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A 20th century Meissen floral decorated small cup and saucer, a Meissen floral decorated lidded circular pot and cover, a Meissen bell, a Dresden floral decorated small twin handled basket, and a floral decorated cup and saucer (5). CONDITION REPORT: Slight factory imperfection to small saucer. Postage cost within UK would be £18 + VAT.
JAMES POWELL WHITEFRIARS; a pair of wine glasses with bell shaped bowls with part vertical cut decoration, baluster stem and plain foot, height 13.4cm and a single James Powell Whitefriars part cut wine glass with unusual knop above plain stem and plain foot, height 12.3cm (3). CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
A very near pair of commemorative goblets, each bell shaped bowl engraved for Edward VIII's coronation, May 12th 1937, above a bulbous knopped stem with a coronation commemorative silver coin on a folded foot, height 14.6cm and 14.4cm. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.
WEBB; a near identical pair of etched and cut glass wine glasses with bell shaped bowls, plain stem and band of decoration to the foot, height 13.2cm, etched marks to base, a pair of Powell amber tinted glasses with ribbed conical tapering bowls and bobbin knopped stems, height 13.2cm and a further pair of Webb clear glasses with conical bowls, height 11.2cm (6).
A Cast Bronze Ship’s Bell from the Clipper Ship Verena the bell inscribed ‘Verena’ built in Sunderland 1865 by S. P. Austin, together with a primitive painting on panel of the clipper. Note: Both discovered in the Swansea area, the former from a scrap yard and the painting from a local public house, although any Welsh connections with the clipper are unknown.The Clipper Ship Era by Arthur H. Clark: Clark presents the history of clipper ships from the perspective of a captain. Clark himself commanded thetheand the steamshipsandbetween 1863 and 1877. Clark’s account of clipper history both benefits from and suffers from his perspective asan American ship’s officer.A lot of space is taken up with individuals Clark knew personally. While on the one hand we gain access to personal anecdotes to fill out these men’s lives, we also lose some objectivity. Lots of captains are described as “good men” who are “worthy of every honour.” It’s hard not to come away with the impression that at times Clark is circling the wagons to protect the reputations of men he knows.This skews his perspective when discussing topics like shipboard disciplinary tactics like beatings, whippings, and confinement. His (not entirely unjustified) feelings are displayed clearly.The” skippers,” maties” and” Jackie’s” alike belonged to the lowest stratum of British social classification, which, according to the chronicles of those days, was pretty low. They were coarse, vulgar, ignorant men, full of lurid oaths; their persons emitted an unpleasant odour of cheap rum and stale tobacco; they had a jargon of their own and were so illiterate as to be unable to speak or write their own language with any degree of correctness.
Gramophone Needles and Accessories:Needle tins and packets by Embassy, Columbia, Songster, Regal, HMV including a vesta tin, Astra, Edison Bell; a BCN sharpener, boxed; two cleaning pads; Davey cutter; period HMV Nipper keyring; and four record catalogues, one signed Roy Plomley; in a small retro display cabinet with stepped slides. (small qty)
A George III oak longcase clock with thirty hour movement striking on a bell, the square painted dial with Roman numerals and inscribed 'R. Durrant, Beccles', cornered with shells, the hood with swan neck pediment above a glazed door and pair of turned columns, the trunk with arched door above a plain base and plinth, height approx 201cm, with pendulum and weight.
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring and Roman hour numerals framing a silvered date aperture and inscribed 'Lindley Leicester', the hood with dentil cornice above a glazed door and turned columns, the rectangular trunk door with shaped top above a plain base and bracket feet, height approx 214cm, with pendulum and two weights.
A late 19th Century French cast brass clock garniture, the clock with eight day movement striking on a bell via an outside countwheel, the case with urn surmount above a pair of lion mask and loose ring handles, on paw feet, height approx 43cm, with pendulum and winding key, flanked by a pair of matching four light candelabra.
A mid to late 19th Century brass skeleton clock with eight day single fusee movement striking on a bell, the silvered chapter ring with black Roman numerals, the Gothic triple arched frame on turned supports, the velvet covered base with applied silvered plaque inscribed 'Wallis, London', on an ebonized base with glass dome, total height approx 47cm, with pendulum.
A George III oak longcase clock with thirty hour movement striking on a bell, the square brass dial with silvered chapter ring and centre engraved with urn, foliate scrolls and inscribed 'Will M. Taylor, Petworth', the hood with moulded pediment above turned columns and glazed door, the trunk with rectangular door on a plain base and plinth, height approx 198cm, with pendulum and weight.
A 20th Century ebonized mantel clock with eight day movement striking on a bell, the rolling dial and silvered chapter ring with Roman numerals and applied plaque inscribed 'Prescott London', cornered by winged mask spandrels, the case with carrying handle and flame finials, on scroll feet, height approx 26cm, together with a diminutive timepiece.
A late 19th Century French ormolu and porcelain mantel clock with eight day movement striking on a bell, the circular porcelain dial painted with a bird, nest and flowers to the centre, signed 'Hry Marc Paris', within a pink ground border with black Roman hour numerals, the case with urn surmount above a laurel wreath and a pair of cornucopia, on foliate feet, height approx 35.5cm, with pendulum, winding key and giltwood stand.
An 18th Century burr walnut longcase clock with eight day movement striking on a bell, the square brass dial with matt centre, silvered subsidiary seconds and date aperture framed by a silvered chapter ring with Roman hour numerals and inscribed 'Henry Massy, London', the hood with moulded pediment above a blind fretwork frieze, Corinthian columns and glazed door, the rectangular trunk door with glazed lenticle and ebonized mouldings, on a crossbanded base and plinth, height approx 220cm, with pendulum and a pair of brass cased weights.
An early 19th Century oak and mahogany crossbanded longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals framing a castle, date aperture and inscribed 'F. Belloni, Shaftesbury', the hood with swan neck pediment, glazed door and fluted columns, the trunk door with inlaid shell paterae, on a plain base and plinth, height approx 196cm, with pendulum and weight.
An early 20th Century French lacquered brass and champlevé enamel four glass mantel clock with eight day movement striking on a bell, supporting a mercury compensated pendulum, the backplate with 'S. Marti' maker's stamp and inscribed 'Maple & Co Paris', the cream circular dial with blue Roman hour numerals and polychrome foliate festoons, the case with dentil cornice between polychrome foliate enamelled borders, the similarly decorated columns flanking bevelled glass panels, on a rectangular base and foliate moulded bracket feet, height approx 31cm, with winding key.
A late 18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with matt centre, subsidiary moonphase and date dials, framed by a chapter ring with Roman hour numerals and inscribed 'Powley, Appleby', the hood with moulded pediment above a glazed door, the trunk with rectangular door on a plain base, height approx 184.5cm, with pendulum and weight (some faults).
A George III figured mahogany longcase clock with eight day movement striking on a bell, the silvered break arch dial with Roman hour numerals, framing subsidiary seconds and date dials, beneath engraved inscription to arch 'Wilmhurst Brighton', the hood with moulded arch pediment and two brass ball finials above a glazed door and brass stop fluted columns, the trunk with moulded arch door, on a panelled base and bracket feet, height approx 221cm, with pendulum and two brass cased weights.
A 19th Century French ebonized and boullework portico clock with eight day movement striking on a bell via an outside countwheel, the enamel dial with Roman numerals within a cast brass surround, the case with inlaid pierced brass decoration, height approx 46cm, with pendulum and winding key (some faults).
A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with black Roman numerals framing a basket of flowers above subsidiary date aperture and inscribed 'G. Paine, Stow', the hood with moulded pediment above a pair of columns and glazed door, the trunk with rectangular door on a plain base and bracket feet, height approx 201cm, with pendulum and weight.
A George III thirty hour longcase clock movement, striking on a bell via an outside countwheel, the square brass dial with Roman hour numerals framing a date aperture and inscribed 'Jno Fernal Wrexham', width approx 30.5cm, together with another thirty hour longcase clock movement, striking on a bell, the painted dial with Roman hours, subsidiary date dial and inscribed 'John Peck Wellingborough', width approx 31cm.
An early 19th Century Scottish oak longcase clock with eight day movement striking on a bell, the painted break arch dial with flowers to arch above Roman hour numerals framing subsidiary seconds and date dials and inscribed 'W:Burnett, Kininmouth', cornered with peacock feather spandrels, the hood with giltwood ball finials above a swan neck pediment, glazed door and fluted columns, the trunk door with shaped top, on a plain base and bracket feet, height approx 203cm, with pendulum and two weights.
An 18th Century thirty hour longcase clock movement striking on a bell, the square brass dial with single hand and matt centre, the silvered chapter ring with black Roman hour numerals and inscribed 'John Bayley', cornered with cast and pierced putto and crown spandrels, width approx 27.7cm, with pendulum, weight and a later oak wall bracket.
A late 19th Century French oak longcase clock with eight day brass and tin cased movement striking on a bell, the circular enamel dial with Roman numerals, the rectangular oak case with moulded arch pediment above a glazed movement door, the trunk door with glazed lenticle displaying the large brass pendulum, on scroll feet, height approx 234cm, together with two weights and a winder.
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123896 item(s)/page