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Jonathan Hall of Sleaford. A Georgian oak and mahogany crossbanded longcase clock, rectangular painted dial decorated with shell spandrels, dial bearing Roman numerals, eight day movement with bell strike, the case with a domed top, over fluted columns raised on a crossbanded and line inlaid trunk and rectangular base, feet lacking, with pendulum weight and key, 215cm H.
A George III oak and mahogany long case clock, the break arch dial painted with a horse race and floral spandrels, with Roman numerals, subsidiary seconds dial and date aperture, two train 8-Day movement with bell strike, the case with swan pediment and brass ball and eagle finial, hood with brass capped pilasters, the trunk door having shell paterae inlay, with pendulum weights and key, 214cm High.
A Georgian oak long case clock by Katterns of Thrapstone, the square brass dial with silver chapter ring bearing Roman and Arabic numerals, engraved centrally with flowers and foliate scrolls, thirty hour movement with bell strike, the case with outswept pediment, hood with three quarter pilasters and plain trunk, raised on a reduced later plinth base, with pendulum and weights, 183cm High.
Vinyl Records - 7” singles and Promotional copies including F.B.I. - The Time Is Right to Leave The City - GD6 - Promotional Copy; The Intruders - Win, Place Or Show (She's A Winner) - S PIR 2212 - Promotional Copy; Judy Clay/ William Bell - Private Number- STXS 2042 - Promotional Copy; The Dreadnaughts - Al Capone '76 - SON 2090; John Williams - Travelling - BUG 78 - Promotional Copy; Eddie And The Hot Rods - Do Anything You Wanna Do - 11939 AT; Joe Jackson - Is She Realy Going Out With Him? - AMS 7392 - Promotional Copy; Booker T & the MG's - Hip Hug-Her - K 11454; Trammps - Zing Went The Strings Of My Heart - BDS 405 - Promotional Copy; ELO - Rockaria - UP 36209 - Promotional Copy; Wild West Hero - S JET 109 - Promotional Copy; Julie Covington - Don't Cry For Me Argentina - MCA 260 - Promotional Copy; The Babys - If You've Got The Time - CXP 1 A DJ - Promotional Copy; Prelude - Never Be Anyone Else But You - 7N 45612 - Promotional Copy; David Parton - Isn't She Lovely - 7N 45663 - Promotional Copy; The Peppers - Pepper Box - SRL 1100 - Promotional Copy; Diana Ross - It's My House - TMG 1169 - Promotional Copy; The Cougers - Saturday Night At The Duck Pond - EMI 2833 - Promotional Copy; Bryn Haworth - City Boy - AMS 7445 - Promotional Copy; The Royal Philharmonic Orchestra - Prince Regent - F 13865 - Promotional Copy (20)
Iris Murdoch An Unofficial Rose 1962 first edition in dust-wrapper, The Bell 1958 in dust-wrapper, Daphne Du Maurier Frenchman's Creek 1941 in dust-wrapper, Ernest Hemingway For Whom The Bell Tolls 1940, Zane Grey Riders of The Purple Sage, The Shapes by J.B. Priestley, Project Mars, The Mystery of the Seven Cafés, Anthem for Doomed Youth Poets of The Great War Folio Society (9)
Henry Perronet Briggs (County Durham 1792-1844 London), After Sir Joshua ReynoldsPortrait of Louis Phillipe Joseph, duc D'Orleans, full-length, in Hussar's uniform oil on canvas91.8 x 55.5cm (36 1/8 x 21 7/8in).Footnotes:ProvenanceThe artistHis sale, 26 April 1844, lot 496, where purchased byJacob Bell until at least 1865Sale, Christie's, South Kensington, 6 September 1988, lot 57, where purchased by the present ownerLiteratureD. Mannings, Sir Joshua Reynolds: a complete catalogue of his paintings, New Haven and London, 2000, p. 311, copy 1145eThe present work is after Sir Joshua Reynolds's original, now in the Royal Collection, UK.For further information on this lot please visit Bonhams.com
Five various pairs of cast brass candlesticks, 18th century, to include a pair of George III columnar candlesticks in bell metal, circa 1775, with tapered stems and beaded square section bases, 26cm high; three pairs of George I examples, first half 18th century, with canted square bases and hexagonal bases respectively, with knopped stems, the tallest pair 19cm high; and a further, similar pair with circular basesCondition Report: Each pair bears the usual minor marks, knocks and scuffs overall consistent with age and use.GIII columnar candlesticks are slightly pitted to the surface, with one or two dents. The undersides suggest there may once have been a push-up mechanism, which is not currently functional. One of the drip pans is a little bent.One of the sticks with circular bases has a restoration above the foot. They are also a little bent, particularly bases and drip pans. The push-up mechanisms have been sealed/are no longer functional. The pair with the canted bases has short splits to the vertical casting seams to the upper edges of the sconces. One has a casting error to the sconce, where it is coarser. Both are pitted in places.The smaller pairs are variously pitted with some loss of definition and one or two casting errors.Overall, the lot is in perfectly presentable condition as commensurate with age.Condition Report Disclaimer
Y A Scottish Regency satinwood mercury stick barometer, J. and J. Gardner, Glasgow, circa 1815, with visible tube and inset ivory Vernier scale calibrated in barometric inches and with the usual observations signed J. & J. Gardner, GLASGOW to lower left applied to a fiddle-back satinwood veneered trunk incorporating pointed pediment and fine strung crossbanded border over conforming hinged-front rectangular cistern cover, 99cm (39ins) high. J. and J. Gardner of Bell Street, Glasgow are recorded in Banfield, Edwin BAROMETER MAKERS & RETAILERS 1660-1900 as a partnership between John Gardner and his son of the same name from 1799 until the latters death in 1818.
Four various 19th century wine glasses - (1) tapering bowl with thumb cuts and thick stem, height 11.4cm; (2) tapering bowl with thumb cuts and a faceted stem, 9.9cm; (3) conical bowl with wrythen twist to lower third, double wrythen knop stem, 8.8cm; (4) bell bowl with two-thirds wrythen twist, wrythen knop stem, 9.8cm
An early 19th century thirty-hour oak and mahogany long case clock, enamelled dial (diameter 29.5cm) signed Deacon Barton, painted with birds and flowers to the spandrels, the domed top painted with upturned bowl of fruit, Roman chapter, an outer chapter of minute divisions with Arabic numerals at fifteen second intervals, date aperture (not attached to movement), pierced gilt brass hands, bell-strike movement, the oak veneered trunk with mahogany banding and fluted pilasters, ebony and boxwood stringing, inlaid lozenge to door centre, standing on front ogee bracket feet, the hood with ebony and boxwood feather stringing, fluted columns, scrolled pediment with brass roundels and brass phoenix, overall height 219cm, with pendulum, key to trunk door, and one weight
A 22ct gold fine William Webster quarter repeater verge watch, c.1715, Exchange Ally, London no.433, by this apprentice of Thomas Tompion, with a single 22ct gold case with square joint and unusual sprung cover to the winding hole in the rear of the case. The pierced and engraved case with vignettes of rural scenes and masks, the oval central reserve on the case back engraved with a crowned lion rampart. Housed in what may be an original leather covered protective outer case. Finely engraved fusee movement and early cap, very much in the manner of Tompion, the quarter repeating work present and working but needing adjustment to sound properly on the original scratch numbered bell. The pulse-piece present and operational, as is the very escapement, although the watch has not been serviced for many years. Later enamel dial, a replacement for what will have been a gold champlevé dial. Note: many such changes were made to English watches as the fashion for the new 'white' dials took off in the 1730s. Beetle and poker hands, the poker (minute hand) a later replacement. Diameter 53.5mm. 156.77g.William Webster, apprenticed to Thomas Tompion in 1702, working on his own from around 1710, died in 1734. Webster placed an advert in the London Gazette four days after Tompion's death on 20 November 1713 stating, 'This is to certify all Persons of whatever Quality or Distinction that William Webster, at the Dial and Three Crowns in Exchange-Ally London, served his Apprenticeship, and served as a Journeyman a Considerable Time with the said Mr Tompion, and by his Industry and Care is fully acquainted with his Secrets in the said Art'. He was succeeded by his son, also named William.Condition report: Later dial and minute hand and damage to the cap, the repeat working sluggishly and not always sounding on the bell. The leather outer case worn but retaining both catches. Later chased key, gilt metal bow.
A Victorian Etruscan Revival gold diamond dumb-bell bar brooch, c.1870,a plain square plaque to the centre, with an old European cut diamond, grain set to a box at the centre, with a bloomed ground and outer row of beads. A tubular bar decorated with rows of applied twisted wire to dumb-bell ends, with applied twisted wire and bead decoration. Marked 15ct, with metal pin. 52 x 14mm, 7.85g
Boxed Royal Doulton and Other Porcelain and Glassware, two boxed Royal Doulton figures HN 3601 Helen and HN 3660 Happy Birthday both designed by Nada Pedley, boxed Wedgwood Hathaway Rose including bud vase, miniature vase, hexagonal trinket box, table bell, pin dish and oval tray, Wild Strawberry trinket pot, boxed Hammersley Old Boot, Caithness Rondo green glass vase and Mats Jonasson penguin glass ornament, G-E, (12)
A group of 20th Century metalwares, to include a stag design stand, Welsh reproduction miners lamp, chestnut sieve, watering can, candlestick holder converted to a bell with design of 'Leo, Aqvila, Agnvs, Pelicanvs', Salter's Improved Spring Balance, foliate decorated box, 16.5cm x 8cm x 4cm and mythical beast door fixture, (15+)
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123939 item(s)/page