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Lot 584

An oak hooded wall clock, the 30hour movement within a brass posted frame, striking on a bell to a 10in square brass dial, the chapter ring inscribed B. Flaggett, Newbury., to a matted centre with single hand, the hood with a hinged door on a later bracket, 40.5in (103cm) h.

Lot 585

Peter Bower, Redlench. An 18th century oak longcase, the 30 hour movement within a posted frame and striking on a bell, cast 'R Wells', to a 10in brass dial with chapter ring and shell spandrels, the centre engraved a figure fishing with houses in distance and foreground and inscribed Peter Bower, Redlench, 76in (193cm) h.

Lot 587

A George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12in brass arched dial with a silvered chapter ring and subsidiary seconds dial to a pierced aperture, the centre engraved and urn and bird inscribed George Cooper, London, the arch with a subsidiary strike silent dial, the pagoda hood with glazed panel and later urn finials to turned brass inset stop fluted columns, the arched trunk door flanked by conforming columns, the base on a plinth, 93.5in (237.5cm) h.

Lot 588

A walnut longcase clock, the 8 day movement striking on a bell to a 12in brass arched dial, with chapter ring and subsidiary seconds dial to a pierced date aperture, the matted centre with applied shaped plaque inscribed 'WM.Vise.Wisbich', the engraved arch with a painted moon face, the case with globe and spire finials to an arched waist door with feather stringing, the conforming base on bracket feet, 99.5in (253cm) h.

Lot 597

A hollowed wood elliptical shape bell, the clapper now attached with a piece of wire, 12.5in (32cm) h.

Lot 1

A Collection of "O" Guage Clockwork Railway Including Hornby 0-4-0 Tender Locomotive 45746, Carriage Track and Clockwork Signal and Rise and Fall Barrier with Warning Disc and Bell.

Lot 1

A sampler, depicting rose and floral motifs beneath and above a verse, 'Who seeks to be first must rank himself last, and learn with complacence to wait on the least'. Signed and dated, 'Harriett Turner 1868', together with a collection of various samplers, and a bell pull, dating mainly from the late 19th Century, to include alphabetical and pictorial examples, some embroidered with verse, (all unframed).

Lot 1

A late 19th century carriage clock in engraved gilt brass case, the repeat watch movement striking on a single bell, the white enamel dial with Roman numerals, height, 11cm, with key.

Lot 1

A reproduction style wall clock, striking on a single bell, in a burr walnut case with weights and pendulum, and a German four glass mantel clock in gilt brass case, (2).

Lot 1

A 20th century German oak cased mantel clock, the eight day movement striking on five gongs, height, 41cm, a Continental wooden cased mantel clock striking on a single bell, both with pendulums and keys, and a gilt metal mounted opaque white glass ceiling light, (3).

Lot 1

An Edwardian mahogany wardrobe, the arched moulded cornice above bell flower inlaid frieze over mirrored door and drawer upon plinth base, together with two Victorian walnut balloon back chairs and a mahogany plant stand, (4).

Lot 1

James Alphege Brewer act.1909-1938- 'Amiens Cathedral' published Sept 2nd 1918, Alfred Bell & Co., Old Bond St London; etching with aquatint, signed and titled in pencil, bears blind stamp, 65x46cm: together with one other etching with aquatint by the same hand titled 'The North Transept Rheims Cathedral', published Jan 1st 1918, Alfred Bell & Co., signed and titled in pencil, bears blind stamp, (2)

Lot 26

A needlework bell pull, with cast brass mounts, 69in (175cm) l.

Lot 143

A table bell, inscribed 'A Relic of York Minster, Oak & Bell Metal burnt May 20 : 1840,' with engraving of the Cathedral and arms, with turned oak handle, 6.25in (16cm) h.

Lot 172

A 17th century bell metal skillet, the handle cast 'WASBROUGH*4', 15.25in (38.5cm) l, another bronze, cast 'T.P.B.WATER.I' and a third 'BAYLEY & STREET.' (3)

Lot 1

C19th French Rose Marble Mantel Clock with gold coloured metal fittings, 2 train movement, enamelled dial with Arab numerals, decorated with flowers, surmounted by a spelter figure of a young maiden with a bowl of fruit, titled "Bouquetiere par Pancetta", movement striking on a bell, by Japy Freres, no. 4320, approx 12" wide (key & pendulum in office)

Lot 1

C19th French Ormolu & Alabaster Mantle Clock by H N Berrolla 20 Gie de Orliens Palace Royale Paris the dial supported on rectangular plinth extensively decorated with carved & chased ormolu mounts on small carved feet, the dial with blue Roman Numerals & Arabic seconds 2 train silk suspension movement striking on a bell, the dial case with carved & chased gilt leaf mounts with a reclining female figure reading a book resting on the top of the case.

Lot 1

C19th White Metal Posy Holder unmarked with embossed bell flower decoration to the petals, the stem with bows & engine turned decoration with small chain & finger ring & lapel loop approx. L5"

Lot 7

LNER mahogany cased Signal Box Block Bell. Superb patina on wood, small 'cow' type bell. Lovely condition.

Lot 85

* North British Railway Mahogany cased split case block bell, in excellent condition and nicely stamped inside the case NBRY Co 499.

Lot 286

* LSWR Signal Box Brass Bell Plunger with enamel ring HURSTBOURNE. Together with a small enamel location plate HURSTBOURNE. Both tastefully mounted on a wooden display board.

Lot 295

GWR mahogany cased Block Bell with front Tapper. Tapered, circular bell variety in excellent condition throughout.

Lot 311

LSWR Sykes Signal Box Block Bell, reputedly ex Clapham Junction Signal Box. Lightly restored.

Lot 1

OPAQUE TWIST WINE GLASS, c.1760, with bell bowl, (two foot chips and one rim chip), 14.5cm; together with a small 18th century wine glass, with knopped stem and folded foot, 11cm. (2)

Lot 1

WINE GLASS, c. 1745, the bell bowl with teared solid base above a cylindrical stem, raised on a domed folded foot. 15cm

Lot 1

BELL BOWL WINE GLASS, c. 1745, with solid base and tear inclusion above a plain cylindrical stem, raised on a domed folded foot. 14cm

Lot 1

EDWARDIAN SILVER-MOUNTED TABLE OR COUNTER BELL, Chester 1902, of domed form, pierced with trelliswork, on an ebonised base, with rotary mechanism. Height 8cm

Lot 1

R.JONES, RUTHIN, WELSH CLOCK MOVEMENT, two-train eight-day striking on a bell, with falseplate and square white dial, signed, with date crescent and subsidiary seconds, complete with architectural pine hood and weights, (no case). 33cm square

Lot 1

BOLLVILLER, PARIS, 19th CENTURY BRASS CARRIAGE CLOCK, the case with reeded and paterae decoration, two-train spring driven lever movement striking with countwheel on a bell. 14cm

Lot 1

JOHN SMITH, YORK (1750-1764), AN 18th CENTURY ELM LONGCASE CLOCK, with long rectangular trunk door and broken arch hood, the associated movement with 30.5cm arched brass dial with unusual date pointer in the arch (not connected) and subsidiary seconds, eight-day mechanism with four-pillar vase turned pillars, rack striking on a bell. 2.28m

Lot 1

19th CENTURY ROSEWOOD DROP DIAL WALL CLOCK, the 30cm circular painted dial signed Eagleton, Norwich, complete with two-train spring driven movement striking on a bell. Overall 69cm

Lot 1

JNO.WESTON, WOLSINGHAM (1754-1812), A LATE 18th CENTURY DURHAM LONGCASE CLOCK, the honey oak case with long arched trunk door, the hood with swan neck pediment, 33cm arched white dial with rolling moon, subsidiary date crescent, signed, thirty-hour four-pillar movement with countwheel strike on a bell. 2.29m

Lot 1

EDWARD GARDINER, HOUGHTON (LE SPRING) (1841-1863), A MID VICTORIAN MAHOGANY LONGCASE CLOCK, the elaborate case with short trunk door, the hood with swan neck pediment, 36cm arched white dial, signed, with subsidiary seconds and date pointer, four-pillar eight-day movement with anchor escapement, striking on a bell. 2.29m

Lot 176

An Art Deco lamp, designed with a brass model of a young footballer and ball fitted on a green marble plinth together with a street lamp fitted with a bell, the electric bulb positioned behind a green frosted glass panel, fitted for electricity, height 27.5cm., 10 3/4in.

Lot 1

Allan Bell ON THE MEDWAY (sailing boats on the river with castle, church and distant townscape) oil on panel, 20cm x 30cm (8" x 12")

Lot 1

A Staffordshire jug, a Royal Doulton condiment set and a bell on a china stand

Lot 1

An Eastern brass cup with embossed decoration on a pedestal base with four feet, 26cm (10.25") high and an Eastern brass bell, 27cm (10.5") high

Lot 37

TREVOR BELL Cross-over. Black gouache. Signed and dated '86. 22 1/4 x 30 1/4ins. (See illustration)

Lot 1

Folklore and Fairies, Durham and Northern Counties A few fragments of fairyology. Durham: W. Duncan, 1859; Folk-lore, or manners, customs, weather proverbs, popular charmes... in the north of England, Richmond: J. Bell, 1858, 32 pp., ?lacking title; To every individual fairy, witch and gypsy from the day of the witch of Endor down to that of Billy Dawson... this tract is inscribed, Durham: W. Duncan, 1852; Supplement to the local rhymes, proverbs, sayings, &c. of the county of Durham, Durham: W. Duncan, 1859, bound with other tracts and offprints, 8vo, brown half morocco gilt, upper board almost detached; Ireland - Croker, Thomas Crofton Fairy legends and traditions of the south of Ireland. London, 1825, 8vo, contemporary half calf gilt, rubbed, some light foxing, bookplate of John Drummond (2) Note: Loosely inserted is a dried and flattened frog. Provenance: D.W. Dixon, bookplate and inscription.

Lot 1

Hume, David Essays and treatises on several subjects. Edinburgh: Bell & Bradfute, 1804, 2 volumes, 8vo, contemporary calf, some spotting and marginal damp-staining, rebacked, morocco lettering pieces, corners rubbed; Ibid. The philosophical works. Edinburgh: A. Black, W. & C. Tait, 1826, 4 volumes, 8vo, engraved portrait, half-titles, contemporary calf, some spotting, several joints splitting, lacking some labels; Ibid. Essays and treatises on several subjects. London: T. Cadell, 1784, volume 1 only (of 2), old calf, spotted, worn, covers detached; another copy, T. Cadell [& others], 1788, volume 2 only, later half roan, covers detached, lacks spine (8)

Lot 1

Reid, Thomas Essays on the active powers of man. Edinburgh: John Bell, London: G.G.J & J. Robinson, 1787, first edition, 4to, half-title, advertisement leaf at end, contemporary calf, red morocco label Note: Reid, professor of moral philosophy in the University of Glasgow, has been described as the most complete example of a realist philosopher, and the forerunner of a line of British philosophers of whom G.E. Moore and Bertrand Russell are the most distinguished examples in the twentieth century... Reid was contemptuous of philosophical subtleties which impeded the operation of scientific observation and common sense. (R.W. Harris: Reason and nature in 18th century thought) Provenance: Fort Augustus library bookplate.

Lot 1

Reid, Thomas Essays on the active powers of man. Edinburgh: John Bell, London: G.G.J & J. Robinson, 1787, first edition, 4to, half-title, advertisement leaf at end, modern calf-backed boards, spine gilt, raised bands; Ibid. Essays on the powers of the human mind. Edinburgh: Bell & Bradfute, 1808, 3 volumes, 8vo, engraved portrait, contemporary calf, morocco labels, joints cracking, head of spines rubbed; Ibid. An inquiry into the human mind. Edinburgh: Anderson and Macdowall, 1818, 8vo, modern calf, uncut, slightly spotted, a few leaves dampstained in margin (5)

Lot 1

Reid, Thomas An inquiry into the human mind, on the principles of common sense. London: T. Cadell, 1769, third edition, 8vo, contemporary calf, spine gilt, lower board detached, rubbed at head of spine, lacks lettering piece; Ibid Essays on the intellectual powers of man. Edinburgh: Printed for John Bell, 1785. First edition, 4to, contemporary calf gilt, rebacked, worn at corners, some browning to title and dedication, bookplates of Edward Doughty and R. Gambier Esq (2)

Lot 1

Roman Catholic Church--Liturgical texts Council of Trent Catechismus ex decreto Concilii Tridentini, ad parochos, ante quidem Pii V. Pont. Max. iussu conscriptus … Ingolstadt: excudebat David Sartorius, 1577. 4to., woodcut arms of Cardinal Marcus Siticus on the titlepage, woodcut intials, signature Aaa provided in Ms, contemporary blind stamped and roll tooled calf, edges rubbed, only one clasp present, titlepage with early ownership inscriptions, water staining to the margins of the first few leaves; Officia propria sanctorum ordinis minorum. Lyon: sumptibus societatis, 1675, 8vo, 2 volumes in one, printed in red and black, contemporary blind stamped and roll tooled calf, clasps; Konrad, Franz Rituale Constantiense. Coutances: A. Lambert, 1775, 4to, contemporary calf, clasps; [Breviary] Breviarum romanum... pars hiemalis. Madrid: J.J. Siguenza, 1831, 8vo, engraved plates, printed in red and black, contemporary panelled red morocco gilt, clasps; Plumans, J.B. Expositiones mysticae in libros historicos veteris testamenti. [No place], 1766, 4to, contemporary calf, spine gilt; [Breviary] Breviarium romanum... pars aestiva. Antwerp: ex architypographia Plantiniana, 1744, 12mo, engraved plates, printed in red and black, contemporary calf, g.e., worn; Molitor, Valentine Directorium seu cantus et responsoria. Monasterio S. Galli: A.J. Bell, 1692, oblong 8vo, woodcut staves, later calf, some spotting, a few small holes affecting text; [Martyrology] Martyrologii Romani Gregori III. Rome: J.M. Salvioni, 1749, 4to, contemporary red morocco, dampstained; sold not subject to return (8)

Lot 1

Tales of Terror - [Lewis, Monk] with an introductory dialogue. [London]: for L. Bell by Bulmer & Co, 1801. First edition, 8vo, additional engraved title with vignette, hand-coloured engraved frontispiece and 2 hand-coloured engraved plates, leaf of advertisements at end, original boards, rubbed, spine repaired with vellum, some browning and foxing, early 19th century ink poem on verso of last leaf of text The Worm King Note: According to Montague Summers, Gothic bibliography, p. 525, the works is often attributed erroneously to M.G. Lewis. It is in fact a parody of Lewis's Tales of wonder (1801). Provenance: Mrs Brock Sherborne, 1807, inscription on printed title; Pitman Jones, bookplate.

Lot 1

Voodoo & Witchcraft in Africa, India, China - Tremearne, Major A. The ban of the Bori, demons and demon-dancing in west and north Africa. London, [1914], 8vo, illustated, original decorative cloth, some fading, lacking front endpaper; Owen, Mary Old rabbit the voodoo and other sorcerers. London, 1893, 8vo, illustrated, original decorative cloth , some rubbing; Deane, Rev. John The worship of the serpent traced throughout the world. London, 1833, second edition, 8vo, presented by the author to P.D. Foulkner, 4 leaves of publishers adverts at front, original boards, worn, lacking top of backstrip, uncut; Bell, H.J. Obeah witchcraft in the West Indies. London, 1893, second edition, 8vo, original cloth, rubbed; Loederer, Richard Voodoo fire in Haiti. London, 1937, second edition, 8vo, original cloth; Lenormant, Francois Chaldean magic. London, [no date], original decorative cloth; Skeat, Walter W. Malay magic. London, 1965, 8vo, original cloth; Jacolliot, Louis Occult science in India and among the ancients. London, 1919, 8vo, original cloth; and 19 others (27)

Lot 1

Bell, James A system of geography. Glasgow, 1832, 7 volumes, 43 folding maps, folding table, 12 plates, contemporary half calf gilt, rubbed at edges, some spotting; Martin, R. Montgomery History of the British colonies. London, 1834-35, 8vo, 4 [of 5] volumes, 12 maps [7 folding], contemporary cloth, hinges splitting, some browning; Slave Trade An abstract of the evidence delivered before a select committee of the House of Commons in the years 1790 and 1791 on the part of the petitioners for the abolition of the slave trade. Edinburgh, 1791, 8vo, lacking folding plate, original wrappers, worn, lacking backstrip, title page torn, ink poem on front endpaper (12)

Lot 1

A late 19th Century walnut cased Wall Clock with overhanging cornice over ring turned and baluster columns, flanking a single glazed door to a waisted and marquetry inlaid base, to an 8” Roman painted dial with outside minute track and black painted hands, and a spring driven movement with anchor escapement and strike on a bell, height 36”

Lot 1

A mid-18th Century 30-Hour Long Case Clock Movement, the 10” square brass dial with pierced and scrolling handles enclosing a silvered Roman and Arabic chaptering to a matted centre and signed and applied nameplate “Maurice Carter of Bisp Stortford”, to a posted iron movement with rear mounted count wheel and anchor escapement strike on a bell, the whole mounted on a later oak wall bracket, height 22”

Lot 1

A late 19th Century cast brass Mantel Clock, Lenzrkirch 489546, the drum case surmounted by an elaborate foliate finial with side mounted ball finials raised on dragon supports flanking a grotesque mask and raised on a pierced rectangular base, to a 3” Roman dial with black steel hands and signed circular brass movement with outside count wheel and anchor escapement and strike on a bell, height 18”

Lot 1

A late 19th Century black slate and variegated marble Clock Garniture, the plinth shaped case surmounted by a stylised urn with side handles to a plinth base raised on front claw feet, to a 3 ½” Roman and Arabic enamelled dial with fleur de lys hands, to a circular brass movement with outside count wheel, anchor escapement and strike on a bell, height 15 ¾”; together with a pair of similarly decorated five light candelabra side pieces (3)

Lot 1

A mid 19th Century mahogany cased 8-day Long-case Clock, C & D Kaiser of Birmingham, the hood with swan neck pediment, to a crossbanded frieze panel and freestanding wrythen fluted and baluster columns, to a panelled throat, over further freestanding columns, to a short shaped trunk door and plinth base with bracket feet, the 14” third period painted dial with a shepherd and his sheep, in a romantic landscape setting, with spandrels depicting country houses, to a Roman chapter ring with outside minute track and subsidiary seconds, with date sector and pierced and stamped hands, to a false plate movement with shouldered plates united by four knopped pillars and anchor escapement, with rack strike on a bell, height 94”

Lot 1

A late 18th Century oak cased 8-day Long-case Clock, Davy of Norwich, the arched hood with shaped pediment over panelled freestanding columns, with brass capitals, over an ogee throat and long arched trunk door to a plinth base, to an 11 ½” first period painted dial, with rosette and urn gilt highlighted decoration to the arch and rural trophy spandrels, to Roman and Arabic chapter ring, with subsidiary seconds and date sector and pierced steel hands, to an Osborne stamped false plate and movement united by four knopped pillars, and anchor escapement with rack strike on a bell, height 81”

Lot 1

A mid-19th Century mahogany automaton 8-day Longcase Clock, Fisher of Birmingham, the arched hood with swan neck pediments over freestanding gilt metal mounted and reeded columns, to a moulded throat with plain frieze over further quarter columns and short trunk door and panelled base on bracket feet, to a 13 ½” third period painted Roman dial with a rocking ship automaton to the arch over painted spandrels depicting Maidens of the Empire, enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector, with pierced and stamped brass hands, to a W Francis false plate, and movement united by four knopped pillars with anchor escapement and strike on a bell (lacking), height 90”

Lot 1

An early 19th Century mahogany and boxwood lined inlaid 8-day Longcase Clock, Dickerson of Norwich, the arched hood with scrolling pediment over gilt metal mounted and reeded columns to a convex throat and long arched trunk door with plinth base, to a 12” painted Arabic dial surmounted by a painted shepherdess and floral spandrels enclosing an Arabic chapter ring with outside minute track and subsidiary seconds and pierced steel hands, to a signed false plate S Baker, Birmingham, and movement with plates united by four knopped pillars and anchor escapement and strike on a bell, height 87”

Lot 1

W Bell, Signed, Oil, a Still life study of apples in a bowl with book and bottle on a table, 14” x 18”

Lot 1

An antique Wine Glass, with bell shaped bowl, opaque twist stem, plain circular foot, 6 ½” tall

Lot 1

A mid 18th Century large Wine Glass, having air twist stem with knop, below a bell shaped bowl, plain circular foot, 6 ½” tall, circa 1750

Lot 1

An 18th Century Wine Glass, with bell shaped bowl, with tear drop, solid stem, folded circular foot, 6” tall

Lot 1

An 18th Century Wine Glass, with air and opaque glass knopped stem, bell shaped bowl, folded circular foot, 7” tall

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