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Lot 466
Five trays of Aynsley items mainly 'Orchard Gold' design to include: four limited edition vases in original boxes with COA; two Balmoral vases and two Buckingham centrepieces, two lamp bases with shades, boxed vases, bell, cups and saucers, miniature ginger jar and tray, steak knife, dinner plates etc, a miniature clock and dresser jug in a different pattern. (5) (B.P. 21% + VAT)Boxed items have some gilding slightly discoloured. Lamps have no obvious damage but shades have some internal stains. Clock face isn't on straight. Small surface scratches to tray. Some items are a bit grubby. All other items have no obvious damage or restoration.
Lot 28
A QUANTITY OF BOXED AND UNBOXED DIECAST VEHICLES, Boxed items Dinky Toys Superior Cadillac Ambulance, No.267, complete with flashing light (not tested, battery compartment appears fairly clean) and stretcher, Duple Roadmaster Coach, No.282, Leyland London Bus, No.291 (restored),Bell Police Helicopter, No.732, Corgi Toys 4.2 litre Jaguar E type 2 + 2, No.335, Morris Marina 1.8 Coupe, No.306, Chevrolet Astro 1 Experimental Car, No.347 and Porsche Targa 911S Police Car, No.509, last three all with red spot wheels, Volkswagen Beetle 1200 Police Car, No.373, all boxes with damage and wear, unboxed items Dinky Toys A.C. Aceca, No.167, cream body with brown roof, Fiat 600, No.183, green body, Ford Transit Police Accident Unit, No.267, missing aerial but complete with driver, radar gun, three signs and three cones (one with s.d.), 2 x Austin Taxi, No.254 (both restored), all items in lightly play worn condition with minor paint loss and wear (2 boxes)
Lot 584A
18th/19th century oak cased eight day long case clock, the face marked David Bowen, Swansey (sic), having broken swan neck pediment above arched aperture flanked by turned pilasters, plain waist door on a plain panelled skirted base. Square 11inch dial with added arch section, Roman chapter ring, seconds dial , date aperture and pierced spandrels. Eight day two train movement strikes on one bell, complete with two weights and pendulum. Overall 2.3M high approx. (B.P. 21% + VAT)
Lot 414
Two boxes of assorted items to include: a copper bedwarmer with wooden turned handle, a large mirror with gilt frame, table top mincer, brass horse doorstops, boomerang shaped brush, metal bell, trivets, cruet sets, salt and pepper in the form of chicks in a basket, three lidded metal canisters, chamber stick, blue and white china, mountain scenery plates, glass bowl with metal mount etc. (2)(B.P. 21% + VAT)
Lot 61
Tapestry; Flemish work, 17th century.Wool.Presents restorations.Measurements: 268 x 243 cm.Flemish tapestry made in wool that presents a heraldic motif as the main ornamentation of the work. In the absolute centre we can see the coat of arms dominated only by the presence of a castle and in the upper area, the bell, a knight's helmet. The coat of arms is surrounded by numerous intertwining vegetal and geometric decorations, which are delimited by a square band that separates the inner perimeter of the tapestry frame, which has been designed as a border decorated with garlands. In the 17th century, Flemish tapestries were arguably the most important productions, with many specimens from this period still extant, demonstrating the intricate detail of pattern and colour embodied in pictorial compositions, often on a monumental scale. The success of decorative tapestry may be partly explained by its portability. It is a very common style in Europe, which began to develop in the Middle Ages. Tapestry is relatively fragile and difficult to make, so most historic pieces are intended to hang vertically on a wall, or sometimes horizontally on a piece of furniture such as a table or bed. In some periods smaller pieces, often long and narrow, were made and used as borders for other textiles. European tapestries are therefore usually made to be viewed from one side only, and often have a plain lining added to the back.
Lot 50
WW2 15 Signed Jim Dooley Colour Lancaster Print 13/419 Titled Together Again, Mounted Professionally. Signatures include Steve Bethill, Gordon Mellor, JH Richards, Frank Tilley, Jo Lancaster, Dave Fellowes, John Bell, John De Hoop, H Norwood, Geo Dunn, Harry Irons, Jim Wright, The Artist Jim Dooley and others. Mount Measures 29 x 25 inches overall. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 1518
A WW2 RAF Dinjan 5 Squadron Scramble Bell. A bronze bell 14cms (5.5ins) high by 19.5cms (7.625ins) diameter at the bottom and having a Kings Crown flanked by A M cast in raised relief on the inside of the bell. Mounted on a hardwood base with inset brass plaque which reads: IF YOU HEAR BELL. RUN LIKE HELL. 5 SQUADRON RAF DINJAN
Lot 305
A memento mori snakes and gilt bronze laurel wreath mounted oak cased mantle clock, the black enamel dial with Roman numerals and movement striking on a bell, 24cms high.Condition ReportThere is no key or pendulum present and it isn't running, case has a shrinkage split and the back corner is missing, there are a few small chips around the winding holes otherwise good overall condition
Lot 165
Map of the Russian Empire; Publisher DANIEL LIZARS (Edinburgh, 1754-1812), late 19th century.It has damp stains, soiling, cracks and tears on the sides.Measurements: 59 x 90 cm.Map in which the Russian Empire is represented, following the round typology of the terrestrial globe in spite of being a map, characteristic for its two-dimensional idiosyncrasy. This map was edited by Daniel Lizars (1754-1812) who was the son of a shoemaker, but was apprenticed to Andrew Bell, a printer and engraver. Lizars set up his own printing press near St Giles' Cathedral and employed his own apprentices, including George Bartholomew, whose son John would go on to found the important map-making firm later known as John Bartholomew & Son Ltd.
Lot 7
Bell-shaped cratera; Apulia, Magna Graecia, 4th century BC.Red-figured pottery.Thermoluminescence test attached.Intact.Provenance: private collection, Madrid.Measurements: 35 x 36 cm (diameter).Ceramic vessel with a circular base, a bell-shaped body with two handles, almost hidden under a pronounced rim at the top, which also opens outwards. The exterior of the piece is decorated on the obverse with the figures of a nude Bacchus wearing only a laurel wreath, and a maenad with sytula. Both figures are surrounded by vine leaves. On the reverse, the scene is depicted with two figures holding staffs.The krater was a large vessel, intended to contain a mixture of water and wine. It was carried to the place of the meal and placed on the floor or on a platform. The cupbearer administered the drink with a spoon or jug, and then filled the cups of the guests. The type known as 'bell-shaped' has small horizontal, protruding, upward-facing handles and an inverted bell-shaped vessel; it is a late-use type. The chalice krater is a more modern type than the column and scroll kraters, although it predates the bell krater, and its shape, with an almost inverted trapezoid profile, is reminiscent of the flower chalice.Red-figure ware was one of the most important figurative styles of Greek pottery. It was developed in Athens around 530 BC, and was used until the 3rd century BC. It replaced the previous predominant style of black-figured pottery within a few decades. The technical basis was the same in both cases, but in the red figures the colouring is inverted, with the figures highlighted against a dark background, as if illuminated by a theatrical light, following a more natural scheme. Painters working with black figures were forced to keep the motifs well separated from each other and to limit the complexity of the illustration. The red-figure technique, on the other hand, allowed greater freedom. Each figure was silhouetted against a black background, allowing the painters to portray anatomical details with greater accuracy and variety.The technique consisted of painting the motifs on the still-wet piece, using a transparent varnish which, when fired, took on an intense black hue. The motifs were therefore invisible before firing, which meant that the painters had to work entirely from memory, unable to see their previous work. Once the piece was fired, the unglazed areas remained with the reddish hue of the clay, while the glazed, "painted" areas took on a dense, glossy black colour.
Lot 291
A Superb Vintage Sterling Silver Charm Bracelet, loaded with over 30 silver charms, all marked for silver, comprising grandfather clock, pair of figures, church, bell, money bag, water tower, tram, old boot, accordion, set of keys, Aladdin's lamp, elephant, bagpipes, teapot, tortoise, etc. All excellent condition. Weight 133.3 grams.
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123896 item(s)/page