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Lot 51
Ed Ruscha - Business Cards by Billy Al Bengston and Edward Ruscha. Los Angeles, Heavy Industry Publications 1968. Mit Abbildungen nach Fotografien und zwei Visitenkarten. Originalbroschur mit Leder-Schnur-Bindung.Erste Ausgabe. - Originalfotografie von beiden Künstlern auf dem Vorderdeckel montiert (in Fotoecken), dort von beiden Künstlern signiert. - Die Kunstaktion von Ruscha und Al Bengston, die vom 27. Dezember 1967 bis 3. Januar 1968 stattfand, - Konzeption, Herstellung und Präsentationsessen in Beverly Hills - wurde von den Fotokünstlern Larry Bell und Ken Price für dieses Künstlerbuch dokumentiert. Die Visitenkarten wurden mit Klammern auf die Seite geheftet. Die geknitterte Visitenkarte von Bengston ist eine Anspielung auf seine Gemäldeserie »Dento«, die er in den 1960er Jahren schuf.22,3 : 14,4 cm. [32] Seiten.Engberg/Phillpot B7
Lot 1040
Henry Hindley of York - 18th century 8-day oak cased longcase clock c1765, with a flat topped pediment, wide cornice and blind frieze beneath, square hood door with attached pillars and brass capitals, rectangular trunk with a conforming long flat topped door, corresponding plinth with a decorative applied base and feet, brass dial with a silvered chapter ring, seconds dial and square date aperture, Roman numerals, five minute Arabic's and minute band, cast spandrels and matted dial centre, twin train rack striking movement with baluster pillars and an unusual striking hammer arrangement designed to operate a separate striking mechanism and bell housed in another room/location. Bell mechanism present. With weights and pendulum. Dimensions: Height: 205cm Length/Width: 40cm Depth/Diameter: 20cmCondition Report:Associated pendulum requires a new suspension.
Lot 1041
8 day mahogany longcase clock c1790 - with a swans neck box top and brass finial above a break arch pediment and hood door, free standing pilaster with Corinthian capitals, trunk with a wavy topped door on a rectangular plinth with an applied decorative skirting, brass dial with "Ryding Hull" engraved on a boss in the arch, formerly silvered chapter ring with roman numerals and minute track, seconds dial and matching brass hands, dial pinned via a false plate to a rack striking movement, striking the hours on a bell. With weights and pendulum. Dimensions: Height: 225cm Length/Width: 45cm Depth/Diameter: 24cm
Lot 1043
Holliwell & Son of Derby - mid-19th century oak and mahogany 8-day longcase clock, with a swans neck pediment and recessed break arch hood door, plain turned pilasters with brass capitals, trunk with quarter columns to the corners and a wavy topped trunk door, with a square plinth on bracket feet, painted break-arch dial with Roman numerals, minute track, five minute Arabic's and calendar aperture, floral spandrels and a painted oval to the arch, dial pinned via a false plate to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 215cm Length/Width: 48cm Depth/Diameter: 23cmCondition Report:Front and rear case feet missing at one side of the plinth.
Lot 1044
William Coulton of York - 18th century 30-hour ebonised longcase clock, with a flat pediment, broad cornice and plain frieze beneath,, square hood door with attached pillars, long break arch trunk door and rectangular plinth, matted dial centre with curved date aperture and cast spandrels, chapter ring with Roman numerals, five minute Arabic's, minute and inner quarter hour tracks, count wheel striking movement striking the hours on a bell. With pendulum and weight.Dimensions: Height: 203cm Length/Width: 40cm Depth/Diameter: 20cmCondition Report:Minute hand broken. Driving rope missing. Hood door glass cracked.
Lot 1045
Stephenson of Penrith - 18th century 30hr oak longcase clock c 1760, with a flat top pediment , broad cornice and blind fret beneath, square hood door and detached pilasters with brass capitals, long trunk with a wavy top door on a rectangular plinth with an attached moulding to the base, Square brass dial with spandrels, chapter ring with Roman numerals and minute track, plain dial centre engraved with makers name and a square date aperture, dial pinned to a rack striking movement, striking the hours on a bell. With pendulum and weight.Dimensions: Height: 210cm Length/Width: 46cm Depth/Diameter: 23cmCondition Report:Bell, seat board and driving rope missing.
Lot 49
A Victorian Scottish Silver Christening Mug by James Reid & Co. Glasgow 1876, retailed by Sorley Silversmiths, Glasgow, embossed and chased with seven panels of various animals within bands of leaf scroll ornament, 3.5ins high, weight 5.9ozs, with presentation inscription 'John Bell from Grandpapa Bell, 19th August 1876', in silk and velvet-lined Morocco leather-covered case
Lot 990
A 19th Century Brass Framed Skeleton Clock, the 4.75ins diameter silvered chapter ring engraved with floral and scroll ornament and with Roman numerals, to the eight day two train chain and fusee movement, supported by two brass plates of scroll design, striking on a bell on turned supports, 12ins high and mounted on red cloth covered and moulded ebonised base with bun feet and under glass dome
Lot 984
A Late 19th Century French Black Marble Cased Mantel Clock by S Marti & Co. and retailled by Bennett, 65 & 64 Cheapside, London, No. 2308 3323, the 4.25ins diameter white enamel chapter ring with roman numerals with exposed escapement to centre, to the eight day two train movement striking on a bell, contained in case of architectural design with shaped pediment, stepped sides and on rectangular plinth base 13.5ins high
Lot 1020
A Late 18th Century Mahogany Musical Longcase Clock by John Porthouse of Penrith, the 14.5ins arched painted dial with Roman and Arabic numerals subsidiary seconds dial and date aperture, the spandrels decorated in gilt with floral and scroll ornament, the arch painted with a garden landscape with a gentleman serenading a lady, to the eight day four pillar movement striking on a bell and chiming on eight bells, contained in case with dentil moulded scroll pediment carved with flower head terminals above blind fret panel and cluster columns to hood, Gothic arched trunk door with carved edge, cluster columns to sides and on plinth base with cant corners and ogee bracket feet, 99ins high Note: John Porthouse of Penrith recorded working circa 1771
Lot 998
A 19th Century Satinwood Four Glass Mantel Clock by Arnold, 84 Strand, London, No.417, the 3.25ins diameter white enamelled dial with Roman numerals within gilt surround, the spandrels engraved with leaf scroll ornament and with strike silent lever to the twin chain fusee movement with anchor escapement, striking and repeating on a bell, contained in a satinwood case with bevelled glass top and side panels on plinth base and bracket feet, 8.5ins high Note: John Roger Arnold (1783-1843), son of John Arnold
Lot 976
A Late 19th Century French Black Marble Cased and Gilt Metal Mounted Mantel Clock by Vincenti & Cie, No.6860, the 3.5ins diameter white enamel dial with Arabic numerals to the eight day two train movement striking on a bell contained in rectangular case, surmounted by cast finial with scrolls, inset with red veined marble panels and with cast drop handles to sides, on plinth base and paw feet 18ins high
Lot 1014
A 19th Century Oak Longcase Clock by Chalklen of Canterbury, the 12ins arched silvered dial with Roman and Arabic numerals, strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in case with arched and moulded pediment with turned finials and turned columns to hood, arched trunk door on plinth base with bracket feet, 84ins high
Lot 972
A 20th Century Carriage Clock by Charles Frodsham of London, the 2.25ins diameter white enamel dial with Roman numerals to the eight day two train movement striking on a bell, contained in polished brass and bevelled glass case with fluted columns to corners 6.75ins high, and original box for same
Lot 977
A Late 19th/Early 20th Century Bronzed Spelter Cased Mantel Clock No.89815, the 3.25ins diameter cream enamel dial with Arabic numerals and painted with floral garland to the eight day movement striking on a bell contained in drum pattern case surmounted by birds and flowers, on plinth base with plaque applied "Sentier Fleuri" and flanked by a woman holding a basket of flowers, with an insect on her right shoulder and on red flecked marble rectangular base with turned feet 13ins wide x 16ins high
Lot 978
A Late 19th/Early 20th Century White Flecked Marble and Bronzed Spelter Mounted Mantel Clock No.15472, the 3ins diameter enamel dial with Arabic numerals and painted with floral garland to the eight day two train movement striking on a bell contained in case surmounted by bronze spelter figure - "Ajonc" and on cast gilt metal bracket feet 21ins high
Lot 1019
A 19th Century Black Japanned and Gilt Decorated Longcase Clock by William Smith of Crowland, the 12ins arched painted dial with Arabic numerals and with date aperture, the centre painted with General Abercromby and decorated with leaf scrolls to spandrels, shell and floral sprays to arch, to the eight day two train movement striking on a bell contained in case, decorated in gilt chinoiseries and leaf shell and trellis ornament with moulded corners and split turned columns to hood, arched trunk door on plinth base, 81ins high
Lot 150
14ct gold enamel bell charm and 9ct gold jewellery including pair of hoop earrings, citrine ring, opal stud earrings, pearl stud earrings and sapphire stud earrings, all stamped or hallmarked, together with a gold-plated bangle, silver brooches including RAF sweetheart and cameo examples, wristwatches and costume jewelleryCondition Report:14ct approx 2 grams, 9ct stone set approx 4.6 grams, 9ct none stone set approx 1 gram
Lot 227
Continental - early 19th century porcelain mantle clock with a French eight-day movement, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and two figures in 18th century dress, contrasting light green background with raised gold decoration to the sides and a depiction of flying birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, count wheel striking movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
Lot 124
A BRONZE BELL, YONGZHONG, WESTERN ZHOU DYNASTYChina, 1100-771 BC. The bell is cast to either side with three rows of neatly cast protruding spiral bosses, divided by rope-twist lines.Provenance: From an important old French private collection assembled since the end of the 19th century. The family used to own one of the most expensive pieces of Asian art ever sold in France. According to the previous owner, “the present lot was hidden in a chest” and he discovered it there when he went to the place for the first time, many years ago. Condition: Original condition, commensurate with age. Wear, small dents, minor losses, minuscule nicks, signs of weathering and erosion, encrustations. The base of the handle with ancient soldering marks, probably inherent to manufacture, or from only a little time thereafter. No hidden restoration whatsoever. Spectacular naturally grown patina with various tones of green, including deep malachite.Weight: 1,595 g Dimensions: Height 33.8 cm Expert's note (added 20.2.2023): The three throws of spikes on either side of the present bell have tips of varying shape, indicative of probable filing post manufacture, and neither the result of casting nor subsequent wear or weathering. Instead, there is a theory that suggests that these spikes were used for tuning the bells (see image section, for an enlargement showing this). Examples like the present lot were often found in the tombs of nobility, such as the set discovered in a grave chamber of the Marquis Yi of Zeng (see image section).Bells of this type were made in graduated sizes to form a set or instrumental 'chime'. Each bell was capable of emitting two different tones, dependent on the exact location struck. Robert Bagley explains, “sets of bells were both aurally and visually the most prominent instruments of musical ensembles” in ancient China, but were unknown outside of China, see Jenny So (ed.), Music in the Age of Confucius, Freer Gallery of Art and Arthur M. Sackler Gallery, Washington DC, 2000, pp. 35-63.Literature comparison: Compare a related bell, 54.7 cm high, dated to the Warring States period, ca. 300-250 BC, in the collection of the Arthur M. Sackler Gallery of the National Museum of Asian Art, Smithsonian Institution, accession number S2012.9.2558.Auction result comparison: Type: Closely related Auction: Christie's New York, 20 September 2013, lot 1477 Price: USD 47,500 or approx. EUR 55,000 converted and adjusted for inflation at the time of writing Description: A Small Bronze Bell, Yongzhong, Early/Middle Western Zhou Dynasty, 11th-9th Century BCExpert remark: Note the much smaller size (25 cm)Auction result comparison: Type: Closely relatedAuction: Sotheby's New York, 20 March 2019, lot 663 Price: USD 325,000 or approx. EUR 343,000 converted and adjusted for inflation at the time of writing Description: An Extremely Rare Set of Seven Archaic Bronze Ritual Bells (Zhong) Western Zhou DynastyExpert remark: Note this lot contains a complete set of 7 bells西周甬鐘中國，公元前1100-771 年。甬鐘成合瓦形結構，兩面左右各有三行三道枚。 來源：重要法國私人收藏，建立於十九世紀末。該家族曾經擁有法國有史以來售出的最昂貴的亞洲藝術品之一。據前任主人說，“現在的拍品藏在一個箱子裡”，這是他多年前第一次去那裡時發現的。 品相：原始狀態，有磨損、小凹痕、輕微缺損、微小刻痕、風化和侵蝕跡象、結殼。手柄底部帶有舊時焊接痕蹟，可能是製造時固有的。沒有任何隱藏的修復。自然包漿，帶有各種綠色調銅綉。 重量：1,595 克 尺寸：高33.8 厘米 文獻比較： 比較一件相近的戰國時期大約公元300至250年甬鐘，54.7 厘米高，收藏於 Arthur M. Sackler Gallery of the National Museum of Asian Art，史密森學會，館藏編號S2012.9.2558。 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2013年9月20日，lot 1477 價格：USD 47,500（相當於今日EUR 55,000） 描述：西周早/中期青銅甬鐘 專家評論：請注意尺寸小很多(25 厘米) 。 拍賣結果比較： 形制：非常相近 拍賣：紐約蘇富比，2019年3月20日，lot 663 價格：USD 325,000（相當於今日EUR 343,000） 描述：西周青銅饕餮紋鐘一組七件 專家評論：請注意此為一組七件。
Lot 152
A PAIR OF GILT AND POLYCHROME-DECORATED COPPER REPOUSSE PLAQUES DEPICTING 'PRECIOUS ELEPHANTS', HASTIRATNA, 17TH-18TH CENTURYTibet. Each caparisoned elephant shown standing with the head turned to one side, the back supporting the Three Jewels over an elaborate saddle cloth decorated with foliate scroll and suspending beaded and floral jewelry, wearing a bell around the neck, finely detailed with red and green pigment. (2)Provenance: Collection de Monsieur E., a private collection of Tibetan bronzes in France. Condition: Very good condition with minor wear and manufacturing irregularities, rubbing to gilt and pigments, few small dents and tiny nicks.Weight: 402 g (total) Dimensions: ca. 29 x 27 cm (each)Elephants are symbols of majesty, power, endurance, self-control, and gentleness in Buddhism. The present lot more specifically represents the Precious Elephant, which is one of the Seven Treasures of the chakravartin, or 'universal monarch'. The mythical concept of the Buddhist chakravartin originated in India, where rulers rode elephants in both battle and peaceful processions. For further discussion of the chakravartin, see Beer, The Encylopedia of Tibetan Symbols, 1999, page 163.Auction result comparison: Type: Related Auction: Bonhams, 2 October 2012, lot 1639 Price: USD 6,250 or approx. EUR 7,500 converted and adjusted for inflation at the time of writing Description: A gilt copper alloy bronze 'precious elephant', hastiratna, Tibet, 17th centuryExpert remark: Compare the closely related subject. Note that the lot comprises only a single elephant, cast in the round, and is of much smaller size (20.3 cm). Auction result comparison: Type: Related Auction: Christie's New York, 23 March 2012, lot 1793 Price: USD 20,000 or approx. EUR 23,500 converted and adjusted for inflation at the time of writing Description: A Gilt Repousse Copper Plaque of a Caparisoned Elephant, Ming Dynasty (1368-1644)Expert remark: Compare the related subject, and the repousse technique. Note the similar size (25.4 cm) and the fact that this example may be slightly earlier than the present lot.十七至十八世紀一對銅鎏金錘鍱彩繪象寳西藏。大象頭轉向一側，站立，背部支撐著三顆珠寶，上面是精心製作的鞍座，上面裝飾著纏枝如意紋並懸掛著瓔珞和花卉首飾，脖子上戴著一個鈴鐺，上面飾有紅色和綠色顏料。(2) 來源：法國Monsieur E.私人收藏，這是一個專注於西藏青銅器的收藏。 品相：狀況極好，有輕微磨損和製造瑕疵、鎏金和顏料有磨損、少量小凹痕和微小刻痕。 重量：總402 克 尺寸：每一件約 29 x 27 厘米 大象在佛教中是威嚴、力量、忍耐、自製和溫柔的象徵。寶象是轉輪聖王的七寶之一。佛教轉輪聖王的神話概念起源於印度，那裡的統治者在戰鬥和和平遊行中都騎著大象。關於轉輪聖王可參閲Beer，The Encylopedia of Tibetan Symbols，1999年，第163頁。 拍賣結果比較： 形制：相近 拍賣：邦瀚斯，2012年10月2日，lot 1639 價格：USD 6,250（相當於今日EUR 7,500） 描述：十七世紀西藏銅合金象寳 專家評論：比較非常相近主題。請注意此僅有一尊象，圓形邊緣雕刻，以及尺寸小很多(20.3 厘米)。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2012年3月23日，lot 1793 價格：USD 20,000（相當於今日EUR 23,500） 描述：明鎏金銅寶象掛屏 專家評論：比較相近主題和錘鍱技巧。請注意相似 尺寸(25.4 厘米)，以及年代稍早。
Lot 189
A MAJAPAHIT VOLCANIC STONE FIGURE OF NANDI, JAVA, 13TH - 15TH CENTURYThe divine bull in a recumbent pose atop a double lotus base with three feet tucked under the body and the right front leg raised with the knee bent. The head turned and the tail swept to one side, adorned with a necklace suspending a large bell, the face with almond-shaped eyes, a floral ornament to his nose ridge, and flanked by long ears.Provenance: The collection of Anacleto Spazzapan. Paolo Bertuzzi, acquired from the above. Anacleto Spazzapan (born 1943) is a noted Italian archaeologist who, after retiring, became a successful furniture designer in Italy. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother's business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom.Condition: Very good condition, commensurate with age. Expected losses, few chips and nicks, signs of weathering and erosion, structural cracks, and encrustations.Dimensions: Length 54 cm, Height 43.5 cmNandi is Shiva's mount and the gatekeeper of Shiva in Hindu mythology. He is seen as full of joy (nandi) in the presence of his master. An image of controlled virility and devotion, he would typically be placed in front of a Shiva temple facing a shrine.Literature comparison:Compare a related andesite statue of Parvati standing on Nandi, East Javanese period, 14th century, in the collection of the Metropolitan Museum of Art, accession number 2001.407.
Lot 209
A SILVER-INLAID BIDRI HOOKAH BASE, 18TH CENTURY Bidar, central India, 18th century. Of typical bell form tapering to a thin neck with flanged collar and flaring mouth, the body decorated with silver inlays, depicting bands of scrolling flowers above the shoulder and foot, the internal ring with bands of teardrops, the main body and neck with a diaper pattern.Provenance: French trade. Condition: Very good condition with some old wear and traces of usage, few surface scratches, little losses to the inlays, the base drilled with a minuscule hole. Some casting flaws, such as pitting to base.Weight: 1,698 g Dimensions: Height 17.4 cmLiterature comparison: Compare with a bell-shaped hookah with large stylized floral motif on a plain ground, illustrated by Zebrowski, Gold, Silver & Bronze from Mughal India, 1997, p. 236. For an example with an allover 'star form' pattern, see Simon Ray, Indian & Islamic Works of Art, November 2010, no. 28, p. 64.Auction result comparison:Type: Near identicalAuction: Christie's London, 6 October 2011, lot 426Price: GBP 4,750 or approx. EUR 7,300 converted and adjusted for inflation at the time of writingDescription: A bidri hookah base, bidar, central India, 18th centuryExpert remark: Compare the near identical form as well as the closely related silver inlays and size (17.2 cm)
Lot 46
A BLACK AND WHITE JADE 'ARCHAISTIC' AXE-FORM OPENWORK PENDANT, 18TH CENTURYChina. Finely carved in the form of an axe-form bell detailed with a band of archaistic dragons below neatly incised ruyi heads forming a beast head, all surmounted by a bi disk and a pair of confronting chilong. The translucent stone of an attractive white tone with veins and patches of black.Provenance: From a notable English private collector of Chinese jades. Sotheby's London, 16 June 2020, lot 241, sold for GBP 3,750 or approx. EUR 5,360 (converted and adjusted for inflation at the time of writing). A private collector, acquired from the above. A copy of the original invoice from Sotheby's, dated 16 June 2020, accompanies this lot. Condition: Excellent condition with minor wear, microscopic nibbling, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Weight: 85.2 gDimensions: Height 12.2 cmWith a fitted silk box. (2)Auction result comparison: Compare with a related white jade pendant, also in the form of an axe-form bell, of considerably smaller size and dated to the 18th/19th century, at Sotheby's Hong Kong in Fine Chinese Ceramics and Works of Art on 8 October 2013, lot 3329, sold for HKD 225,000.十八世紀仿古黑白玉鏤空雕斧式佩中國。鏤空雕刻斧形玉佩，龍紋與如意紋，斧頂一個玉璧和一對面對面的螭龍。 半透明的玉石，具有迷人的白色間帶有黑色的紋理和斑點。 來源：英國知名中國玉器私人收藏。倫敦蘇富比2020年6月16日，lot 241，售價GBP 3,750（相當於今日EUR 5,000）。一個私人收藏購於上述拍賣。拍品隨附蘇富比2020年6月16日發票複印本。 品相：狀況極佳，有輕微磨損，細微的磕損，帶有天然裂紋的玉石，隨著時間的流逝，其中一些可能會發展成細小的裂縫。 重量：85.2 克 尺寸：高12.2 厘米 拍賣結果比較：一件相近鐘形白玉佩，尺寸稍小，十八至十九世紀，見香港蘇富比 Fine Chinese Ceramics and Works of Art拍場2013年10月8日 lot 3329, 售價HKD 225,000。
Lot 1463
An Edwardian novelty silver bell inkwell, with clear glass liner, by A&J Zimmerman Ltd, hallmarks Birmingham 1909, registration no. 638948, height 7.5cm, 5.7oz grossNo damage or repair, only general surface wear, hinge working perfectly, handle very slightly pushed inwards, hallmarks rubbed
Lot 44
Chew Valley interest: late 17th Century and later brass lantern clock, Thomas Veale 1689, 6-inch Roman dial with half-hour divisions and inner quarter hour track framing a centre engraved with tulips, signed with engraved initials and date TV 89 to brass front plate (concealed by chapter ring), the chain-drive movement count wheel-striking on a strapped bell surmount over lion and unicorn supporters and urn finials, 40cm highFor a similar clock initialled and dated TV 92, see White, George, English Lantern Clocks, pp. 230-231 where stated "The earliest mention of domestic clockmaking in the district is to be found in the Chew Magna Church Records. 'The intention of Thomas Veale of Chew Magna in ye County of Somerset Watchmaker'... three delightful clocks of the familiar Bristol form are engraved with initials 'T. V.'.The clock was restored in 1993 by T. M. Kinally as detailed in accompanying repair receipt.
Lot 99
John Norcot, London – Fine walnut and seaweed marquetry eight-day brass dial longcase clock, 11-inch brass dial with signed silvered Roman chapter ring with half hour divisions, inner quarter hour track, matted centre with subsidiary seconds ring over ringed winding arbors and silvered terrestrial calendar square with engraved surround, all within winged cherub mask spandrels, the knopped five-pillar movement striking on a bell, the case with caddy top, pierced frieze and barley twist hood column over crossgrain-moulded long trunk door with lenticle over conforming base, 215cm high
Lot 241
Early 19th Century mahogany cased 8-day painted dial longcase clock, Mallett, Barnstaple, circa 1825, 13-inch signed circular Roman dial, knopped four-pillar movement rack-striking on a bell, the case with three brass ball and spire finials to the arched canted hood, with brass bezel, over moulded figured trunk door on plain base and plinth, 230cm high, sold with two weights, pendulum and key
Lot 239
Early 19th Century inlaid mahogany cased 8-day brass dial longcase clock - Richard Hornby, Oldham, circa 1825, 13-inch break-arched dial, the silvered chapter ring with Roman hours, Arabic minutes, foliate half hour divisions and inner quarter hour track, framing an engraved diaperwork centre with subsidiary seconds ring and terrestrial calendar square, within baroque mask spandrels, the arch with signed silvered strip over rolling moon phase and engraved hemispheres, the knopped four-pillar movement rack-striking on a bell, the case with gilt ball and spire finials, reeded hood columns and trunk quarter columns, boxwood-strung trunk door and canted base, on ogee bracket feet, 251cm high, sold with two weights, pendulum and winder
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