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Click here to subscribeFrench - late 19th century gilt spelter 8-day mantle clock, case with hand painted porcelain panels surmounted by a porcelain urn with a painted depiction of a couple in 18th century dress, porcelain dial with brass hands and cartouche roman numerals on a pink ground,twin train striking movement with a countwheel strike on a bell. No pendulum. Dimensions: Height: 35cm Length/Width: 26cm Depth/Diameter: 12cm
AUTOGRAPHED COPY OF RANGERS: THE NEW ERA, ALLANSON (WILLIAM), PUB. BELL & BAIN, GLASGOW gilt card boards, with original dust jacket, signed to interior by Kai Johansen, Scot Symon (manager), Dave Kinnear (trainer), John Greig, Joe Craven (trainer), Norrie Martin, Ronnie McKinnon, Bobby Watson, Alex Smith, Jim Forrest, Willie Johnston, William Allison (author), Denis Setterington, Dave Smith, and Davie Provan
CURLING INTEREST, COLLECTION OF PICTURES, comprising print after John McGhie depicting curlers; The Graphic, Feb. 7th 1880; etching of Province Bonspiel, 1939, by Duncan Cran; print after the first indoor curling match, Manchester 1877; print after Bell & Sons' Whisky Advertisement depicting a curler; engraving depicting a curling match, c. 1880s; Saturday Magazine December 1842, depicting curling; chromolithograph of AIlsa Craig; Victory, print after R.M. Alexander; painting of P.C.C. Clubhouse and Rink viewed from Marlborough avenue; print The Ten Commandments of Curling; print after Jemimah Wedderburn, The First Grand Match at Penicuik 1847; print after Charles Lee, The Second Grand Match at Linlithgow 1848; and print after 1890 price list, all framedNote: Formerly the property of Partick Curling Club. the largest 69cm x 87cm overall - after McGhie
John Parry, Tremadoc Mid 19th Century 8-Day Longcase Clock Striking on single bell, the painted square dial with gilt spandrels, depicting two swans to the centre, with black painted Roman numerals, a subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, the hood with a swan neck pediment above a glazed door flanked by brass capped columns, trunk with chequered stringing and flanked by quartered columns on a box base, all raised on stile feet, the shaped bracket base is detached and supplied.216cm high
John Winstanley, Holywell Early 19th Century 8-Day Longcase Clock Movement striking on a single bell with false plate engraved 'Jones & Carter', painted arched dial with rolling moon framed by two globes and floral illustrations to each spandrel, black painted Arabic numerals with a subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, The hood with a swan neck pediment surmounted by three brass finials and two brass roundels, arched glazed door flanked by reeded square section columns, the trunk with a shell marquetry door flanked by reeded quartered columns, inlaid box base with chamfered edge raised on bracket feet. Two weights and a pendulum provided.229cm high
Hartley, Sutton George III Longcase Clock 8-day movement striking on a single bell, painted square dial each spandrel pink and gilt with a pair of roses, black painted Roman numerals, subsidiary seconds dial and date aperture. Figured mahogany case with satinwood cross-banding and ebony stringing throughout, the hood with square section columns to the front corners, trunk with a marquetry shell and parquetry inlay each side of the door, box base, on bracket feet.204cm highClock ticks and strikes on the hour, with the subsidiary seconds dial moving with the pendulum, however we do not guarantee the working order or time keeping of any timepiece. Please see all additional images of the dial, movement, cheeks and seatboard. Seatboard is nailed down.
Late 19th Century French White Marble and Gilt Brass Clock Garniture 8-day movement by A.D. Mougin, with an outside countwheel striking on a single bell, no.345. Circular enamel dial with a brocot suspension, black Arabic numerals and decorated with floral garlands behind convex glass, the rear also with a glazed domed door. All housed in a white marble and gilt metal mounted case surmounted by a two-handled urn and flanked by columns with pineapple finials, raised on brass toupie feet. The gilt brass, bronze and white marble two-branch candelabra garnitures in form of fauns each on a naturalistic base, on toupie feet.Clock 33cm high. Garnitures: 20.5cm highClock ticks and strikes on the hour and half hour, we do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale.
Samuel Humphreys, Tarporley George III Longcase Clock Mid-19th century, 8-day movement striking on a single bell with false plate, painted arched dial with rolling moon and illustrations to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in a mahogany case with ebony and boxwood stringing, swan neck pediment with central brass eagle finial, glazed door flanked by fluted square section columns, trunk with figured mahogany panels and door flanked by fluted pilasters, on a box base with chamfered edge. With brass fronted pendulum and both weights.233cm high
Reproduction French-style three-piece gilt metal and white marble clock garniture, the white cellular Roman dial flanked by two cherubs, with urn surmount, the cast base raised on four paw feet, German movement with two striking bell stamped Franz Hermle and Son, 61cm high, with a pair of six branch candleabra, 69cm high
Reproduction French-style three-piece gilt metal and white marble clock garniture, having a white Roman dial with silvered moon hands, flanked by two cherubs, with urn surmount, the cast base raised on four paw feet, German movement with two striking bell stamped FHS (Franz Hermle and Son), 61cm high, with a pair of six branch candleabra, 61.5cm high
Masonic interest, a Sunderland lustre pottery jug decorated with Masonic devices including compass, scales, torches, beehive, sun, moon, trowel, bell etc. personalised 'Hendray Watson Arbuthnet', and with crest 'Smiths Arms' having motto ;By Hammar and Hand all Arts do Stand', 20cm tall. There is a glaze error with frits and crazing to the body. There is wear to the handle. There are no obvious signs of restoration with stains and marks to the interior.
FRENCH ALABASTER AND GILT METAL MANTEL CLOCK, LATE 19TH CENTURY the two train eight day movement by Samuel Marti, striking on a bell, the white enamel dial set with Roman numerals, the domed case with finial modelled as a bowl holding fruits and foliage, with gilt metal scroll, ribbon and swag mounts, on breakfront oblong base to six bun feet33cm high
REGENCY MAHOGANY BALLOON-SHAPED MANTEL CLOCK, CALEB PITT, DUKE STREET, LONDON, CIRCA 1808 the twin train 8-day double fusee movement signed Pitt, LONDON striking on a bell, the white enamel dial signed PITT, DUKE ST., LONDON, set with Roman numerals, the crossbanded flame mahogany case inlaid with central oval patera, outlined in boxwood, with brass pineapple finial, twin cornucopia to ring handles and ogee bracket feet 72cm high Recent work by Michael Swift Horologist, and with sticker to interior. Case generally good, with some splits. Craquelure to dial and some minor chips, though treated/restored. Pendulumn moves freely at time of testing. Looseness to knob on back door. Additional images now available. Pendulum present and period.
GEORGE III MAHOGANY LONGCASE CLOCK, JOHN HAMILTON OF GLASGOW twin train movement striking on a bell, the engraved brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds and calendar dials, lunette with maker's plaque flanked by grotesque dolphins, the pillared hood with moulded dentil cornice over blind fret frieze, the dentil moulded frunk over fluted quarter pillars, block base to bun feet206cm high
GEORGE III MAHOGANY LONGCASE CLOCK, with twin train eight day movement striking on a bell, the white enamel dial with Roman numerals subsidiary seconds and calendar dial, painted spandrels and lunette, the pillared hood with swan neck pediment, the trunk with quarter columns, over a block base to bracket feet210cm high
VICTORIAN BLACK SLATE MANTEL CLOCK, LATE 19TH CENTURY with twin train movement by Samuel Marti, striking on a bell, the white enamel diall set with Roman numerals, visible escapement, the dome top case with engraved and gilded decoration and inlaid with malachite36cm highWorks at time of testing.
FRENCH GILT BRASS AND PORCELAIN MANTEL CLOCK. LATE 19TH CENTURY the twin train movement by Japy Freres, striking on a bell the white enamel dial set with Roman numerals, over a panel hand painted with a scene depicting two lovers, the case with urn finial, further cast decoration, on four peg and three bracket feet, with giltwood standThe clock itself is 37cm high, 20cm wide, 11cm deep.
GEORGE III MAHOGANY LONGCASE CLOCK, ADAMSON OF MONTROSE with two train movement striking on a bell, the engraved silvered dial set with Roman and Arabic numerals, the lunette with maker's plaque, mounted spandrels, the moulded swan neck pediment with orb and eagle finial, the trunk with quarter columns, over a block base and bracket feet
FRENCH MARBLE AND GILT BRASS CLOCK GARNITURE, LATE 18TH / EARLY 20TH CENTURY with two train movement striking on a bell, the white enamel dial with Arabic numerals interspersed by floral swags, the drum head with three foliate urn finials, over a foliate swag, on three column supports, on shaped base to pad feet, with two urn-form side ornaments46cm high
FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK, LATE 19TH CENTURY the twin train movement by Japy Freres, striking on a bell, the pink dial set with Roman numeral chapter markers and painted with foliage, the domed case stamped P.H. MOUREY verso, with crossed quiver of arrows, flaming torch, roses and butterfly finial, the dial over a floral swag and porcelain panel painted with two putti making music, the shaped oblong base with frieze panel, on peg feet35cm highONE FOOT DAMAGED, THOUGH PRESENT FOR RESTORATIONPLEASE ENQUIRE FOR FURTHER DETAILS
Vinyl - Over 40 Northern Soul / Soul UK pressing 7” singles to include: The Supremes x 5, The Shirelles x 4, The Exciters, Little Richard, Wilson Pickett, Aretha Franklin, Martha And The Vandellas, Ben E. King x 2, Reparata And The Delrons, Fontella Bass x 2, Percy Sledge, Jackie De Shannon, The Drifters x 3, Lorraine Ellison, Sam Cooke x 5, Judy Clay & William Bell, The Chiffons and many others. Condition EX overall, all come in cardboard sleeve and have library sticker on labels
Vinyl - Over 200 Soul, Funk, Disco UK & US pressing 7" singles featuring some demos and promos to include The Temptations (Motown promo), Etta James, Doris Troy, James Brown (inc Sue Records), Marvin Gaye, Otis Redding, Maceo & The Macks, Donald Byrd, Eddie Kendricks, Ben E King, Major Harris, Aretha Franklin, Sly & The Family Stone, Edwin Starr, Eddie Henderon, Grover Washington Jr, The Blackbyrds, The Miracles, Banbarra, Archie Bell and The Drells and many more. At least Vg overall
Vinyl - 6 rare singles by US Psych / Rock bands including promos / demos to include: The Grateful Dead - The Music Never Stopped (Uk 1975 promo, United Artists - UP 36030) EX., Nirvana - Girl In The Park (US Promo, Bell, B-730) VG+, The Doors - Light My Fire (US EK 45615) VG, The Easybeats - Can’t Find Love (US, R 5009) VG+, Xit - Reservation Of Education (US Promo, R 5055F) EX, Moby Grape - Omaha (US 4-44173) VG+
1 Large 19th century silver bird button by Sid Bell.Here is a detailed roadrunner button of Sterling Silver by the artist Sid Bell. These buttons are no longer available so don�t let this one pass you by. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and above
1 Extra Large pottery button with a moveable part.Here is a great button created for the 2004 WRBA convention in Reno Nevada. The moveable brass bell on the howling Coyote is a nice addition to the colorful handcrafted pottery button. Signed and dated on reverse. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and above
James Lomax, Blackburn, a mahogany and inlaid eight day longcase clock, the hood with verre eglomise panels centred with a spurious gilt date '1778', over two double brass capped Corinthian columns, flanking a painted 15'' arched dial, the spandrels decorated with sailors in various states of inebriation, and with a sailing boat automata to the arch, subsidiary seconds and date dials to the centre, eight day movement striking on a bell, with a pendulum and two weights, the trunk with brass capped corinthian columns flanking a flame mahogany door with conch shell inlays in satinwood and harewood, over a canted box base with inlaid panel, raised on short bracket feet, height 245cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
French gilt ormolu mantel clock, late 19th Century, surmounted with cherubs holding a flaming urn, over two columns flanking a floral decorated porcelain dial, with a Sevres style painted panel of courtiers beneath, the whole flanked with Cupid figures, the movement striking on a bell, raised on a velvet covered gilt wood base, total height 57.5cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Edwardian silver table bell, London 1905 (clapper deficient), height 8cm, weight approx. 195g; also a silver sieve, maker H A, Sheffield 1918, 13cm, weight approx. 50g (2) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
French boulle mantel clock, circa 1880, the case surmounted with a cherub and gilt ormolu embellishments throughout, enclosing a dial with blue enamelled Roman numerals, the movement striking on a bell, height 40cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
J Twyford, Manchester, mahogany eight day longcase clock, circa 1810, with swan neck pediment and three turned wooden finials over double turned cluster columns flanking a 13'' painted dial, signed and with subsidiary seconds and date aperture, the movement striking on a bell, with two weights and a pendulum, feathered mahogany Gothic inspired door within cluster columns, over a canted box base raised on bracket feet, 221cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Wilson of Kendal, provincial oak eight day longcase clock, the hood with central brass urn finial, over two slender columns flanking a brass 13'' dial, signed and with a hatched centre, subsidiary seconds, the movement striking on a bell, with two weights and a pendulum, the trunk with a conch shell inlay to a shaped door, raised on a box base, height 192cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
George III mahogany bracket clock, by Jonathan Mann, London, caddy top with lacquered brass carrying handle, painted 6'' dial with moon phase and central alarm indicator, the movement striking on a bell, with engraved backplate, with pendulum, all raised on a plinth base, height 45cm, width 23cm, depth 16.5cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Morris (Rev. F. O.).A Natural History of the Nests and Eggs of British Birds.John C. Nimmo, 1892, third edition, three volumes, 248 coloured plates as called for, gutter slightly gaping in places, otherwise Fine;idem, A History of British Butterflies.George Bell, 1870, fifth edition, seventy-two coloured plates, two monochrome plates, Fine.All four volumes with armorial bookplates, marbled edges and endpapers, uniform half crimson morocco by Mudie (top edges slightly dust-dulled).[Provenance - Dutton Manor, Lancs.]
Bewick (Thomas and John).[Bell (John Gray)*], A Descriptive and Critical Catalogue of Works, Illustrated by Thomas and John Bewick, Wood Engravers, of Newcastle-Upon-Tyne; with an Appendix of their Miscellaneous Engravings, Brief Sketches of their Lives, and Notices of the Pupils of Thomas Bewick.John Gray Bell, 1851, large paper subscriber’s copy, folio in fours, viii, 77 pages plus 8 page errata and addenda loosely inserted (including portrait of Rev. Farrer), 382mm x 273mm, three plates, manuscript note by the publisher to front pastedown ‘Subscription Copy, Large Paper. No 6. J.G.B.’ ‘Bookplate’ of Joseph Cowen, faded original cloth gilt, front hinge split, offsetting to title page of a portrait not present. As Bell was known to add illustrations to customers' requirements, an authoritative collation has not been found. This copy is therefore sold as described.[*Sometimes attributed to E.J. Selwyn, see Roscoe p.xxi]. [Sir Joseph Cowen 1800-1873, born in Greenside, County Durham. Colliery owner having inherited Blaydon Burn. Elected Liberal MP for Newcastle at the 1865 election. Buried in Winlaton]
Bell (Currer) [Charlotte Bronte].Villette.Smith Elder, 1853, first edition, three volumes, [iv], 324; [iv], 319, [1]; [iv], 350, [2] pages, last page blank, bound without catalogue, armorial bookplates, contemporary half calf. Later calf-edged slipcase. Smith 6.[From the library of John Gilbert Winant, US Ambassador to England, then to Gilbert Verney].Contents clean and free of inscriptions, minor stain to vol. 1 B4-5, slight gaping to gutter before contents page of vol. 1, very minor spotting/foxing to fore-edges, spines darkened, spines, joints and marbled boards rubbed.
A FRENCH GILT METAL MANTEL CLOCK WITH PORCELAIN PANELS CIRCA 1880, JAPY FRERES With eight-day bell striking movement, with Japy Freres maker's Grande D'Honneur award roundel and inscribed H J & Co, Paris to backplate, the case with urn finial above the drum movement and scrolls containing a pair of porcelain plaques, the shaped base with further plaque 31cm high Condition Report: Ovrall the gilt appears to have been refreshed overall, some light signs of discolouration, some old pitting, no bezels There is an associated winding key, there is a pendulum and it has the bell, Dreweatts have not tested the movement and cannot make any comments or guarantees as to accuracy or longevity - it is ticking when wound. Porcelain panels appear intact, some surface wear The lid of the urn is removable and this is where the key is presently stored Condition Report Disclaimer
A FRENCH GILT METAL AND CHAMPLEVE ENAMEL MANTEL CLOCK LATE 19TH CENTURY, JAPY FRERES The eight-day bell striking movement stamped to the backplate with maker's roundel and also for GAY VICARINO & Co. GV PARIS, the case surmounted by a finial and cherub, the case with columnar corner supports with attendant cherubs 40.5cm high Condition Report: Overall the gilt with some light signs of discolouration, some old pitting, no bezel to the front, there is a door to the rear with late fabric lining Enamel with some slight losses and discolourationWith original pendulum and later key, and it has the bell, Dreweatts have not tested the movement and cannot make any comments or guarantees as to accuracy Please see additional images for visual reference to condition Condition Report Disclaimer
A MAHOGANY BRACKET CLOCK MOVEMENT THOMAS HAWKINS, LONDON The double fusee bell striking movement signed to the backplate, and now in a mahogany case with associated dial signed ''W. J. Smith, Bath' 45cm high Provenance: Private Collection, Berkshire Please note: This clock case is ebonised rather than Mahogany, catalogue description has since been updated, and is not as originally catalogued. N.B. Please see amendments/clarification of the description within the condition report below: Condition Report: Clock case is ebonised rather than mahogany. The movement is in working condition (a gentle clean and overhaul is advised) and appears essentially original except for the escapement which has been converted from verge to anchor. The dial plate is original to the movement however has been re-painted and the signature for 'W. J. SMITH, BATH' has been added. The case also appears to be original to the movement and dial and is in sound original condition with faults mostly limited to minor shrinkage, wear and other slight age related blemishes. The case of the case has been drilled with three holes (towards the rear) probably to help sound of the bell to be heard. The sides have two small holes above the apex of each aperture - the purpose of these is unknown but is not considered indicative of any alteration.Clock has a crank winder and case key. Case with marks, knocks, scratches, abrasions consistent with age and use, dirt and discolouration to the brassware Please see additional images for visual reference to condition Condition Report Disclaimer
A FRENCH GILT METAL FIGURAL MANTEL CLOCK LATE 19TH CENTURY With eight-day bell striking movement, signed C.J. & Co, with white enamel Roman numeral dial centrally signed for Hry Marc, within a lapis lazuli mask, the case surmounted by two bacchanalian putti and with flanking scrolls terminating in feet and with further toupee feet 46cm high Condition Report: Overall will require attention, the elements of the case are loose and detached, the movement dirty, the case gilt worn and verdigris overall, dirt to the deeper recesses, the minute hand hangs limply at the half hour mark and swings when touched - movement untested but likely requiring attention before use in a domestic setting, no keys or pendulum present. Dirt and deposits to the movement, requiring a clean as well some remedial workAs catalogued this is made of gilt metal, there appears to be some bronze elements (cherubs appear to be bronze, other elements appear to be spelter or similar) Some chips and losses to the enamel dial, cracking and crazing too Please see additional images for visual reference to condition Condition Report Disclaimer
DELPHIN MASSIER, VALLAURIS FRANCE, A BELL-SHAPED ENAMELLED FAIENCE VASE LATE 19TH CENTURYDecorated in shades of green and ochre with flowering iris, script marks to base, 18.5cm high Condition Report: Some small nibbles to the interior rim of the neck. See supporting imagesCondition Report Disclaimer
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![Bewick (Thomas and John).[Bell (John Gray)*], A Descriptive and Critical Catalogue of Works, Illustrated by Thomas and John B](https://cdn.globalauctionplatform.com/0fb506f0-bb70-4452-a7d8-b0b700db50ba/163cc372-6ba1-4b44-958d-b14701009bac/468x382.jpg)
![Bell (Currer) [Charlotte Bronte].Villette.Smith Elder, 1853, first edition, three volumes, [iv], 324; [iv], 319, [1]; [iv], 3](https://cdn.globalauctionplatform.com/0fb506f0-bb70-4452-a7d8-b0b700db50ba/4cd33f67-5948-4b6f-a49c-b1470100d81a/468x382.jpg)
