We found 123896 price guide item(s) matching your search
There are 123896 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123896 item(s)/page
A 19th Century French ormolu mantel clock, the Rococo influenced case of balloon shape surmounted with cast leaf scrolls, fruit and flowers, above a white enamel dial, (hairline crack) having Roman numerals, twin winding holes for an eight day cylinder movement striking on a bell, the whole surmounted on heavy acanthus leaf and C scroll cast supports, height 25.5cm
An early 19th Century mahogany longcase clock, the hood having three gilt finials above turned pilasters flanking plain white enamel arched dial (width 12 inches), having Roman numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk having arched door above a box base on bracket feet, height 215cm
A late 19th Century French gilt metal mantel clock, having a Sevres type porcelain dial (restored) with Roman numerals, twin winding holes for an eight day cylinder movement striking on a bell, the dial raised on a waisted column, having further porcelain drops, the cast plinth with twin porcelain and enamel inset plaques and wolf mask ring end handles, height 31cm
An early 19th Century mahogany longcase clock, the arched hood having twin ring turned and slender reeded pilasters flanking a painted arched dial (width 13 inches)signed 'Feltham of Harleston' with gilded chapter ring, having Arabic numerals, subsidiary seconds dial and date dial, the corners and arch painted with a variety of shells, twin winding holes for a brass eight day four pillar twin train weight driven movement striking on a bell, the trunk having an arched panelled door with ebony stringing within canted reeded corners to a box base with crossbanding and raised on bracket feet, height 223cm
An early 19th Century oak longcase clock, having a painted arched dial (width 12 inches) flanked by twin turned pilasters, painted Roman numerals, corner floral sprays, subsidiary seconds dial signed to the centre 'William Kirk, Stowmarket', twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the arched panelled door within quarter turned pilasters above a box base and all raised on bracket feet, height 223cm
A George III oak longcase clock, having an arched hood above twin three-quarter turned reeded pilasters flanking arched brass dial (width 12 inches), having Tempest Fugit rocking automaton to the arch, Roman and Arabic numerals, the face engraved with a classical figure scene, lilies and flowers, subsidiary seconds dial and date aperture, signed 'Richard Reed, Chelmsford', twin winding holes for a brass five pillar eight day weight driven movement striking on a bell, the trunk having an arched panelled door, raised on a box base with plinth, height 217cm
A late 19th Century French gilt brass and Champleve enamel inlaid mantel clock, the whole of Neo classical form surmounted with a cherub bird bath, dome top, four corner finials, Champleve inlaid dial with Roman numerals, twin winding holes for a Japy Freres eight day cylinder movement striking on a bell, the case supported on a shaped plinth with scrolling square cut adornments, height 34cm
A very fine mid 19th Century French gilt bronze portico clock of massive proportions, having an acanthus leaf cast double knopped finial supported on waisted plinth flanked by twin putti above a gilded dial with porcelain inset Roman numerals (lacking hands), the eight day Paris made cylinder movement stamped 'J Albinet & G Goulon' striking on a bell, the whole supported on four maidens united by swags, masks and with applied scroll cast decoration, all flanking a centre square tapering column with further scroll embellished decoration, the whole raised on shaped square plinth with proud bowed corners (colour good and original, appears unrestored), height 92.5cm, width 39cm
A George III oak and walnut crossbanded longcase clock, circa 1780, the square hood with ogive cornice and blind fretwork carved frieze above a square glazed door enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Sam Harley, Salop', with foliate engraved centre and figural spandrels representing the seasons, eight day movement striking on a bell, above an ogive moulding and shaped top, crossbanded three quarter length trunk door flanked by fluted quarter columns, a further ogive moulding and crossbanded base board and later plinth, distressed, 88" high.
An oak and walnut crossbanded longcase clock, 18th century, the ogive cornice above a blind fret carved frieze and square glazed door flanked by gilded pilasters enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Ralph Cappor, Salop', cherub mask spandrels, eight day movement striking on a bell above an ogive moulding and full length crossbanded trunk door, further moulding and plain base board and on bracket feet, old damage and repair, 81" high
A French rosewood and boxwood cased wall clock, second quarter 19th century, the 6" diameter white enamel dial with roman numerals and marked 'Le Roy et Fils Hrs du roi a Paris' within an eight pointed star shaped frame with boxwood foliate inlay and outer octagonal conforming frame, eight day movement striking on a bell, the movement stamped 'N2715 Le Roy Et Fils' and 'Cailly Jeune', the case surmounted by a gilt brass ball and ring finial, dial cracked, the case 16" wide
A 19th century oak and mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the silvered round dial with Roman numerals, Arabic five-minute divisions and subsidiary seconds dial, inscribed BELL UTTOXETER, the case with shaped door and reeded pilasters with brass Corinthian capitals, the hood with reeded pilasters and domed pediment, 198cm high
A black lacquered longcase clock, the eight day two-train movement with anchor escapement and rack strike on a bell, the arched brass 12in. dial with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch set with a boss inscribed Thos. Dawes Northampton, the case japanned with oriental scenes and with domed hood, 210cm high
A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched 12 in. dial with Roman numerals, Arabic five minute divisions, date aperture, centre sweep seconds hand and a plaque inscribed C: Sharrock DENBIGH, the arch with moon phase automaton, the case with inlaid mahogany borders, shaped door and fluted pilasters, the hood with fluted columns with gilt metal Corinthian capitals and swan-neck pediment, 237cm high
A 19th century oak and mahogany longcase clock, the thirty hour movement with anchor escapement and striking on a bell, the 12in square painted dial with Roman numerals, the centre painted with a bird and decorated with floral spandrels, inscribed Geo. C Heater, Wantage, the pale-oak case contrasted with darker mahogany sections, the hood with swan-neck pediment, 196cm high, (repairs to case, replacement seat board)
A mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the arched 12in dial with silvered chapter ring, Roman numerals, Arabic five-minute divisions, date aperture and subsidiary seconds dial, and a plaque inscribed EDWARDS Plym. Dock, the arch with 'strike/silent' dial, line-inlaid case, the hood with arched pediment and three brass urn finials, the movement 19th century, the case 20th century, 221cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Arabic numerals, subsidiary seconds dial and date aperture and inscribed G. Taylor, Shepton Mallet, the arch with an automaton of Adam and Eve in the Garden of Eden, the case with a shaped door inlaid with a rosette motif, the hood with flat pediment, 210cm high
A mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the brass 13.5in square dial with Roman numerals, Arabic five-minute divisions and subsidiary seconds dial, the chapter ring inscribed John Reilly DUBLIN, the case with flame mahogany shaped door and fluted pilasters, the hood with foliate carved frieze with central lions head mask beneath a broken pediment, 228cm high
A 19th century mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals within seashell spandrels, the arch painted with a maiden seated in a landscape, plain case, the hood with arched pediment and a later brass eagle and ball finial, flanked by two additional ball and spike finials, 216cm high
A 19th century mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with figures emblematic of the Four Continents, the arch with a scene titled Robert Burns At The Plough, the case with line-inlaid door, the hood with broken pediment, 213cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and enamelled dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, inscribed GEORGE JACKSON GAINSBOROUGH, the arch with painted panel of Adam and Eve in the Garden of Eden, the plain case with shaped door and reeded pilasters, the hood with a Dutch gable end pediment and two replacement brass finials, 246cm high
An oak and mahogany longcase clock, the eight-day two-train movement with rack strike on a bell, the arched brass 12in. dial with Roman numerals, Arabic five minute divisions, subsidiary seconds dial and date aperture, the arch with moonphase automaton within the inscription JOHN MOORE WARMINSTER, the plain case with domed hood, 205cm hgih (backplate detached from movement)
A late 19th century French porcelain and gilt-metal-mounted clock garniture, the eight-day two-train movement striking the hours on a bell and with half-hour pass-strike, the pale-pink-ground dial painted with putti and with Roman numeral chapter ring above a landscape panel, the side panels painted with coastal scenes, the case surmounted with spire finials, 39cm high; and a pair of urns and domed covers, 30cm high (one cover cracked)
A late 19th century French porcelain and gilt-metal-mounted mantel clock, the eight-day two-train movement with outside countwheel strike on a bell, the round porcelain dial painted with a landscape and with Roman numerals, the balloon-shaped upper section of the case on a plinth base, 34cm high
A brass cylindrical cased desk timepiece with alarm, the eight-day two-train movement with lever escapement and alarm bell, the enamelled round dial with subsidiary seconds, alarm-set, day and date dials, within Roman numerals and with Breguet hands, the case surmounted with a carrying loop, 13.5cm diameter
John Page, Ipswich; a George III mahogany eight-day bracket timepiece with pull repeat, the five-pillar single-fusee movement pull quarter repeating on three bells, the verge escapement with sprung pallets and rise/fall regulation to the foliate engraved backplate, the 6Ó silvered breakarch dial with applied Roman numeral chapter ring with Arabic five minute divisions within foliate cast spandrels, the arch with curved sector for rise/fall above inscription John Page IPSWICH, the mahogany inverted bell-top case with brass carrying handle above original circular and rectangular foliate pierced side-frets with moulded block feet, 45cm high with handle raised
George III silver pedestal basket, maker John Hutson, London 1787, boat shaped with a reeded swing handle, the border pierced with stiff leaves and with bright cut bell flower pendants within a reeded border, engraved twice with the Rivarola family crest, all raised on a pierced oval foot, weight approximately 29ozs, 15 1/4ins
French ormolu mantel clock, circa 1880, the case surmounted with a pair of birds over a painted Sevres style dial with Roman numerals and centred with a garland of flowers with a further similar panel beneath, the movement striking on a bell, flanked on either side with scrolled brackets over a stepped base with original blue velvet and parcel gilt stand, and an additional ebonised wooden stand, height 13 1/2ins
French bronzed spelter and marble mantel clock, late 19th Century, the white enamelled dial with Arabic numerals, the movement striking on a bell within a floral embellished surround, flanked on one side with a reclining figure emblematic of summer over a stepped white marble base and gilded feet, width 19ins
Rare American mahogany cased clock calendar by Seth Thomas Clock Company, Conn, USA, arched case enclosing a white painted clock dial with Roman numerals, the movement striking on a bell with a white painted calendar dial beneath, day and date aperture, inscribed painted February 15th 1878, raised on ogee moulded plinth base, height 24ins
David Craig, Ford Pathhead (Midlothian), (clock maker), an oak eight day longcase clock, circa 1780 with later carved case, swan neck pediment with brass floral appliques over tapered reeded columns flanking an arched 13ins brass dial, signed to the arch within dolphin serpent spandrels, silvered chapter ring with Roman numerals within masked spandrels, foliate engraved centre with subsidiary seconds and date dial, the movement striking on a bell the trunk carved in the French taste with fluted chamfers flanking a door carved with shell and trompe l'oeil over a box base further carved with foliate embellished cartouche, raised on shaped bracket feet, height, 82ins
Welsh oak and mahogany eight day longcase clock, circa 1820, swan neck pediment with three brass ball finials over reeded square section columns flanking a painted arched 12 1/2ins dial, with floral and strawberry spandrels and a rose to the arch, the centre painted with cherries, within Roman numerals, outer minutes, subsidiary seconds dial and date aperture, movement striking on a bell, the trunk with a mahogany banded door within reeded quarter pilasters raised on a plinth and box base, height 85ins
Jones, Llanerchnmead (clock maker), a Welsh oak and mahogany eight day longcase clock, circa 1810, architectural pediment over two turned columns flanking a 13ins square painted dial with wild rose and strawberry spandrels, signed to the centre within Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with a cross banded door within quarter reeded columns raised on a box base, also crossbanded, height 83 1/2ins
An early 19th century oak longcase clock, the hood with broken swan neck pediment and central brass globe above a crossbanded long trunk door, box base and plinth, the 31 cms square dial with floral spandrels, Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 219 cms high.
A 19th century mahogany longcase clock, the arched hood with rope twist columns above a short trunk door, box base and plinth, the 35.5 cms dial painted with a landscape to the arch and cottage spandrels, with Roman numerals, calendar aperture and seconds dial, the eight day movement striking on a bell.
A Japanese Satsuma bell shaped vase and cover, typically decorated with oriental figures and their attendants, precious objects, foliage and insects, in shaped reserves, on a gilt and black ground, geometrical border, ball finial, 10.5cm diam, Meiji period, signed (see lot 600 for illustration)
A George III mahogany crossbanded oak longcase clock, the 32cm arched painted dial with Arabic numerals and subsidiary date aperture, painted pheasant to arch, shell spandrels, inscribed Peter Moss, Basford, thirty hour movement, striking on a bell, the hood with swan neck cornice, terminating with brass roundels and centred by a ball and spire finial, turned columns, long arched door to waist, canted angles, plinth base, 216cm high, 1800
A George III mahogany longcase clock, the 30cm arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds and date dials, inscribed Williams Burroughs, engraved with a crowned eagle to arch, twin winding holes eight-day movement, striking on a bell, the arched hood with fluted pilaster, long arched door to waist, plinth base, 205cm high, c.1770, (reduced in height). Williams Burroughs worked from Chippenham, Cambridgeshire, is documented for 1764-1771
An 18th century oak longcase clock, the 28cm square brass dial, with pierced brass spandrels, silvered chapter ring, Roman and Arabic numerals, inscribed Ed. Onns, Wymeswould (sic), eight day movement, striking on a bell, the rectangular hood with three-quarter pilasters, plinth base, 204cm high, c.1730
A George III mahogany longcase clock, the 33cm circular silvered dial inscribed William Martin, Liverpool, Roman and Arabic numerals and date ring, all centred with flowering foliage, steel hands, single winding holes, eight day movement, striking on a bell, the rectangular hood with gilt metal fluted columns, rectangular door to waist, panelled base, bracket feet, 252cm high, c.1820
A George III mahogany crossbanded oak longcase clock, the 31cm arched painted dial inscribed Westons, Newark, painted figures to arch and spandrels, Roman numerals, subsidiary seconds dial and date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck cornice, terminating with gilt brass roundels and a pair of Corinthian columns, pointed arched door to waist flanked by canted angles, inlaid overall with chequered crossbanding and stringing, bracket feet, 226cm high, c.1820
A William IV mahogany crossbanded oak longcase clock, 36cm arched painted dial, indistinctly signed, Leek, painted with a bedouin to arch, floral spandrels, Roman numerals, subsidiary seconds dial and date aperture, twin winding holes, eight day movement, striking on a bell, the hood with swan neck cresting, centred by an eagle finial, turned columns, short shaped door to waist, flanked by further turned columns, canted panel base, ogee bracket feet, 230cm high, c.1830
A Victorian mahogany writing table, the later inset tooled leather top to a banded edge, above three frieze drawers either side, one with a paper label inscribed 'HAMMOND'S EXTENSIVE LIBRARY AND HOUSEHOLD FURNITURE WAREHOUSES, 30, BELL YARD, LINCOLN'S INN & CHANCERY LANE', fitted turned wood handles on turned and octagonal legs to brass castors, 29in (73.7cm) h, 60in (152.4cm) w, 38in (96.5cm) d
-
123896 item(s)/page