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Lot 257
ϒA parquetry and gilt metal mounted centre table, late 19th century, the shaped top with central wheatsheaf motif and Vitruvian scroll and bell flower border, above an applied gilt metal scroll frieze with single blind drawer, on fluted tapering supports united by a stylised X-stretcher and conforming feet, 75cm high, the top 150cm x 81cm Provenance: Property of a titled Gentleman, Berkshire. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 272
A carved mahogany and leather upholstered sofa, circa 1930, the triple padded back and triple loose cushion seat flanked by scroll arms fronted by patera and bell flower carved terminals, on acanthus carved squat cabriole legs at the front terminating in claw on ball feet, 102cm high, 182cm wide, 96cm deep
Lot 52
A George III mahogany urn table, circa 1790, in the manner of John Cobb, decorated with bell flower and floral marquetry throughout, the rectangular top with shaped gallery above a slide and shaped apron, on tapering cabriole legs joined by and X-shaped stretcher, 66cm high, 31cm wide, 31cm deep
Lot 1321
Bow, Chelsea, and Derby Porcelain, Being Further Information Relating to These Factories, Obtained from Original Documents, Not Hitherto Published, Edited with Additional Notes, by William Bemrose, Illustrated, Bemrose & Sons, Ltd., London 1898, teal buckram, 4to; Haslem (John), The Old Derby China Factory: The Workmen and their Productions, Containing Biographical Sketches of the Chief Artist Workmen, the Various Marks Used, Fac-Similies (sic) Copied from the Old Derby Pattern Books, the Original Price List of More Than 400 Figures and Groups, Etc. Etc., George Bell and Sons, London 1876, later grey buckram, 4to; Twitchett (John), Derby Porcelain, 1748 - 1848: An Illustrated Guide, Antique Collectors' Club, Woodbridge 2002, h/b, d/j, 4to; Gilhespy (F. Brayshaw, FSA), Derby Porcelain, Spring Books, London 1965, h/b, d/j, 4to; Barrett (Franklin A.) and Thorpe (Arthur L.), Derby Porcelain, Faber and Faber, London 1971, h/b, d/j, 4to; Bow Porcelain: The Collection formed by Geoffrey Freeman, Written and compiled by Anton Gabszewicz in collaboration with Geoffrey Freeman, Lund Humphries, London 1982, h/b, d/j, square 8vo, [6]
Lot 91
A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.
Lot 380
A George V tortoise and silver piquet work associated part dressing table set, each piece decorated in Neo Classical style with patera, bell flowers, swags, etc., to include a large shaped tray, a smaller tray, cut glass scent bottle with stopper, cylindrical box and cover, rectangular box and cover, brushes, button hook and shoe horn, hallmarks for Birmingham 1910 and 1911, and Chester 1911, maker Edward Souter, Barnsley.
Lot 35
Mauchline ware - sewing - seven pieces comprising a rectangular reel box (Burns Monument/within coloured ferns/Made of É..Alloway KirkÉ.) internal printed label 'John Clark Junr. And Co', 19.2cm, a pail form box (Brighton New Pier) s.d., 5cm, a thimble box (coloured flowers), 4.8cm, a disc form pin cushion (flowers/Souvenir From The Alexandra Palace), 3.5cm, a needle cylinder (flowers), 5cm, another (Blackpool Pier), 9.5cm and another (Bell Tower, Evesham, Made In Germany), 14.5cm (7)
Lot 393
A mixed lot - sewing - comprising two knitting needle bell form gauges, H. Walker, London and Abel Morrall's, 7cm, a cut work pin cushion, 10cm. sq., a Mauchline ware disc form pin cushion (Cliff Tor Near Buxton), 3.5cm dia., a mother of pearl pin dish, 5.7cm, two pairs of scissors, three sewing compendiums, two in plastic the other of Russian doll form, a DTS Crummles enamel pin cushion and matching thimble (12)
Lot 503
Jamie Bell signed 10 x 8 colour Photoshoot Portrait Photo, from in person collection autographed at The Eagle London Premiere 2011. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99. Please Note Overseas Shipping Of Framed Items Are At Cost
Lot 1230
Peck Wellingbro; an early 19th century mahogany boxwood strung ebony banded longcase clock, the arched moulded hood with broken swan neck pediment, brass orb and eagle finial, free standing turned cylindrical tapering columns, long moulded arched trunk door flanked by quarter rounded pilasters, on bracket feet, the 12" painted dial with Roman and Arabic numerals, subsidiary seconds and date aperture, the twin train movement striking on a bell,220cm high.Illustrated
Lot 203
A pair of Chinese bronze censers and covers, 20th Century, the covers surmounted by a lion dog, the censers modelled with dragons, two handles and on a tripod base, 24cm high including covers, together with a brass gong in the form of a bell, decorated with a dragon, with a carved hardwood stand modelled with two figures, 45cm high overall (4).
Lot 106
A pair of Victorian copper lustre goblets, the ribbed bell shape bowls painted with an upper foliate band, 11.5cm high, a Staffordshire toby pepperette and a highland figure group, Victorian stoneware cup, with raised hunting scenes to the sides and greyhound moulded side handles, graduated pair of Allertons Imari pattern jugs, another, two other Victorian jugs, a blue transfer mug, and a moustache cup (12).
Lot 860
An Edwardian mahogany boxwood strung crossbanded and inlaid break bowfront vitrine, the moulded cornice above a frieze inlaid with ribbon tied bell-flower swags and centred by musical trophies, fitted with plate glass shelves enclosed by a pair of glazed tracery doors flanked by bell-flower pendants, three drawers below flanked by a pair of cupboards with quarter veneered doors, on square tapered legs united by an 'x' stretcher, 125cm wide x 42cm deep x 185cm high.Illustrated
Lot 117
A large George III satinwood, mahogany, tulipwood and harewood marquetry line inlaid pembroke table attributed to Henry Kettle The rectangular top with hinged leaves centred by a large fan medallion, on square section tapering legs, spade feet and castors, 100cm wide extended, 96cm deep, 70.5cm high The design of this pembroke and the drawing of the panels to the hinged leaves relate to a labelled Kettle pembroke at Saltram House, Devon. The use of an over-sized marquetry fan appears on a labelled Kettle serpentine chest formerly with the Pelham Galleries, both pieces are illustrated in C.Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1998, p.289, nos. 543 & 544. Henry Kettle, the St Paul's Churchyard cabinet maker, upholder and undertaker (c.1773-97) was originally in partnership with William Henshaw from around 1770 and whom had been established at St Pauls Churchyard since at least 1754. Kettle took over the business of the cabinetmaker Philip Bell at 23 St Pauls Churchyard and in 1796-97 Kettle entered into a short lived partnership with the cabinetmaker George Oakley.
Lot 248
A pair of German Jugendstil (Art Nouveau) copper and brass cantilever candlesticks by Carl Deffner Esslingen, circa 1900, in the manner of W. A. S. BensonEach with a brass sphere issuing a scrolled candlearm with inverted bell-shaped nozzle and circular drip-pan and a scrolled foot, the underside with the stamped mark CDE within a shield with two crossed halberds, 23cm long. (2) The round ball weight to prevent the candlestick being knocked over is ingeniously part of the unusual design and it was also designed to be carried in the hand and placed down safely. The Deffner firm was established in Esslingen in 1815 by Carl Christian Ulrich Deffner and existed throughout several generations of the family until 1969. Around the period before WWI the company was a very large concern employing around 500 people. Carl Deffner (1856-1948) took over the firm from his father Wilhelm in 1900, with his brother Otto (1866-1949). Esslingen am Neckar is a city in the Stuttgart Region of Baden-Württemberg in southern Germany. W.A.S. Benson was a significant figure in the Arts & Crafts movement and set up a workshop as W.A.S. Benson & Co in 1880 in North End Road, West Kensington, London. He was known for his fine metalwork. A related pair of “piano” candlesticks is in the British Museum (1982,0108.2-3).
Lot 106
A George III mahogany linen press attributed to Philip BellThe upper part with a moulded cornice above a pair of panel doors now enclosing one original slide pierced with handles above three long graduated drawers, on shaped bracket feet, 124cm wide, 60cm deep, 189cm high.The press offered here closely relates to a labelled press by Bell bearing the firm's rococo label and now in the collection at the Colonial Williamsburg Foundation. The press is illustrated in C.Gilbert, The Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1998, p.96, no.95. Philip Bell is recorded as working from St Paul's Churchyard between 1758-74. He succeeded his father Henry Bell who had founded the firm in 1736 and when Philip came of age he assisted his widowed mother Elizabeth with the running of the firm.
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123896 item(s)/page