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Lot 367
An Edwardian silver mounted circular desk bell, the base embossed with flowers and foliate scrolls, Chester 1902 by James Deakin & Sons, diameter 8.5cm, and a silver mounted desk barometer, Chester 1916, diameter 8.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 255
A number of collectables to include A white bust of a girl with flowers in her hair on plinth, 22cm High, with wear, a tobacco jar with bird lid , a pair of Gallipoli candle holders, and old rusty bell, a pair of candlesticks in the form of owls, a glass-rod container as a planter and a glass container with chrome handle and a lion figurine; a table clock with brass bound dial and black numerals, stamped Chuler. PLEASE NOTE THERE ARE NO OPERA GLASSES IN THIS LOT
Lot 383
Box of assorted metalware, to include: large copper colander with brass handles and feet, silver plated figurine of a hunter, Evergreen Collection figurine of a gunsmith, small brass jam kettle, brass Trench Art cylinder vase made from a shell-case, brass trivet and hinged fire hook, wall-mounded bell, brass smelting pot with a turned wooden handle an a relief dragon decoration etc. (B.P. 21% + VAT)
Lot 183
Studio pottery: A studio pottery bell with a chicken finial, brown glaze, height approx 15cm, a tall narrow jug with oversize lip, height approx 18cm, impressed SH to the base, a stoneware flared vase with applied flowers to the top rim, height approx 13.5cm, painted mark to the base, some breakage to the flowers (pieces present), a Portugese salt glaze bottle, height approx 22.5cm, impressed marks to the side.
Lot 100
Charles Inge Miscreation, 2022 Acrylic and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I'm a painter, based on the Isle of Wight. My studio is surrounded by nature which infuses the work. The changing seasons alter the colour palette and energy of my paintings. www.charlesinge.com @charles.inge Education Ruskin School of Fine Art. Oxford University Turps Studio Programme. London Select Exhibitions/Awards 2021 winner of the Ashurst Emerging Art Prize Solo show - Spiritus Mundi _ Emerging Artist Gallery - Oct 21 Winners' show - Quay Arts - January 22 London Art Fair - April 22 Gallery Representation Louisa Warfield - Art Consultant. Statement about AOAP Submitted Artwork The bell-jar series was begun in lockdown, reflecting a containment and suppression of energy. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 101
Charles Inge Night Jar, 2022 Acrylic and Ink on Paper Signed on Verso 150 x 10cm (59 x 3¾ in.) About I'm a painter, based on the Isle of Wight. My studio is surrounded by nature which infuses the work. The changing seasons alter the colour palette and energy of my paintings. www.charlesinge.com @charles.inge Education Ruskin School of Fine Art. Oxford University Turps Studio Programme. London Select Exhibitions/Awards 2021 winner of the Ashurst Emerging Art Prize Solo show - Spiritus Mundi _ Emerging Artist Gallery - Oct 21 Winners' show - Quay Arts - January 22 London Art Fair - April 22 Gallery Representation Louisa Warfield - Art Consultant. Statement about AOAP Submitted Artwork The bell-jar series was begun in lockdown, reflecting a containment and suppression of energy. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 98
Charles Inge Biomorph, 2022 Acrylic and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I'm a painter, based on the Isle of Wight. My studio is surrounded by nature which infuses the work. The changing seasons alter the colour palette and energy of my paintings. www.charlesinge.com @charles.inge Education Ruskin School of Fine Art. Oxford University Turps Studio Programme. London Select Exhibitions/Awards 2021 winner of the Ashurst Emerging Art Prize Solo show - Spiritus Mundi _ Emerging Artist Gallery - Oct 21 Winners' show - Quay Arts - January 22 London Art Fair - April 22 Gallery Representation Louisa Warfield - Art Consultant. Statement about AOAP Submitted Artwork The bell-jar series was begun in lockdown, reflecting a containment and suppression of energy. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 99
Charles Inge Lockdown, 2022 Acrylic and Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I'm a painter, based on the Isle of Wight. My studio is surrounded by nature which infuses the work. The changing seasons alter the colour palette and energy of my paintings. www.charlesinge.com @charles.inge Education Ruskin School of Fine Art. Oxford University Turps Studio Programme. London Select Exhibitions/Awards 2021 winner of the Ashurst Emerging Art Prize Solo show - Spiritus Mundi _ Emerging Artist Gallery - Oct 21 Winners' show - Quay Arts - January 22 London Art Fair - April 22 Gallery Representation Louisa Warfield - Art Consultant. Statement about AOAP Submitted Artwork The bell-jar series was begun in lockdown, reflecting a containment and suppression of energy. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Lot 144
A MIXED LOT:- a George V plain drum mustard pot with a scroll handle and reeded borders (blue glass liner), a late Victorian two-handled cup and cover with swirl fluting on the lower body & cover, a sugar caster, a bonbon dish and a mug with a bell-shaped body, inscribed, by Mappin & Webb, London 1913; the latter 4.3" (11cm) high; 28.65 oz weighable silver (6)
Lot 145
A PAIR OF GEORGE III TWO-HANDLED SAUCE TUREENS AND COVERS on oval pedestal bases with reeded loop handles and bell finials, the covers and bodies each engraved with a crest and a shield coat of arms, each also engraved underneath with a scratchweight (19-10 and 19-17), by J. Wakelin and W. Taylor, London 1786; 8.25" (21 cms) long; 37.5 oz (2)
Lot 323
A MIXED LOT :- a George III rectangular powder box (from a toilet set) with a hinged screw-down cover and an engraved coat of arms, by William Parker, London 1819, an early 20th century Norwegian circular bell-push, decorated with blue enamel and gilt borderwork, by David Andersen of Oslo, 2 napkin rings and other sundry small silver and plated ware; the box 2.95" (7.4cm) long; 9 oz weighable silver (lot)
Lot 47
A collection of fine bone china Commemorative Ware, comprising a boxed Prouna 2013 limited edition Coronation Collection jewellery box & cup, Royal Crown Derby limited edition 294/500 Investiture of H.R.H. The Prince of Wales Bell, limited edition cup to commemorate The 50th Anniversary of H.M Queen Elizabeth II 78/1500. (6)
Lot 594
A collection of Channel Island books, comprising of Guernsey Green by William M. Bell; Bedlam in the Bailiwicks by Desmond Walker; Blacks Guide to The Channel Islands1875; Folklore of Guernsey by Marie De Garis; The Spell of Sarnia by Mrs Baillie Reynolds; Guernsey as it used to be by G. W. J. L. Hugo; Carette of Sark by John Oxenham, etc etc. (quantity)
Lot 1318
A collection of silver smalls, Comprising a miniature silver hand bell by W I Broadway & Co, Birmingham, 1985, 4 3/8in. (11cm.) long; silver circular pill box by Ari D Norman, London, 2001, the cover with four segmented and hinged lids; love heart scent bottle, together with various other boxes, to include sweet, handbag, love heart, various spoons, rings etc, weight 10.0 tr.oz., and a silver plate candle snuffer and baby pusher. (large collection)
Lot 143
A collection of eight various glass decanters, to include a cut glass version of bell form with silver collar, James Deakin & Sons, Sheffield, 1929; cut glass ships decanter, etc, together with a large silver plated copper tray of oval form with wavy edge pierced gallery, raised on four bun feet.
Lot 208
A French gilt metal and porcelain mantel clock, emblematic of Innocence, late 19th / early 20th century, with bell strike movement marked 'R&C Paris & London' (probably Richard & Co.), no.5751, fronted by a pink porcelain dial with Roman numerals and floral garland, a similar plaque to the base with a musical trophy, the gilt metal case with a maiden standing beside a plinth, a pair of doves at her feet, on a shaped base with fluted and toupie feet, stamped 'P.H. Mourey' to reverse, 15 ¾in. (40cm.) high, with original giltwood and velet stand. (2) * Lacks pendulum. Minute hand bent. Porcelain dial and panel in good condition. Some wear to gilt, mainly to figure's robe. Base has some gilt wear.
Lot 209
A late 19th century French Sienna marble and ormolu mounted mantel clock, the drum case surmounted by an eagle with outstretched wings, on a scrolled plinth with ormolu foliate swags, urn appliqué and outset ormolu feet, the Roman white enamel and gilt sunburst dial fronting a twin train movement with outside countwheel striking the hours and half hours on a bell, 'O. Carry' of Paris mark and 'Samuel Marti' medal mark, no. 5718 7.2, 16 ½in. (42cm.) high. * Winds and runs. Strikes correctly. Some wear to gilding. A few tiny nibbles to edges of marble case. Dial good, with one semi-circular line of wear to gilt. * Winds and runs. Strikes correctly. Some wear to gilding. A few tiny nibbles to edges of marble case. Dial good, with one semi-circular line of wear to gilt.
Lot 220
A George IV mahogany and brass strung bracket clock with pull repeat, signed J.R. Saunders, Warminster, the convex white enamel dial with painted Roman numerals and Brequet style hands, an eight day twin fusee movement striking on a bell, the case with brass pineapple finial on a stepped top, with a chipped band to the top and bottom and strung brass detailing throughout, brass ring handles to the side above brass fish scale panels, raised on ball feet. 18 ½in. (46.9cm.) high.
Lot 248
A French ormolu rococo revival mantel clock, 19th century, the twin train movement signed 'G. Poursillie Montauban', no. 436, with outside countwheel striking the hours and half hours on a bell, fronted by a white enamel dial, signed indistinctly, with blue Roman numerals and Arabic outer minute track, the ormolu case decorated with swags, foliage and rocaille, with a seated cherub and two nesting love birds, on scroll and foliate feet, 11½in. (29.25cm.) high. * Winds and runs. Strikes correctly. Surface dirt to upper surfaces of case. Signature to dial rubbed but otherwise good with just minor scratches. Good overall.
Lot 250
A 19th century ebonised and gilt metal mantel clock, the twin train movement numbered 4581, striking the hours on a gong, fronted by a silvered Roman arched dial with gilt mask and floral spandrels and gilt foliate bezel to the bevelled glass door, in a bell top case with urn and cone finials, canted corners with gilt caryatid mounts, gilt arched grilles to sides and foliate gilt feet, 18 ¼in. (46.25cm.) high, movement overwound, requires repair. * Striking train of the movement has been overwound. The pendulum suspension spring is detached and damaged. The dial and case are in very good condition overall, with just minor wear to ebonising to corners. Key to rear case door present and lock working.
Lot 251
A French gilt metal and porcelain matched three piece clock garniture, early 20th century, in the baroque style, the J. Marti & Cie movement striking the hours and half hours on a bell, the Sevres blue enamel dial with Roman numerals and painted landscape, over a conforming panel to the base, the matched gilt metal ovoid vases with similar landscapes on a blue ground, the clock 10in. (25.4cm.) high. (3)
Lot 2700
An early 19th century French prisoner-of-war bone and horn model of H.M. frigate 'Melpomene', with bound masts, yards with stun's'l booms, standing and running rigging, carved and painted warrior figurehead, hair rails, anchors, catheads, capstan, belaying rails, ships bell, ships boat in chocks, deck rings, grating, upper deck guns in slides, the planked and pinned hull with horn strake, carved stern and quarter gallery decoration. Mounted on a bone support on a two tier display base with straw work and carved bone surrounds, the whole on four carved pedestals, the plaque reads 'H.M FRIGATE MELPOMEN 44 Guns Captured from the French at Calvi 1794, and added to the Royal Navy Her Active and Distinguished service continued until 1890 ** A Bone model made by Napoleonic Prisoners of War 1794-1817', frigate size, 9 ¼in. (23.5cm.), two tier display base, 8 ¼in. (21cm.), later glazed case measuring 6 x 15in. (15.2 x 38.2cm.), 11 ½in. (29.3cm.) high, paper label to underside. (some restoration). * Some restoration, splits to bone etc, some warping, glazed case with crack to one side, very pleasing to the eye, good condition.
Lot 1001
A George III Channel Islands silver Guernsey pattern beaker, maker's mark PM struck twice, once to base and once below rim (Pierre Maingy, Guernsey fl. c. 1739-1776), the heavy gauge bell shaped bowl with single incised line below rim and short, slightly flared girdled foot, inscribed 'DDP né le 4e: de novenbre 1765' to one side, later inscribed 'P. C. Faddy' to the other, 2 ¾in. (7cm.) high, weight 3.65 tr.oz. * Provenance: Martel Maides Auctions ' The Michael Paint Collection of Channel Islands Silver' Wednesday 18th October 2017, lot 65. ** Small dents and nibbles to lower belly just above foot, good.
Lot 44
Football legend, Colin Bell 12x8 Signed Colour Photograph Pictured In Manchester City Away Strip. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 134
Victorian slate and marble mantel clock, circular enamelled dial signed Clarke, Long Buckby, cylinder movement striking on a bell, 28cm.Condition report:No key and not working. The minute hand is missing. The movement door seems fused close - it certainly won't open without applying force. The dial has some discolouration. The case is generally good without any significant chips.
Lot 140A
French ormolu mantel clock, the case designed with Apollo crowned, on a classical plinth, anthemion legs, circular dial signed Louis P.Yeury(?) a Paris, cylinder movement, striking on a bell, 51cm.Condition report:The case is in good condition, no damage or losses, right floral mount a little loose, the dial has one large scratch at 6 and some small scratches and chips wround the winding holes, front door opens, rear door opens, replaced screws mounting the movement in the dcase, has a pendulum but no keys.
Lot 169
George III mahogany bracket clock, moulded top, arched glazed door, glazed side panels, moulded feet, seven inch arched brass dial with cast spandrels, silvered chapter ring, strike silent and date aperture, signed Henry Barlow, London, twin fusee movement with engraved backplate, striking on a bell, height 46cm.Condition report:Case is generally looking good but has had repairs, notably to the top moulding, hinges, locks, framing of glass, feet, the dial is not a great fit for the case, movement has clealry been recently overhauled and appears complete and ticks and chimes, anchor escapement.
Lot 247
A silver caddy spoon, William Hutton & Sons Ltd, Sheffield 1913; a silver-mounted 'No Trumps' card indicator; three Georgian and later mother-of-pearl and silver pocket knives; a silver baby's rattle with mother-of-pearl teether, three bells; and a small rectangular leather box.Qty: 7Condition report:Two of the knives dont close up fully, the mother of pearl is otherwise good. Spoon is good. The colour on the card indicator is rubbed and a bit marked. One bell on the rattle is missing and the top hoop has snapped and has been repaired. The leather box is a bit rubbed on the edges and is corner on the corners.
Lot 157
A group of six Victorian serpentine marble doorstops,of bell form, with brass loop handlessizes from 19cm - 27cm highCondition ReportAll with scattered white paint marks throughout. Scratches and wear commensurate with the material and nature of the items. Repair to one of the brass handles, with tarnishing throughout.
Lot 158
A brass skeleton clock,by Thwaites & Reed, with a single train movement striking on a bell, with its original key, raised on a circular onyx base, within a glass dome,clock 16.5cm hightotal 18.5cm highCondition ReportHands slightly bent. Has been ticking but cannot guarantee this will continue given the nature of the item. The strike does not fall exactly on the hour.
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123939 item(s)/page