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Click here to subscribeRoyal Doulton Winnie the Pooh Collection Figures:- I've Found Somebody Just Like Me, WP22, limited edition No 2735/5000, on wooden plinth; Pooh Counting the Honey Pots, WP12; Winnie the Pooh and the Fair Sized Basket, WP19; Eeyore's Birthday, WP14; Piglet Picking Violets, WP13; together with a Hummel First Edition Annual Bell 1978. (6)
Essex.- Townsend (Frederick Henry, 1868-1920) [Sketchbook], early sketchbook containing c.100pp. of pencil drawings including over 20 views, over 20 portraits, studies of animals, flowers, trees (one coloured) and rough sketches, original cloth-backed boards,rubbed and stained, 4to, [c.1896-97].⁂ Townsend was an illustrator and cartoonist and became the first art editor of Punch in 1905. Several of the locations of the sketches are identified as Woodham Walter in Essex including West Bowers Farm, the Warren (now a golf-club) and the Bell pub, and of nearby Little Baddow and Danbury. The portraits appear to be of the artist's wife and daughter.
Medicine.- Bell (Sir Charles) A System of Dissections, explaining the Anatomy of the Human Body, 2 vol. in 1 (comprising vol.1 Parts 1-5 and Appendix, vol.2 Parts 1-2), first edition, 30 engraved plates after Bell, 3 folding, vol.1 Part 1 with explanation slips to plates II-IV and Directions to Binder slip all bound in, vol.2 with engraved illustration in text, some plates lightly foxed and with slight water-staining to fore-margin (mostly vol.1), plate I & XIV repaired at fore-margin and inner margin respectively causing slight staining, modern calf-backed buckram, folio, Edinburgh, for Mundell and Son, 1798-03.⁂ Scarce first edition complete with Appendix to vol.1.
Medicine.- Bell (Sir Charles) The Anatomy of the Brain, first edition,12 stipple-engraved plates by T.Medland & others after Bell, all but one printed in colours and finished by hand, contemporary ink signature "Rich. Wallas Darlington" at head of title (shaved) and with his bookplate, some light foxing and offsetting, old marbled boards, rubbed, rebacked and recornered in morocco, spine slightly faded, [Wellcome II, p.315], 4to, 1802.⁂ Important treatise on the brain illustrated with magnificent engravings. Bell studied the brain and the nervous system throughout his life and discovered the two distinct types of nerves, sensory and motor.
A MID 19th CENTURY MAHOGANY CASED DOUBLE FUSEE BRACKET CLOCK the serpentine top case with carved leaf work decoration above a cast brass glazed convex door enclosing a 7.5” painted dial with Roman numerals fronting a chain driven double fusee movement striking the hours on a bell, backplate signed Fagg, Margate 42cm high
ROBERT SADLER LONDON A FINE GEORGE I BURR WALNUT MONTH GOING LONG CASE CLOCK the twelve inch brass dial with silvered chapter ring, matted centre with ringed winding holes and engraved date aperture, crown and cherub cast brass spandrels and name plaque to the arch fronting a month going movement with five finned pillars and outside count wheel strike, striking the hours on a bell. The finely proportioned case with short grain mouldings, arched fretted hood and double plinth base with original brass cased weights and pendulum 232 cm high.
GEORGE WHITE, BRISTOL A FINE GEORGE III SHERATON MAHOGANY AND SATINWOOD MARQUETRY INLAID TIDAL LONGCASE CLOCK with swan neck pediment and large urn finial above a glazed wavey edged door flanked by two twisted Corinthian columns leading to an arcaded mould, the trunk with canted corners and inlaid oval panels to the door on square base with applied mulberry wood panel on ogee bracket feet. The 12” silvered engraved arch dial with Roman chapter ring, subsidiary seconds dial and calendar aperture, the arch with moon phase and tidal times engraved “HIGH WATER AT BRISTOL KEYS“ fronting an eight-day weight driven movement striking the hours on a bell 245cm high.
WILLIAM LOCK UNION STREET BATH A FLAMED MAHOGANY REGENCY LONGCASE CLOCK having a twelve inch convex painted dial with Roman Numerals and centre seconds dial fronting a five pillar eight-day weight driven movement striking the hours on a bell. The slender case with an arched topped door, canted corners and double plinth base 198 cm high.
A LATE 19th CENTURY BLACK SLATE MANTEL CLOCK with shaped plinth base having green veined marble mouldings below a scrolled support holding a drum style case enclosing a two-piece enamel dial with Roman numerals and visible anchor escapement fronting an eight day spring driven movement with outside count wheel striking the hours/half hours on bell 33cm high
A LATE 19th CENTURY TRIPLE FUSEE EIGHT BELL BRACKET CLOCK the dark mahogany case with carved tile worked pediment above a carved blind fret glazed door flanked by two reeded corinthian columns enclosing a 7" brass arched dial with silvered engraved Roman chapter ring and matted centre below two subsidiary dials for Chime/Silent and Eight bells/Four bells selector surrounded by gilt spandrels fronting an eight-day chain driven triple fusee movement chiming the quarters on eight bells and the hour on a gong 53cm high - comes with it's original wall bracket.
AN EARLY 20th CENTURY WINTERHALDER & HOFMEIER QUARTER CHIMING BRACKET CLOCK the mahogany bell top case with brass carrying handle above a ogee shaped glazed door and brass inlaid canted corners enclosing a silvered dial with applied Roman chapter ring and regulation subsidiary dial fronting an eight day spring driven movement chiming the quarters on two gongs 38cm high.
A LATE 19th CENTURY FRENCH MANTEL CLOCK with large ormolu mounted urn finial above a black slate and rouge marble case with champleve decoration enclosing a 4” slate and rouge marble dial with gilt Roman numerals and champleve centre fronting an eight day spring driven movement striking the hours/half hours on a bell 39cm high - bell lacking.
A LATE 19th CENTURY FRENCH WALNUT MANTEL CLOCK the case with carved flower decoration and applied columns enclosing a 3.5” porcelain dial with Roman numerals and signed Richard & Cie, Paris, fronting a spring driven eight day movement striking the hours/half hours on a bell 24.4cm high - bell lacking.
THOMAS HALLY, GLASGOW AN EARLY 18TH CENTURY INLAID WALNUT THREE TRAIN LONGCASE CLOCK with caddy top and narrow trunk arched top door fitted lenticle and standing on a plinth base. The 12" brass dial with chapter ring and mask head spandrels, enclosing a matted centre with three winding holes and date aperture below an arch top with name plaque and strike silent hole. Fronting a large eight-day movement with finned pillars and strike on a bell, the barrel and musical bells are missing 244cm high.
J. JACKSON, TAVISTOCK A REGENCY MAHOGANY BRACKET CLOCK the archtop case with brass loop handles and fish scale sound frets to the sides and inset brass framed panel to the front enclosing an 8" convex painted dial with Roman numerals fronting and eight day double fusee movement striking the hours on a bell 41cm high
A LATE 19th CENTURY OAK CASED EIGHT BELL QUARTER CHIMING BRACKET CLOCK the gothic style case with architectural pediment and applied corner columns enclosing a silvered engraved dial with Roman numerals and scrollwork spandrels fronting a three train spring driven eight day movement striking the quarters on a nest of eight bells 51cm high.
GEORGE GOODALL, MICKLEFIELD A RARE GEORGE III MUSICAL LONGCASE CLOCK MOVEMENT having an arched brass dial with moulded border, silvered Roman and Arabic chapter ring and gilt pierced corner spandrels, polished and engraved centre with calendar aperture and silvered tune selector, the arch enclosing a silvered engraved revolving moon disc. The substantial three train eight day weight driven movement playing seven tunes on ten bells with 20 hammers powered by a large wooden cylindrical pin barrel with unusual propeller style fly wheel and striking the hours on a larger bell.
THOMAS PACE, LONDON A GEORGE III FIGURED MAHOGANY MINIATURE DOUBLE FUSEE BRACKET CLOCK the arch-topped moulded case with brass finials and fish scale sound frets. Having a 4.5” floral engraved silvered dial with signed name plaque to the arch and roman numerals, fronting a small double fusee 8-day movement with anchor escapement and striking the hours on a steel bell 27cm high with the handle down.
SAMUEL SMITH, LONDONAN EARLY 18th CENTURY MUSICAL LANTERN CLOCK the 10” arched brass dial having signed Roman chapter ring and matted centre the arch engraved with a portrait of Peter The Great of Russia with emblems of war including a cannon, cannon balls, swords, and banners, inscribed round a flag ‘PETRO ALEXII FIL RUSSORIUM MAGNO CESARI’. The weight driven movement with verge escapement and cylindrical musical barrel chiming the hours on a nest of eight bells and a larger bell 39cm high.
THOMAS PARKER, LONDONA SMALL LATE 17th CENTURY VERGE 30 HOUR LONGCASE CLOCK having a slim ebonised case, caddy top hood above a glazed door flanked by two turned pillars enclosing a 6” brass dial with silvered Roman chapter ring and silvered alarm disc to centre fronting a weight driven movement with alarm mechanism, finned pillars, verge escapement striking the hours on a bell 192cm to top of caddy.
NAT. HEDGE COLCHESTER AN 18TH CENTURY BLACK LACQUER AND CHINOISERIE LONGCASE CLOCK with caddy topped hood and arched trunk door above a moulded plinth base. The 12” brass and silvered dial with chapter ring and spandrels enclosing a matted centre with ringed winding holes and date aperture fronting an eight day four pillar movement with anchor escapement and bell strike 244cm high.
AN EARLY 19th CENTURY FRENCH SIENNA MARBLE AND ORMOLU MOUNTED MANTEL CLOCK with rectangular case surmounted by urn finial and applied gilt acanthus leaf mouldings enclosing a gilt brass dial with embossed flower head centre and Roman chapter ring fronting an eight day spring driven movement with outside count wheel and silk suspension striking the hours/half hours on a bell 37cm high 19.5cm wide
A LARGE EARLY 19TH CENTURY FRENCH RED TORTOISESHELL, ORMOLU MOUNTED AND BOULLE MANTEL CLOCK WITH A DOUBLE FUSEE 8- DAY MOVEMENT BY PURVIS, LONDON the finely made balloon shaped case with figures and rococo shaped bracket feet. The 10” dial with white and blue enamel Roman numerals having a name plaque signed Mousset A’Paris. Fronting a double fusee 8-day movement striking the hours on a bell, signed to the back plate Purvis, North Audley Street, Grosr. Square 87cm high.
JONES, ABINGDON AN EARLY 18th CENTURY HOODED WALL CLOCK the pine case with sliding hood and shaped bottom enclosing a 7" square brass dial with silvered chapter ring having Roman numerals, the centre with engraved silver alarm disc and unusual pierced brass spandrels to the corners fronting a weight driven 30 hour posted movement with crown wheel alarm mechanism and striking the hours on a bell 63cm high
WILLIAM MASON, LONDONA GEORGE III FIGURED MAHOGANY BRACKET CLOCK the bell top case with pineapple finials and brass carrying handle above a moulded glazed door enclosing a 7.5’ brass and silvered dial with rococo spandrels, Roman and Arabic chapter ring with matted centre having date aperture and mock pendulum, subsidiary strike/silent dial to the arch fronting an eight day double fusee movement with full engraved backplate, verge escapement striking the hours on a bell 54cm high.
A LATE 19th CENTURY QUARTER CHIMING LENZKIRCH BRACKET CLOCK the bell top bur maple case with reeded canted corners and gilt brass pierced sound frets enclosing a 4.5" ogee arched brass dial with silvered Roman chapter ring, matted centre and gilt spandrels fronting a spring driven movement chiming the quarters on two gongs 38cm high
JOHN DICKMAN, EDINBURGH A WILLIAM IV FLAMED MAHOGANY SCOTTISH EIGHT DAY LONGCASE CLOCK with round dial, cross-banded door and architectural top. The 12" diameter painted dial with Roman numerals, seconds and date dials to the centre, fronting an eight-day weight driven movement striking on a bell 204cm high.
THOMAS MOORE, IPSWICHA 19TH CENTURY MINIATURE BRASS LANTERN CLOCK having a 4" arched dial with silvered chapter ring, brass cast spandrels and signed circular name plaque. The posted frame with side doors and strapped bell enclosing a striking spring driven 8-day movement with rear wind and anchor escapement 21cm high.
JOSEPH WINDMILLS, LONDON AN EARLY 18th CENTURY BURR WALNUT MONTH DURATION LONGCASE CLOCK the hood with caddy top pediment above an arched glazed door and side columns on a long trunk with moulded six sectional veneered door on box base. The 13” brass arched dial with silvered Roman chapter ring and Arabic minute track, matted centre with subsidiary seconds dial, the arch with recessed silvered star and calendar dial surrounded by gilt spandrels fronting a month duration six finned pillar movement striking the hours on a bell 270cm high.
AN UNUSUAL LATE 19th CENTURY FRENCH FIGURAL MYSTERY CLOCK the young child rotates pulling the glass bob pendulum back and forth while the young lady holds it up, mounted on black slate base with lion mask handles enclosing a 4" slate dial with applied gilt Roman numerals fronting an eight-day spring driven movement striking the hours/half hours on a bell along with a complicated mechanism which powers the boy 59cm high
EDWARD SHEPLEY, MANCHESTER A RARE LATE GEORGIAN FOUR TRAIN MUSICAL AND TIDAL LONGCASE CLOCK the flamed mahogany case with swan neck pediment above a glazed arched door flanked by two cluster columns repeated on the trunk enclosing a 14" painted arched dial with Roman numerals, Arabic calendar and minute track with centre seconds, centre calendar and subsidiary dial with tune selection. The painted corner spandrels representing the four seasons with tidal times and rotating moon dial in the arch depicting Nelson celebrating victory at the Battle of the Nile fronting an eight-day weight driven movement playing seven tunes on twelve bells and the quarters on two separate bells striking the hours on a larger bell 247.5cm high.
ROBERT SPENCE, DYSARTAN UNUSUAL GEORGE III LACQUERED LONGCASE CLOCK having break arch pediment above arched glazed door flanked by two turned columns, the trunk with arched top door on box base. The 9” brass arched dial with silvered Roman chapter ring and Arabic minute track matted centre, silvered cartouche to the arch and gilt spandrels fronting a single train eight day weight driven movement with passing strike on bell 209cm high.
A LATE 19th CENTURY FRENCH TORTOISESHELL VENEERED MANTEL CLOCK the gilt brass moulded case with caddy top enclosing a 4.5” convex enamel dial with Roman numerals and Arabic minute track on the quarters fronting an eight day spring driven movement striking the hour/half hours on a bell 33cm high.
JOSEPH M FRENCH, ROYAL EXCHANGE, LONDON A FINE QUALITY REGENCY ROSEWOOD AND GILT BRASS INLAID BRACKET CLOCK the case with gilt pineapple finial on a chamfered top pediment above scroll inlaid case with brass canted corners and lion mask loop handles, hinged brass locking bezel with bevelled convex glass enclosing an 8” silvered engraved dial with Roman numerals and strike/silent lever above the twelve fronting an eight day chain driven fusee movement striking and repeating the hour on a bell, backplate signed and with pendulum keep 51cm high.
JOHN HOCKER, READING AN EARLY 18TH CENTURY AND LATER LABURNUM OYSTER VENEERED EIGHT-DAY LONGCASE CLOCK having barley-twist columns, geometrically inlaid door and base; standing on a plinth base. The 12" brass dial with silvered chapter ring and crown and cherub spandrels enclosing a matted dial centre with seconds dial and engraved date aperture. Fronting an eight-day weight driven movement with five finned pillars, inside countwheel strike on a bell 226cm high.
A LATE 19th CENTURY FRENCH MARBLE AND ORMOLU MANTEL CLOCK SIGNED MAPLE AND CO the bow fronted case with bevelled glass panel and swag decoration on green marble base enclosing a 3” porcelain dial with Arabic numerals and painted floral decoration fronting an eight day spring driven movement striking the hours/half hours on a bell 31cm high - bell lacking.
A MID 19th CENTURY ENGLISH SKELETON CLOCK UNDER GLASS DOME the silvered engraved pierced dial with Roman numerals fronting a pierced double framed eight day chain driven fusee movement with six spoke wheel work throughout and passing strike on a bell, standing on a moulded ebonized base 45cm high - wood rod pendulum with cylindrical lead bob and brass regulation nut.
FRANCIS WELLS, LONDON A MID 18TH CENTURY EBONISED INVERTED BELL TOP VERGE BRACKET CLOCK with folding brass handle above an inverted bell-shaped top, glazed side windows and hinged brass edged door with sound frets; standing on a moulded plinth base and shaped brass bracket feet. The 7" brass arched dial with silvered chapter ring having Roman numerals and outer minute markings, matted dial centre with date dial, name plaque and mock pendulum aperture; the arch with Strike/ Silent function and Rococo cast brass spandrels. Fronting a fully engraved eight-day double fusee movement with verge escapement and hour strike on a bell 44cm high with the handle down.
A FRENCH EMPIRE ORMOLU URN-SHAPED MANTEL CLOCK surmounted by two swan heads, the case with acanthus leaf and dragonfly decoration enclosing an 8cm enamel dial with roman numerals signed, Loizillon à Rouen, fronting an eight-day spring driven movement with silk suspension and outside count wheel striking the hours/half hours on a bell 33.5cm high.
A LATE 19TH CENTURY FRENCH INLAID SATINWOOD MANTEL CLOCK/ BAROMETER having a pillar-shaped case with floral inlays and scrolled sides, standing on a plinth base. The 4” circular silvered engraved dial having Roman numerals and surrounded with a gilded brass oak leaf border. Fronting an eight-day spring driven movement with silk suspension and outside count wheel strike on a steel bell. The front with a silvered engraved thermometer 41cm high.
A LATE 19th CENTURY BURR WALNUT LENZKIRCH QUARTER CHIMING BRACKET CLOCK the case with carved bell top and brass urn finials above four reeded canted corners enclosing an arched brass dial with silvered Roman chapter ring, matted centre and subsidiary regulation dial above surrounded by ormolu spandrels fronting an eight day spring driven quarter striking movement on two gongs 39.5cm high
A LARGE LATE 19th CENTURY FRENCH BOULLE WORK TORTOISESHELL BRACKET CLOCK AND BRACKET the brass inlaid balloon shaped case with ormolu Old Father Time finial above a glazed hinged ormolu door with leaf work decoration enclosing a 10" porcelain and brass segmented dial with blue Roman and Arabic numerals fronting an eight day spring driven movement with outside countwheel striking the hour/half hour on a bell, sunburst pendulum and original bracket 93cm high, bracket measures 34cm
RIVERS, CORNHILL, LONDONA REGENCY MAHOGANY CASED BRACKET CLOCK the arched case with brass framed pad top and brass carrying handle above a full front opening door with cast brass bezel and fish scale sound frets enclosing a an 8” convex painted dial with Roman numerals fronting a double fusee eight day movement with engraved border to backplate and pendulum bob, striking the hours on a bell 40cm high.
Allan Gwynne-Jones, CBE, DSO, RA (British, 1892-1982) and others Portrait studies of Professor John Mavrogordato, both signed with initials "AGJ 1944", 28 x 20cm (11 x 8in) and 25 x 20cm (10 x 8in), pencil, unframed (2); Lettice Sandford (British, 1902-1993), Prospectus frontispiece for "The Golden Bed of Kydno", 1935, lithographic print, 31 x 23cm (12 x 9in); Katerina Wilczynski (German, 1894-1978), Portrait studies of Professor John Mavrogordato, one inscribed lower right "Thanks for so many / sittings in patience / K Wilczynski / 11/2/42"; the second dated lower right "17/1/42 Prof. Mavrogordato", pen and ink, unframed, 27 x 34cm (10.5 x 13.5in) and 30 x 25cm (12 x 10in) (2); Thomas Derrick (British, 1885–1954), A design for a Christmas Card, with a Nativity scene and bell ringers below, signed "July 1st 1944 / to John Mavrogordato / with very best wishes / Thomas Derrick", lithograph, unframed, 29 x 22cm (11.5 x 8.5in); Katerina Wilczynski (German, 1894-1978), Roman ruins with shadowy figures, signed lower left with initials "KW '52" / Bahnai", pen and ink, and sold with book (2), 37 x 44cm (14.5 x 17.5in); Peter Richey (British, 20th Century), Rennie's London Bridge, oil on board Provenance: Given by the artist to Professor John Mavrogordato on 6 June 1944 and by descent within the Mavrogordato family Other Notes: Allan Gwynne-Jones began a course at the Slade School of Fine Art in 1914, but three months later was commissioned into the Welsh Guards, Cheshire Regiment. He was wounded and awarded the Distinguished Service Order at the Battle of the Somme in 1916. After demobilisation in 1919, he taught at the Royal College of Art where he became Professor of Painting between 1923 and 1930 - when he resigned to join the staff of the Slade School of Fine Art. He continued teaching at the Slade until 1958. Unframed and corners are stuck down to paper. Some browning to the paper and one small tear.
A Mid-20th Century Belleek figurine depicting a resting dog bearing the back stamp for period 1946-55 together with mid-20th Century Belleek figurine depicting an elf on a toadstool bearing the back stamp for period 1946-55, two mid-20th century Belleek clover jars, one for jam and the other honey, a small bowl, all bearing factory marks for 1946-55, a mid-20th century Belleek table bell and a Donegal porcelain vase with two mid-20th century Belleek porcelain swans bearing back stamp for period 1946-55.
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![Essex.- Townsend (Frederick Henry, 1868-1920) [Sketchbook], early sketchbook containing c.100pp. of pencil drawings including](https://cdn.globalauctionplatform.com/46142c27-9756-41a8-8d56-a84f00b4fee4/998a0b33-f930-4245-e501-ade5f6787851/468x382.jpg)
