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A late 17th century walnut and floral marquetry month going longcase clock, the twin train movement with recoil escapement striking the hours on a bell, , the 11" brass dial signed to the lower margin 'Joseph Knibb Londini Fecit', with chevron engraved perimeter and cherub mask spandrels around a silvered Roman chapter ring enclosing a matted centre with date aperture, the hood with caddy top, blind fretwork friezes and spire finials above a long trunk door with central armorial of a crown supported by griffins, on a stepped apron with bracket feet, the whole inlaid flower-filled jardinieres and perched birds within line inlaid and trailing vine borders (movement significantly adapted). 236cm high
A George I month going walnut longcase clock. By John Crucefix, London, the square dial with a silvered chapter, signed Jn. Crucefix, London, with Roman numeral and sword hilt half hour markers, the matted centre with subsidiary second dial and date aperture, within crowned coronet cherub spandrels, the bell striking five pillar movement with anchor escapement, the square hood with blind fret carved frieze and twin capped turned pilasters, above a feather door centred by a brass ringed lenticle, raised on a plinth base. 228cm high, 41cm wide
An Edwardian satinwood and painted work table, the rectangular top with single frieze drawer and surmounted by a four drawer superstructure with bentwood carrying handle, on square tapered swept legs united by an X- stretcher, allover painted with trophies, rosebuds, ribbons and trailing bell flowers, 38cm wide, 111cm high, 35.5cm deep
AN ORMULU & PORCELAIN MANTEL CLOCK, JAPY FRERES, France, the 9cm dia porcelain dial with black Roman numerals reserved in gilt bordered cartouches on a cerise ground, and with a beaded bezel, the two train movement striking on a bell, the case with shaped pediment surmounted by an urn, on tapering pilasters, conforming plinth and milled feet, cast overall with egg and dart, beaded and foliate borders, and incorporating panels painted with figures in a landscape, foliage and flowerheads, 34cms high (with pendulum, keys, mahogany stand and dome) 44cms high overall
A GEORGE I WALNUT VENEERED BRACKET CLOCK with REPEAT, WILLIAM WINROWE, London c.1720 the 17.5cms broken arch brass dial with silvered chapter ring, Roman numerals, Arabic five minute intervals, fleur-de-lys half hour markers, finely matted centre, date aperture with pin-hole adjustment, applied silvered tablet signed "Winrowe London" the arch with Rise and Fall silvered dial and with pierced spandrels, the single train five pillar gut fusee movement now with anchor escapement striking and repeating on two bells, the pull repeat with engraved pulley, the back plate signed "Wm Winrowe, London" and engraved with a mask and scrolling foliage, the case with inverted bell top, broken arch glazed side panels, pierced fret spandrels to the door, moulded plinth and bracket feet, 49cms with handle raised (with pendulum, case key and brass winding key pierced with tulips) ** According to the records of the Worshipful Company of Clockmakers William Winrowe was admitted as a Freeman on 16th January 1718/19. The Guilds year runs from March-March ** This clock was purchased by the late John Hooper from a Kent family in whose possession it had been for approximately 200 years.
AN OAK AND MAHOGANY 30 HOUR LONGCASE CLOCK the 28cm (11in) square painted dial with Roman numerals and calendar aperture, the chain driven 4 pillar movement with anchor escapement and outside countwheel, striking on a bell, the case with broken swans neck pediment, turned pillars, long trunk door, plain plinth and bracket feet, 212cms high (with pendulum and weight)
A LACQUERED LONGCASE CLOCK, WILLIAM STAPLETON, London, the 30cm (11.75in) broken arch brass dial with silvered chapter ring, Roman numerals, Arabic five minute intervals, finely matted centre, seconds dial, calendar aperture, pierced gilt brass urn and foliage spandrels, silvered medallion in the arch signed as above, flanked by inverted dolphin spandrels, the 5 pillar movement with anchor escapement, rack striking on a bell, the case with pagoda shaped pediment on turned pilasters, broken arch long trunk door, panelled plinth and bracket feet, the door Chinoiserie decorated with figures and pagodas, 226cms high (plinth reduced, brass cased weights, pendulum, crank key and case key)
A MAHOGANY LONGCASE CLOCK, HENRY JOHN FOY, TAUNTON the 30cm (11.75in) square brass dial signed in the centre as above with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and engraved scrolling spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with moulded pediment, long trunk door and plain plinth, 198cms high (with pendulum, weights and crank winding key)
A part built 3 inch scale model of a 'Savage Little Sampson' live steam traction engine, being a single cylinder steam tractor/agricultural engine. The model is approximately 75% completed with many parts included to complete the build. It comes with a full set of drawings, gears have been cut, most main parts have been assembled. cylinder 1 1/2" bore by 2 1/2" stroke, linkages to be completed,trunk guide, steering fitted but drive chains not fitted, open crank and eccentrics, spoked flywheel, water pump fitted but not eccentric drive, chimney, straked wheels, brake gear not fitted. Castings and parts are still available commercially for this model. Boiler: The traction engine is fitted with an unused 'Franklin & Bell' steel boiler Number.FB473. Hydraulic tested to 250psi on the 7th of December2001. Working pressure 125 psi. Certificate of Conformity dated the 4th of December 2001.
[Books]. Cowden, J.E., & Duffy, J.O.C. The Elder Dempster Fleet History 1852-1985, Mallett & Bell 1986. Boards, dustjacket, illustrations, large quarto; Rabson, S., & O'Donoghue, K. P. & O. A Fleet History, World Ship Society 1988. Cloth, dustjacket, illustrations, quarto; Vamplew, W. Salvesen of Leith, Scottish Academic Press 1975. Boards, dustjacket, illustrations, octavo; and assorted other merchant shipping company histories, (35).
A George III longcase clock, the eight day movement striking on a bell, white enamel dial with seconds dial and date aperture, the arch with painted lunar dial below motto 'sic est vita hominis', floral sprig and foliate scroll spandrels, by Pridgin, Hull, contained in green and gilt lacquered case decorated with chinoiserie, approx 210cm high. Visit www.sworder.co.uk for larger image and condition reports.
A gilt brass repeating carriage clock with alarm, by Dent, fancy scroll hinged handle above a white enamel dial with blue Roman numerals, inscribed 'Dent a Paris' and subsidiary dial, the movement with bell strike, lever platform escapement signed 'Dent a Paris', no.2661 and shutter hinged door, on a canted plinth foot, 15cm high
CARROLL, Lewis, 'Alice's Adventures in Wonderland', 1898. Ill. John Tenniel, Macmillan's sixpenny series. Hardcover. cl bd. sunned. pp.browned. advts. tog.with SHEPARD, Ernest (Ill). 'Everybody's Boswell', Bell, 1930. 4to. Plus LINDER, Enid & Leslie (ed). 'The Art of Beatrix Potter', Warne, 1972. cold. illus. in price clipped D.w. & slipcase.
A George I silver waiter, London 1752, maker David Bell, with gadrooned and scallop border, the centre with vines and scrolling foliage enclosing a crest of a Lion rampant, recorded for several families including Adams, Dixon, Lambert and Mostyn, set on three bracket supports, weight 7oz, 6.5in (16.5cm) diameter.
A George III mahogany bracket clock, by Francis Lake, Taunton, circa 1770-1795, the arched pad top surmounted with a cast brass swing-handle, the circular convex glass door enclosing an 8 inch brass dial with Roman and Arabic numerals, signed F.Lake Taunton, the fusee movement with gong striking on a bell, the front of case with two fretted brass panels, the sides with matching arched panels and pull repeat ribbon, set on four gilt metal bracket supports, complete with mahogany wall mounting bracket, the clock 15.5in (39.5cm) high, 13in (33cm) wide.
Ralph Hedley R.B.A. (1848-1913). "Locus John", portrait of an elderly gentleman. Signed, inscribed with the title and artist's name on the original frame, oil on canvas, 46cm by 31cm See illustration. Provenance: William F. Arnold, Star Buildings, 26 Northumberland Street, Newcastle. Born in Gilling West, North Yorkshire he studied at Newcastle School of Art under William Bell Scott and William Cosens Way. Renowned for his views of working life, he is closely associated with the Staithes Group.
A French Gilt Metal Striking Mantel Clock, signed Hry Marc a Paris, circa 1880, the drum shaped case flanked by a globe to one side and winged cherub holding a scroll to the other, floral and scrolled base mounted with a floral porcelain plaque, 3-1/2-inch white enamel dial with Roman numerals, signed, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Japy Freres and Hry Marc Paris, numbered 30471, raised upon an ebonised base and beneath a glass dome, 24cm high See illustration
A Gilt Metal and Green Marble Striking Chariot Clock, circa 1860, the chariot pulled by winged horses, mounted upon a green marble base with applied gilt metal mounts and upon paw feet, white enamel Roman chapter ring and dial centre with wheel spokes, twin barrel movement with striking on a bell, movement backplate numbered 934, 52cm wide See illustration
A French Black Slate and Gilt Mounted Striking Mantel Clock, circa 1830, the small arched case with gilt metal mounts, rectangular base raised upon shell formed feet, white enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, 27.5cm high
A French Boulle Table Clock, signed Balthazard a Paris, circa 1860, the elaborate case applied with gilt brass mounts and finials to the top corners, glazed side panels flanked by figural canted corners, 5-1/2-inch cast dial with Roman enamel cartouches, arched enamel plaque signed Balthazard a Paris, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Raingo Freres and numbered 1135, 49cm high See illustration
An Ormolu Striking Cathedral Clock, circa 1830, the case with pagoda top, pierced gallery around the base and winged cherub feet, 3-1/2-inch dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate stamped Guyerdet Aine Paris and numbered 2810, 46cm high See illustration
An Ormolu Striking Mantel Clock, circa 1840, the case depicting Notre Dame cathedral, the central pierced clock dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Medaille D'Argent Vincenti & Cie and numbered 565, raised upon a rosewood base, 40cm high See illustration
A Marble and Spelter Striking Mantel Clock, Duthuit-Boust, Dieppe, the case supported by two spelter winged cherub figures, stepped marble base raised upon turned feet, enamel dial with Arabic numerals and floral swag decoration, twin barrel movement with outside countwheel striking on a bell, 40cm high
An Ormolu and White Marble Striking Mantel Clock with Garniture, circa 1880, the case finely decorated throughout with winged bronze cherubs, mask and floral mounts, D-ended rectangular base rasied upon turned feet, 6-1/2-inch white enamel dial with Arabic numerals, swag floral decoration, twin barrel movement with platform cylinder escapement, outside countwheel striking on a bell, 46cm high, together with a pair of six-light candelabra, decorated with winged cherubs and white marble bases with floral mounts, 54cm high See illustration
A Four Glass Marble Striking Mantel Clock, retailed by A L Esperance, H Godchot, 31 St Marlin, Paris, circa 1890, the case surmounted by a lion, four side columns with gilt metal capitals supporting four-glass central case with bevelled glass, rectangular base with applied gilt metal mounts, raised upon turned feet, 3-3/4-inch white enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, twin tube mercury pendulum, 51cm high See illustration
A French Amboyna Portico Striking Mantel Clock, 19th Century, the figured case supported by four turned columns with gilt metal capitals, rectangular base with acanthus leaf decorated borders and raised upon bun shaped feet, 4-1/4-inch silvered dial with Roman numerals, twin barrel movement striking on a bell, movement backplate stamped Pons Brevete, grid iron pendulum, clock raised upon an amboyna base and beneath a glazed dome, 68cm high See illustration
A Gilt Metal and White Marble Striking Mantel Clock with Garniture, circa 1890, the case surmounted by an urn finial, four columns supported on a D-shaped base with floral decorated borders and raised upon turned feet, white enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped Vincenti and numbered 6119, sunburst pendulum, 43cm high, together with a pair of two-light candelabra, 23cm high See illustration
An Ormolu Striking Mantel Clock, circa 1840, the elaborate case with shell, scroll and mask decoration throughout and upon paw shaped feet, 3-1/2-inch silvered dial with Roman numerals, moon shaped hands, twin barrel movement with outside countwheel striking on later bell, movement backplate stamped J Charles a Paris and numbered 6788, 40cm high (pendulum lacking) See illustration
A Marble and Bronze Mounted Striking Mantel Clock, signed Archinard a Paris, circa 1830, the case surmounted by a bronze classical figure, acanthus leaf decorated borders, upon leaf and scroll decorated feet, 5-inch silvered dial with Roman numerals, moon shaped hands, twin barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate stamped IB, no pendulum, 52cm high See illustration
A Modern Brass Striking Lantern Clock, 6-inch silvered dial with Roman numerals, engraved dial centre bearing inscription William Gray, London, the case with a central turned finial, pierced dolphin frets, side opening doors and upon turned brass feet, two train movement with verge escapement and countwheel striking on a top mounted bell, 39cm high See illustration
A Small Brass Lantern Clock with Alarm, signed Amyot & Bennett, Norwich, circa 1790, 6-inch arched brass dial with Roman numerals, central alarm disc, single pierced hand, arch signed, behind the dial two side pierced frets and two side opening doors, four-posted two train movement with verge escapement, a hammer striking a top mounted bell for the alarm, two spurs to the back feet, bob pendulum, 21cm high See illustration
An Early Brass Lantern Clock, signed Edward Stanton, Londini, late 17th century, 6-1/2-inch Roman chapter ring, dial centre with engraved floral decoration and signed Edward Stanton, Londini, single pierced hand, later pierced frets and later back, side opening doors, upon turned feet, two train movement with verge escapement and countwheel striking on a top mounted bell, bob pendulum, 38cm high See illustration
A Mahogany Striking Bracket Clock, the case with inverted bell top and brass carrying handle, later acorn finials, side glazed viewing windows and pierced frets, pull repeat cord, rectangular base raised upon bracket shaped feet, 7-3/4-inch arched silvered dial with Arabic and Roman numerals, dial centre with mock pendulum, date aperture and signed William Lancaster, Plymouth Dock, finely engraved scroll decorated spandrels, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, bob pendulum, movement backplate engraved with floral and scroll decoration, movement secured by brackets, later seatboard, 54cm high (dial and movement circa 1790 and possibly associated to the later case) See illustration
An Ebonised Striking Bracket Clock, with Pull Repeat, Signed Wm Skeggs, London, circa 1760, the case with inverted bell top and brass carrying handle, later brass finials, glazed side viewing windows and pull repeat cord, rectangular base upon block feet, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with mock pendulum aperture, date aperture and signed Wm Skeggs on arched silvered plaque, pierced blued steel hands, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, bob pendulum, movement backplate elaborately engraved with scroll decoration and depicting a central figure's head, movement secured by brackets, 52cm high See illustration
A Regency Mahogany and Brass Inlaid Striking Bracket Clock, signed Willm Allanson, Winchester, the lancet shaped case with side carrying handles and pierced sound frets, brass inlaid front, rectangular base raised upon ball feet, 8-inch painted dial with Roman numerals and signed, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved leaf borders, movement secured by two brackets, 44cm high See illustration. William Allanson is recorded working in Winchester in 1830. See Watchmakers & Clockmakers of the World, p.3.
An Ebonised Striking Bracket Clock, signed John Byard, London, circa 1790, the case with inverted bell top and brass carrying handle, later acorn finials, side viewing windows, rectangular base with bracket shaped feet, 7-inch arched silvered dial with Arabic and Roman numerals, dial centre signed John Byard, London, date aperture, the arch with strike/silent selection, twin fusee movement with verge escapement and rack striking on a bell, movement backplate highly engraved with floral and scroll decoration, movement secured by brackets, 51cm high (dial and movement possibly associated to the case) See illustration
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123939 item(s)/page