a bell and with hour repeat mechanism and bob pendulum, the back plate engraved with an urn and foliate motifs, opaque glass side panels raised on a plinth base and four gilt metal ogee bracket feet, 47cm high, 19cm deep, 27cm wide
A French gilt bronze and porcelain inset mantel clock by Henri Marc, Paris, the 3.5 inch white enamel dial with Roman numerals in a drum case surmounted by a rose and heart motif and crossed torch and quiver of arrows and bow, figure of cupid holding his bow and arrow to one side, 8-day movement striking on a bell with outside count wheel and stamped ‘R I Marc, Paris, number 22660’ on a oval plinth inset with Sèvres style floral decorated porcelain panels and raised on flower headed and gadroon toupee feet, 26cm high, 14cm deep, 22cm wide
A George III oak and inlaid longcase clock, the broken scroll swan neck pediment centred by a brass fleur de lys motif on a chequer strung pillar, the chequer stringing repeated below the ogive cornice over a square glazed door flanked by fluted pilasters, the 11 inch brass dial with matted centre engraved with foliate scrolls and oval tablet inscribed ‘W N Marston, BPS Castle’, chapter ring with Roman numerals and cast figural spandrels emblematic of the seasons, 30-hour movement striking on a bell above a full length shaped top trunk door with ebony and box wood central stellar motif flanked by fluted quarter pilasters and a stepped ogive moulding and plain base, lacking feet, 210cm high
A George III cottage oak long case clock, the moulded cornice above a simple blind fret carved frieze and square glazed door enclosing a 10 inch square brass dial with matted centre engraved with birds and with single hour hand, silvered dial with Roman numerals and mask and foliate open work spandrels, the dial inscribed 'Jos Kember Shaw', 30-hour bird cage style movement striking on a bell, above an arched full length trunk door with half moulded edge and lenticel window above a concave moulding and base with stepped plinth, 191cm high
A George III oak and walnut cross banded cottage longcase clock, the square hood with later pediment above a glazed door flanked by fluted Doric columns enclosing a 13 inch later painted dial inscribed ‘Joseph Churton, Whitchurch’, with subsidiary seconds dial and date aperture and Roman numerals painted with Mandarin ducks in the corners, 8-day movement striking on the bell above a shaped top trunk door flanked by fluted brass capped quarter pilasters over an ogive moulding, plain base and bracket feet, 200cm high
A George III oak cottage longcase clock, the later carved case with broken scroll swan neck pediment above a square glazed door flanked by brass capped Doric pilasters and 12 inch brass dial with matted centre and penny moon and day date aperture and Maltese Cross false winding holes, silvered dial with Roman numerals and outer Arabic numerals inscribed ‘Richard Midgley’, mask and foliate case open work spandrels, 30-hour movement striking on a bell with outside count wheel above a shaped top, trunk door later carved with a cavalier roundel within tulip borders between quarter pilasters over an ogive moulding and foliate carved base and plain plinth, 217cm high
A Regency mahogany longcase clock, the broken scroll swan neck pediment centred by a ball and spire finial above an arched glazed door enclosing 14 inch white painted dial with Roman numerals and subsidiary seconds dial and inscribed ‘Thos Read’, Manchester, painted with soldiers and camp followers to the corners, rolling moon phase in the arch with phases of the moon, 8-day movement striking on the bell between fluted pilasters above a tripe ogee trunk door flanked by cluster columns over an ogive moulding and boxwood strung base with canted angles and on ogee bracket feet, 234cm high
A late George III mahogany longcase clock, the arched pagoda top with three ball and spire gilt brass finials and blind fretwork cresting above an arched glazed door flanked by stop fluted Corinthian columns enclosing a 12 inch arched brass dial with matted centre and subsidiary seconds dial with Arabic numerals and tablet marked in italic script ‘Danl Cornwell, Billericay’, the silver chapter ring with Roman and Arabic numerals, strike silent dial in the arch, C scroll and foliate cast spandrels, each side with blind fretwork gilded foliate panel, the 8-day movement with four ringed pillars and striking on a bell above a flame mahogany arched top trunk door with grooved raised border and flanked by stop fluted quarter columns with Corinthian capitols above an ogive moulding and raised panel and stepped plinth with shaped apron and on bracket feet, 258cm overall height
A French Empire gilt bronze mantel clock attributed to Pierre Philippe Thomire (1751-1843), emblematic of victory, the 4 inch white enamel dial with Roman numerals and 8-day movement, with silk suspension striking on a bell contained within a cannon case, surmounted by a classical figure of Minerva in plumed helmet and long dress above a panel of trophies of war and attendant putti within a leaf and berry cast frieze and between cast laurel wreaths and raised on four griffin paw feet, 45cm high, 9cm deep, 30cm wide. Note: See L Montanes Catalogo Ilustrado del Museo de Relojes de las Bodegas
A French bronze patinated spelter and Breche d’Alep marble and gilt metal mounted clock garniture, 19 th century, clock with 3.5 inch white enamel dial with roman numerals and 8-day movement with outside count wheel and striking on a bell, contained within a figural case with classical lady and tablet marked ‘Reveuse’, the mask centred plinth raised on leaf cast waisted block feet, and a pair of conforming figural and fluted urns, clock movement by ‘Fritz Marti’, the clock 42cm high, 16cm deep, 48cm wide, the urns 44cm high (3)
A French Empire gilt bronze mantel clock, the rectangular case surmounted by a classical maiden holding a bird in her right hand and seated on a Klismos style stool above a 4 inch white enamel dial with Roman numerals and Breguet hands, 8-day movement with silk suspension and outside count wheel, striking on a bell, the case cast with torch and anthemion spandrels and vases and leaf and berry motifs in relief to each side, over a stiff leaf cast border and plain base and four bun feet, 35cm high, 11cm deep, 18cm wide
An Empire style ormolu and bronze eagle and globe mantel clock, 19 th century, the globe with raised gilt Roman numerals surrounded by stars and a cast zodiac ring enclosing an 8-day movement, striking on a bell and with outside count wheel, raised on a sienna marble plinth with relief cast victory laurel wreath to the front face over a stiff leaf cast border, further plinth and square bracket feet, 51cm high, 16cm deep, 17.5cm wide
A French Empire style gilt bronze figural mantel clock, 19 th century, the 3 inch dial with Roman numerals within a leaf cast foliate surround and surmounted by a guardian angel and butterfly flanked by a quiver of arrows and bow and a young oak tree, 8-day twin barrel movement striking on the hour and half hour, with silk suspension and outside count wheel, striking on a bell, above a frieze casting relief with cherubs carrying a basket of flowers over a leaf cast border and on leaf and berry cast bracket feet, 39cm high, 10cm deep, 25.5cm wide
An oak and walnut cross banded longcase clock 18th century, the stepped ogive cornice above an open fret work frieze with red material backing above a square glazed door applied with half mouldings between Doric columns enclosing a 10” square dial with matted centre and single hour hand the silver chapter ring with Roman numerals and inscribed, ‘Browne Facit’, mask and foliate spandrels, 30 hour movement striking on a bell with outside count wheel above a shaped arched top full length trunk door applied with grooved half mouldings to the edge over a concave border and plain base and on bracket feet, 217cm high.
A George III longcase clock the arched hood with shaped pediment and two ball and spire finials above and arched glazed door flanked by stop fluted gilt brass capped columns enclosing a 12” brass dial with matted centre and subsidiary seconds dial with Arabic numerals and date aperture and marked in italic script ‘Ralph Gout London, Member 128’ silvered chapter ring with Roman numerals and outer Arabic numerals foliate cast open work spandrels and strike silent dial in the arch, eight day movement striking on a bell above an arched topped full length trunk door between canted fluted stop fluted angles above an ogive moulding and raised base board and plinth, 220cm high.
An oak cottage longcase clock 18th century the cushion moulded cornice above a plain frieze and square glazed door flanked by three-quarter pilasters enclosing a 10” square brass dial with matted centre and single hour hand the silvered chapter ring with Roman numerals marked ‘INO Washbourne Glour’ cherub and crown cast spandrels 30 hour movement striking on a bell with outside count wheel the bevelled rectangular trunk door over a cushion moulding and plain base and plinth, 191cm high.
An oak longcase clock, mid-18th century, the dentil moulded ogive cornice above a blind fret work frieze and square glazed door flanked by fluted pilasters enclosing a 12” square brass dial with matted centre and subsidiary seconds dial and date aperture engraved with a basket of flowers and birds the silvered chapter ring with Roman and Arabic numerals and inscribed ‘John Pagett, Bridgnorth’ mask and folate spandrels and leaf engraved eight day movement striking on a bell over an ogive cornice and bevelled rectangular trunk door and further concave moulding and plain base and plinth, 207cm high.
A George III oak and mahogany cross banded longcase clock the broken scroll swan neck pediment with gilt brass stamped basket weave roundels above an arched glazed door flanked by turned gilt brass capped pilasters enclosing a 13” white painted dial with subsidiary seconds dial and date aperture and inscribed ‘Swingler Holbeach’ the chapter ring with Arabic numerals and painted with Adam style wheat ear and foliate patera gilt corners and a classical muse in the arch with fowled anchor eight day movement striking on a bell above a shaped top cross banded trunk door flanked by turned pilasters over a concave moulding and cross banded base and on shaped bracket feet, 220cm high
A George III mahogany longcase clock the broken scroll swan neck pediment centred by an eagle and urn finial above and arched glazed door flanked by fluted gilt brass Corinthian capped pilasters enclosing a 12” white painted arched dial with subsidiary seconds dial and date aperture and inscribed ‘Deacon Barton’ the chapter ring with Arabic numerals and painted with roses to the corners and the arch eight day movement striking on a bell above an ogee arched top cross banded trunk door flanked by fluted quarter pilasters over a concave moulding and plain base and on ogee bracket feet, 208cm high.
A George III oak longcase clock the square hood enclosing a 12” brass dial with Roman numerals subsidiary seconds dial and date aperture and inscribed Edward Owen Beestone eight-day movement and striking on a bell above a rectangular narrow trunk door with split half mouldings to the edge over an ogive moulding and on bracket feet, 200cm high
A French gilt bronze and ebony mantel clock by Dubois, the 5 inch white enamel dial with Roman numerals and Arabic minute outer ring, the dial marked 'Dubois de Perigueux A Paris' within a drum case, eight day silk suspension movement striking on a bell, the case surmounted by a reclining figure of Prudence holding a snake as she gazes into a hand held mirror raised on a mask and swag moulded plinth and volute scroll cast and ebony base and four toupie feet, 33cm high, 13cm deep, 29cm wide
A Louis XVI gilt bronze mantel clock, the 5 inch white enamel dial inscribed 'Gille L'aine a Paris' with Roman numerals and Arabic outer minute ring, contained within a drum case, eight day movement striking on a bell, the case surmounted by a classical urn and supported by leaf and berry cast open brackets on a rounded rectangular leaf cast plinth and toupie feet and white marble and ormolu scroll and flowerhead cast base and velvet wrapped separate stand.36cm high (40cm overall), 14cm deep 28cm wide (30cm wide overall)
An early 19thC oak longcase clock, with swan neck and fluted pillared hood, full length crossbanded trunk door, with oval shell patera, reeded canted trunk, the base with an inlaid cannon patera and shell fan corners, the 30cm painted square arched dial having a maiden at the docks, seated with flowers and a letter as a three mast ship set sail, the spandrels painted with a female sculpturess, paintress, literary and seated with globe spandrels, Arabic hour and minute numerals, seconds ring and date crescent, marked J Simpson LINCOLN, eight day movement striking a bell, 214cm H.See Ellis (Roy) Lincolnshire Clock and Watchmakers, James Simpson died 1831 aged 73, was a well known figure in Lincoln becoming Sheriff in 1817, Clock and Watchmaker on the High Street.
An early 19thC oak longcase clock, with shaped and mahogany crossbanded pillared hood, shaped and crossbanded door, within a canted trunk, plain base, the 30cm square arched dial painted with birds and with a nest within a floral reserve to the arch, floral cornucopia painted spandrels, Roman hour and Arabic minute numerals, seconds ring and date crescent, marked ROBINSON BRIGG, eight day movement striking a bell, 206cm H.Probably William Robinson. See list (Roy) Lincolnshire Clock and Clock Makers, William Robinson works early 19thC & Barrow Lane, moved to Wrawby Street, dates approx. 1819-1850.
An 18thC oak longcase clock, with dentil moulded swan neck and fluted pillared hood, ball and spike and ball and eagle finials, with canted sides, a full length shaped trunk door with central key within a shell oval patera, reeded quarter inset pillars, plain base with bracket feet, the 30cm square arched dial having rococo scroll applied spandrels, the arch with a roundel marked Geo. Clapham BRIGG, the chapter ring having Roman hour and Arabic minute numerals, the central floral engraved field having seconds ring and date crescent, eight day movement striking a bell, 217cm H.George Clapham of Brigg was clockmaker from c.1767 to c1790 and is listed in Lincolnshire Clock, Watch and Barometer makers by Wilbourn & Ellis. He is known to have produced several brass and painted dial clocks, including lunar arch and a three train extant.Brigg Clockmakers 1767-approxmately 1790The dates are working dates, and have appeared in "Watch and Clockmakers of Hull Vol 1 by the late G H Baille and Vol 2 Brian Loomes. The first date is Baille's and the second, Loomes, who includes both dates in his volume.This particular clock which has a brass face has minute numbering in Arabic numerals, minute numbers tended to die out about 1800-1810. Matching 'blued' steel hands dated about 1790. Typical of the period before 1790, the "blued" steel hands did not match. The hands on this Clapham clock are unmatching.Matching brass hands had largely replaced steel ones about 1825-1830, by this time relatively few brass dial clocks were made. I (DR Harry Jackson) have at the time of writing seen two other George Clapham clocks; one of which had a brass dial and was seen in a house in Broughton and the other had a painted dial and was seen in the Brigg R.D.C. Offices - both some years ago.This clock was given to George Jackson who died on 28 May 1951, by Rev. A.W Lagenly, Vicar of Bottesford (included Ashley), 1896-1910. A condition of the gift was that George should keep the clock in the family; accordingly he gave it to me a few years before his death. The clock was overhauled by Mr Roger Tringham of Keadly in April 1978.It continues to keep good time after what is believed to be 200 years. 15 May 1978.
An early 19thC flamed mahogany longcase clock, with rosewood inlaid swan neck pillared hood, ball and eagle finial, over a quarter tulip carved column inset trunk, with moulded door over panel and moulded panel flamed base with bracket feet, the 32cm painted square arch dial having an amorous scene to the arch, marked Sir James the Rob and the Four Seasons depicted with figures to the spandrels, Roman hour numerals, seconds and date rings, marked JN. WATSON KIRRIEMUIR, eight day movement striking a bell, 216cm H.John Watson is recorded at Pier Head Kirriemuir approx. 1837, according to Pigot & Co's National Commercial Directory of Scotland.
An Elizabeth II silver mounted and glass jockey cap inkwell, maker Liste & Wright Ltd, Birmingham 2002,:, the silver jockey cap cover over a hobnail cut body , raised on a circular silver base, together with a silver bell shaped inkwell (assays rubbed) and a silver propelling pencil in the form of a golf tee. (3)
Two cine projectors Bell & Howard and Magnon CONDITION REPORT: The electrical items included in this lot have been PAT tested and have PASSED. This test means that they are electrically sound and does not confirm that they are in working order. WE DO NOT CONFIRM WHETHER ITEMS ARE WORKING AND ARE THEREFORE SOLD AS SEEN.
GEORGE VI IMPRESSIVE PAIR OF EMBOSSED AND PIERCED SILVER TWO HANDLED DISHES, each of oval form with dragon mask capped scroll handles, tied by an ornate border pierced with foliate scroll work, musical trophies, cherubs and paterae tied bell flower swags, 4†(10.2cm) high, 15†x 8†(38cm x 20.3cm) overall, London 1939, 48.5OZ, (2)
CRICKET, signed hardback edition of The History of Kent County Cricket Club by Dudley Moore, signed to inside cover and flyleaves by 48* players etc., inc. Bell-Drummond, Billings, Claydon, Denly, Fulton, Haggett, Igglesdon, Joseph, Mahmood, Northeast, Riaz, Saggers, Tredwell etc., with vendors typed list, dj, EX
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