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![[HOME (Henry)] The Gentleman Farmer. Being An Attempt to improve Agriculture, By subjecting to the Test of Rational Principle](https://cdn.globalauctionplatform.com/8f377d13-bba1-45eb-b7ed-aecf00a39f91/f788b49e-e569-404f-91fd-af1e00f3625b/468x382.jpg)
Lot 83
[HOME (Henry)] The Gentleman Farmer. Being An Attempt to improve Agriculture, By subjecting to the Test of Rational Principles, 8vo, 3 engr. plates, calf (replacement label), 1st Edn., Edinburgh,1776; SKIRVING (William) The Husbandman’s Assistant [vol.1 only – see last page before the Appendix -, but seemingly all that was published], 8vo, 1 engr. plate, half calf (worn), Edinburgh, 1792 [4 copies only on ESTC]; BELL (Benjamin) Essays on Agriculture, 8vo, half calf (worn; foxing), Edinburgh, 1802 (3)
Lot 271
A good early 18th century oak cased longcase clock, signed to the 11 inch brass dial for Waddington (John, sometimes Johannes, listed by Loomes as c1710 to 1740) de Chorley, the dial with cherubs head spandrels, finely matted centre and fleur-de-lys half hour markers to the chapter ring, single-handed 30-hour movement striking on a bell, caddy top case standing 235cm tall, hood door with attached pillars, full length arched top door with lenticle, with weight and pendulum. The clock case contains a label with interesting provenance that the clock was purchased at an estate auction from Haigh Hall c1946Condition Report:Clock is generally in good, untouched condition, probably since purchased. Caddy top possible addition as backboard has now been added to. Some minor mouldings missing, split in bezel around bullseye. Dial does fit, no loss to mask. Base has had lower half replaced. Movement dirty, needs a service. Time train ok, strike seems bound up / not working.
Lot 48
SEIKO - a Vintage stainless steel Bell-Matic automatic bracelet watch, ref. 4006-6040, circa 1970s, blue dial with baton hour markers, rotating alarm indicator ring, sweep centre seconds hand and day/date aperture, 17 jewel movement with calibre 4006A, serial no. 743878, case width 44mm, working orderMovement - currently working Dial - cleanGlass - numerous heavy abrasionsHands - light pittingCase - general wear and abrasionsCrown - alarm ring adjusts smoothly, hands adjust smoothly, Quickset date pusher workingBracelet - associated Seiko steel bracelet, general wear and abrasionsNotes – no box or papers
Lot 532
A George V silver baby's rattle/whistle, with mother-of-pearl handle and openwork foliate design, by Chrisford & Norris, hallmarks Birmingham 1917, length 15cmLacking 1 bell, whistle has been pushed inwards and has several dents, mother-of-pearl handle has glue evident around base, raised decoration is slightly split and dented, hallmarks rubbed
Lot 292
4 CHARLIE BEARS - 'Soo Lee', CB141496, black and white panda with bells, 35cm h; 'Parker', CB110307, white with brown highlights, magnetic paws and bells, 41cm h; 'Allsorts' CB140036B, marron white and black with lock and key pendant, 33cm h; 'Demi' CB131368, burgundy with bell pendant, 35cm h, all with tags (4)
Lot 294
4 CHARLIE BEARS - 'Dilly' CB124946, brown and blue, ribbon and bell, 39cm h; 'Dally' CB124956, multicoloured with ribbon and button, 36cm h; 'Alan' CB151524B, caramel and brown striped with ribbon and button, 38cm h; 'Who mee?' CB630023, mottled grey brown with ribbon, 40cm h, all with tags (4)
Lot 82
ASSORTED GENTS WRISTWATCHES comprising boxed Bulova stainless steel DayDate 'Accuquartz' with booklet, boxed Bell & Rose wristwatch, card holder and pen set, boxed Rotary gents wristwatch, boxed Roamer presentation wristwatch, Housde of Jobin wristwatch in Seiko box together with a Gradus open face slimline pocket watch Provenance: private collection Bridgend County Borough, consigned via our Cardiff Office
Lot 297
A BRASS AND WOOD OBOE, HAIDI, 18TH-19TH CENTURYChina. The mouthpiece of brass, decorated with two pierced, globular elements between two discs, the lower disc with a lobed rim, the wood handle carved with outward scalloping between the finger holes, and a brass bell. The interior of the brass bell with an illegible mark.Provenance: From the collection of Tony Bingham, United Kingdom. Tony Bingham is a retired dealer of antique musical instruments. He and his wife Irene opened several stores in London beginning in the 1960s, where they were selling antique instruments to museums, private collectors, and musicians, for more than 40 years. He also published several books on the history of musical instruments, including The New Langwill Index, a Dictionary of Musical Wind-Instrument Makers and Inventors. Condition: Excellent condition with minor wear, traces of usage and minuscule nicks, the brass bell loose. Nice patina overall.Weight: 112.8 g Dimensions: Length 34.2 cmThe haidi is the smallest and highest-pitched version of the suona, a double reed instrument that was introduced to China around the beginning of the 16th century and takes its name from the Middle Eastern zurna. The player, whose mouth completely covers the small reeds, uses circular breathing (through the nose) to maintain a constant tone. It was first used by the military, but today it is played both in ensemble and as a solo instrument.Literature comparison:Compare a closely related haidi, illustrated in Haags Gemeentemuseum, Musial instruments from the East- and South-East Asian mainland, The Hague, 1989, p. 211, no. 182. Compare also a suona in the collection of The Metropolitan Museum with the accession number 89.4.20.十八至十九世紀海笛中國。由雙簧哨子、蕊子、桿子和銅碗四部分組成。銅碗上有印，但已模糊不清。 來源：英國Tony Bingham收藏。Tony Bingham是一位退休的古董樂器經銷商。他和他的妻子Irene上世紀六十年代初在倫敦開設了幾家商店。四十多年來，他們一直在向博物館、私人收藏家和音樂家出售古董樂器。他還出版了幾本關於樂器歷史的書籍，包括《新朗威爾索引》，一部音樂管樂器製造商和發明家詞典。品相：狀況極好，有輕微磨損、使用痕跡和微小的刻痕，黃銅哨子鬆動。整體包漿渾厚。 重量：112.8克 尺寸：長34.2厘米 最初的嗩吶是流傳於波斯、阿拉伯一帶的樂器，就連嗩吶這個名稱，也是古代波斯諾Surnā的音譯。嗩吶大約在公元三世紀在中國出現，新疆拜城克孜爾石窟第38窟中的伎樂壁畫已有吹奏嗩吶形象。海笛是嗩吶的最小和最高音調的版本，它最初是在軍隊使用的，但今天它既可以作為合奏樂器演奏，也可以作為獨奏樂器演奏。 文獻比較： 比較非常相近的海笛，見海牙美術館，《Musial instruments from the East- and South-East Asian mainland》，海牙， 1989年，頁211，編號182。比較另一件嗩吶， 收藏於大都會藝術博物館，編號89.4.20。
Lot 499
A BRONZE 'LUDUAN' WEIGHT, 17TH CENTURYChina. Cast crouching on its rear haunches, the head turned upwards with a single horn, bulging eyes and wide flaring nostrils, the mouth open to reveal sharp fangs and teeth, wearing a bell collar, the body decorated with stylized wings.Provenance: An English private collector, by repute acquired from Paul Bromberg (inventory number B4 according to a collection label, now lost). Paul Bomberg is a contributing editor of the Arts of Asia and a fellow of the Royal Asiatic Society. He has lived in Asia since 1985 and contributed to several books, including Bencharong and Chinaware in the Court of Siam (2011), the Royal Porcelain from Siam: Unpacking the Ring Collection (2013), and Thai Silver and Niello Ware (2019). Condition: Very good condition with minor traces of use, old wear and some casting flaws, minor nicks here and there. Good, naturally grown patina overall.Weight: 216.3 g Dimensions: Height 5.2 cm Literature comparison:Compare a closely related paperweight in the form of a luduan in the collection of Paul Bromberg, dated to the Ming dynasty (1368-1644), published by Paul Bromberg, Later Chinese Bronze Paperweights, Arts of Asia, Autumn 2021, no. 25.Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 29 May 2019, lot 709Price: HKD 47,500 or approx. EUR 6,000 converted and adjusted for inflation at the time of writingDescription: A bronze 'luduan' paperweight, late Ming dynastyExpert remark: Compare the closely related pose and decorations as well as the related size (6.1 cm).十七世紀青銅甪端鎮紙中國，昂首傲立，蹲伏狀。雙目圓瞪，炯炯有神，發須盤結，前胸配以纓絡鈴鐺，腹部兩側浮雕如意雲頭紋、火焰紋等。體態飽滿圓潤。全器包漿厚實凝重，形制古樸。 來源：英國私人收藏，據説購於Paul Bromberg 處 (根據收藏標籤有收藏編號B4 ，現已遺失)。Paul Bomberg 是《亞洲藝術》的特約編輯，也是皇家亞洲學會會員。他自 1985 年起居住在亞洲，並為多本著作做出了貢獻，包括關於暹羅宮廷中的 Bencharong 和瓷器（2011 年）、《the Royal Porcelain from Siam: Unpacking the Ring Collection》（2013 年）和《Thai Silver and Niello Ware》（2019 年）。 品相：品相極好，有輕微使用痕跡，磨損和一些鑄造缺陷，局部有輕微的刻痕。整體良好，自然生長的包漿。 重量：216.3 克 尺寸：高5.2 厘米 文獻比較： 比較一件非常相近的明代(1368-1644)甪端鎮紙，見Paul Bromberg，〈Later Chinese Bronze Paperweights〉，《Arts of Asia》，2021年秋天，第25號。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2019年5月29日，lot 709 價格：HKD 47,500（相當於今日EUR 6,000） 描述：明末青銅甪端鎮紙 專家評論：比較相近姿勢的甪端和裝飾，以及尺寸 (6.1 厘米)。
Lot 501
A BRONZE 'TWIN BOYS' WEIGHT, MING DYNASTYChina, 1386-1644. The bronze cast in the form of two reclining boys arranged head to toe, each with legs in a near-crossed position, both heads supported by one arm, one boy holding a cup, the other a bell. Their waist incised with a floral diapered band.Provenance: From a German private collection. Condition: Good condition with old wear, traces of use and casting irregularities, few nicks and light surface scratches.Weight: 121.4 g Dimensions: Size 4.6 x 4.9 cmAuction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 4 June 2020, lot 449Price: HKD 52,500 or approx. EUR 6,800 converted and adjusted for inflation at the time of writingDescription: A bronze 'twin boys' group, 17th centuryExpert remark: Compare the closely related form and incised waist band. Note the size (7.7 cm).明代四喜童子銅鎮 中國，1386-1644年。二童面龐豐腴，眉弓弧彎，杏目微啟，眉鼻相連，一童手持杯子，另一童子持鈴鐺。經過巧妙組合，無論是上是下，是左是右，無論從哪個角度觀賞，孩童或立或臥，或背或對，相互構成四個完整的戲耍孩童，意趣盎然，惹人疼愛。 來源：德國私人收藏。 品相：狀況良好，有磨損、使用痕跡和鑄件不規則，輕微劃痕。 重量：121.4 克 尺寸：4.6 x 4.9 厘米 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2020年6月4日，lot 449 價格：HKD 52,500（相當於今日EUR 6,800） 描述：十七世紀銅雙喜童子 專家評論：比較非常相近外型和腰部雕刻。請注意尺寸(7.7 厘米)。
Lot 549
A SILVER AND STAG ANTLER 'MAKARA' FLUTE, KANGLING, TIBET, 19TH CENTURYThe stag antler trumpet with a silver repousse mouthpiece and bell, the mouth piece decorated with key-fret, acanthus leaf, and petal designs and inset with a coral cabochon. The bell in the form of a fierce makara head with the mouth wide open revealing teeth and tongue, the stag antler further with a small floral fitting inset with a turquoise cabochon.Provenance: From the collection of Tony Bingham, United Kingdom. Tony Bingham is a retired dealer of antique musical instruments. He and his wife Irene opened several stores in London beginning in the 1960s, where they were selling antique instruments to museums, private collectors, and musicians, for more than 40 years. He also published several books on the history of musical instruments, including The New Langwill Index, a Dictionary of Musical Wind-Instrument Makers and Inventors. Condition: Excellent condition with minor old wear, few minuscule nicks and dents, occasional light scratches. Solid, naturally grown patina overall.Weight: 173.0 g Dimensions: Length 27.8 cmExpert's note: The kangling, literally meaning 'leg flute', is often seen in Tibetan monastic orchestras and can be made of animal horn or human bone. It is used in various tantric Buddhist rituals, particularly the chöd. Putting a dead being's leg bone to your mouth is an intimate reminder of our own mortality. According to Ivan Vandor, examples made of animal horn are only played during certain Gelugpa rituals. See Ivan Vandor, Bouddisme Tibetan, Les Traditions Musicales, Paris 1976, pages 70-71.The Chöd is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism. Also known as 'cutting through the ego', the practices are based on the Prajnaparamita or 'Perfection of Wisdom' sutras, which expound the emptiness concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines Prajnaparamita philosophy with specific meditation methods and tantric ritual. The chöd practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualization of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test.Literature comparison:Compare a related kangling, illustrated in Haags Gemeentemuseum, Musial instruments from the East- and South-East Asian mainland, The Hague, 1989, p. 225, no. 195. Compare a related bone kangling with metal decor, dated to the 19th century, in the collection of The British Museum with the accession number 2016,3040.2.十九世紀西藏銀質骨號（剛令）鹿角小號兩端銀錘鍱，管體上細下粗，略呈彎曲狀，下端喇叭口呈橢圓形。暴飲處鑲嵌圓形珊瑚。鈴鐺形狀為凶猛的摩迦儸頭，嘴巴張開，露出牙齒和舌頭，鹿角帶有小花卉紋，嵌有綠松石與圓形寶石。 來源：英國Tony Bingham收藏。Tony Bingham是一位退休的古董樂器經銷商。 他和他的妻子Irene上世紀六十年代初在倫敦開設了幾家商店。四十多年來，他們一直在向博物館、私人收藏家和音樂家出售古董樂器。 他還出版了幾本關於樂器歷史的書籍，包括《新朗威爾索引》，一部音樂管樂器製造商和發明家詞典。 品相：狀況良好，有輕微磨損、些微刻痕和凹痕，以及局部劃痕。整體包漿。 重量：173.0克 尺寸：長27.8厘米 專家注釋：剛令，字面意思是“腿笛”，經常出現在西藏寺院管弦樂隊中，可以用動物角或人骨製成。它用於各種密宗佛教儀式，特別是施身法。將死者的腿骨放在嘴邊是對我們自己的死亡的提醒。據Ivan Vandor說，動物角製成的例子只在某些格魯派儀式中出現過。見Ivan Vandor，《Bouddisme Tibetan, Les Traditions Musicales》，巴黎，1976年，頁70-71。 文獻比較： 比較一件相近的剛令，見海牙美術館，《Musial instruments from the East- and South-East Asian mainland》，海牙，1989年，頁225，編號195。比較一件相近的十九世紀鑲嵌金屬骨剛令，收藏於大英博物館，2016,3040.2。
Lot 60
Dapper, Olfert: 2 Werke zu Afrika in 1 Bd. 31 x 20 cm. Pgt. mit Rs. und hs. Bibliotheksnr., sowie Bibliotheksschild auf dem Vorderdeckel.1.) Umbständliche und eigentliche Beschreibung von Africa, und den darzu gehörigen Königreichen und Landtschaften, als Egypten, Barbarien, Libyen, Biledulgerid, dem Lande der Negros, Guinea, Ethiopien, Abyßina und den Africanischen Insulen: Zusamt deren verschiedenen Nahmen, Grentzen, Städten, Flüssen, Gewächsen, Thieren, Sitten, Trachten, Sprachen, Reichthum, Gottesdienst und Regierung. Wobey die Landcharten und Abrisse der Städte, Trachten, etc. in Kupfer. Auß unterschiedlichen neuen Land- und Riesebeschreibungen mit Fleiß zusammen gebracht. Amsterdam: Von Meurs 1670. Mit gest. illustr. Titel, gest. Porträt, 1 gest. mehrfach gefalt. Kte, 8 gest. doppelblgr. Karten, 25 doppelblgr. Kupfertafeln, gest. Kopfvignette und Initiale und 51 Textkupfer. 4 Bll., 695 SS., 13 nn. SS.STCN 216054397, Kat. Eutin 317. - Deutsche Erstausgabe der niederländischen Originalausgabe von 1668. - Landeskundliche Beschreibung von ganz Afrika, insbesondere Ägypten, Marokko, Algerien, Tunesien, Tripolis, Westafrika (Guinea), Südafrika und Ostafrika (Abessinien) (Eutin). - Mit einer Gesamtkarte von Afrika, Teilkarten von Ägypten, Nordafrika, Marokko, Westafrika, Guinea, Äthiopien, Kongo und Angola, Ansichten von Alexandria, Kairo, den Pyramiden, Marrakesh, Salé, Larache, Asilah, Tanger, Algier, Jijel, Tunis, Tripolis, Benin, Luango, M'banza Kongo, Luanda, Kap der Guten Hoffnung, sowie Abbildungen von Flora und Fauna u.a.2.) Eigentliche Beschreibung der Insulen in Afrika: Als da seynd Madagaskar, od die Lorentz-Insel, die Tohmas-Insel, die Kanarischen-Inseln, die Inseln des Grühnen Vorgebürges, Malta und andere: Darinnen derselben Nahmen, Gelegenheit, Städte, Flüsse, Gewächse, Tiere, Sitten, Trachten, Sprachen, Reichtühmer, Gottesdienst, und Beherschungen, angewiesen werden. Mit unterschiedlichen Abrissen der Insulen, so wohl selbsten, als anderer darauf befindlichen Dinge. Amsterdam: Von Meurs 1671. Mit 4 gest. doppelblgr. Ktn., 1 gest. doppelblgr. Plan, 4 doppelblgr. Kupfertafeln und 5 Textkupfer. 1 Bl., 101 SS., 3 nn. SS.STCN 216054877. Kat. Eutin 318. - Deutsche Erstausgabe der niederländischen Originalausgabe von 1668. - Landeskundliche Beschreibung von Madagaskar, den Kanarischen und Kapverdischen Inseln, Malta und anderen zu Afrika gehörenden Inseln (Eutin). - Mit Karten von Madagaskar, den Kapverdischen Inseln, den Kanarischen Inseln, Malta und Ansichten von St. Helena, der Insel Gorée, Teneriffa u.a.(Einband berieben und gebrauchsfleckig, vorderes Gelenk aufgeplatzt, innen angebrochen, Rücken am Schwanz eingerissen und mit Fehlstelle, Vorsatz eingerissen und geknickt; Titelbl. und gr. Faltkte. mit perforiertem Bibliothekshinweis, sämtliche Tafeln mit blauem Bibliotheksstempel, Faltkte. mit größerem Riss in der Falz, Porträtkupfer mit Eckausriss, die Tafeln stärker gebräunt bzw. altersfleckig, Textteil schwach gebräunt und wenig fleckig, vereinzelt kl. Randeinrisse. Bindung gelockert.)Bibliotheksschilder und -stempel der Brooklyn Library, Sammlung James A. H. Bell.
Lot 174
Inchgower-12 year oldDistilled and matured by Arthur Bell & Sons plc.Bottle number 33833. Good labelling. Level: top shoulder 75cl. Single malt, 40% volume The Balvenie Founders Reserve-10 year oldDistilled & bottled by William Grant & Sons Ltd., The Balvenie Distillery.Good Labelling. Filled to 70cl. Single malt, 40% volume Tomintoul-12 year oldDistilled and bottled by Whyte & Mackay Distillers Ltd.Good labelling. Filled to 75cl. Single malt, 43% volume Haig Dimple Royal Pewter DecanterEngraved applied labelling. Blended, no strength or capacity stated.4 bottlesFor further information on this lot please visit Bonhams.com
Lot 196
Bell (John, editor).- Bell's Edition. The Poets of Great Britain Complete from Chaucer to Churchill, 106 vol. only (of 109, lacking vol. 49 (Prior vol. 3), 52 (Swift vol. 1) and vol. 77 (Pope vol. 2), engraved titles and portraits, uniform contemporary polished calf, spines gilt in compartments with red and green morocco labels, some light rubbing to spines but a near-fine set generally, housed in two original travelling cases resembling tree calf folios volumes stacked dos-a-dos, interiors with marbled paper, felt and original printed labels, spines with lettered red morocco label and sliding compartments concealing hidden locking mechanism (one spine moving, the other fixed in place), one case lid chipped at lip, rubbing and surface wear to cases, folio, 1780-84.⁂ A remarkable set complete with the rare travelling cases that were offered for sale with the 1784 edition. We can trace only one other like example of these cases at auction.
Lot 183
AN EARLY THANGKA OF GUHYASAMAJA AKSHOBHYAVAJRA, 13TH-14TH CENTURYCentral Tibet. Distemper and gilt on cloth. Superbly painted with the dark-blue, three-headed, and six-armed deity at the center, seated in dhyanasana on a lotus pillow atop a tiered throne supported by snow lions, backed by a lotus-petaled mandorla and halo. He is holding ritual implements including vajra, ghanta, padma, chakra, and khadga, and richly adorned with elaborate gold jewelry.Provenance: Daffos & Estournel, Paris, 2004. A private collection in Milan, Italy, acquired from the above. Leonardo Vigorelli, Bergamo, acquired from the above. Leonardo Vigorelli is a retired Italian art dealer and noted collector, specializing in African and ancient Hindu-Buddhist art. After studying anthropology and decades of travel as well as extensive field research in India, the Himalayan region, Southeast Asia, and Africa, he founded the Dalton Somare art gallery in Milan, Italy, which today is being run by his two sons. Condition: Very good condition, commensurate with age, with some old wear, creasing, minor losses and aging to pigments, few loose threads, possibly microscopic touch-ups here and there. The painting laid down on textile and double-matted. Presenting very well overall.Dimensions: Image size 27.7 x 20.1 cm, Size incl. mounting 49.2 x 40 cmGuhyasamaja Akshobhyavajra is flanked by two goats standing on elephants. The throne arch is topped by Garuda holding a naga in his mouth, flanked by two lamas in the upper register.The Guhyasamaja Tantra is one of the most important scriptures of Tantric Buddhism, written in Sanskrit. In the practice of the Arya Tradition, the central deity of the Guhyasamaja is the blue-black Akṣhobhyavajra, a form of Akshobhya, one of the five tathagathas, sometimes called the dhyani buddhas. Akṣobhyavajra holds a vajra and bell (ghanta) in his first two hands, and his other hands hold the symbols of the four other tathagathas: The wheel of Vairocana and the lotus of Amitabha in his rights, and the gem of Ratnasambhava and the sword of Amoghasiddhi in his lefts. Expert's note: Rarely is this iconographic subject so clearly delineated, allowing the viewer to follow the contours of the body, examine hands and ritual implements silhouetted against the red background, and to gaze upon the otherworldly countenance of Guhyasamaja.Literature comparison: Compare a related mandala thangka of Guhyasamaja Akshobhyavajra, dated to the 14th century, in the collection of the Rubin Museum of Art, object number F1997.43.1.Auction result comparison: Type: Related Auction: Sotheby's New York, 22 March 2018, lot 926 Estimate: USD 700,000 or approx. EUR 810,000 converted and adjusted for inflation at the time of writing Description: A thangka depicting Guhyasamaja, Tibet, 15th century Expert remark: Note that the deity is depicted in union with his consort and that the thangka is of significantly larger size (105 x 90 cm).Auction result comparison:Type: RelatedAuction: Christie's New York, 15 September 2008, lot 6Price: USD 242,500 or approx. EUR 329,000 converted and adjusted for inflation at the time of writingDescription: An Important thangka of the Akshobya Vajra Guhyasamaja Mandala, Central Tibet, late 14th centuryExpert remark: Note that the lot comprises a mandala thangka of larger size (91.4 x 83.2 cm), with a central depiction of Guhyasamaja Akshobhyavajra and consort.十三至十四世紀密集不動金剛唐卡西藏中部。布面膠畫描金。主尊軀體為藍色，頭戴五葉冠，象徵五佛或五菩薩，結跏趺坐在蓮台。有六隻手臂，都持有法物，並分別拿金剛杵、金剛鈴、法輪、匕首與噴焰摩尼，後有光背。 來源：巴黎Daffos & Estournel，2004年；義大利米蘭私人收藏；貝加莫Leonardo Vigorelli購於上述收藏。Leonardo Vigorelli是一位退休的義大利藝術品經銷商和著名收藏家，專門研究非洲和古代印度教佛教藝術。在學習人類學和數十年的旅行以及在印度、喜馬拉雅地區、東南亞和非洲的廣泛實地研究之後，他在義大利米蘭創立了 Dalton Somare 藝術畫廊，如今由他的兩個兒子經營。品相：狀況極好，有一些磨損、摺痕、輕微缺損和顏料老化，些微鬆散的線，有輕微修飾。這幅畫鋪在紡織品上，並經過雙重處理。 尺寸：畫面27.7 x 20.1 厘米，總49.2 x 40 厘米 由於字數限制，完整中文敘述請至www.zacke.at查看。
Lot 55
CHARLES GRETTON LONDON: A GEORGE I MONTH-GOING LONGCASE CLOCK the 30.5cm brass arched dial with edge engraving, corner spandrels of two cherubs holding a single crown, subsidiary seconds dial and date aperture, the engraved cartouche within the arch inscribed " Cha Gretton LONDON", the month-going five pillar movement, striking on a bell. In a walnut veneered case with a sliding caddy hood, the long rectangular door with glass lenticle, 244cm high. Inside the case is a label of the retailer " G. Horstmann & Sons", who were active in Union Street Bath, from approximately 1904 until 1925. Note: This clock features in the Charles Gretton catalogue raisonne. In Charles Gretton Clock & Watchmaking Through the Golden Age' by D. Raddage, W. Meinen and L. Radage, this clock features as reference LC75, on page 233. It is recorded that this is one of the last known Gretton longcase clocks.
Lot 304
A rare and early 18th century, quarter repeating German gilt table clock engraved M Rieppolt in Regenspierg (Regensberg Germany) with 50mm silvered chapter ring and gilded centre engraved Rieppo. Hexagonal shaped case standing on turned feet glazed sides and bell to the bottom. The case opens up to reveal a chain driven verge movement striking with two hammers on a bell. Lovely engraving to the top of the movement and signed M Rieppolt in Regenspierg (Regensberg Germany) Untested. Rieppolt (Riebold) is recorded as working in Regensberg Germany in 1727. Reference G.H Baillie Watchmakers and Clockmakers of the World page 269 W:9cm x D:9.5cm x H:8cm https://youtu.be/zTmZJePwoVQ https://youtu.be/xXFqd-t8ZBA
Lot 307
A continental cast gilded mantel clock showing a well-dressed man, oyster seller, carrying a basket. The basket containing the 4-inch diameter 2 piece gilded clock dial with moon hands, Fast slow regulation at top of dial, French 2 train spring driven movement striking on a bell. Displayed on a gilded cast base raised on what looks like shell feet between which is a cast frieze of fishermen in a row boat next to the coastline with a small cottage. Untested. 1847 Swedish movement engraved with maker’s mark for W.W. Case edge engraved with the initials J.E.D. W:27cm x D:13cm x H:39.5cm https://youtu.be/wL6P4t461Tc
Lot 76
A Good Collection of Antique and Vintage 9ct Gold Charms, Various Subjects ( 10 Charms ) All Marked for 9ct. Comprises Christmas Ribbon / Bell, Child's Learning Counter Board, Tankard, Chinese Lidded Bottle, Chinese Rickshaw, Lion Figure, Chinese Boat, Chinese Building, House, Gondolier. All Marked for 9.375. Gold Weight 42.6 grams. All In Excellent Condition.
Lot 1460
Box of Misc Collectables. Includes Kienzle Automatic Clock, Some 1890's Newspapers, Some Other Paperwork etc, 1 Silver Plate Teapot, 3 Pictures Includes 1 Small Robin Limited Edition 39/500 By David Binns, 1 Gap In the Wall of Sheep Picture, 1 Blue bell Time by Betty Morris 1991 + Wood Block.
Lot 82
BIG BEAT/EARLY HOUSE/80'S AND 90'S POP. Over fifty 12" singles. Some titles of the singles include; Push the Beat/Bauhaus, 'Capella'; Brandon Cooke feat Roxanne Shante, 'Sharp as a Knife (voices calling)'; Coldcut featuring Lisa Stansfield, 'People Hold On'; Bell Biv Devoe, 'Poison'; Big Daddy Kane, 'Aint No Stoppin Us Now' Brixton Club Mix; Big Hard Excellent Fish, Imperfect List'; Black Box, 'Ride on Time' (remix); Black Box, 'Total Mix'; Bizz Nizz, 'Don't Miss the Partyline'; Black Box, 'Fantasy'; Brother Beyond, 'The Girl I Used To Know' Stress Mixes; Freeze, 'I.O.U' megamix; House Master Boyz/Rude Boyz of House, 'Try it Out' dj promo disc; Marshall Jefferso presents Truth, 'Open our Eyes' celestial mix; More Protein E-Zee Possee, 'The Sun Machine'; Free Force, 'M. I. R. C. O'; Marcia Griffiths, 'Electric Boogie' super electric club mix; Grand Plaz, 'Wow Wow- Na Na' extended mix; JK 25, 'Let it All Hang Out'.
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