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VICTORIAN ROSEWOOD AND MOTHER OF PEARL INLAID DROP DIAL WALL CLOCK, the 12" enamelled Roman dial, powered by a later eight day spring driven movement striking in a bell, housed in a typical case with pierced side pieces, glazed door and underturned foot, decorated with dot and line inlays, 26 1/2" (67.3cm) high
19TH CENTURY AMERICAN CARVED AND FIGURED WALNUT WALL CLOCK, the 8" enamelled roman dial powered by a spring driven movement striking on a bell, housed in lancet top case with arch top glazed door, free standing barley twist fore columns and shaped base with scroll carved border and finials 33" (83.8cm) high EST 80-120
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, with rolling moon phase, signed Ashall, Bolton, the 14" painted roman dial with subsidiary seconds and date dials, enclosed within floral and shell spandrels, powered by an eight day movement striking on a bell, housed in an arch top case with swan neck pediment and brass eagle and ball finials, free standing forecolumns and matching split columns, over a flame cut long trunk door with shape top, flanked by free standing columns and raised on a conforming base with chamferred sides and raised on ogee bracket feet, 99" (251.5cm) high EST 700-900
GEORGE III LONGCASE CLOCK, the 30hr movement striking on a bell with 13 1/4" square brass dial inscribed Fisher, Preston with silvered chapter ring and calendar aperture, replaced spandrels, contained in an oak and mahogany crossbanded case, the hood with swan neck pediment, on short bracket feet, 84 1/2" high (with pendulum and single weight) EST 300-500
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, with Halifax moon phase by John Lees, Middleton, the 13 1/4" brass dial with moon phase and calendar aperture to the topographically painted centre, enclosed by scroll pierced spandrels and powered by an eight day movement striking on a bell, housed in a caddy topped case with gilt metal finials and free standing fore column over a long trunk door flanked by quarter turned columns and raised on a panelled base with conforming and peg feet, 85 1/4" (216.5cm) EST 1000- 1500
GEORGE III OAK LONGCASE CLOCK WITH ROLLING MOON PHASE SIGNED GEO(RGE) GOODALL, ABBEFORD, No 407, THE 12" BRASS DIAL WITH SUBSIDIARY SECONDS DIAL AND DATE APERTURE TO THE FOLIATE SCROLL ENGRAVED AND SIGNED CENTRE, enclosed by scroll and floral pierced spandrels and set beneath the moon phase to the arch, powered by an eight day movement striking on a bell and housed in a flat top case with dentil moulded cornice, free standing turned fore columns over a long trunk door with shaped top and plain base, 87 3/4" (223cm) high
EARLY 19th CENTURY LINE INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MAIN PHASE, THE 12" PAINTED DIAL WITH SUBSIDIARY SECONDS DIAL AND DATE APERTURE TO THE CENTRE, DECORATED WITH WHEAT SHEAVES AND INDISTINCTLY SIGNED, POSSIBLY FROM THE PORTSMOUTH AREA, enclosed by floral spandrels and set beneath the moon phase to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials above step fronted free standing fore columns over an arch top long trunk door and raised on a plain base with bracket feet, 86 1/2" (219.7cm) high
EDWARDIAN MARQUETRY INLAID ROSEWOOD COMBINATION GAMES/WORK TABLE, THE MOULDED OBLONG SWIVEL TOP WITH FOLIATE SCROLL INLAID CENTRE OVAL, OPENING TO REVEAL INLAID CHESS, BACKGAMMON AND CRIBBAGE BOARDS, above a frieze drawer with ribbon tied Bell flower swags and pendant inlays, brass handles and compartmented interior, over a pull out basket and raised on square tapering legs, tied by a pierced and inlaid stretcher and fitted with brown pot casters the whole outlined in boxwood line inlays, 28 2/4" (73cm) high, 24" (61cm) wide
ATTRIBUTED TO SIR CHARLES BELL (1774-1842) TWO WATERCOLOURS Lake scene with figures and town 7" x 10" (17.8cm x 25.4cm) Figures on a path in a tyrolean landscapes 10 1/4" x 7 3/4" (26cm x 19.7cm) lake scene with figures and boat bears signature George B. Campion and dated 1829 4 3/4" x 8 1/4" (12.1cm x 21cm) and ANOTHER of St. Michael`s Mount, France 6" x 9" (15.2cm x 22.9cm) (4) EST 80-120
SEVEN PIECE DAVID LEACH, ST. IVES POTTERY SAKE SET (?), comprising; bell shaped ewer with angular strap handle and six pedestal cups with horizontal incised lines, on a mottled pale green ground, the ewer 8 1/4" (21cm) high, the cups 2 1/2" (6.4cm) high, impressed artists mark and an impressed to the ewer EST 20-30
PAIR OF SMALL FRENCH PORCELAIN FLATTENED CIRCULAR SCENT BOTTLES with stopper (one damaged), CARL THEIME, DRESDEN PORCELAIN TABLE BELL (cracked) , a CROWN STAFFORDSHIRE MUSTARD POT with cover, a miniature Royal Crown Derby three handled CUP, A VICTORIAN STAFFORDSHIRE PORCELAIN MOUSTACHE CUP with gilt presentation inscription, a `Bisto` porcelain TEACUP AND SAUCER also matching TEA PLATE, pink bordered and gilt, an early TWENTIETH CENTURY ROYAL CROWN DERBY SMALL CREAM JUG AND SUGAR BASIN, a Copenhagen small botanical plate (cracked), a Staffordshire porcelain DESSERT PLATE, painted with `Dartmouth Castle` and two modern Royal Dux electric table lamp bases EST 40-60
A Sankey`s Watch Alarum, being a brass mechanism intended to work in conjunction with a key driven pocket watch and to act as an alarum by means of a bell, the mechanism in brass with enamelled dial bearing the names Sankey and C B Dale, in conforming Japanned oval-section slip-lidded box bearing the inscription Sankey`s Watch Alarum, late 18th Century, case 10.5cm x 7cm x 5cm high
An early 20th Century reproduction George III Adam style mahogany demi-lune side table, the top having carved moulded edge, above a frieze embellished with relief carved foliate scrolls, an urn and oval flower-head patterae, on square tapering legs, similarly carved with ribbon-tied bell-flower pendants and having spade feet, 45cm x 106cm x 76cm high
A 19th Century French ebonised portico mantel clock, the twin train movement striking on a bell and stamped DURU A PARIS, 3. 5 inch white enamel dial, Roman numerals and retailer’s mark ‘Grebert a Paris’, in boulle type cut brass, tortoiseshell and mother of pearl inlaid case, on plinth base, 52cm high.
An early 19th century mahogany and crossbanded longcase clock, the painted arched dial decorated with natives of the Commonwealth around Arabic numerals, supporting an eight day four pillar bell striking movement over serpentine moulded door, flanked by quarter turned pilasters on a box base and bracket feet, 231cm.
A FRENCH BEAKER of bell shape with moulded rim, on domed and reeded foot, 11cm h, by Henri-Nicolas Debrie, charge and décharge marks, Paris 1769, 4ozs The border lightly scratched with the initials AS and with the odd minor dent and scratch but the original planishing marks still showing when held at an oblique handle. No damage or repairs, the marks good
WOMEN`S SUFFRAGE MOVEMENT. A WILTSHAW & ROBINSON CARLTON WARE FIGURAL TABLE BELL double sided, one of a smirking harridan, the other a lady of quality, inscribed Votes for Women and She Shall have Votes respectively, Cambridge arms, clapper, 10cm h, printed mark, c1910 In fine condition, no damage or restoration
MARION ADNAMS (1898-1995) SAN GIMIGNANO; PIAZZA DELLA CISTERNA; NYON BELL TOWER; MALAUCÈNE BELL TOWER; MENERBES BELL TOWER five, four signed, two dated May `63 or May `64, all inscribed, two lightly squared, pencil and (except one), wash 34.5 x 24cm and smaller and a linocut by Adnams, on japon, signed, inscribed and numbered 12/35 in pencil (6) All lightly creased and with handling marks, one drawing stained, several mounts stained, the joints on several frames partly open
A VICTORIAN BRASS SKELETON CLOCK with skeletonised and silvered chapter ring, cathedral pattern plates, fusee movement with bell and halberd striker, on turned feet and marble plinth, indistinctly inscribed ...WA..., 36cm h, on ebonised base, beneath a glass shade Centre spire of backplate broken and repaired, marble base slightly chipped
A REGENCY MAHOGANY BRACKET CLOCK signed on the painted dial BUDGEN CROYDON and with pierced steel hands, the twin fusee movement with engraved and shouldered backplate and striking on a bell, in brass mounted, breakarched and pad topped case with ball finial, ebony stringing and inlaid beneath the dial with a satinwood oval, flanked by stop fluted pilasters with lion mask and ring handles, scale side frets and ball feet, 50cm h William Budgen (1750-1824), clockmaker of Croydon and London. Glass in back door broken, the case of attractive dry appearance. Ball finial repaired, two shrinkage cracks on the curved part of the top of the case. Wear to the paint on the dial but not repainted, minor vertical veneer shrinkage crack across the satin wood oval
A FRENCH BOULLE MANTEL CLOCK the giltmetal dial with enamel chapter plaques, the Louis XV style case veneered in red stained shell and inlaid with engraved brass scrollwork, crested by a vase of flowers, the back and door similarly decorated, the movement striking on a bell, the bob of the pendulum stamped ABD in an ellipse and numbered 20711, affixed velvet covered giltwood plinth, 35cm h, late 19th c Enamel dial very slightly chipped near winding holes, the case with very small losses and natural build up of dust and polish but a well preserved example entirely unrestored
A JAPANESE IMARI BOTTLE, TOKKURI with two moulded bell shaped panels enamelled with a tiger and dragon between bamboo and prunus, a lady beneath a blossoming tree, the iron red shoulder with four panels of a leaf or fan and ribbons, the flared neck painted in underglaze blue with stiff leaves, 29cm h, Chenghua mark,19th c Gilding worn on surface of rim, no damage or restoration
A CHINESE CLOISONNÉ ENAMEL VESSEL the bell shaped bowl with gilt key fret rim and enamelled with a formal lotus meander in two shades of blue on a vivid turquoise ground, the knopped stem with chased bronze ribbon and polychrome decoration, on domed foot with lappets and encircled by red flowers and green cloud scrolls, 22.5cm h, Qianlong/Jiaqing Parts associated; possibly originally the foot and stem of a pricket candlestick, loose, tiny drill hole at base of stem
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123896 item(s)/page