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A FRUITWOOD LONGCASE CLOCK, signed Jas Hawke, Bury, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels, Roman and Arabic numerals, two secondary dials, rolling moon phase in the arch, the case with scrolled pediment and turned fan finials, on turned columns, arched door, and bracket feet, 93 1/2" high (Est. plus 18% premium inc. VAT)
AN OAK LONGCASE by John Lawson, Keighley, the thirty hour movement with anchor escapement and outside countwheel, striking on a bell, 12" square brass dial with Roman and Arabic numerals, the chased centre with moon dial and calendar aperture, the case with broken pediment and verre eglomise frieze on turned columns, arched door flanked by quarter columns, cut corner panelled base with waved apron and bracket feet, 84" high (Est. plus 18% premium inc. VAT)
A MAHOGANY CASED TABLE CLOCK by Shrivell, Brighton, the twin barrel movement with anchor escapement striking on a bell, 8" white enamel dial with Roman numerals and signature, the oblong brass mounted case with pineapple finial on stepped hood, panelled fascia, pierced brass sound frets below ring handles, stepped and fluted base with ball feet, 11" wide, 19 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)
A FRENCH BLACK SLATE AND ROUGE MARBLE CLOCK GARNITURE by Samuel Marti, the twin barrel movement with exposed Brocot escapement striking on a bell, the back plate stamped 1670, the 5" ebonised chapter ring with gilt Arabic numerals, the drum case on scrolled and waisted support, with fluted pilasters flanking a glazed panel with mercury pendulum, on moulded plinth, 14 1/4" wide, 18" high, ensuite with a pair of shallow urns (Est. plus 18% premium inc. VAT)
A FRENCH GILT METAL AND PORCELAIN TABLE CLOCK by Japy Freres et Cie, the twin barrel movement striking on a bell, 4" porcelain dial with Roman numerals, the centre painted with nesting birds, the drum case with lion mask ring handles and urn surmount, on waisted support with porcelain panel depicting lovers in a park, the oblong base with scrolled brackets and turned feet, 10 1/2" x 16 3/4" (Est. plus 18% premium inc. VAT)
AN OAK LONGCASE by Thomas Lister, Halifax, the eight day movement with anchor escapement striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with flower vase and foliate scrolls, moon dial and calendar aperture, the case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base, on plinth, 85" high (Est. plus 18% premium inc. VAT)
A MAHOGANY LONGCASE CLOCK by Samuel Hirst, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched brass dial with silver centre chased with foliate scrolls, Roman and Arabic numerals and two secondary dials, signature roundel to the arch, the later case with blind fret panels, arched key moulded cornice on fluted Corinthian columns surmounted with urn finials, canted trunk with arched door, panelled base and ogee bracket feet, 102 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)
Borrenstein (D.A., publisher). A New General Atlas, Comprising a Collection of Forty Maps of the World and Quarters, with all the Improvements, Railroads, &c, Glasgow, 1841, all maps with imprint 'London: Allan Bell & Co 1841' to margin, 39 (of 40) hand-coloured engraved maps, lacks world map, maps for England & Wales and Scotland both soiled and defective, some soiling and many closed tears, many with backing repairs and both America maps relaid and with a little loss encroaching into borders, contemporary half roan, worn and upper cover detached, folio Sold with all faults, not subject to return. (1)
Bell (John). Discourses on the Nature and Cure of Wounds, 3 parts in 1, 1st edition, Edinburgh, 1795, two engraved plates after half-title, some spotting, a few scattered library ink stamps including one at head of title, ownership signature and bookplate of John Field, contemporary tree calf, rebacked and corners restored, 8vo Heirs of Hippocrates 1188. (1)
*[Bronte, Charlotte, 1816-1855]. Autograph envelope cover, addressed to 'Mrs Gaskell, Plymouth-Grove, Manchester', postmarked 6 April 1852, additionally inscribed 'Paid' upper left by Charlotte Bronte, an unperforated Penny Red stamp to right corner with postmarks, inscribed at upper centre in red ink in an unidentified near-contemporary hand, '(Charlotte Bronte / Currer Bell)', some soiling and marks, pasted to cut down Victorian album leaf, cover measures 60 x 99 mm Charlotte Bronte had completed the first draft of her novel Villette a month prior to this. She met Elizabeth Gaskell in August 1850, and they instantly became friends. Charlotte's father Patrick asked Mrs Gaskell to write Charlotte's biography after her death in 1855, this being published in 1857. (1)
Bell (Charles). On the Nerves: Giving an Account of Some Experiments on their Structure and Functions, which Lead to a New Arrangement of the System, Communicated by Sir Humphry Davy, [extracted from] Philosophical Transactions of the Royal Society of London, 1821, pp. 398-424, engraved plates, offset to text page facing, bound with On the Nerves of the Face; Being a Second Paper on that Subject, [extracted from] Philosophical Transactions, 1829, pp. 317-330, 2 engraved plates, slightly browned and offset to pages facing, journal title-page to both parts retained, small burn mark affecting lower margin with some small loss of blank areas, recent quarter cloth over boards, slim 4to The first description of Bell's palsy, both papers are cited in Garrison & Morton 4520. (1)
Bell (Charles). The Nervous System of the Human Body: As Explained in a Series of Papers Read Before the Royal Society of London, with an Appendix of Cases and Consultations on Nervous Diseases, 3rd edition, Edinburgh, 1836, 16 folding engraved plates, some spotting, 20th-century ownership inscriptions to front endpaper, contemporary half calf, heavily rubbed, together with The Hand; its Mechanism and Vital Endowments as Evincing Design, 2nd edition, 1833, wood-engraved illustrations to text, some spotting, half-title and final page spotted and slightly browned, later gilt-decorated crushed morocco, joints rubbed and a little cracked at head, plus The Anatomy and Physiology of the Human Body, by John & Charles Bell, 6th edition, revised by Charles Bell, 3 volumes, 1826, 8 engraved plates including 2 folding, contemporary half calf, some edge wear, cloth rebacks with contrasting leather spine labels, all 8vo, plus other works by Charles Bell (9)
A George III oak longcase clock, with caddy top hood, ball and spike finials, the brass 30cm square arched dial having Royal crest to arch, and applied spandrels, the silvered chapter ring signed Geoff Devis London, with Roman and Arabic numerals, subsidiary second ring and date aperture, revealing an eight day movement striking on a bell, with full length trunk door and moulded base, 240cm overall.
GREENE, Graham - The Great Jowett : org. cloth in glassine d/w, 8vo, signed limited ed, Bodley Head, 1981. Yes and No and For Whom the Bell Chimes, org. cloth in glassine d/w, signed limited ed, Bodley Head, 1983. With four other firsts by Greene, one by Hemingway, and two by Stevie Smith.(9)
AN OAK LONGCASE by Whitehurst, the eight day movement with anchor escapement striking on a bell, 12" square brass dial, the chased silvered centre with Roman and Arabic numerals and calendar aperture, the case with cavetto moulded cornice on wrythen turned columns, arched door, panel base and bracket feet, later profusely carved with flowers and strapwork and dated 1965, 82 1/4" high (Est. plus 18% premium inc. VAT)
A Louis Philippe ormolu striking portico mantel clock, Destape, Paris, mid-19th century, with enamel and engine turned dial flanked by Corinthian columns over a Cupid figure, on a stepped rectangular base and bun feet, with countwheel and hammer striking a bell and two train movement, 47cm high, (pendulum and key). Illustrated
A French Empire style mantel clock garniture, early 20th century, the drum case with foliate painted white enamel dial flanked by brass mounted pillars, on a plinth base with matching urn garnitures, with two train movement and a countwheel and hammer striking a bell, the clock 38cm high (pendulum), (3).
Silver, comprising: a twin handled sugar bowl, Birmingham 1932, a cream jug raised on three feet, Birmingham 1919, a salt with a blue glass liner, a matching pepperette, Birmingham 1939, another salt with a blue glass liner, a napkin ring, six various spoons, two butter knives detailed Sterling and a Victorian old head crown 1893, combined gross weight 557g, also a mustard pot of bell shaped form (loaded), Birmingham 1939, (16).
BIBLE. The Bible: that is, The Holy Scriptures Conteined in the Olde and Newe Testament. Translated According to Ebrew and Greeke . . . [Geneva Version, with Tomson's NT.] title vignette & headpiece decoration (others & tailpieces at part divisions), num. engraved text illus. & maps (esp. in OT.), separate NT. title; 190, 197, 116 & (22) ff., d-column printing, early 20th cent. calf with panelled spine, thick 8vo. imprinted at London by Christopher Barker . . . 1587. * the earliest complete Bible with this revised NT.; some old ms. notes on the Bell family of Amersham, etc. (Bucks); bound with Sternhold & Hopkins Psalmes (John Wolfe, 1587). Illustrated
A French bronze, ormolu and white marble mantel clock garniture, late 19th century, with a female figure against an enamelled drum case, enclosing a two train movement with countwheel striking a hammer on a bell, over a marble rectangular plinth with ormolu foliate embellishments, together with a pair of matching three branch candelabra, the clock 45cm high, (3). Illustrated
Foreign and plated wares, comprising; South American interest; a set of six pickle forks, two bookmarkers and a pendant with a neckchain, also two models of ears of corn, a baby's rattle formed as a fish, a table bell, two Oriental butter knives, an enamelled ice cube grabber, a small shaped oval dish, four various spoons, a bowl detailed 0900 Bogota, and a pair of small shaped circular coasters having turned wooden bases (18).
Silver, comprising; a hinge lidded inkstand, formed as a bell, with a glass liner, Birmingham 1914, a Victorian bonbon tazza, with scroll fluted decoration within a pierced wavy rim, Birmingham 1893 and an American Sterling bowl, detailed Tuttle Sterling P.Revere Reproduction, combined weight of the tazza and of the bowl 233 gms, (3).
Walnut longcase clock, hood with moulded cornice, turned columns, long arched door moulded outlines, plinth base, arched brass dial, with strike/silent, signed Jasper Taylor, London, cast seraphim spandrels, silvered chapter-ring, subsidiary seconds dial and date aperture, eight-day movement striking on a bell, height 232cm.
Oak longcase clock, swan neck pediment centred by a brass finial, turned and fluted columns, long door with mahogany cross-banding, bracket feet, 12" arched painted dial the arch inscribed 'Sic est vita hominis', painted sub dial with a ship in harbour, scrolled spandrels, the chapter ring with Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 212cm.
French gilt spelter and Sevres style Rose Pompadour porcelain mantel clock, the case stamped RH Morny, 79, surmount and inset porcelain panels, floral decoration, dial signed by the retailer JB YABSLEY, 72 LUDGATE HILL, French cylinder movement, striking on a bell, 39cm, set on a gilt plinth under a glass dome.
A large mantel clock in the French Empire style, the lyre-shaped ormolu case with marble urn and ormolu finial, flanked by two fauns carrying a garland, standing on a shaped marble plinth on ormolu base with lion's paw feet. The key wind balance wheel movement strikes with two hammers on a bell. Condition. The case is in good condition apart from the garland which is detached at a joint, easily refixed. The German movement needs attention as the mainspring appears to be not locking on its pawl, making it not possible to check the operation. 34x19x61cm. high.
A silver sweet tazza on pedestal foot, by Walker & Hall, Sheffield, 1911, with pierced diaperwork sides and scroll handles, 14.5 cm. high; together with an Edwardian silver sugar caster, Chester, 1905, with bell-shaped finial, 18 cm. high, wt. 301 gm.Tazza in good condition, caster has bruise to lower body
3rd-2nd millennium BC. A terracotta bell-shaped cup with row of black roundels to the rim, encircling serpent to the shoulder. See Satyawadi, S. Proto-Historic Pottery of Indus Valley Civilisation: Study of Painted Motifs, Perspectives in Indian Art and Archaeology vol.2 New Delhi, 1994. 134 grams, 95mm (3 3/4"). From the collection of the late David Gold; acquired in the 1980s and 1990s. [No Reserve] Fine condition.
19th century AD. A mixed ceramic group comprising: a bell-shaped bowl with gilt symbol to the inner face, yellow outer face with flowers and other motifs, two columns of text to the underside; a tin-glazed dish with flowers and cash money, wax seal to the underside, 300 grams total, 12.5-13cm (5"). From the Tan family collection, South East London, UK. [2 No Reserve] Fine condition, bowl chipped.
18th-19th century AD. A brass ritual lamp for use in puja, comprising a domed base and bell-shaped body; the upper plaque supported by brackets, with piriform recess to one end, central socket, curved chevron, incised rosettes and other ornament. 2 kg, 44.5cm (17 1/2"). Property of a London collector, acquired early 1990s. Fine condition.
10th-11th century AD. A group of three items comprising of: silver chain with large hollow tear-shaped bead, applied filigree decoration to the body; a remain of similar bead to the other end; a globular openwork bead formed from wires and pellets; a bronze bell-shaped pendant. 79 grams total, 2-45.5cm (3/4 - 18"). From a European collection; previously in a large American collection formed in Chicago, Illinois, USA, in 1995; previously in the Mansees collection; formed 1950s-early 1990s. [3] Fine condition.
18th century AD. A hollow globular bronze bell with square-section suspension loop to the top, incised 'flower' decoration to the bottom with 'R' and 'W', for Robert Wells workshop; flat rectangular iron rod with coiled ends attached to the loop. 165 grams, 14cm (5 1/2"). Property of an Essex gentleman; acquired on the UK art market. Very fine condition.
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123896 item(s)/page