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Lot 1

A Victorian mounted glass table bell, with marks for London 1897, maker William Comyns, with diaper and foliate scroll pierced mounts and scroll cast handle (strike deficient) Height 18cm

Lot 1

A late 18th century oak eight day longcase clock, the arched dial with silvered chapter ring, inscribed 'Wm. Robb', phases of the moon, date arch and subsidiary seconds dial, the two-train movement chiming a bell, the hood and case profusely carved with thistles and leaf ornament, 210 cm high.

Lot 1

A 19th Century walnut games/work table, the bell flower inlaid top enclosing backgammon and chess boards inlaid with ebony and satinwood, above a single frieze drawer and tapering wool box, on a pair of turned columns united by a stretcher, raised on a pair of acanthus carved scrolling supports, on ceramic castors, 70 cm wide.

Lot 1

An Edwardian mahogany glazed display cabinet with central leaded door, ribbon and bell flower painted decoration, raised on square tapering supports, 107 cm wide x 162 cm high.

Lot 1

A GPO H16 telephone, two bakelite telephones, bell box and a generator.

Lot 1

A 19th Century gilt bronze mantel clock, the circular white enamel dial inscribed 'Barraud à Paris', with two-train movement chiming a bell, the stepped top and rectangular case with applied scroll spandrels on a plinth base and bun feet, 27 cm high. Illustrated.

Lot 1

Horse bits, two saddle racks, a turned wood wimble, a mahogany and brass game carrier with leather strap handle and a cow bell.

Lot 1

Robert Anning Bell (British 1863 - 1933), Searching for the Queen, signed and dated indestinctly lower right, oil on canvas, 73 x 89 cm. Illustrated.

Lot 1

James Alphege Brewer act c1909-1938- 'York Minster (from the East)', publ Jan 1st 1924 by Alfred Bell & Co Ltd 6 Old Bond Street London W1; etching, signed and titled in pencil, bears publisher's blind stamp, 45x29.3cm

Lot 1

A late 19th century gilt metal Renaissance style eight day mantel clock striking on a single bell, the movement by Miller & Sons, enamelled Roman numerals, height 38cm.

Lot 1

* A fragment of Chinese silk embroidery, a Chinese brass dish cast with calligraphy, and an American bronzed metal model Liberty Bell, a/f, (3).

Lot 1

A 19th century French walnut cased mantel clock striking on a single bell, the silvered dial inscribed Houdin Fils,A Blois, height, 24.3cm.

Lot 1

A 19th century trunk-dial wall clock with a painted dial striking on a single bell in a shell inlaid rosewood case, height 79cm, a/f.

Lot 1

A late 19th century ormolu figural bell, the figure in the form of a Dickensian old maid, possibly Miss Havisham.11cm.

Lot 1

A vintage brass Bell, dated 1839, 9” high

Lot 1

A mixed lot comprising: An Ink Well with hallmarked saucer base and pen rest, centred with a bell shaped glass reservoir with hinged lid; Together with a further Capstan Ink Well, (A/F); Two various modern Ashtrays, each of circular form; Napkin Ring of cylindrical form; Silver mounted Trinket Box and a white metal Napkin Ring, (7)

Lot 1

A late George V Capstan Inkwell, of circular form, the hinged flat lid to a removable reservoir and bell shaped body, diameter 4”, Birmingham 1934, Makers mark Mappin & Webb

Lot 1

A late 19th Century walnut and ebonised cased Mantle Clock, retailed by J W Benson of Ludgate Hill, London, drum case on a plinth base, with scrolling and waisted mid section, to a cast brass bezel enclosing a 3 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement, outside counter wheel strike on a bell, height 11”

Lot 1

A late 19th Century gilt metal mounted black slate Mantle Clock, the architectural case surmounted by a twin handled Urn, over grotesque mask , ring side handles and raised on four scrolling feet to a cast brass bezel and enclosing a black dial with gilt Roman numerals and spade hands to a circular brass movement with anchor escapement and strike on a bell, height 20”

Lot 1

An early 18th Century oak cased 8-day Long Cased Clock, Tho Utting of Beccles, the square hood with a later applied scrolling cornice over ¾ columns to a long arched trunk door and raised on a plinth base, to a 12” square brass dial with cast and applied scrolling foliate and masked spandrels, enclosing a Roman and Arabic chapter ring with outside minute track, inside quarters and fleur de lis half hour markers, to a matted centre, engraved with birds and foliage, with subsidiary seconds and pierced to a movement with four knopped pillars, anchor escapement, strike on a bell (associated), height 87”

Lot 1

Robert 'Mouseman' Thompson: an oval oak cheese board with carved mouse to handle, plus a 'Maelzel' wooden metronome, with additional side pull-out for bell (2)

Lot 1

Border Fine Arts gun dog, plus two Aynsley owls and another, and East German ceramic lampshade with dancing youths and Jam pan; ARP hand bell, turned beech handle; Victorian copper kettle; and brass warming pans (q)

Lot 1

Quantity of 9ct gold jewellery, comprising bracelet, two cherub pendants, thin bracelet, bell, prancing horse pony and two dress rings, approx. 46g

Lot 1

A * CONWAY (20TH CENTURY SCHOOL) still life and urn of roses, hollyhocks and bell flowers, signed and dated, '62, oils on canvas, 12" x 10".

Lot 1

Bell (James Stanislaus). Journal of a Residence in Circassia, during the years 1837, 1838 and 1839, 2 vols., Moxon, 1840, half titles present, three hand col. litho. plts., eight tinted litho. plts. (one stained), one uncol. plt. and a folding map, all correct as list, occasional spotting, recent qtr. leather with gilt dec. spines and morocco labels, sl. rubbed, 8vo, together with Wallace (D. Mackenzie), Russia, 2 vols., Cassell, 1877, folding map to each (one torn), hinges of first vol. repaired, orig. cloth, rubbed and sl. marked, spine ends worn, 8vo, plus Seymour (H.D.), Russia on the Black Sea and Sea of Azof, Murray, 1855, frontis., folding plan, folding map at rear, orig. cloth gilt, some spotting, 8vo, together with three others related, incl. a defective copy of Henderson's 'Biblical Researches and Travels in London' (8)

Lot 1

An Air Ministry Bell Metal Bell, stamped with a crown over A.M. 1938, 33cm diameter; a smaller brass bell, 27cm diameter (2).

Lot 1

A Second World War Air Ministry Bell, stamped with crowned A.M. 1940, 32cm diameter..

Lot 1

Hurlbutt (F) Bow Porcelain, with sixty-four plates (eight in colour), G Bell and Sons Ltd, London, 1926 [Provenance: from the library of Leonard Crow, Tewkesbury]

Lot 1

A Victorian ebonised marquetry inlaid walnut banded break front credenza with gilt metal mounts in the manner of Lamb Manchester circa 1870 the top with moulded edge over a bell flower inlaid and giltwood strung frieze above a rectangular crossbanded single panel door revealing one fixed shelf with plush velvet lined interior flanked by two rectangular glazed doors revealing two fixed shelves with plush velvet lined interior on a cut out plinth base 70.5" wide 42" high 15" deep

Lot 1

A pair of gesso girandole 18th century style each with circular bevelled mirror plate 13" diameter under a ribbon moulded wire-work pediment above two leaf and berry moulded double sconce arms and pierced bell flower moulded pointed apron 31" high (2)

Lot 1

A late 19th century Sevres-style mantel clock the French cylinder movement striking on a bell by Howell James & Co the dial with Roman numerals and painted with a cherub the case of square form with arched mask and scrolling foliage pediments front and back each corner with square fluted column surmounted by a giltmetal urn a painted classical scene of figures in a landscape below the dial the sides gilt decorated with jewelling and the reverse painted with a flower spray on four foliate decorated giltmetal bun feet 27cm high

Lot 1

An oak longcase clock the 12" arched brass dial with silvered chapter ring of both Arabic and Roman numerals centred subsidiary seconds dial and date aperture under an arch with circular disk signed Robert Poll Harleston the eight-day movement striking on a single bell the arched hood with turned front corner pilasters flanking an arched glass hood door over a shaped long trunk door on a plain box base and plinth support 86" high

Lot 1

A George III oak 30-hour longcase clock the 11" square brass dial signed WIL RIDER WELCHPOOL with central date aperture ring of Arabic and Roman numerals engraved corner floral spandrels the four pillar movement striking on a single bell the hood with cavetto moulded cornice over a plain square glazed door flanked by turned front corner hood pilasters over a long plain trunk door with cut out top corners and brass key escutcheon on a box base and short shaped bracket feet 79.5" high

Lot 1

A George III mahogany Lancashire Chippendale style longcase clock attributed to Gillows of Lancaster circa 1765 the broken scroll swan neck pediment carved with foliate terminals above foliate and scroll carved inset panels flanked by paterae over an arched glazed door enclosing a 13" arch brass dial with Roman numerals date aperture and marked Jon Benson Whitehaven foliate engraved centre and date aperture the arch painted with a three masted merchantman approaching a pier detailed with a lighthouse and figures the dial applied with pierced foliate and scroll spandrels eight-day movement striking on a single bell between stop fluted Corinthian column pilasters over a dentil moulded frieze centred by a patera from which issues a carved grape vine extending to each side of the clock above a shell carved and crossbanded full length trunk door with concave top corner and ribbed moulding flanked by fluted quarter pilasters with carved Corinthian capitols and blind fret work carved bases over an acanthus carved bevelled moulding the crossbanded base panel with shell carved corners (one lacking) between canted blind fret work carved angles and raised on shaped ogee bracket feet painted and gilded pendulum 90" high.

Lot 1

An oak crossbanded mahogany long-case clock case the hood with swan neck pediment rosewood crossbanding to the arch with turned front corner pilasters with gilt metal capitols flanking an arched glazed hood door revealing an associated eight-day movement with silvered chapter ring and pierced brass spandrels the four pillar movement striking on a single bell the trunk with short shaped rosewood crossbanded door with central conche shell inlay flanked by turned half pilasters on a crossbanded box base with canted front corners raised on ogee bracket feet 91" high

Lot 1

A brass lantern clock dated (16)82 of posted construction with one-piece cup-and-cover finials posts and tall ball feet the movement now with anchor escapement and countwheel strike on a bell mounted within the dome shaped bearer above the dial with mask and scroll engraved centre within an applied Roman numeral chapter ring with asterisk half hour markers the angles engraved Edward Webb in Chewstoke Fecit 82 with armorial frets replaced iron hand and side doors with pendulum and weights wheelwork extensively restored using contemporary components 39cm high overall Edward Webb is probably the most celebrated of all the 17th century Chew Valley clockmakers the origins of the distinctive and attractive design of this lantern clock can be found in the work of Thomas Browne of Bristol during the reign of Charles I with the design of the dial engraving in particular changing very little during the next two generations of clockmaking in the area. The frame and dial of this clock belong to a series of clocks of which eight other dated examples are known including an example in the Science Museum London dated 1688. See White George The English Lantern Clock p.232

Lot 1

A mahogany crossbanded oak eight-day longcase clock mid 18th century the four-pillar rack and bell striking movement with 11.75in square brass dial with star engraved subsidiary seconds dial and calendar aperture to the bumble bee Hoho bird and foliate engraved matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Fran’s Pile Honiton to lower edge the angles with bird and urn pattern spandrels the case with stepped moulded cornice and blind fret to frieze above integral hood pilasters and long trunk door on plinth base with bracket feet 206cm high excluding finials Francis Pile is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Honiton circa 1762

Lot 1

A figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 12.5in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed F. Eschle Aberdare to centre with castle ruin painted spandrels beneath scene with figure before a cottage to arch the Bristol type case with arched pediment and spiral twist turned columns flanking wavy edge door to hood above rectangular short door flanked by canted angles to trunk on plinth base with bracket feet 214cm high A Felix Eschle is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working from Aberdare 1868-87

Lot 1

An oak and mahogany crossbanded thirty-hour longcase clock circa 1740 the two-handed posted countwheel bell-striking movement with 12in square brass dial with calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Thorne Tiverton to lower edge the angles with bird and urn pattern spandrels the case with moulded cornice and integral pilasters to hood above rectangular trunk door and plinth base with moulded skirt distressed throughout 203cm high Probably by Simon Thorne who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Tiverton circa 1740

Lot 1

A George I burr walnut eight-day longcase clock early 18th century the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and square calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers the angles with Indian mask and scroll pattern spandrels beneath convex boss signed Thomas Wentworth Sarum between dolphin cast mounts to arch with herringbone engraved borders now in a burr walnut case with moulded cornice and turned pilasters to hood above line inlaid break-arch door to trunk on conforming plinth base 226cm high Thomas Wentworth (II) is recorded in Snell Michael Clocks & Clockmakers of Salisbury as working up to 1740. He was Mayor of Salisbury in 1719

Lot 1

A figured mahogany eight-day longcase clock circa 1845 the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Counsell & Son Ross to centre with floral spray painted spandrels beneath painted banqueting scene to arch the case with swan neck pediment and turned pilasters to hood above shaped-top short trunk door flanked by fluted quarter columns on flame figured plinth base with bracket feet the interior of the case with pasted maker’s label 221cm high A John Webb Counsell is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Ross 1835-50

Lot 1

An inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre with picturesque cottage painted spandrels and ruined abbey to arch the Bristol type case with shaped arch pediment and spiral twist pilasters to hood above herringbone banded panel to throat and short trunk door flanked by canted angles with conforming panel beneath on plinth base with bracket feet 210cm high

Lot 1

An Adam and Eve automaton eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Arabic numeral dial with arched calendar aperture subsidiary seconds dial and signed Aquila Barker Bristol to centre with gilt conch shell painted spandrels and scene with Adam and Eve standing either side of the tree of forbidden fruit their arms moving with the motion of the pendulum to arch in a later swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and conforming plinth with bracket feet 221cm high overall Aquila Barker is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 48 Wine St Bristol 1781-1846

Lot 1

An inlaid figured mahogany eight-day longcase clock circa 1810 the four-pillar rack and bell striking movement with 13in silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials to the Mars and Mercury figural engraved centre signed Bartley and Eggert Bristol with conforming spandrels emblematic of the four seasons beneath eagle and Tempus Fugit banner to arch the swan neck pedimented case with giltwood eagle surmount shell paterae inlay to frieze and reeded Corinthian pilasters flanking wavy edge door to hood the trunk with conforming pilasters flanking a parquetry banded rectangular door on conforming plinth base with bracket feet 227cm high. The partnership of Bartley and Eggert is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 2 Nicholas St Bristol 1810-1814

Lot 1

An inlaid mahogany eight-day longcase clock circa 1830 the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed H Jones 35 Bottom of Broad Street Bristol to centre with floral polychrome painted spandrels and scene with courting couple beside a river to arch the case with shaped arch pediment above wavy edge door flanked by double baluster pilasters to hood and ebony line inlaid short door flanked by canted angles to trunk on conforming plinth base with moulded skirt 207cm high excluding finials

Lot 1

An oak eight-day longcase clock circa 1820 the four-pillar rack and bell striking movement with 12in white painted Roman numeral dial with arched calendar aperture subsidiary seconds dial and signed James Jew Glocester to centre with polychrome floral painted spandrels octagonal fruit still life panel and floral swag decorated arch the swan neck pedimented case with fluted pilasters to hood above shaped-top trunk door and plinth base with moulded skirt 216cm high James Jew is recorded in Dowler Graham Gloucestershire Clock and Watchmakers as working in Gloucester 1820-35

Lot 1

An inlaid mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Henry Kail Blandford St. Mary to centre with landscape painted spandrels and village scene to arch in a swan neck pedimented case with reeded pilasters to hood above parquetry banded throat and shaped-top trunk door flanked by canted angles on crossbanded plinth base with ogee bracket feet 224cm high

Lot 1

A line inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Ja. Ward Cardiff to centre with polychrome floral painted spandrels and thatched watermill scene to arch the case with shaped crest to the break-arch pediment above wavy edge hood door flanked by double baluster turned pilasters and short rectangular trunk door flanked by canted angles on conforming plinth base with bracket feet 221cm high

Lot 1

A small brass lantern timepiece early 20th century the French carriage timepiece movement with platform lever escapement within posted frame with foliate engraved dial with silvered chapter ring beneath dolphin frets and domed bell 23cm high; and another similar timepiece by Smiths 18cm high (2)

Lot 1

A French belge noir marble and patinated spelter mantel clock late 19th century the eight-day bell-striking movement with gilt on black Roman numeral dial inscribed Gaston Freres Limoges in a Greek revival tapered plinth form case with urn surmount and canted base with scroll cast block feet 41cm high

Lot 1

A French gilt metal mounted alabaster figural mantel clock late 19th century the eight-day bell-striking movement with applied gilt on alabaster Roman numeral dial the case with twin putti and basket of plenty surmount above moulded and gilt foliate scroll mounted plinth base with outswept leafy scroll feet on velvet lined giltwood plinth 42cm high overall

Lot 1

A French gilt metal mounted alabaster ‘swinging figure novelty mantel clock late 19th century the two-train bell-striking movement with two wheel escapement enabling the pendulum cast as a young girl on a swing to swing back and forth the dial with white Roman numeral chapter ring and skeletonised centre in urn surmounted drum case raised on scroll outline uprights mounted with floral sprays on shaped plinth base with bracket feet with separate gilt base and under glass dome 61cm high overall

Lot 1

A French patinated spelter and gilt metal mounted onyx figural mantel clock late 19th century the bell-striking movement with cream enamel Arabic numeral dial in a stepped plinth form case with leafy cast side mounts and surmount modelled as Cupid standing with his bow on foliate cast bracket feet 56cm high

Lot 1

A French engraved brass mantel clock late 19th century the bell-striking movement with white enamel Roman numeral dial in arch-top case with griffin handled urn surmount above lion mask centred cavetto arch moulding and engraved palmette beneath dial on griffin mounted moulded base with bracket feet 36cm high with a giltwood stand

Lot 1

A French gilt metal porcelain mounted figural mantel clock late 19th century the two-train bell-striking movement with blue ground Roman numeral cartouche dial with floral wreath painted centre the case surmounted with a figure of a musician on scroll cast D-shaped base inset with floral painted porcelain panels on pierced bracket feet with separate giltwood stand 43cm high overall

Lot 1

A French Empire ormolu mounted white marble urn shaped mantel clock early 19th century the eight-day countwheel bell-striking movement with silk suspension and circular white enamel Roman numeral dial signed Cleret a Orleans to centre the vase shaped case with large ball finial above gilt urn finials to shoulders on turned socle base and stepped black marble plinth with engine-turned brass feet 50cm high

Lot 1

A French Louis Philippe inlaid rosewood portico clock mid 19th century the eight-day bell-striking movement with circular white Roman numeral enamel dial within a foliate cast gilt bezel mounted between four line inlaid columns with engine-turned gilt metal capitals and bases with foliate inlaid panel to frieze above and plinth base on block feet 51cm high

Lot 1

A French Louis Philippe rosewood and marquetry mantel clock circa 1840 the eight-day countwheel bell-striking movement with silk suspension and engine-turned circular silvered Roman numeral dial signed Richond Ft. B rd Montmartre No.75 to centre the dome-top case with elaborate bird inhabited foliate scroll inlaid panel within triple line borders above conforming decoration to the moulded plinth 48cm high

Lot 1

A fine French ormolu four-glass perpetual calendar mantel clock with moonphase circa 1880 the eight-day bell-striking movement with gridiron pendulum and visible brocot escapement to the recessed dial centre signed Le Roy & Fils Pal’s Royal G. rie Montpensier 13-15 Paris 211 Regent Street London with conforming Roman numeral chapter ring above shaped gilt panel (further signed) and calendar dial with moonphase day of week and day of month dials within month of year chapter ring with blued steel pointer the arch-top case with squat finial and scroll cast side mounts on deep ogee moulded base with six compressed toupe feet 47cm high

Lot 1

A French ormolu and white marble mantel clock circa 1900 the eight-day bell-striking movement with floral festoon painted circular Arabic numeral enamel dial in drum shaped case with ribbon bow and leafy urn cast crest supported by two standing putti via two twist batons with the sunburst pendulum swinging between on shaped marble base inset with laurel cast panels and four turned gilt feet 29.5cm high

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