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A late 19th Century black slate and variegated Mantel Clock, the architectural case with rouge marble inlay, on a plinth base, to a cast brass bezel enclosing 4” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement, with outside count wheel and strike on a bell, height 11”
A late 19th Century walnut and ebonised Mantel Clock, the drum case on scrolling mounts to a spreading plinth base, with cast brass bezel, enclosing a 3 ¾” Roman enamelled dial with outside minute track and blued steel moon hands, to a circular brass movement with outside count wheel, anchor escapement and strike on a bell, height 10 ¾”
A late 19th Century black slate and variegated marble Mantel Clock, the architectural case with inlaid green marble detail, to a cast brass bezel enclosing a black enamel Roman chapter ring, to a matted centre with gilt fleur de lys hands, with spring driven movement, and anchor escapement, strike on a bell, height 12 ½”
A late 19th Century black slate Mantel Clock, drum case on a scrolling mount, to a spreading plinth base, with cast brass bezel enclosing a 3 ½” Roman enamelled dial with outside minute track and steel moon hands, to a circular brass movement with anchor escapement and outside count wheel strike on bell, height 9 ¼”
19th CENTURY FRENCH MANTLE CLOCK, the elaborate cylindrical ceramic case decorated predominantly in blue, moulded with ribbons and swags, all surmounted by the figure of a putto, the spring driven movement striking on a bell, with circular enamelled dial, the backplate stamped Leroy & Fils Paris, 19586 C.F. Height overall 44cm
A 19th century gilt brass and porcelain mounted mantel clock, the twin train movement striking on a bell, the floral painted dial with winding apertures, the ornate foliate scroll cast case with porcelain mounts and hairy paw feet on a giltwood plinth with presentation shield dated 1884, rear stamped 'P.H. Mourey'. 35cm high
A Berlin porcelain mantel clock, the scrolling case surmounted by a winged cherub holding an orb, with two dolphins above gilt highlighted waves to the sides, the front with cartouche panels painted with flowers, above four scroll feet, the twin train movement striking the half hours on a steel bell, having circular porcelain dial with Roman chapters, red printed KPM mark and impressed number 3598. 29cm high
John Clayton Prescott A mid 18th century walnut and oak cross banded 8-day longcase clock, the twin train movement with anchor escapment striking on a bell, the caddy top above foliate incised gilt frieze and brass dial with Roman numerals and rococo mask spandrels, the blacked centre with subsidiary seconds dial and calendar aperture, the trunk door between reeded quadrant corners above conforming base, on bracket feet, the movement and case with some alterations and restorations 222cm high
FINE RARE 17TH CENTURY FRENCH VERGE CLOCK-WATCH BY JOSIAS JOLLY, PARIS (1608-1642), striking the hours and alarm on a bell to the inner case, the movement signed ÔJosias Jolly A Paris’, fusee and Ògut, later balance spring and cock, baluster pillars with elaborate piercing to the top plate and barrel, two part silver dial engraved with flowers within a fine pierced integeral silver inner case, shagreen bound pierced outer case with pinwork initials and coronet, swivel pendant, 91mm (strike requires attention)
EBONISED BRACKET CLOCK the five pillar double fusee movement with verge escapement, rise and fall mechanism and pull repeat on six bells, the 6.25 brass dial signed Charles Gretton, London, with regulated dial to the arch over false bob aperture and calendar aperture to the matted centre, the ebonised case with glazed side panels and bell top surmounted by a brass handle, 17.5 high
EBONISED VERGE DOUBLE FUSEE BRACKET CLOCK the five pillar movement with engraved back plate and ting-tang pull repeat, the 6.5 brass dial signed Henry Stockton, London with regulator dial to the arch over false bob pendulum and calendar aperture, the case surmounted by an inverted bell top, 18 high
EBONISED DOUBLE FUSEE VERGE BRACKET CLOCK, engraved backplate, pull repeat, the arched silvered dial signed Simpson, London, with strike/silent and regulator dials to the arch over false bob pendulum and calendar aperture, the case (part stripped) surmounted by a bell top and handle, 20.5 high
EBONISED DOUBLE FUSEE BRACKET CLOCK the five pillar movement with replaced verge escapement and engraved backplate, the 7 brass dial signed Cornelius Herbert, London with strike/silent dial to the arch over false bob pendulum and calendar aperture, the case with gilt metal mounts and surmounted by a bell top and handle, 20 high, together with an ebonised wall bracket.
A 19TH CENTURY FRENCH ORMOLU CLOCK GARNITURE, the circular case surmounted by a cherub with bow and quiver, the torch and arrow trophy base with scrolled brackets to either side, circular-enamel dial supporting a twin train French bell strike movement, 17 ins high and a pair of twin branch three-light CANDELABRA, supported by cherubs, each 20 1/2 ins high. (3).
WEBSTER, LONDON, A LARGE LATE 19TH CENTURY MAHOGANY AND ORMOLU MOUNTED BRACKET CLOCK, the break arch brass and silvered dial with subsidiary chime/silent, slow/fast and Bell/Westminster chime dials, three train English movement chiming on eight bells, the case with cast caryatid corner mounts, side grilles and scroll paw feet, 26 ins high.
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123939 item(s)/page