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Lot 1316

the 3" enamelled dial on an eight day Japy Freres movement striking half hourly to a bell, the case stamped Mourey, with Marley horse surmount and further scrolling floral decoration, on a gilt wood plinth and oval wooden base, under a glass dome, with pendulum and key, clock height 37cm, total height including dome and bases 54cm, width of oval base 47cm. ** **Dome broken with large hole. Some losses and repairs, one hand missing tip, regilded with some bubbling, appears to wind and strike OK but functionality not guaranteed.

Lot 1317

the enamel 4 1/2" dial on an eight day movement striking on a bell, stamped Japy Freres, the white marble and gilt case with Classical motifs, surmounted by a cherub feeding a goat upon a naturalistic base, the sides and front with inset wood panels, with pendulum and key, height 54cm, width 44cm. ** Damage to dial including chips, crack through the marble, maker/retailer's name mostly worn off. Wooden panels are replacements for original porcelain ones. Functionality not guaranteed.

Lot 1319

the 6 1/2" brass dial with enamelled Roman and Arabic numerals signed Berton a Paris, on a brass single train movement similarly signed striking to a bell, the case with scrolling floral ormolu mounts and floral inlay, with urn surmount and similarly decorated wooden bracket, with pendulum, clock height 56cm. ** Untested, not currently working, hairlines to dial, case mounts tarnished and dark in colour, losses to inlay, loose metalwork and general wear throughout.

Lot 1321

the 3 1/4" dial, possibly marble, signed A. Linchant Hr., A Namur, on a brass eight day movement signed Barrard & Vignon, Paris, serial number 727, striking half hourly to a bell, the case with alabaster urn surmount and mask and floral swag decoration with further marble panels, together with a pair of gilt and alabaster twin branch candelabra, with pendulum, clock height 36cm (3). ** Some misshapen metalwork, general wear and some possibly regilding but generally presents well, appears to wind and strike mechanism works but functionality not guaranteed, lacking key.

Lot 1322

the 11" brass dial with subsidiary seconds dial signed John Roucklieffe, Bridgwater, on a brass eight day movement striking to a bell and a further nest of bells, in a later 19th century and later oak case, with pendulum and three weights, total height 240cm. *John Rouckliffe, a.1740 to William Stumbels of Totnes (Devon)-1762. Believed later at Bridgwater [Loomes p.671]. ** Untested, not currently working, has been in storage and likely needs work. Case in poor condition with losses, splits and later repairs.

Lot 1323

late 18th or early 19th century, the 12" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture signed William Maddoch, Waterford, on a brass two train eight day movement striking to a bell, the inlaid case with twist columns and inlaid medallions, with pendulum, case key and two weights, height 218cm. ** Untested, not currently working, splits to case and general wear.

Lot 1325

18th century and later, the 11 1/2" dial with silvered chapter ring, strike/silent dial and date aperture signed Charles Couton, London on a brass movement striking to a bell, the hood with turned columns and brass finials, with two weights, winder and pendulum, height 210cm. ** Case with worm, damages and repairs, probably not original to movement, not currently working.

Lot 1326

18th century and later, the 10 1/4" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture signed James Leigh Fecit, on a brass 30 hour movement striking to a bell, the hood with pierced decoration and side panels, with pendulum and weight, height 203cm. ** Not currently working, movement probably not original to case, case with later alterations and repairs etc.

Lot 1328

the 12" foliate brass dial with silvered chapter ring, seconds and moon phase dials and date aperture signed Stanyer, Nantwich, on a brass eight day, two train movement striking to a bell, the hood with fluted columns and foliate engraved glass panels, with pendulum, case key and two weights, height approx.230cm. ** From a smoker's home, untested and not currently working, one hood glass panel cracked in two.

Lot 1329

the 12" painted dial decorated with figures in classical dress, with subsidiary seconds and date dials signed Thos. Young, Perth, on a brass eight day movement striking to a bell, the case with fret carved door and turned columns, with weights, winder and pendulum, height 218cm. CITES permit is included. Exporting outside the EU will require an additional export permit. ** Dial repainted with craquelure, case with splits and minor losses but presents well, untested and not currently running.

Lot 1330

possibly early 19th century, the 11 3/4" brass dial with figural spandrels and silvered chapter ring, moon phase and seconds dials and date aperture signed Francois Pierrot Utrecht, on a brass eight day two train movement striking to a bell, the case with broken swan neck pediment and turned columns, with pendulum, two weights and case key, height 211cm. ** From a smoker's home, knocks and losses to case, untested and not currently working, possibly replacement chapter ring.

Lot 1331

the 12" painted dial indistinctly signed 'Norris, ? Hall, London' on a brass eight day two train twin fusee movement striking to a bell, the case with carved scrolling wings and pierced side doors, with pendulum, height 52cm. ** Dial worn with losses and restoration, case with losses, generally needs work but appears to wind and strike OK although functionality not guaranteed, lacking key.

Lot 1333

early 18th century, the 10" brass dial with enamel Roman numerals and Arabic seconds with mask and swag decoration on a brass eight day two train movement signed De Couigny, Paris, striking half hourly to a bell, the wooden case painted with floral sprays with ormolu mounts and a surmount depicting a nude female astride an eagle, the glazed door with another figural scene, with pendulum, height 86cm; together with a matching bracket painted with a scene of a fox and a stork (2). ** In restored condition, wear and minor losses to dial and case, loose strips of brasswork to reverse of top, appears to wind and strike but functionality not guaranteed, pendulum probably later and movement likely restored, lacking key, presents well overall.

Lot 1334

the 7" silvered rectangular dial on a brass eight day movement striking half hourly to a bell, serial number 51999, the case depicting a figure in Egyptian dress stroking a borzoi dog, the case with alternating marble and onyx panels and a pair of matching side pieces with silvered drop decoration, with pendulum, clock height 47cm, width 58cm, height of side pieces 42cm. ** Generally worn with rubbing and losses to figure and throughout, bruising to onyx, clock appears to wind and strike OK but functionality not guaranteed, no key.

Lot 1335

19th century, the 3 1/2" dial signed Roy a Lyon, on a brass eight day movement signed Barbot striking half hourly to a bell, the slate marble case with a bronze female figure in the classical style, the dial with snarling masks and floral garlands, with pendulum, height 56cm, width 42cm. ** One marble slab loose to one side, rubbing and tarnished throughout but presents very well, clock appears to wind and strike but functionality not guaranteed, lacking key.

Lot 1337

the 4 1/2" engine turned dial with a snake bezel on a brass eight day movement striking half hourly to a bell, the bronze figure, possibly Erato, holding a lyre and arrow on a case with further depictions of putti and classical scenes, with pendulum, height 79cm, width 45cm. ** The case with tarnishing and some minor losses, rubbing etc, arrow bent, generally worn with some staining, appears to wind and strike but needs a service, lacking key.

Lot 1338

of large proportions, the 4 1/4" dial signed J.B Marchand, Rue Richelieu 59, on a brass eight day movement striking half hourly to a bell, the black slate marble and gilt case with a bronze robed figure leaning over a lectern with a scroll titled 'Le Général Haxo', a gilt wreath framing the dial and further scrolling floral, stiff leaf and lion decoration throughout, with pendulum, height 77cm, width 58cm. ** Appears to wind and strike but functionality not guaranteed, general wear and pitting to the bronze and case but generally presents very well, lacking key.

Lot 1339

early 19th century, of large proportions, the 3 1/2" silvered dial on a brass eight day movement stamped Guyerdet, Paris, striking half hourly to a bell, serial number 1896, the case with a bronze surmount depicting a child wrestling with gilt serpents on a naturalistic rocky ground, on a gilt mounted Siena marble plinth raised on bronze paw feet, with pendulum, height 72cm, width 52cm. ** Movement loose in case, needs tightening, appears to wind and strike but is not striking the correct hours so likely needs a service, the case with minor chips and nibbles, significant repair to both reverse corners, other scratches and general wear but presents well, no key.

Lot 1340

the 4" silvered dial with Arabic numerals indistinctly signed, on an eight day Audurand et Cie movement striking to a bell, the case with a huntress with spear and shield in pursuit of a stag, with pendulum, height 49cm, length 85cm. ** Stag and huntress both loose, heavy rubbing and wear to both, staining and chips to base, appears to wind and strike but functionality not guaranteed, lacking key.

Lot 1342

the 3 1/4" painted dial signed Brisebarre, 40 Grande Rue, Houdan, on a brass eight day movement stamped Societe Clusienne striking to a bell, the case depicting a female figure on horseback after Guillemin, on a marble base, with pendulum, height 56cm, length 50cm. ** Repairs to marble and horse, one foot off, generally rubbed and tarnished, winds but not currently running or striking, lacking key.

Lot 1343

the 8" silvered dial with subsidiary strike/silent and date dials, signed Christ'r Bullock, London, on a brass eight day twin fusee pull repeat movement striking to a bell, the backplate with foliate engraving and initials 'C.B', the case with sarcophagus top and brass finials, pierced brass grilles to the sides and brass bracket feet, with pendulum, winder and key, height 52cm. ** Converted to an anchor escapement, signs of repair and restoration to case and movement.

Lot 3

A late 20th century ship's bell - engraved Kogkums Mek Verkstad 1976 Sweden, with bracket, height 16cm

Lot 33

An early 20th century bronze bell - of typical form, height 12cm

Lot 338A

'St. Ives 1939-64 Twenty Five Years of Painting, Sculpture and Pottery', published 1985 Tate Gallery Publishing, together with Rose Hilton by Ian Collins, signed by the author and Rose Hilton, 'Stanley Spencer' by Keith Bell, 'Autobiography David Hockney' and 'Print Makers 1855-1955' published by Garton & Co.

Lot 38

A large early 20th century ship's bell - of typical form and including bracket and clapper, height 34cm

Lot 765

An early 20th century American mahogany cased mantel clock - the white enamel dial set out in Arabic numerals, fitted with a twin train movement striking a bell and a gong, height 28cm, together with another mahogany cased mantel clock (2).

Lot 779

An 18th century turret clock movement - with wrought iron and brass two train movement striking a bell, height 45cm, width 26cm.

Lot 153

Reid (Thomas) Essays on the Active Powers of Man, first edition, half-title, single advertisement leaf at rear, several ff. with narrow damp-stain to lower edge, a few minor instances of spotting or finger soiling, gutter cracked at title but firm, modern calf-backed boards, red morocco label to spine, 4to, Edinburgh and London, for John Bell and G.G.J & J. Robinson, 1788.⁂ First edition of this important Scottish Enlightenment work; written up on his retirement from his position as Chair of Moral Philosophy at Glasgow University, to which he had succeeded in 1763 from Adam Smith.

Lot 204

BELL HENRY NUGENT.  The Huntingdon Peerage ... to which is prefixed A Genealogical & Biographical History of the Illustrious House of Hastings. Eng. port. frontis & plates. Quarto. Rebound green cloth. 1821.

Lot 131

A pair of George III seamed bell metal candlesticks. 10' high

Lot 52

* DOUGLAS PHILLIPS (SCOTTISH 1926 - 2012),THE YELLOW FIELDoil on board, signed, titled label versoimage size 18cm x 18.5cm, overall size 38cm x 38cm Mounted, framed and under glass. Handwritten artist's label verso.Note: Douglas Phillips was born and brought up in Dundee. He studied at the former Dundee Art College in Bell Street before being called up to the army towards the end of the Second World War for service in India and Ceylon. On returning to Dundee he began work in the art department of DC Thomson where he illustrated for The Rover and The Victor, amongst others. After leaving D C Thomson’s went on to illustrate over 100 books but also continued to maintain a connection with the company, featuring in more than one thousand issues of The People’s Friend as the pen and brush of J Campbell Kerr. He also documented old Dundee with his lively pen and ink drawings and book collaborations with the late journalist, broadcaster and Courier columnist Ron Thompson. Latterly he followed in the footsteps of two artists he greatly admired, Joan Eardley and his good friend Lil Neilson, producing vibrant, expressive paintings of Catterline and the East Coast of Scotland which he loved so much. His work is held in public and private collections worldwide.

Lot 13

Contemporary electric ship's bulkhead wall clock with passing strike on a bell above, the 6" cream dial signed Nauticalia, within a brass case, mounted upon a rectangular wooden board, 18" high; also a ship's bulkhead barometer, the 6" white dial signed Nauticalia, within a brass case, mounted upon a rectangular wooden board, 11" high (2) - ** Both these items are also mounted with rectangular brass plates inscribed 'Mum & Dad on your 50th Wedding Anniversary, 11th March 2005' 

Lot 22

French Garnier style small alarm carriage clock, the movement back plate inscribed 90M, the vertical sliding back door fitted with five winding apertures, within a corniche style gilded brass case, 6.5" high (bell and top glass missing)

Lot 803

History and Antiquarianism. Approx. 30 volumes, including [Gordon (George)], The History of our National Debts and Taxes [...], Part II only, London: M. Cooper, n.d. [?1751/52], repaired later papered boards, 8vo, Fleetwood's Chronicon Preciosum, London: T. Osborne, 1745, original calf, some losses, 8vo, Lowth (Robert), The Life of William Wykeham, Bishop of Winchester, third edition, author's presentation inscription, Oxford: Clarendon Press, 1777, original calf with faults, 8vo, Granger's Biographical History of England, two volumes, London: T. Davies, 1769, reinforced gutter, rebacked calf, 4to, Biographica Britannica, volume IV only, London: W. Meadows, et al., 1757, rebacked and repaired calf, folio, Gundy's Strangers Guide to Hampton Court Palace, London: George C. Bell, 1855, repaired contemporary quarter-calf, 8vo, Letters of the Prince de Ligne, two volumes bound as one, London: W. Flint, et al., 1809, rebacked calf, 8vo, others early 19th century and later, comprising Brand's Popular Antiquities, Camden Society, The Gentleman's Magazine, etc.

Lot 855

The Belton House-Wrest Park Copy. Sprat (Thomas), The History of the Royal-Society of London, For the Improving of Natural Knowledge, first edition, first issue, London: Printed for T.R. for J. Martyn at the Bell without Temple-bar, and J. Allestry at the Rose and Crown in Duck-lane, Printers to the Royal Society, 1667, historiated and foliated initials, lacks frontispiece (as often), otherwise complete, signatures collating: A-B?, A-Z?, Aa-Zz?, Aaa-Iii?, engraved arms on verso of initial license leaf, 2 folding engraved plates as called for, verso blank inscribed with a partial-index in contemporary 17th century ink MS, the passages in question within the text thus underlined, signature Mm lower-margin with a stable tear just touching text, otherwise generally a fresh, clean copy with some minimal marginal foxing, contemporary polished calf some splits, bumps, and abrasions, but good, blind-ruled covers, five-compartment spine tooled in gilt and divided by raised bands, gilt-lettered morocco label in the second compartment, marbled edges, 4to, [Wing S5032; Keynes, Evelyn 178; Hooke 28; Norman 1989]. Provenance: 1) John Brownlow, 1st Viscount Tyrconnel, KB (1690-1754), of Belton House, near Grantham, Lincolnshire; his armorial bookplate to recto pastedown, the Belton library's ink MS numbering: B: i668. 2) Thomas de Grey, 2nd Earl de Grey, KG, PC, FRS (1781-1859); his Wrest Park bookplate to verso pastedown. 3) Sir Alan Lubbock (1897-1990), his armorial bookplate to recto pastedown.

Lot 918

Art. Prout's Elementary Drawing Book, London: Charles Tilt, n.d. [1840], lithograph plates, original publisher's purple cloth gilt, oblong 8vo, Harding's Drawing Book 1847, London: David Bogue, 1847, lithograph plates, publisher's green cloth, 8vo, Delamatte, The Art of Sketching from Nature, second edition, London: George Bell and Sons, 1888, tipped-in plates, original cloth (disbound), 8vo, (3).

Lot 934

Botany. Wooster (David, F.R.H.S., editor), Alpine Plants: Figures and Descriptions of some of the Most Striking and Beautiful of The Alpine Flowers, two-volume set, second edition of the first series, first edition of the second, London: George Bell & Sons, 1874, full-page chromolithographed botanical plates, original publisher's blue cloth boards (some stable splits, a trifle rubbed, corners exposed), gilt and blind, 4to, (2).

Lot 1001

Laurence Olivier's Copy. Bell's British Theatre, 19 volumes only (of 20), first edition thus, London: John Bell, 1776-78, engraved frontispieces and plates, general and divisional titles, contemporary calf over marbled boards, chipped, rubbed, and some splits, a few covers detached/loosening, vellum corners, lettered labels, 12mo, another volume from a later edition, presumably volume 20, 12mo, (20).  Provenance: 1) Laurence Kerr Olivier, Baron Olivier, OM (1907-1989). Sold by Quaritch, 100 Books from the Library of Lord Olivier, List 2017/13, no. 9.

Lot 1005

Law, Crime and Punishment in the Late 18th and Early 19th Century. A sammelband of 13 tracts, including the apparently unrecorded Anon, The Tread-Wheel. Copy of a Petition presented to The Right Honourable The Lords Spiritual and Temporal of the United Kingdom in Parliament Assembled, sole edition, London: Rodwell and Martin, et al., 1824, pp: [ii], 17, the others comprising Holwell, A New Experiment for the Prevention of Crimes, sole edition, Bath: R. Cruttwell, 1786, 36pp, Anon, Five Letters to Samuel Romilly, M.P. on the subject of his motion respecting The Penal Laws. By Anti Draco, sole edition, London: W. Clarke, 1810, 45pp, [Cooke (John)], A Pamphlet; called Old England for ever: From a Devonshire Jog-trot; Not of too high or low a rate, Exeter: printed (verbatim from the Author’s MS.) by T. Flindell, 1819, lacking title-page and all before C, but apparently complete in itself, pp: 33, [1], Christian, A Vindication of the Criminal Law […], inscribed presentation copy from the author, sole edition, London: Richard Watts, 1819, pp: 77, [1], Anon, Attornies not Conveyancers […], sole edition, London: Printed for Author, By Luke Hansard & Sons, 1820, pp: 77, [1], Norton, An Exposition of the Privileges of the City of London […], second edition, London: T. Steel, 1821, pp: [ii], [5]-72, Holford, Thoughts on the Criminal Prisons of this Country […], first edition, London: Rivington, 1821, pp: [iv], 80, viii, Holford, Statements and Observations concerning the Hulks, two parts, sole edition, London: C. and J. Rivington, 1826, pp: [iii]-xi, 124, Williams, An Inaugural Lecture, Delivered before The University of Oxford, sole edition, London: Davidson and Son, 1824, 43pp, Anon, A Review of the Arguments for Removing the Lent-Assizes from Thetford to Norwich […], By Vindex, Part I only (?all published), sole edition, Thetford: S. Mills, 1824, folding county map of Norfolk, pp: iv, 40, pasted errata slip to final leaf, London-Dock-Company. Copies of Resolutions […], first edition, London: Effingham Wilson, 1824, 32pp, [&] Anon, The Vagrant Act, in relation to the Liberty of the Subject. By a Barrister. With a Postscript, second edition, London: John Murray, 1824, 89pp, early-mid 19th century quarter-calf over marbled boards, disbound, bookseller's ticket: W.H. Bond/Law Bookseller/8, Bell Yard/Temple Bar, 8vo.

Lot 1031

Modern First Editions. Woolf (Virginia) & (Leonard, editor), A Writer's Diary [...], first edition, London: The Hogarth Press, 1953, pictorial dustjacket designed by Vanessa Bell, orange cloth, 8vo, Sansom (William) & Lamb (Lynton, illustrator), Lord Love Us, first edition thus, London: The Hogarth Press, 1954, original dustjacket, cloth over decorative boards, 8vo, Miller (Henry), The Colossus of Maroussi, first edition, Norfolk: New Connections, 1941, fragmentary dustjacket over cloth, 8vo, Kafka (Franz), The Great Wall of China, and Other Pieces, first English edition, London: Martin Secker Ltd., 1933, original publisher's cloth only, 8vo, Corvo (Baron, translator), The Rubaiyat of Umar Khaiyam [i.e. Omar Khayyam], first edition thus, London: John Lane/Bodley Head, 1903, parallel French-English text, original publisher's cloth over papered boards, top edge gilt, others uncut, 8vo, Hemingway (Ernest): The Old Man and the Sea, second edition, London: The Reprint Society, 1953, illustrated by Tunnicliffe and Sheppard, pictorial dustjacket over cloth, 8vo, [&] The Fifth Column, first edition, London: Jonathan Cape, 1939, original cloth, 8vo, Bellow, The Victim, first edition, London: John Lehmann, 1948, pictorial dustjacet over cloth, 8vo, Stendhal, Love, The Merlin Press, 1957, original pictorial dustjacket over cloth, 8vo, further Hemingway and Woolf interest, various; Hogarth Press imprints; Graham Greene, Osbert Lancaster, Classical Landscape, 1947, pictorial dustjacket other works, various pictorial dustjackets, including one designed by John Piper, etc., (28).

Lot 1032

Modern Firsts, Literature & Thought. Eliot (T.S.) & Bentley (Nicolas, illustrator), Old Possum’s Book of Practical Cats, first illustrated edition, London: Faber and Faber Limited, 1940, original pictorial dustjacket, torn, chipped & stained, over pictorial cloth, 8vo, Woolf (Virginia), Orlando: A Biography, first edition, second impression, London: Published by Leonard and Virginia Woolf at the Hogarth Press, 1928, frontispiece, original cloth only, 8vo, Whistler (Rex, illustrator), The Traveller’s Companion: A Travel Anthology, first edition thus, London: G. Bell and Sons, 1931, pictorial dustjacket over cloth, 12mo, Le Carré (John), The Constant Gardener, first edition, London: Hodder & Stoughton, 2001, dj, hb, 8vo, Larkin (Philip), The Less Deceived, sixth edition, Hessle: The Marvell Press, May 1966, dj over cloth, 8vo, Russell (Bertrand, F.R.S), What I Believe, first edition, London: Kegan Paul, et al., 1925, rebacked original boards, 8vo, Walkerdine (W.E.), Selected Poems, London: The Favil Press, 1935, original cloth, 8vo, five copies of Horizon, 1945-46, original wrappers, 8vo, Humbert Wolfe’s Copy, Phillpotts (Eden), A Comedy Royal: In Four Acts, London: Privately Printed for Subscribers Only by T. Werner Laurie Ltd., 1925, vellum over boards, 8vo, Waugh (Evelyn), Put Out More Flags, first edition, London: Chapman & Hall Ltd., 1942, original ochre cloth only, 8vo, Coleridge (Ernest Hartley), Poems, London: John, The Bodley Head, 1898, original cloth tall 12mo in 6s, Maxwell (W.B.), Time Gathered: Autobiography, first American edition, New York: D. Appleton-Century Company, 1938, dj over cloth, 8vo,  Haggard (H. Rider), Pearl-Maiden […], first edition, London: Longmans, et al., 1903, original cloth, 8vo, (1); H.E. Bates, The Tinkers of Elstow, second edition, n.d., cloth, 8vo, (1); R.P. Lipster, Nancy Cunard, Stendhal, The Week-end Book 1927, Belloc, H.G. Wells, J.B. Priestley, John Betjeman, John Piper, Jerome K. Jerome, Robert Graves, John Masefield, Ernest Hemingway, Arthur Ransome, The Countryman, The Poetry Review, etc., (approx. 60)

Lot 1087

Topography and Antiquarianism. Bell (T.), The Ruins of Liveden; with Historical Notices of the Family of Tresham, and its connexion (sic) with The Gunpowder Plot […], To which is added a Legendary Poem, sole edition, London: Whittaker and Co., et al., 1847, lithograph plates, fold-out family pedigree, original cloth (worn, chipped), 4to, Local Interest, including Wylie (William Howie), The Nottingham Hand-Book, and Guide to Places of Interest in the Environs, first edition, Nottingham: C.N. Wright, 1852, fold-out panorama frontispiece, plates, original cloth, 8vo, further Nottingham and Nottinghamshire interest, including Lord Byron and Newstead Abbey, Scotland, The Ballads and Songs of Ayrshire, Illustrated with Sketches, Historical, Traditional, Narrative and Biographical, Series I & II as one, Ayr: Published for the Editor by John Dick, 1846-47, separate title-pages, original boards (chipped spine), 8vo, others Scottish interest, two volumes of Fosbrooke’s works on Gloucester and Gloucestershire, 1807 & 1819, unexamined, quarter-morocco, 4to, architecture, including learned societies’ reports and papers, some volumes of which are ex-lib, etc., (23).

Lot 1111

Wells (H.G.), When the Sleeper Wakes, with Illustrations, first edition, London: Harper & Brothers Publishers, 1899, original publisher's red cloth gilt, 8vo, The War in the Air, first edition, first impression, London: George Bell and Sons, 1908, original publisher's blue cloth gilt, 8vo, The Way the World is Going, first edition, London: Ernest Benn Limited, 1928, pictorial dustjacket designed by Mabel Alleyne over brown cloth, 8vo, The Wonderful Visit, first edition, London: J.M. Dent & Co., 1895, original publisher's pictorial red cloth gilt, top-edge gilt, others uncut, 8vo, other first editions, including In the Days of the Comet, 1906, original cloth, 8vo, Mankind in the Making, 1903, original cloth, 8vo, others in pictorial dustjackets; Smith (David C., editor), The Correspondence of H.G. Wells, four-volume set, London: Pickering & Chatto, 1998, original cloth, 4to, etc., (40).

Lot 707

[Shaw (Simeon)], History of the Staffordshire Potteries; and the Rise and Progress of the Manufacture of Pottery and Porcelain; with References to Genuine Specimens, and Notices of Eminent Potters, first edition, Hanley: Printed for the Author, By G. Jackson, 1829, 20th century quarter-calf over marbled boards, uncut edges, 12mo, Meteyard (Eliza), The Wedgwood Handbook [...], London: George Bell and Sons, 1875, first edition, original publisher's cloth, 8vo, & Meteryard (Eliza), The Life of Josiah Wedgwood [....], two-volume set, first edition, London: Hurst and Blackett, 1865, rebacked original publisher's cloth, preserving original spine, refreshed endpapers, 8vo, (4).

Lot 719

Agriculture & Husbandry. [Young (Arthur)], The Farmer's Guide [...], two-volume set, first edition, London: Printed for W. Strahan, et al., 1770, 10 plates, Board of Agriculture gilt calf binding, dated 1802, rebacked, 8vo, [&] Dickson (Adam), A Treatise of Agriculture [...], two-volume set, mixed editions, volume I second edition, volume II first edition, Edinburgh: Printed for A. Kincaid and J. Bell, 1765 & 1769, contemporary calf, 8vo, (4).

Lot 720

Agriculture & Husbandry. Bell (Benjamin), Essays on Agriculture, Edinburgh: Printed for Bell & Bradfute, 1802, Board of Agriculture calf gilt binding, dated 1820, rebacked, 8vo, Parkinson (Richard), The Experienced Farmer [...], with Four Plates, two-volume set, London: Longman, et al., 1807, contemporary quarter-calf over publisher's boards, worn, 8vo, etc., (4).

Lot 725

Agriculture & Husbandry. Low (David), Elements of Practical Agriculture, Edinburgh: Bell & Bradfute, 1834, original publisher's moire boards, split at inner-gutter, some movement within binding, 8vo, idem, second edition, London: Longman, et al., 1838, original publisher's boards, 8vo, Mavor (William), Five Hundred Points of Good Husbandry, London: Printed for Lackington, Allen, and Co., 1812, later cloth, bears Arthur Young's bookplate, 8vo, Lawson & Son's The Agriculturalist's Manual, 1836, cloth, 8vo, etc., (5).

Lot 740

Agriculture. Scoffern (J.), The Young Farmer's Guide, sole edition, London: Bell and Daldy, n.d. [?1870], original cloth, 8vo, Caird (James), English Agriculture in 1850-51, first edition, London: Longman, et al., 1852, original publisher's cloth, 8vo, two copies of Stephens's Catechism of Practical Agriculture, 1856 & 1895, original wrappers, 8vo, Grieve's Farmer's Assistant, first edition, Edinburgh: Printed for the Author by Johnstone and Hunter, 1852, original red cloth gilt, rebacked, 8vo, The Farmer's Almanac, 1860, partially-inscribed in ink MS, original cloth, 8vo, Liebig (Baron), Letters on Modern Agriculture, London: Wolton and Maderly, 1859, original cloth, 8vo, The Agriculturalist's Calculator, etc., (20).

Lot 776

Cookery. Raffald (Elizabeth), The Experienced English Housekeeper, For the Use and Ease of Ladies, Housekeepers, Cooks, &c. [...], tenth edition, London: Printed for R. Baldwin, 1786, engraved portrait frontispiece (the verso of which with contemporary manuscript recipes), pp: [iv], iii, [1], 384, [2] (index; Cc only, lacking the remainder and the adverts), 3 engraved folding plates, some stains and toning throughout, 20th century in-keeping quarter-calf over marbled boards by Bell Golding of Cambridge & London, their ticket to recto pastedown, 8vo, [&] Simpson (John, Late Cook to the Most Noble Marquis of Buckingham, and Present Maître d'Hôtel to the Right Honourable Lord Berwick), A Complete System of Cookery, on a Plan Entirely New [...], second edition, London: Printed for W. Stewart, (Opposite Albany) Piccadilly, n.d. [1807], pp: xvi, 696, the last three or four gatherings with stained fore-margins, but not affecting the text, 20th century in-keeping three-quarter calf over marbled boards, all edges uncut, 8vo, (2).  Provenance: 2nd: 1) Elizabeth Hill/Kiplin/Sep: 10th 1808; ink MS inscription to ffep; 2) Anne Clifford/23 May 1828; ditto. 3) Ann Snow/1st Jan:y 1854; ditto.

Lot 1164

A Moorcroft pottery vase of baluster form decorated with a tube lined Buttercup design - impressed marks WM monogram and bell date code to base - with original box

Lot 1569

A 375 (9ct.) two colour gold foliate pattern bar brooch - sold with a marked 9ct and turquoise set brooch and a pair of marked 9ct bell pattern earrings

Lot 324

A vintage oak shop till by G.H. Gledhill with bell mechanism to drawer

Lot 344

A 20th Century Zandaam mahogany and brass mounted wall clock with Hercules figure to top of bell and twin brass bob pattern weights

Lot 605

A vintage GB Bell & Howell Filmo sound projector

Lot 713

A bag containing a quantity of assorted collectable items including lace bobbins, shoe form pin cushion, brass Victoria No. 22 horse brass rumbler bell, etc. - sold with an old drawing set

Lot 857

A wicker hanging bird table - sold with a similar basket and cheese bell

Lot 1103

A Regency Walnut Double Fusee Bracket Clock, painted dial with Roman numerals, marked for Birmingham. Walnut cased, with glass sides and back, unmarked back plate, striking on a bell. Complete with pendulum and keys. Height 17", width 12".

Lot 169

Excellent Vintage Sterling Silver Charm Bracelet - Loaded with Over 20 Charms. All Marked for Silver. Comprises Old Boot, Grandfathers Clock, Lantern, Scotch Bagpipes, Claret Jug, Articulated Clown, Large Bell, Stag, Large Tower Crown, Articulated Fish, Scottish Thistles, Shamrock etc. All Charms In Good Condition. Weight 82.4 grams.

Lot 352

Two Charlie Bears, designed by Isabelle Lee to include Snug No 85 of 500, Rosemary and Tyme, No 401 of 450, bell necklace, both with tags attached and drawstring bags.

Lot 354

Charlie Bears - Candy CB104713, designed by Isabelle Lee, Grey and purple tipped, plush hair, wearing a purple bow and bell necklace, tags attached, measuring approximately 37cm high, with soft drawstring bag.

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