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Click here to subscribeA French Directoire style ormolu mounted white marble mantel clock, unsigned, late 19th century, The eight-day bell-striking movement with Roman numeral white enamel chapter ring and gilt engine-turned centre, in drum shaped case with eagle surmount and floral festoon apron raised on tapered uprights, on stepped rectangular base with gilt bun feet 51cm high.
A French Louis XVI style gilt brass mounted white marble pendule dofficier, unsigned, late 19th century, the eight-day bell-striking movement with platform lever escapement and blue on white Arabic numeral enamel dial with Arabic five minutes, the case with entwined snake handle above concave sided top and, break-arch frieze, with rosette applied sides and spandrels beneath dial, with ropetwist cast apron and on cast toupe feet, 28cm high overall
A mahogany crossbanded oak thirty-hour longcase clock, unsigned, early 19th century, the countwheel bell-striking movement with 12 inch white painted Roman numeral break-arch dial with arched calendar to centre and polychrome foliate painted spandrels, the arch decorated with a hunting scene, the swan neck pedimented case with reeded pilasters to hood above short trunk door and conforming plinth base, 219cm high
An oak thirty hour longcase clock, John Rogers, Leominster, circa 1770, the four-pillar outside countwheel bell-striking movement with 10 inch square brass dial signed on a circular plaque John Rogers, LEOMINSTER to the matted centre within a brass Roman numeral chapter ring with lozenge half hour markers and female mask and scroll pattern applied angles, in a case with moulded cornice above turned hood pilasters and long trunk door, on plinth base, 194cm high. John Rogers is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Leominster 1767-1778.
A Scottish mahogany eight-day longcase clock, Shaw, Aberdeen, circa 1800, the four-pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Shaw Aberdeen to centre, in break-arch pedimented case with canted angles to hood above break-arch trunk door flanked by reeded quarter pilasters, on plinth base with splayed bracket feet, 219cm high.
A mahogany crossbanded oak eight-day longcase clock, J. Wain, Alfreton, early 19th century, the four-pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds dial, arched calendar aperture and signed J. Wain Alfreton to centre, with polychrome and gilt conch shell painted spandrels and scene of Britannia seated before a Man of War to arch, the swan neck pedimented case with short trunk door and canted angles above banded plinth base, on bracket feet, 210cm high.
A Scottish oak eight-day longcase clock, George Dunbar, Turriss, late 18th century. The four-pillar rack and bell striking movement with 12.5 inch single sheet brass break-arch Roman numeral dial with subsidiary calendar and seconds dials and signed Geo. Dunbar TURRISS to centre, with foliate engraved infill to spandrels and dial for age of the moon to arch, the swan neck pedimented case with reeded pilasters to hood above shaped-top trunk door and reduced plinth base, 191cm high.
A George III mahogany crossbanded oak eight-day longcase clock, of small proportions, Edwd Bell, Uttoxeter, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles, with boss signed Edwd Bell, Uttoxeter between dolphin mounts to arch above, the case with swan neck pediment and fluted pilasters to hood above shaped-top trunk door flanked by fluted quarter pilasters to angles, on raised panel fronted plinth base, 197cm high. Edward Bell is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Uttoxeter circa 1795.
An oak eight-day longcase clock, Ashton, Tideswell, circa 1795. The four-pillar rack and bell striking movement with 14 inch single-sheet brass circular Roman numeral dial with subsidiary calendar and seconds dials to the foliate engraved centre and Arabic five minutes, signed ASHTON, TIDESWELL to lower edge, the swan neck pedimented case with turned hood pilasters and shaped-top trunk door flanked by quarter column applied angles, on plain plinth base with ogee bracket feet, 207cm high. Thomas Ashton is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Tideswell circa 1795
An inlaid mahogany eight-day longcase clock, with moonphase, unsigned, early 19th century, The four-pillar rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to centre and with floral painted spandrels beneath rolling moon to arch, the swan neck pedimented case with dual ring-turned hood pilasters to each side of dial above shaped-top oval panel inlaid short trunk door flanked by reeded pilasters, on conforming panel inlaid plinth base with splayed bracket feet, 235cm high
An oak thirty-hour longcase clock, Will. Russell, Wootton, circa 1740. The four-pillar outside countwheel bell-striking movement with 12 inch square brass dial with calendar aperture to the Hoho bird and foliate scroll engraved matted centre within an applied Roman numeral silvered chapter ring with Arabic five minutes and fleur de lys half hour markers and signed Will. Rufsell along lower edge, with bird and urn pattern spandrel applied angles, the case with moulded cornice above long trunk door and reduced plinth base, 195cm high. William Russell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Volume 2 as working in Wootton, Bedfordshire up to 1770.
A carved oak eight-day longcase clock, with rocking ship to arch, the four-pillar rack and bell striking movement with associated 12 inch brass break-arch dial with calendar aperture, subsidiary seconds dial and bearing signature Jno Charlton DURHAM to the foliate scroll engraved centre, within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll pierced and cast spandrel applied angles, with rocking ship before a maritime view to arch above, now in a case with swan neck pediment above shallow arch trunk door and plinth base now with later foliate carved decoration throughout, 220cm high.
An oak and mahogany eight-day longcase clock, unsigned, early 19th century. The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds dial and indistinctly inscribed Congleton to centre, with polychrome and gilt chinoiserie figure painted spandrels and oval vignette of a cottage within a gilt and foliate ground to arch, the case with swan neck pediment above reeded pilasters to hood and shaped-top short trunk door between crossbanded friezes, on plinth base with canted angles, 219cm high.
A George III mahogany eight-day longcase clock, with deadbeat escapement Walker, Newcastle, late 18th century, the four-pillar rack and bell striking movement with V-shaped pallets, low escape wheel and 12.5 inch brass break-arch dial with ringed winding holes, recessed subsidiary seconds dial and calendar aperture to the matted centre, within an applied Roman numeral chapter ring with Arabic five minutes and mask and scroll cast spandrel applied angles beneath boss signed Walker Newcastle flanked by dolphin cast mounts to arch, in a pagoda pedimented case with swan neck frieze and fretwork infill above brass stop-fluted pilasters to hood and break-arch door to trunk, on panel fronted plinth base with moulded apron, 238cm high. Probably John Walker who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Newcastle-on-Tyne 1787-95.
A George III mahogany crossbanded oak eight-day longcase clock, with moonphase, Seddon, Frodsham, circa 1790, the four-pillar rack and bell striking movement with 13 inch brass break-arch dial with calendar aperture, recessed subsidiary seconds dial and oval plate signed Seddon Frodsham to the matted centre, within an applied Roman numeral chapter ring with foliate half hour markers and Arabic five minutes and mask and scroll cast spandrel applied angles, the arch with rolling moonphase calibrated for the lunar month to circumference, the case with swan neck pediment above turned hood pilasters and shaped-top trunk door flanked by quarter columns, on raised panel fronted plinth base with ogee bracket feet, 218cm high. Probably John Seddon who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Frodsham 1784-95.
A carved oak eight-day longcase clock. The four-pillar rack and bell striking movement with associated 12 inch square brass dial with arched calendar and penny moon to the foliate engraved matted centre within Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and bearing signature Major Schofield ROCHDALE, the angles with female mask and scroll pattern spandrels, now in a caddy-top case with spiral twist pilasters to hood above shaped-top trunk door and plinth base now with later foliate carved decoration throughout, 219cm high.
A mahogany eight-day longcase clock, Walter Mayers, Gloucester, circa 1800. The four-pillar rack and bell striking movement with 12.5 inch white painted Roman numeral square dial with arched calendar aperture, subsidiary seconds dial and signed Walter Mayer GLOUCESTER to centre, with floral painted spandrels, in swan neck pedimented case with rectangular trunk door and panel fronted plinth base, distressed, 224cm high. Walter Mayers is recorded in Dowler, Graham Gloucestershire Clock and Watchmakers as working 1782-1802.
A facet stemmed wine glass, late 18th Century, the funnel shaped bowl engraved with circles and stars, further wine glass with a drawn bowl, double opaque twist wine glass with a bell shaped bowl and double knop stem, and a Victorian engraved small claret jug with plated mount, handle and hinged lid.
Reid and Auld Edinburgh long case clock Scottish longcased clock, late 18th century, by Reid & Auld, Edinburgh, circular brass face with subsidiary seconds and date (fingerless) dials, two train movement striking the hour on a bell, in arched top hood with circular brass bezel, on quarter column trunk and set out base. Height 203cm. (Pendulum, two weights, 2 keys)
Longcase clock with pendlum and two weights Oak longcased clock banded in mahogany, broken arch brass face with painted rolling moon, brass chapter ring with subsidiary seconds and date aperture, the field named Thomas Moss, Frodsham, two train movement striking the hour on a bell, in a swan neck hood with columns, on quartered column trunk and set-out canted base. Height 230cm. (Pendulum (lacking suspension), 2 weights, door key)
Antique dial wall phone, bakelite & brass fittings, base of mouthpiece stamped ST'27, No1, mouthpiece has been broken & repaired, also chipped, internal section of handpiece is signed Stalloy, the cord connecting handpiece is in poor condition, wooden case, front door on hinges, case has several marks & chipped, with brass bell, approx. 12 height, 7 width & 8 depth
A 1930's Chad Valley clipped pale golden mohair bear with an internal tumble bell, the body having jointed limbs with card filled velvet covered pads, the swivel head with long pointed stitched snout and glass eyes, height 12", missing an arm and label, together with a large post war wadding filled jointed clipped mohair bear and a small 1930's straw filled jointed bear, S/D.
A large set of W.T Avery beam scales formerly in use in a silver warehouse, with a decorative wrought iron finial above a plain brass pedestal falling to a cast iron base, complete with a large copper weighing bin and a range of 20th Century troy ounce weights, with three cast iron bell weights ranging from 100 to 400 troy ounces, six 50 troy ounce brass weights and a quantity of various smaller weights
A 19th Century Ormolu automaton mantel clock, with eight day movement striking the hour and half hours to bell, silvered dial, the case front cast with a profusion of scroll work, birds, stylized flower heads and with catyarids to the lower front corners, crested with male and female figures in a gondola like boat which simulates movement on the water, on scroll feet, 23" high
A GEORGE III BRACKET CLOCK in ebonised case, the silvered dial signed "Gretton, London" with date aperture, silvered chapter ring with Roman numerals and strike/silent dial to the arch with pierced cast spandrels, with an eight day fusee movement with early anchor escapement, striking on a bell, the case with raised "baskets", the top with gilt metal carrying handle and four ball finials, on conforming feet, 21" high.
A GEORGE III MAHOGANY LONGCASE CLOCK, the enamelled dial signed "M. Ketterer, Portsea", with subsidiary date and seconds dials, the spandrels painted with cottages and ruins, beneath a break arch with a moonphase dial, with an eight day movement striking on a bell, the hood with triple ball and eagle finials, the trunk with a short door flanked by quarter recessed columns, 89" high.
A REGENCY MAHOGANY AND BRASS INLAID MANTEL CLOCK by William Cribb, London, the case inlaid with scrolling brass floral tendrils, on a rectangular plinth and gilt ball feet, the arched side panels with brass pierced "fish scale" panels, surmounted by floral cornucopia, the slightly convex white enamel dial with Roman numerals and two train fusee movement striking on a bell, 18"
A GEORGE II OAK LONGCASE CLOCK, the brass dial with silvered chapter ring signed "Thomas Maddock, Leek", with subsidiary seconds dial and date aperture, with decorated centre and winding holes, the break-arch with a sunburst between dolphin spandrels, with an eight day movement striking on a bell, the case with long trunk door with moulded edge, 92" high. on page 109
AN EARLY GEORGE III MAHOGANY LINEN PRESS from the workshops of Philip Bell (fl. circa 1740-74), the upper section with dentil cornice over 2 fielded doors with foliate paterae corner mouldings enclosing 4 sliding trays, the lower section fitted 2 short and 2 long drawers with brass swan neck handles, on bracket feet, 51" across (slight faults and losses to mouldings and veneer), top right drawer bearing cabinet maker's original label (see illustration)
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