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MANTEL CLOCK. A 19th century French gilt metal figural mantel clock on slate & marble base, the movement stamped 'Medaille D'Argent Vincenti & Cie, 1855.' The movement further numbered 1654 & striking on a bell. No pendulum or key. Height 39cm. PLEASE NOTE: Our in-house, postal shipping service is NOT available for this lot, or as part of any multiple lot purchases due to size, weight or fragility. Alternative, recommended carrier services are available.
A pair of vintage pale green heavy satin bed covers with pair of darker green pillowcases, a wool tapestry bell pull, five Chinese embroidered silk panels, a lace and ribboned mop cap with real hair and slides, a petit grain and silk length, numerous lengths of ribbon on cards and braiding etc. Condition Report Bed covers - small double approx 6'6
A 19th century French Rococo Revival ormolu mantel clock of profusely scrolling design, the gilt dial with enamel chapters inscribed for Raingo Freres, Paris, the drum movement striking on a bell, stamped for Vincent et Cie, but overstamped for Raingo Freres, 32 cm high Condition Report Top foliate section loose, clock face also loose, otherwise good condition
Four Lladro figures - two figurines in 1920's style costume, 34 cm & 26.5 cm h., the smaller 'Talk of the Town' no. 5788 to/w Bridesmaid, 21 cm and Bridal Bell, 21.5 cm, c/w three boxes and Royal Doulton Falstaff HN2054 and two Dickens figures (7) Condition Report All without cracks or chips
A gentleman's signet ring engraved with a bell, hinged to reveal a tinted photo of Edwardian female, 18ct yellow gold, makers Charles Green & Sons, to/w silver thimble size 13 bearing Coronation mark; pair of 9ct facetted cufflinks and circular gilt metal locket, cufflinks approx 6.5g and ring 6g all in
Continental porcelain mantel clock, ovoid urn shape form, cherub finial, an attendant lady, scrolled base, floral encrusted and painted in colours, French cylinder movement signed Japy Freres, striking on a bell, height 42cm, and a Continental porcelain pedestal urn, with cherubs and with painted ribbon ties, lacking cover, damaged, height 20cm, (2)
*Thomas Huttly, Coggeshall: an ebonised thirty hour longcase clock, the arched brass dial with roman chapter ring, subsidiary date aperture, mask and foliate spandrels, anchor escapement striking on a bell, the painted case with ogee cornice above arched door (lacking glass), thin rectangular waist door on squat base, 211cms (83in.).
A tole painted wall clock, probably mid 19th Century, with silvered roman dial and engine turned gilt bezel, convex glazed hinged cover front movement with count-wheel bell striking, with black japanned and gilt surround decorated with leaf designs, large suspension ring to top with pendulum, 12 1/2in. (32cms). NB Purchased from the Antique Home 104a Kensington Church Street, London, 11th May 1987.
*Bennett Norwich: a Regency ebonised and brass inlaid musical bracket clock, the painted roman dial with two dials to the arch indicating chimes/not chime and dial denoting seven tunes, including 'Miss Gaton's hornpipe, Sicilian Hymn, The Lancers, Tyrolese Waltz, Mozart's First Waltz, Spanish Muleteer, Duchess of Brunswick's Waltz', the musical movement playing on a single bell and row of thirteen bells, pull repeat mechanism, the backplate signed 'Bennett, Norwich', the Gothic style case with central brass finial and four side finials, cantered sides with Egyptian style figures, brass feet, 35in (89cms) high. See illustration
A patinated metal model of an elephant, with trunk raised, standing on associated gilt wood base, 9 1/2 x 8in. (24 x 20cms) high; together with a late 19th Century letter rack, decorated with bell drop flowers on a bronze base, 7in. (18cms) high; a tortoiseshell and bone plaque ball, 3in (8cms) diameter; and a bone plaque ball, 4in (10cms) diameter. (4)
A light baluster goblet of the 'Friendship' type, the bell bowl engraved with clasped hands within an elaborate crowned cartouche with the inscription "AMITIE", the reverse with a flower - possibly a forget-me-not, the stem is multi-knopped with a beaded knop, a knop over an inverted knop and basal knop on a conical foot, c.1765, height 22cms. PROVENANCE Anderson & Garland, 2001. See illustration
A George IV silver plaque, by James Bell, Newcastle 1827, the rectangular tapering plaque mounted on a section of the lid of a coffin and engraved with the inscription "NEWTON HALL. 1ST JANY 1828/to the PATRON, PRESIDENT, VICE PRESIDENTS, SECRETARIES, COUNCIL and MEMBERS OF the SOCIETY OF ANTIQUARIES OF NEWCASTLE UPON TYNE, This Model OF AN ANCIENT STONE COFFIN DISCOVERED IN CHATTON CHURCH IN MARCH 1814, REDUCED TO ONE THIRD OF THE DIMENSIONS OF THE ORIGINAL, IS PRESENTED WITH SENTIMENTS OF PLEASURE AND RESPECT BY JOSEPH COOK. M.A. VICAR OF CHATTON/ for a history of the discovery of this coffin vide M.S. sent to the a. society by I. Cook and an abstract form the same given in the first vol of Arch:Aeliana page 99. The wooden lid 26cms (10 1/4in.). With cutting from Tomlinson's Guide Wooler to Chillingham detailing the discovery on 6th March 1814 of a stone coffin on the north side of the Church of the Holy Cross Catton, containing the remains of a human body, which is supposed to have been one of the followers of Robert The Bruce who had fallen in 1318 during an invasion of Northumberland, being under excommunication, was buried in the least hallowed part of the church yard.
Moderno, Orpheus beaten by Maenads, bell metal plaquette, 57mm (Molinier 211; Bange 477; Lewis 22), pierced and with edge damage; Master IO. F.F., an allegorical scene, bronze plaquette, 30mm (Molinier 133; Bange 649; Kress 105), pierced; unattributed, the head of Pompey presented to Julius Caesar (?), small oval plaquette, 22mm x 18mm, early casts, the last apparently unpublished [Clifford lots 361, 364 and 388] (3)
A GEORGIAN OAK LONG CASE CLOCK, the mahogany, satin wood and ebony decorated swan neck pediment with brass ball finials, the trunk with shaped mahogany cross banded door with central shell inlay and flanked by quarter round fluted columns to either side and further conforming decoration below and all standing on shaped bracket feet, the brass dial with silvered chapter ring, Roman numerals, subsidiary second hand and date aperture, signed 'Richard Clayton, Marple', the eight day movement striking the hours on a bell, the dial 30.5cm wide, the clock 220cm high (hour hand lacking)
19th century 'Yorkshire' mahogany longcase clock, 8-day bell striking movement, painted enamel dial, H234cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
A 19th century French gilt metal and porcelain three-piece clock garniture, the clock having eight day brass cylinder movement with outside countwheel striking on a bell, the porcelain panels in the manner of Sevres, h.41cm, the garniture as a pair of porcelain and gilt metal pedestal urns, h.28.5cm
A Thwaites & Reed of London Regency mahogany and brass inlaid bracket clock, having a convex white enamel dial indistinctly signed and with Roman numerals, twin winding holes for a brass eight day double fusee movement with anchor escapement striking on a bell, with pull-hour repeat, the backplate signed by the maker, the case with brass inlays, fret cast brass fishscale sound grilles, and on brass ball feet, h.40.5cm
Thomas Cox of Cromhall early 18th century walnut cased longcase clock, the two-piece arched brass dial signed to the base and having Roman and Arabic numerals, subsidiary seconds dial and date aperture, the centre engraved with a coastal scene, having twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the plain case with feather banding to a boxbase, h.229cm Condition Report / Extra Information Dial and case probably a marriage. Arch and dial from two pieces of brass, but match well. Movement and dial appear to belong, no unexplained holes apparent. Pendulum holder bent. Bell appears to be later copy. Seat board later. Case with several minor repairs including some veneers/mouldings. Minor veneer losses and age wear etc. Bad veneer split to side of hood.
James Blair of Kilwinning early 19th century mahogany longcase clock, the signed and painted arched dial with Roman and Arabic numerals, subsidiary seconds and date dial, twin winding holes for a brass eight day weight driven four pillar movement striking on a bell, the case with specimen marquetry feather banding and boxwood stringing to a boxbase, h.222cm
Robertson of Edinburgh circa 1830 mahogany longcase clock, having a signed white enamel circular dial, dia.13⅜", with subsidiary seconds and date dials, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case with half turned pilasters flanking panelled door to a crossbanded boxbase, h.201cm Condition Report / Extra Information With weights and pendulum. Dial original, some lettering worn, enamel loss near 4 o'clock. Moulding to right of dial missing. Minor split to door and boxbase. Dial and movement all appear original and untouched. Basically good with minor age wear.
Thomas Mawkes of Derby late 18th century oak and mahogany crossbanded longcase clock, the signed circular dial with Arabic numerals, outer minute scale and rolling date dial, thirty hour weight driven movement striking on a bell, the case with quarter turned fluted pilasters above a boxbase, h.208cm
John Hemmers of London 18th century(?) brass longcase clock dial and movement only, signed to the silver chapter ring, with associated arch over, subsidiary seconds dial, date aperture, matted centre, twin ringed winding holes (probably altered), and cast brass spandrels, eight day weight driven four pillar movement striking on a bell, w.11¾", together with a pair of weights and pendulum
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123896 item(s)/page