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A collection of tokens to include a 1792 Hibernian Mining company 'Camac Kyan and Camac' Irish half-penny token; 1792 India East House half-penny conder token; Castle Silver Foil Saumur W7A Gileey token; Bell Fruit 24p token; Prince of Wales model Half Sovrn; Province du bas Canada 1837 half-penny bank token; and a Essex halfpenny flourish token
A pair of German figures, 'Tambourine 1st Guards 1830' and 'Coldstream Guards 1830', 30cm, with extra hand and tambourine Condition Report: Tambourine - in nice condition, no issues. Coldstream guard - where the bar with bells joins the umbrella it has been re attached and gilded. Sword has been glued in. One bell needs to be re attached.
Forster (E.M.) Anonymity. An Enquiry, first edition, signed by the author on title with strike through printed name, ink ownership inscription and bookplate of Gilbert A. Harrison to endpaper and pastedown, original pictorial boards by Vanessa Bell, chipping to spine ends with portion of loss to head of spine, light browning to spine and and cover margins, corners a little bumped, [Kirkpatrick A11; Woolmer 61], 8vo, Hogarth Press, 1925.
Mishima (Yukio) After the Banquet, translated by Donald Keene, first English edition, signed presentation inscription from the author "To Anne Graham Bell - City of London became a[n] unforgettable city in my life because of your kindness - affectionately - Yukio Mishima, March 20 '65" to endpaper, original boards, dust-jacket, very light fading to spine, fading rubbing to tips of spine and corners, a near-fine example overall, 8vo, Secker & Warburg, 1963.⁂ A charming inscription, Anne Graham Bell was possibly a British literary agent.
Murdoch (Iris) The Sandcastle, ink ownership inscription, jacket price-clipped, 1957; The Bell, 1958; A Severed Head, 1961; An Unofficial Rose, jacket price-clipped, 1962; The Unicorn, jacket price-clipped, 1963; The Italian Girl, jacket price-clipped, 1964; The Red and the Green, jacket with short closed tear and creasing to head of upper panel, 1965; The Time of the Angels, 1966;The Nice and the Good, 1968; Bruno's Dream, jacket with a few short tears and creasing to head, 1969; A Fairly Honourable Defeat, jacket with light damp-staining, split to foot of upper fore-edge, joints rubbed, 1970; An Accidental Man, 1971; The Black Prince, jacket price-clipped, 1974; The Sacred & Profane Love Machine, 1974; A Word Child, jacket price-clipped, 1975; Henry and Cato, 1976; The Sea, the Sea, Autograph Postcard signed from the author loosely inserted, ink ownership inscription, 1978; Nuns and Soldiers, 1980; The Philosopher's Pupil, address label to endpaper, 1983; The Good Apprentice, light browning to text margins, 1985; The Book and the Brotherhood, light browning to text margins, ink ownership stamp, 1987; The Message to the Planet, light browning to text margins, 1989; The Green Knight, jacket price-clipped, 1993; Jackson's Dilema, 1995, first editions, all signed or with signed presentation inscriptions from the author, original boards, dust-jackets, some spines with light toning or browning, a few spine ends and corners a little rubbed and chipped but generally excellent or near-fine overall unless where mentioned, Chatto & Windus; and an inscribed reprint of The Sea, the Sea, 8vo (25)⁂ A superb unbroken run of Murdoch's novels, from her third to her last, all signed or inscribed.
Crowley (Aleister) Why Jesus Wept, first edition, initialed presentation inscription from the author "W. J. W. startles the Belle (touches the clitoris as they say at the White Cat) This, then to startle you. A. C." to endpaper, some light scattered spotting, 1 gathering loose, note in pencil in Crowley's hand "M. H. Bell Htl. de la Haute Loire Bd. Raspail" loosely inserted, original Japanese vellum wrappers, largely unopened, spine browned with ends chipped, browning and soiling to covers, preserved in custom drop-back box, [Yorke 19a], 4to, Privately Printed, 1904.⁂ The rare first edition of this religious satire by Crowley with a typically enigmatic and risqué inscription. We can trace no other inscribed copy. This copy without the two printed inserts (often lacking). A loosely inserted bookseller's description intriguingly gives the provenance as by descent through the family of Clive and Vanessa Bell.
A 19th century oak longcase clock, with an arched hood and ionic columns and a long trunk door, box base and plinth, the 30cm silvered dial inscribed Nat Hedge, Colchester, with Roman numerals, a seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 230cm high
Great War Identity Discs of Kings Own Royal Lancaster Regiment, Northumberland Fusiliers and Royal Warwickshire Regiment Interest, consisting of sterling silver oval identity tag engraved “2/LT D DAVIES C OF E KINGS OWN ROYAL LANCASTER REGT”; brass oval identity disc impressed “P WORLIDGE 39402 C. E 8TH NOR FUS”; fibre identity disc “LIEUT R N MILLER CE 4 NF”; other ranks alloy identity tag engraved “PTE A G C HARLOCK 48214 CE 11/NORTH FUS”; crude example fashioned from a French copper coin, scratched to the reverse “J.A.E. BELL 5404 CE 13 N.F” and brass oval wrist disc indented “C.Q.M.S A JAY CE 1/8 R.WAR.R”. All generally good condition. (6 items)
British Royal Navy Admiralty Issue Bell, large brass naval ships bell with impressed Admiralty pattern broad arrow mark. Complete with the original clanger and the bracket mounting. Good untouched example. Ships names were omitted from bell’s as to stop the use of the loss of a ship being used for enemy propaganda reasons. PLEASE NOTE VERY HEAVY, WE ARE NOT ABLE TO OFFER IN HOUSE POST AND PACKING.
Interesting WW2 Memorial Bell of Intelligence Corps Interest, the cast brass bell has impressed to the front section “LIEUT DENYS G.T. RICHARD INTELLIGENCE CORPS DIED NEAR BEIRUT 1942” above this is a outline in red of the Welsh Dragon and above this “EMMANUEL COLLEGE CAMBRIDGE 1937-1940”, “LEIGHTON PARK SCHOOL 1933-37” and “MERCHANT NAVY CADET 1939”. The bell shows some wear and the top section has been painted black at some point. Complete with a makeshift clanger. Lieutenant Denys Graeme Temple Richard was born in Cardiff, he studied Economics and History at Emmanuel College Cambridge. He originally served as an officer with the Welch regiment before being attached to the Intelligence Corps. Commonwealth War Graves Commission lists him as died on 28th August 1942 and is buried at Beirut War Cemetery, Lebanon. Worthy of further research.
An Edwardian silver mounted novelty tortoise table bell by Grey & Co., Birmingham 1909, the captive-wind clockwork movement activated by the head or tail, the bell, movement and base in base metal, 14cm (5 1/2in) longCondition Report: Marks are clearSlightly wobblesBell is functioning, can be temperamental and continuously ring. Head and tail work. Rubbing to the shell decorationLight scratches and wear commensurate with age and use Condition Report Disclaimer
Samuel Deacon, Barton. A George III mahogany and oak long case clock, the square enamel dial painted with floral spandrels, Arabic numerals, date aperture, eight day two train movement with bell strike, the hood with broken arch pediment, raised on brass caped fluted columns, the case door inlaid with shell paterea, flanked by quarter pilasters, with pendulum, no key, 203.5cm high. N.B. Samuel Deacon was born in Leicestershire in 1746 and was head of the celebrated family of watch and clock makers working at Barton-in-the-Beans from 1771 until 1951. Leicestershire Museums have a collection of his clocks and workshop tools, etc,. He is well documented.
One longcase 30 hour movement, a 10.25” brass dial, with pierced chrubim spandrels, signed ‘Joseph Cooper. Whitchurch', as found, badly damaged and missing elements, includes a bell and an 18th century oak longcase, lacking hood, non-returnable, as found, (5)Condition report: As found, badly damaged and missing elements, not working, in bits, not returnable, for restoration.
A George III mahogany, 8-day longcase clock by ‘Harrison, Liverpool’, the hood with a broken swan-neck pediment and fluted columns, enclosing a 13” brass dial, with relief moulded ‘C’ and foliate scroll spandrels, signed and with a rising moon-phase in the arch, engraved ‘On time uncertain date eternal hours depend’, with a subsidiary dial for seconds below and a silvered chapter ring with Roman numerals, Arabic 5 minute markers and on the inside circumference the date, the trunk with a long, flame figured trunk door, the base with a raised, razor blade shaped panel, the 8-day movement with anchor escapement, striking on a bell, minor damage and restoration, lacking elements, 228cm high, with associated winder, later pendulum and two weightsFootnote: Probably Thomas Harrison (1777-1805), Fetter Lane. Clock and watch maker. Apprenticed to his father in 1777 and granted freedom of the company on the 6th of March, 1786. At 68 Fetter Lane from 1795-1804.Condition report: Chips, including two 1cm sections on the right side of the hood, each at the end of a crack from front to back. Also, 5cm x 0.5cm section of return bead on left side of hood. Lacking one entablature on 2nd pillar from the left. Pillars chipped, including base of same pillar lacking left corner. Bottom left corner of trunk door chipped. Lacking return moulds left and right of base and feet and finials. Some water marks on base. Restorations, including right return of hood re-stuck at the back.Movement/dial – lacking seconds and minute hands and connection for former to the movement. Not operational in vendor’s home.
A Victorian oak and mahogany crossbanded, 8-day longcase clock, the hood with a broken swan-neck pediment, enclosing a 14” dial painted with floral spandrels and fruit in the arch, Arabic numerals and a date and seconds subsidiary dial, signed ‘Underhill, W-Hampton’, the short trunk door inlaid with a conch shell, the 8-day movement with anchor escapement, striking on a bell, 220cm high, with pendulum, 2 weights, key and winder Condition report: Condition:- Ok overall. Minor restorations, including 11.5cm x 0.5cm strip inset on the back right edge of trunk
A c1860 Copeland Parian ware Crystal Palace Art Union finely modelled Parian bust after the sculpture of Ophelia by Calder Marshall RA, depicting Ophelia with long flowing hair, garlands of bell flowers and ivy leaves and wheat ears, on a separate bolted socle base, impressed 'Crystal Palace Art Union' to front and verso 'Ophelia W C Marshall RA Sculpt', height 31cm and attributed to Robert Cooke; a 19th century Parian ware bust of a genteel lady with star head dress and veil, beaded necklace and pendant and low-cut Grecian-style dress, impressed mark to the back 'R.C', height 31cm (2). CONDITION REPORT Ophelia - circular crack to the top of the head with area approx 2.5cm of some discoloured restoration, Some age related wear in the form of surface scratches, some chips to the top rim of socle base, clear impressedd marks2nd bust- no apparent damage or restoration
A 19th century wooden police truncheon with rope handle converted to a walking stick with brass end, length 87cm, and a walnut silver topped walking stick with presentation inscription 'To Ex PC 156B Wilfred Bell from the Comrades of B Div after 28 years' service in L'pool City Police March 1920', indistinct maker's mark, London 1859, length 91cm (2).
A French gilt brass, champleve enamel and onyx clock, c1900, the primrose enamel dial painted with swags and inscribed ...Classco Paris Make, having bell striking movement, in breakarched four glass case surmounted by an urn and flanked by putti with torches, on bow ended moulded base and six feet, pendulum with enamel bob, 51.5cm h
A French gilt spelter mantel clock, c1870, the ornate case with figure beside a pillar, a helmet at his feet, the white enamel dial inscribed Leroy, a Paris, with roman numerals, twin winding holes, eight day movement striking on a bell numbered 120, bevelled glass and beaded bezel, enclosed within an arched panel inset cream marble plates and applied relief cast figures on horseback, the spreading base with conforming panels with central shield and trophy cast cartouche, flanked by scrolling legs, 59cm h
A Regency mahogany and line inlaid breakarched bracket clock, Thomas Pace, London, early 19th c, painted dial, three train movement striking on a bell and chiming on eight bells, oval engraved signature to backplate, the case with brass ball finial, classical columns, handles and scale pattern side frets, pendulum, 64cm h
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123939 item(s)/page