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Lot 3018
A late 19th century French moon phase repeating carriage clock, with gilt brass ornately engraved corniche case, with a silvered lever escapement, the white dial with Roman numerals by a coloured lunar niche above subsidiary dials for the alarm, day of the month and day of the week, it strikes on a nickel plated bell, the back plate initialled JD and numbered 396, case height 13.8cm. (See illustration) Condition report: Running at moment. Some restoration to cracks on face.
Lot 160
A harlequin set of small rummer glasses dating from the early 19th Century to include Georgian and Victorian examples including a bell bowl glass on a round foot with a broken pontil and another similar small example along with some other rummer glasses on round feet with short columns. Tallest 13cm high.
Lot 968
Postcards, a box of approx 800+ mixed UK topographical cards with many street scenes, views and villages, some better cards inc. RP's of Deptford Park, Bell Hotel Barmby Moor, Vicarage Dagenham, Croydon General Hospital, Golf Club Merton Park, Camp Gates Bisley, Haling Park Thetford, Leek Market, Haltwhistle Beck Bridge Dunstan, The Green Hartley, Council schools Street, Somerset (fair/gd)
Lot 67
A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.
![Philology and Lexicography - Bailey (N[athan]), An Univerfal (sic) Etymological Englifh (sic) Dictionary: Comprehending The D](https://cdn.globalauctionplatform.com/14c1435a-c972-4b14-b939-a99800cac58f/da5d7caa-6b40-40ae-be5b-a99f0097dd7c/468x382.jpg)
Lot 3861
Philology and Lexicography - Bailey (N[athan]), An Univerfal (sic) Etymological Englifh (sic) Dictionary: Comprehending The Derivations of the Generality of Words in the Englifh (sic) Tongue [...], A Brief and clear Explication of all difficult Words [...], A Large Collection and Explication of Words and Phrafes (sic) [...], second edition, with large Additions, Printed for E. Bell [...], London 1724, pp: [xvi], [951], full contemporary calf blind tooled in the Restoration taste, the spine with gilt lettered black morocco title label between raised bands, 8vo
Lot 215
λWalter Steggles (British 1908-1997) Church Street, Bathford Oil on board Signed lower left, titled verso 26 x 30.5cm (10 x 12 in.) Provenance: The family of the artist Walter Steggles was born in Highbury in London in 1908. His family had no immediate artistic connections and yet Walter and his younger brother Harold both became members of what was later known as the East London Group. Between the wars, this Bow-based group of artists were widely exhibited and appreciated, most notably with the Lefevre Gallery, who ran a series of shows between 1929 and 36. Steggles’s work was shown alongside such eminent British artists as Duncan Grant, Mark Gertler, Vanessa Bell, Ivon Hitchens, Christopher Wood and Stanley Spencer as well as international icons such as Cezanne, Degas, Vuillard and Renoir. Wally, as he was known, continued to paint until his death in 1997, the East London Group and all but forgotten addendum to the inter-war years. However, his catalogue of works reveals an artist and a movement that merits closer attention. Walter’s landscape works from this early period are hauntingly emotive and his cityscapes are imbued with the stylistic simplicity so defining of this period of English art history. λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 3854
Miscellaneous - Madame de Sévigné and Her Contemporaries, two-volume set, Henry Colburn, Publishers, London 1841, contemporary red half-crushed morocco and marbled boards, gilt lettered and tooled spines, each pastedown with the monogrammed book label and ink MS ownership inscription: Lady Hamlyn-Williams (1792 - 1874, née Lady Mary Fortescue, married Sir James Hamlyn-Williams, 3rd Baronet of Clovelly Court, nr. Bideford, Devon and Edwinsford, Carmathenshire, Wales, MP for the latter like his ancestors), 12mo; Encyclopædia Britannica; or, A Dictionary of Arts, Sciences, and Miscellaneous Literature [...], volume XVIII only, A. Bell and C. Macfarquhar, Edinburgh 1797, some full-page engravings and maps, contemporary diced calf boards (disbound, lacking spine), marbled endpapers, 4to; Webster's Improved Dictionary of the English Language, William Mackenzie, London, contemporary quarter-calf and buckram (disbound, lacking spine), 4to, [4]
Lot 310
A French late 19thC marble and ormolu mantel clock, circular dial bearing Roman numerals, Argent and Cie eight day movement with bell strike, the barrel casing with urn surmount, raised on a stylised classical temple, flanked by two urns, raised on a serpentine base, with gilt stand and key, 56cm x 45cm.
Lot 449
A Victorian table inkstand and small table bell RFA., Birmingham 1843, of oval Rococco outline, bold c scroll border and handles, two lidded glass inkwells, and small taper stick, all raised on scroll feet; together with a small 119th century Dutch table bell, indistinct marks, the body with chased scrolling decoration and applied head detail, the handle in the form of a figure with a tambourine; two Victorian aide memoires, silver engraved covers, fitted interiors; and a small snuff box, unmarked Inkstand width: 22cm
Lot 2119
H.Y (Henry) Marc, Paris mid 19th century clock, the waisted case with gilt foliate decoration, raised on gilt base, which in turn is raised on a plain mahogany platform, 7.5cm Roman enamel dial with blue figures steel brequet style hands, the movement numbered 14924 striking on a bell. The whole under glass dome 42cm tall overall
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