Rowling, J. K. Harry Potter and the Chamber of Secrets, first deluxe edition, fourth issue, signed by the cast of the film, London: Bloomsbury, 1999, publisher's blue cloth, all edges gilt. Signed by the following: Chris Columbus [director]; Daniel Radcliffe [Harry Potter]; Rupert Grint [Ron Weasley]; Emma Watson [Hermione Granger]; Richard Harris [Albus Dumbledore]; Maggie Smith [Minerva McGonagall]; Alan Rickman [Severus Snape]; Robbie Coltrane [Rubeus Hagrid]; David Bradley [Argus Filch]; Tom Felton [Draco Malfoy]; Jamie Waylett [Vincent Crabbe]; Matthew Lewis [Neville Longbottom]; Devon Murray [Seamus Finnigan]; Sean Biggerstaff [Oliver Wood]; Emily Dale [Katie Bell]; Danielle Tabor [Angelina Johnson]; James Phelps [Fred Weasley]; Oliver Phelps [George Weasley]; Alfred Enoch [Dean Thomas]; Edward Randell [Justin Finch-Fletchley]; Hugh Mitchell [Colin Creevey]; Louis Doyle [Ernie Macmillan]; Helen Stuart [Millicent Bulstrode]; Jamie Yeates [Marcus Flint]; Rochelle Douglas [Alicia Spinnet]; Charlotte Skeoch [Hannah Abbott]; David Churchyard [Slytherin Keeper], and Scot Fearn [Adrian Pucey]. Contents good, clean, bright, appears unread, binding tight & square, cloth well-preserved with some light rubbing to boards & extremitiesProvenance: Signed on set, obtained by a chaperone for one of the leading child actors who was an acquaintance of the vendor
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A Gilt Metal Blue Porcelain Mounted Striking Mantel Clock with Garniture, circa 1890, urn shaped top finial, bow shaped porcelain side panels, twin barrel movement striking on a bell, 35cm high, with urn shaped blue porcelain side garniture with rams head side mounts, 23cm highThe clock is French. Mainsprings are winding. Movement has been placed on a short test and is working. Possibly eight-day movement.
An Oak Thirty Hour Longcase Clock, signed W Burton, Kendal, circa 1750, flat top pediment, arch trunk door, 9-3/4-inch square brass dial with a silvered chapter ring signed, date aperture, single hand, four pillar movement with an anchor escapement and outside countwheel striking on a bell, (later case)198cm highLater made case, with one weight and a pendulum.
dating: Early 19th Century provenance: Kingdom of Naples, Smoothbore, two-stage, octagonal and round, 15.7 mm cal barrels, the breech with the crowned mark of the royal manufactory and followed by three fleurs-de-lis, the girdle with rings and frames; slightly bell-mouthed nozzles. Smooth tangs. Locks with slightly-rounded plates and brass pan. Smooth, wooden full stocks. Brass mounts. Flat butt-plates with central riser of octagonal section. Horn-tipped wooden ramrod. length 30,5 cm.
dating: Late 18th - Early 19th Century provenance: Naples, Smooth, two-stage, octagonal and round barrel, 24 mm cal barrel with brass-inlaid marks, one crowned with letters 'SCA / GN,' provided with rings and frame carved at the girdle, and with slightly bell-mouthed nozzle. Tang with engraved frame. Miquelet lock with a deep manufacturing mark on the plate, featuring small engravings and outlines. Working mechanism. Full wooden stock with floral carvings near the mounts. Iron ramrod. Brass mounts with remains of ancient gilding and floral carvings. Brass and iron butt plate. Counter-plate and barrel bracket decorated with fretwork. length 102 cm.
China - - Oskar Freiherr von Seckendorff. Privatdruck Album "Deutscher Posten Langfang. Deutscher Fleiß, Deutsche Arbeit, Deutsche Kraft gebeiten der Welt Achtung. Erbaut 1901-1902 vom II. Batl. 3. ostas. Inft. Regts. Major Auwärter und 7. Kompagnie 2. ostasiat. Inft. Regts. Hauptmann Beyer, beiden gewidmet Freiherr von Seckendorff, Lt. Langfang 1902." Mit farbigem lithographierten Titel, 1 farbigen lithographierten Plan des Lagers und 46 Tafeln mit Abbildungen nach photographischen Aufnahmen, diese tls. handkoloriert. Gera, Gerth und Oppenrieder, 1902. 47 unnummerierte Bll. Quer 4°. OLwd mit farbig gepr. Deckelillustration (leicht berieben u. bestoßen, die Bindung etw. gelockert). Im Vorsatz mit hs. Widmung: "Meinem verehrten Hauptmann und damaligen Kompagnie-Chef Herrn Beyer gewidmet in alter Anhänglichkeit Freiherr von Seckendorf, Leutnant im 7. Thüringischen Infanterie-Regiment Nr. 96, Kommandiert zur Dienstleistung beim großen Generalstab, Wenigenlupnitz bei Eisenach 1905." - Die tls. betitelten Abbildungen dekorativ umrahmt von Wiedergaben traditioneller chinesischer Holzschnitte. Gezeigt wird: Bahnhof "Langfang" mit chinesischer Bahnhofswache - Denkmal für den bei Langfang gefallenen Matrosen Batz - Platte im Denkmal (gefallen den 18. Juni 1900) - Ansicht vom Lager - Das Kaiser-Tor - Das Kommandeurs-Haus nach Fertigstellung - Denkstein (zur Erbauung des Lagers) - Küchengebäude links Wasserküche - Küche, davor Chinesen-Kantine - Stabs-Gebäude, links Wache mit Arrest-Haus - Stabsgebäude - Wache-Post / Geläut für die Lager-Uhr - Mannschafts-Baracke mit Sonnendach - Mannschafts-Baracke im Winter - Ponnie-Reiter der Komp. / Kompagnie-Park-Wagen / Wagen-Remise / Wirtschafts-Gebäude / Kompagnie-Wagen - Larazett-Baracke - Theater / Offizier-Kasino / Revierstube - Offiziere der Kompagnie - Gesellschaftsraum im Offizier-Kasino - Speisezimmer - Besuch italienischer Offiziere vom Nachbar-Posten - Chinesische Kavallerie (2 x) / "Frühstückspause" / Chinesische Mädchen / mit Italienern und Engländern / Ein chinesischer Junge - Ein Fest in Langfang - Chinesische Reiter / Chinesischer General Go-Tu-Chai / Chinesische Reiter / Rittmeister / Chinesische Unteroffiziere / Chinesische Offiziere / Hauptmann Beyer auf einer Parade chinesischer Truppen - Die Besatzung einer Paradeaufstellung - Die Kompagnie im Schützenfeuer - Bau von Sonnen-Dächern - Mannschaftspferde in der Koppel - Wirtschaftshof - Vieh-Hof - Ein Zug rückt zu einer Erkundung aus (im Hintergrund das ehemalige Dorf Langfang) / Die von uns erbaute Villa "Weidmanns-Lust" / Meine erste Wohnung in Langfang - Die Villa mit Sonnendach / Die Villa im Bau - Wohnhaus der chinesischen Angestellten / Telegraphenhaus / Telephonhaus - Auf dem Schießstand - Unteroffiziere beim Tennis - Korporalschaften (3 Bilder) - Italienische Unteroffiziere beim Besuch - Brücke bei Langfang - Eingefallene Pagode bei Langfang - Kot-Sammler / Barbier / Droschke / Der kleine Kuli / Arbeits-Wagen / aus der Revier-Stube - eingefallene Brücke / der Augenarzt behandelt Augen-Kranke / chinesiches Denkmal / Chinesische Kinder - der Affe des Leutnant v. Seckendorff. - Die Seidenhemdchen zart gebräunt u. tls mit kl. Einrissen. Insgesamt ein äußerst spannendes Zeitdokument in wohlerhaltenem Zustand. Privately printed album. With coloured lithographed title, 1 coloured lithographed plan of the camp and 46 plates with illustrations after photographs, these partly hand-coloured. Original red cloth with coloured cover illustration (slightly rubbed and bumped, the binding somewhat loose). - With a handwritten dedication. - The partly titled illustrations decoratively framed by reproductions of traditional Chinese woodcuts. Depicted is: Station "Langfang" with Chinese station guard - Monument to sailor Batz killed at Langfang - Plate in monument (killed 18 June 1900) - View of camp - The Emperor's Gate - The Commander's House after completion - Monument stone (to the construction of the camp) - Kitchen building - Kitchen, in front Chinese people - canteen - Staff building. Left guardhouse with detention house - Staff building - Guard post / bell for camp clock - Crew barrack with sun roof - Crew barrack in winter - Ponnie riders of the Komp. / Company park wagon / Wagon remise / Economy building / Company wagon - Larazett barrack - Theatre / Officers' mess / Station room - Company officers - Social room in officers' mess - Dining room - Visiting Italian officers from neighbouring post - Chinese cavalry (2 x) / "Breakfast break" / Chinese girls / with Italians and English / A Chinese boy - A festival in Langfang - Chinese horsemen / Chinese general Go-Tu-Chai / Chinese horsemen / cavalry captains / Chinese non-commissioned officers / Chinese officers / Captain Beyer on a parade of Chinese troops - The crew of a parade formation - The company in rifle fire - Construction of sun-roofs - Crew horses in the paddock - Farmyard - Cattle yard - A platoon moves out on a reconnaissance (in the background the former village of Langfang) / The villa "Weidmanns-Lust" built by us / My first home in Langfang - The villa with sun-roof / The villa under construction - Chinese employees' home / Telegraph house / Telephone house - On the shooting range - Non-commissioned officers playing tennis - Corporals (3 pictures) - Italian non-commissioned officers visiting - Bridge at Langfang - Collapsed pagoda at Langfang - Manure collector / Barber / Droshke / The little pen / Working trolley / From the station house - Collapsed bridge / The ophthalmologist treating eye-sick people / Chinese monument / Chinese children - Lieutenant v. Seckendorff. - The silk chemises delicately browned and partly with small tears. Altogether an interesting document of the time in well-preserved condition.
Philip u. Adrian Self Dobree. Blank Page. Mit 24 signierten Originalgraphiken von Gottfried Honegger, James Juszczyk, Charles Bezie, Francisco Soto Mesa, John Carter, Yves Popet, Perry Roberts, Claude Pasquer, David Saunders, Elizabeth Willmott, Jaak Vuylsteke et Nico W. Pot, James Hugonin, Richard Bell, Ian Tyson, Marian Bruce, Rity Jansen Hejtmejer, Albert Rubens, Tam Giles, Clifford Singer, John Goodyear, David Rubello, Ray Masters, Opi Zouni. Folio. OPpbde. (mimimal am Einband bestoßen). Wichtige graphische Reihenpublikation, die in 6 Bänden halbjährlich fortlaufend erschien. Sie beinhalten minimalistische, formalistische Kunst, sowie Arbeiten der geometrischen Abstraktion, gepaart mit literarischen Originalbeiträgen. "Blank Page will span three years (December 1988 to June 1991) as a biannual project. The format will remain much the same with the contents varying at each edition. We will build up a portfolio of writing and art of 110 different contributors from around the world over the three years "Ohne die Grafik von Dora Maurer in Bd. 4. - Wohlerhalten und sauber. With 24 signed original prints. Important graphic series publication that appeared in 6 volumes on a semi-annual rolling basis. They include minimalist, formalist art, as well as works of geometric abstraction, paired with original literary contributions. Blank Page will be published for three years (December 1988 to June 1991) as a biennial project. The format will remain largely the same, although the content will vary with each issue. Over the three years, we will build a portfolio of writing and art from 110 different contributors from around the world "Excluding Dora Maurer's print in Vol. 4 - Well Preserved and Clean.
STUPA EN LAITONTIBET, VERS XIVE SIÈCLE Inset with turquoise;Himalayan Art Resources item no. 205006 33 cm (13 in.) highFootnotes:A BRASS STUPA TIBET, CIRCA 14TH CENTURY 西藏 約十四世紀 銅嵌寶佛塔 A symbol considered to be both sacred and precious, the stupa represents the body, speech, and mind of the Buddha. Starting from the base, each section represents the upward transformation of each of the five elements: earth, water, fire, wind, and space, rising into a realm of enlightenment. The earth is represented by the lotus petals with the bell-shaped body which rises to a platform signifying water. The spire represents fire and consists of thirteen tapering rings which sits above a turquoise-inset parasol, implying wind. At the apex sits a lotus bud finial, adorned with decorative sashes, representing space.This type of stupa in Tibet is known as a kadam chorten and is an interpretation of the eastern Indian model that was brought to Tibet in the 11th century by the great teacher Atisha (982-1054). For other examples of this stupa type, see one sold at Christie's, New York, 19 September 2000, lot 117. Published:Deborah Ashencaen and Gennady Leonov, Body, Speech and Mind: Buddhist Art from Tibet, Mongolia and China, Spink & Son Ltd, London, 1998, p. 69, no. 36.Ramon Prats, et.al., Monasterios y lamas del Tibet, Madrid, Fundación 'La Caixa', 2000, p. 132, no. 70.Exhibited:Monasterios y lamas del Tibet, Fundación 'La Caixa', Madrid, November 2000-January 2001.Provenance:Spink & Sons Ltd., London, 1998For further information on this lot please visit Bonhams.com
STUPA DU MAHAPARINIRVANA EN LAITONTIBET, VERS XIIIE SIÈCLE Inset with turquoise;Himalayan Art Resources item no. 205014 54.1 cm (21 1/4 in.) highFootnotes:A BRASS MAHAPARINIRVANA STUPA TIBET, CIRCA 13TH CENTURY 西藏 約十三世紀 銅嵌寶大涅槃塔The stupa is the earliest form of the Buddha image, initially constructed to commemorate the major events in the historical life of the Buddha Shakyamuni. The Indian Buddhist tradition of stupa construction developed into a widespread practice of relic worship, which eventually resulted in the creation of portable objects. During the 3rd century BCE, the emperor Ashoka of the Maurya dynasty divided up the Buddha's relics and built 84,000 stupas throughout India in an acknowledgement of the Buddha's omnipresence.This stupa is closely associated with the earliest form known as the Kadampa style. The bell-shaped design and wide leaf lotus petals make reference to northeast Indian models from the Pala period. However, the shape of the parasol, which has been surmounted by a pendant finial and inset with turquoise, is a unique Tibetan adaptation. A close example of this style is illustrated in Henss, Buddhist Ritual Art of Tibet, Stuttgart, 2020, no. 57.Published:Ramon Prats, et.al., Monasterios y lamas del Tibet, Madrid, Fundación 'La Caixa', 2000, p. 123, no. 71.Exhibited:Monasterios y lamas del Tibet, Fundación 'La Caixa', Madrid, November 2000-January 2001.Provenance:Spink & Son Ltd., London, 1990sFor further information on this lot please visit Bonhams.com
ENSEMBLE DE CINQ TSAKLI BÖNTIBET, XIVE SIÈCLE Himalayan Art Resources item no. 205077 26 x 7 cm (9 1/8 x 2 3/4 in.) each approx. Footnotes:FIVE BON TSAKLI TIBET, 14TH CENTURY 西藏 十四世紀 苯教佛卡 一組五幀Each panel contains two attendant figures with white, blue, yellow, and red skin colors framed by arching scarves and flowing lower garments. The figures face inward to present various attributes: a bell; a conch; a spear; a whisk; a peacock a feather; a white feather; a drum; and an arrow, while two figures are presented without attributes. Inscriptions and numbering on the reverse of each tsakli indicate that these were used during initiations and instructions related to the meaning of these attributes and their affiliations. See three tsakli with similar red domed aureoles and flowers within a dark background in Kvaeverne, The Bon Religion of Tibet, 1995, pp. 130-1, pls. 45.1-2 & 48. Also see a set of 21 Bon cards in the Tamashige Collection (HAR 31206).Provenance:Wei Asian Art, Brussels, 1990sFor further information on this lot please visit Bonhams.com
NO RESERVE Middle East.- Bishop (Isabella L., née Bird) Journeys in Persia and Kurdistan, 2 vol., original pale blue cloth, gilt, spines browned and worn at ends, 1891 § [Bell (Gertrude)] The Arab of Mesopotamia, rather browned, first few leaves slightly nibbled at fore-edge, upper hinge weak, covers stained, Basrah, Government Press, 1918; Amurath to Amurath, folding map torn and repaired, upper hinge weak, joints split, 1911 § Blunt (Lady Anne) Bedouin Tribes of the Euphrates, first American edition, ex-library copy with label, New York, 1879 § Stark (Freya) Baghdad Sketches, first English edition, 1937 § Forster (E.M.) Alexandria: a History and a Guide, upper hinge broken, original boards, Alexandria, 1922 § Nakhlah (Yacoub) New Manual of English and Arabic Conversation, title foxed, old roan-backed cloth, spine detached, Boulack nr. Cairo, H.H. The Khedive's Press, 1874, most first editions, some maps, plates and illustrations, all but the last two original cloth, all rubbed; and c.25 others on the Middle East, v.s. (c.30)
NO RESERVE Coins, Tokens, etc.- Bell (R.C.) Copper Commercial Coins 1811-1819, original rexine, Newcastle upon Tyne, 1964; Specious Tokens and Those Struck for General Circulation 1784-1804, original rexine, frayed, dust-jacket, Newcastle upon Tyne, 1968 § Wright (Brian) The British Fire Mark 1680-1879, modern cloth, Cambridge, 1982 § Henham (Brian) & Brian Sharp. Badges of Extinction: The Eighteenth and Nineteenth Century Badges of Insurance Office Fireman, original boards, dust-jacket, 1989, illustrations; and 7 others on coins, tokens, badges etc., 4to & 8vo (11).
LIDDELL. BELL. BEAUMONT. HOWICK. (Election Candidates). Addresses, Squibs, Periodicals, Songs, Speeches &c Published During the Contested Election for the County of Northumberland ... collected by Thomas Wilson, Fell House, Low Fell. 4 vols. A magnificent collection of original printed documents, broadsheets, advertisements, etc. relating to the 1826 elections. 2 vols. prose, 1 vol. periodicals & a remarkably thick vol. of verse. Quarto. Rubbed qtr. calf, old marbled brds. An exceptional piece of electoral & printing history, 1826. (4).
BELL CHARLES DENT. The Four Seasons at the Lakes. Chromolitho illuminated dec. card leaves throughout. Quarto. Orig. dec. blue cloth gilt, a.e.g. N.d.; also J. B. Pyne, Lake Scenery of England with tinted litho plates & Goodwin & Knight, Through the Wordsworth Country, large paper folio, 1887. (3).
[JAMES AND HORACE SMITH]: REJECTED ADDRESSES OR THE NEW THEATRUM POETARUM, London, John Miller, 1812, fourth edition, 24mo, contemporary calf gilt, worn, armorial book plate of Eliza Lowe on front paste down, plus BENTLEY'S MISCELLANY, London, Richard Bentley, 1847, vol 22, old half calf marble boards worn, inner joint totally split plus AGNES STRICKLAND: LIVES OF THE QUEENS OF ENGLAND FROM THE NORMAL CONQUEST, London, George Bell & Sons, 1882, abridged edition, contemporary calf gilt worn, (3)
ROSKELL & SON OF LIVERPOOL: A GEORGE III MAHOGANY LONGCASE CLOCK early 19th Century, the 36cm dial formerly silvered with subsidiary seconds to the eight day two train movement striking on a bell, contained in case with circular hood, the trunk with reeded uprights and shaped door, 205cm high
Caleb Pitt - Frome, late 18th century long case clock. The clock having an arched brushed steel face with sun and moon phase depicting High Water at Bristol, both second and date aperture, 8-day movement that strikes to a bell, approx 234 cms h. (*af)Condition ReportThe glazing on the clock hood is broken.
Brickhill (Paul), The Dam Busters, signed by Ross Stanford DFC, Dave Rodgers DFC, and others, two volumes 9one hard back the other paperback; and Bennett (Tom), 617 Squadron, The Dambusters at War, two volumes, signed by Freddie Watts DFC, Bill Reid VC, John bell, Dave Rodgers DFC, Fank Appleby DFM and others. (4)
Hemingway (Ernest) - Death in the Afternoon, Jonathan Cape, 1st British Edition, 1932, multiple newspaper articles glued into book, For Whom the Bell Tolls, Jonathan Cape, 1st British Edition, 1941, newspaper article glued to back cover inside page, postcard for Hemingway house glued to front cover inside page & Ondaatje (Christopher) Hemingway in Africa The Last Safari, HarperCollins, 1st Ed. 2003, Signed (3)
A 19th century mahogany 8-day drop-dial wall clock, the 10" painted metal dial signed Bell & Atkinson of Lancaster, in relief carved acanthus scroll surround with arch panelled door below, height including pediment and carved base 75cm, width at widest part of case 38cm, with key and pendulumGood untouched condition, movement all original, chain driven fusee striking on a bell, case all in good condition, minor age-related splits to the curved doors on either side of the case
A mixed quantity of silver and coins; comprising, a pair of silver fruit serving spoons, Sheffield 1905 by Hardy, Bell and Co.; a pair of Old English pattern sauce ladles, Sheffield 1901 by John Round and Co.; a cased set of six seal top teaspoons, Sheffield 1923 by Cooper Bros.; five various napkin rings; two pairs of sugar tongs, two cased three piece christening sets, a cased nine piece silver mounted manicure set, a silver thimble, a cased set of silver pistol handled tea knives, and a quantity of commemorative coins. - 19ozt weighable
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