There are 123509 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA French Art Deco pyramid marble mantel clock. A blue marble diamond with white marble pyramids forms the case with gilded dial and Arabic numerals. Gilt decals accentuate the face of the clock. Two-train eight day movement, striking on single bell. 36cm; 14in. For condition report please see the catalogue at www.peterwilson.co.uk
An 18th century long-case clock, by William Lowndes of Salop. Oak case with Doric columns supporting a canopy with blind fretwork and stepped pediment. Brass arched dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial. Arch contains portrait with glancing eyes and date aperture. Arched door to trunk with boxed base and ogee feet. Two train, eight-day movement striking on single bell. 218 x 54 cm; 86 x 21.5in. For condition report please see the catalogue at www.peterwilson.co.uk
An 18th century Worcester porcelain trio comprising a tea cup, coffee cup and saucer, decorated with bell flowers and gilt leaves, underglaze C mark to the base CONDITION REPORT: Some gilding rubbing and surface scratches, tea cup has small chips to the footrim, hairline crack to the base of the handle,
An 18th century and later oak long case clock, the hood with a moulded cornice above a long trunk door and box base, the 30.5cm brass dial with gilt spandrels, with a silvered chapter ring with Roman numerals, a seconds subsidiary dial and a calendar aperture, inscribed Wm Lee, Leicester, the eight-day movement striking on a bell, 218cm high
An 18th century and later oak longcase clock, the hood with a moulded cornice, and three quarter columns above a long trunk door, box base and bracket feet, the 27.5cm brass dial with gilt leaf spandrels, the silver chapter ring with Roman numerals, the central silvered panel engraved with a landscape scene, inscribed Thos Hall, Rumsey, the 30-hour movement striking on a bell, 207cm high
A MATCHED THREE-PIECE GILT-BRONZE CLOCK GARNITURE, FRENCH, CIRCA 1900the clock with eight-day movement striking on a bell signed Rollin … Paris, the white enamel dial (damaged) similarly signed and with Roman hour numerals within a minute track and outer Arabic numeral five minute intervals, the shaped balloon case with openwork rocaille surmount and embellished with further rocaille and foliage, diaper panels, fixed to a shaped base applied with an inscribed plaque to the front, the pair of Rococo style candelabra each with four scrolling branches and central openwork finialclock 54.5cm high, candelabra 46.5cm highThe inscription reads: Presented to Sir William F. Jury on the occasion of his Knighthood by Members of the CINEMATOGRAPH INDUSTRY 1st January 1918Provenance: The Cinema and Television Benevolent Fund (see the previous lot and lots 344, 392-395 for further items with the same provenance.)
A LARGE GILT-BRONZE THREE-PIECE CLOCK GARNITURE, FRENCH, LATE 19TH CENTURYeight day bell striking movement by Samuel Marti et Cie. of Paris, pendulum and movement both numbered 1975, with key, the dial with Roman numerals on enamel shields, the case and accompanying pair of nine-light candelabra richly openwork cast with scrolls and foliage, the bases applied with Renaissance dolphins, the candelabra complete with detachable nozzles and removable central finialscandelabra 82.5cm high including openwork finials, clock 69cm high
A SILVER TWO-HANDLED CUP, JAY, RICHARD ATTENBOROUGH & CO. LTD. AS RETAILERS, CHESTER, EARLY 20TH CENTURYin early 18th century Irish style with harp-shaped handles, the bell-shaped body engraved with inscriptions and a list of Past Presidents of the Cinema Veterans (1903) below the legend ‘WE’LL DRINK A CUP OF KINDNESS YET FOR THE DAYS OF AULD LANG SYNE’23cm high, 1104gr (35oz)The inscription reads: ‘CINEMA VETERANS (1903) LOVING CUP Presented by Lieut. Colonel A.C. Bromhead, C.B.E. President 1933-4’Alfred Claude Bromhead (1876-1963) and his brother, Reginald (1883-1956) established the British Gaumont film company, the UK branch of the French Gaumont company. During World War I, A.C. Bromhead was promoted to the rank of Lieut.-Col. and in 1916/17 led a British film propaganda unit to Russia, for which he was awarded a C.B.E.Provenance: The Cinema and Television Benevolent Fund (see lots 292, 293, 344, 392-395 for further items with the same provenance.)
A Victorian Wilson's Patent silvered brass counter bell, by William Tonks & Sons, Birmingham, flowerhead push-button mechanism, domed bell, the base cast with a frieze of heraldic shields supported by lions rampant surmounted by a beaded border, outswept bracket feet with leafy bosses and scrolls, 10cm high, registration lozenge, registered March 18th 1868
Antiquarian Books - Art History/Portraiture - Bates (William), The Maclise Portrait-Gallery of "Illustrious Literary Characters", With Memoirs Biographical, Critical, Bibliographical & Anecdotal Illustrative of the Literature of the Former Half of the Present Century, With Eighty-Five Portraits, first edition, Chatto and Windus, London 1883, illustrated with full-page monochrome lithographs, contemporary buckram as issued, thick 12mo; Steuart Erskine (Mrs), Beautiful Women In History & Art, Printed at The Chiswick Press for George Bell & Sons, London 1905, xi, 283pp, the illustrated throughout with plates engraved by Hallett Hyatt of The Rembrandt Studio, allegorical title-page and ornamental headpieces from designs by W.L. Bruckman, pictorial blue cloth, contemporary bookseller's label W. Erskine Mayne, Belfast, 4to [2]
An Indian elephant goad (ancus), of iron decorated with gold koftgari, the re-curving hook mounted to a square-section shank and having upturned inner spur terminating in a monstrous head, leaf shaped spear point, openwork haft forming six cages each with a captive bell, rounded pommel, length 57.5 cm (22.5 in.)
A Victorian Army Long Service and Good Conduct Medal to Sergeant Major Joseph Bell, Royal Fusiliers, 2nd type obverse, swivelling suspension (1215. ST. MR. JOSEPH BELL. ROYAL FUSILIERS). Edge knocks, good fine. Served in the Crimea at Alma and Inkermann (medal and two clasps). Also in a sortie 26th October 1854 and in both assaults on the Redan.
A George III mahogany longcase clock, circa 1780, Thomas Crofts, Newbury, the arched hood with moulded cornice above twin fluted and brass mounted pilasters, the silvered dial with subsidiary seconds dial and strike/ silent dial above, the two train movement striking on a bell , the arched trunk door above a moulded base and shaped bracket feet, 210cm high
A Caughley sparrow beak jug transfer-printed in the Bell Toy pattern, circa 1776-80, unmarked, 9.3cm high Provenance: Wright Collection no. 877, purchased in 2011 from Bonhams Knowle. Literature: See Newsletter 2016 no.67 or 68. This is an interesting piece as Bell Toy is very rarely found on this form by Caughley, these jugs more commonly having the Mother and Child print.
A Caughley coffee pot and cover transfer-printed with the Bell Toy pattern, circa 1780-89, unmarked, 24cm high (cracked) with a further Caughley coffee pot, with matched Worcester cover, painted with the Cannonball pattern, circa 1778-84, C mark, 23.5cm high (cracked, cover a.f) (2)Provenance: The Bell Toy example Wright Collection no.150, purchased from Singing Bird in 1977. The Cannonball example Wright Collection no.494, purchased in 1995 from Peter Wilson's.Literature: Newsletter 2016 Waste not Want Not.
POSTCARDS, early 20th century, to include British Royal Naval and Maritime, including Cunard and White Star Line, advertising, topographical, railway, military including the Vet River Railway Bridge Destruction in the Boer War, agricultural and others including The National Waif's Association, Baranado's Bell Ringers, Tom Thumb 'The Oldest Midget in the World', a rare and early photograph of a Masai wedding and women at the Siemans Munition Works (approximately 216)
R Pugh, Newtown, a George III oak and mahogany cross banded cottage longcase clock, the square hood with broken swan neck pediment above a 12'' white enamel dial with Roman numerals and date aperture painted shells to the corners, thirty hour movement striking on a bell, between fluted brass capped pilasters above a cross banded ogee arched top trunk door flanked by brass capped quarter pilasters over a cross banded base and later plinth, 205cm high
Tibbert, Newtown, a George III oak and mahogany crossbanded cottage longcase clock, the square hood enclosing an 11'' brass dial with Roman and Arabic numerals and figural spandrels representing the seasons, thirty hour movement striking on a bell between fluted gilt brass Corinthian columns over a narrow ogee arched crossbanded trunk door, raised panel base and bracket feet, 200cm high
Peter Brisbourne, a George III oak and mahogany crossbanded cottage longcase clock, the square hood with blind fret carved frieze and 12'' brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture matted foliate centre, mask head spandrels, eight day movement, striking on a bell between turned brass capped pilasters above a crossbanded full length trunk door plain base and short bracket feet, 196cm high
Wignall, Ormskirk, an early 19th century mahogany longcase clock the hood with broken scrolls, swan neck pediments surmounted by three ball and spire finials above a 14'' white enamel dial with Roman numerals, subsidiary seconds and date dial, colour painted shells to the corners, eight day movement striking on a bell, between brass capped pilasters over an ogee arched top, 3/4 length trunk door and panel between reeded 3/4 columns on a plain panel canted base and bracket feet, 237cm overall height
Thomas Kenerdell, Wigan, a George III mahogany longcase clock the arched hood with scroll pediment and boxwood patera enclosing a 13'' arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre, cherubs head, spandrels and silvered named roundel in the arch, eight day movement striking on a bell between fluted pilasters over a blind fret frieze and shaped top boxwood strung trunk door between fluted quarter pilasters with blind fret work bases and on conforming canted base and ogee bracket feet, 226cm high
Frodsham, London, a rosewood and brass strung bracket clock, early 19th century in a dome top case enclosing an arched 6 inch white enamel dial with Roman numerals, subsidiary date dial and strike silent dial in the arch, marked Frodsham, Gracechurch Street, London, double fusee eight day movement striking on a bell and repeating mechanism (cord absent), the back plate also marked Frodsham, Gracechurch Street, London, fish scale grille sides and ring handles and raised on gilt brass ball feet, 34cm high, 24cm wide, 18cm deep and a conforming brass strung bracket en-suite, 28cm wide (2)
Joss Banister, Colchester, a George III oak cottage longcase clock, early 19th century, the arched hood with shaped pediment and three ball and spire finials over 12'' arched white enamel dial with subsidiary seconds dial and date aperture, Roman numerals, painted flowers in the corners and named in the arch, eight day movement, striking on a bell between fluted brass capped pilasters over an arched top trunk door, ogive moulding and plain base shaped plinth and bracket feet, 209cm high
J Twigg, Burslem, a George III oak and mahogany crossbanded cottage longcase clock. the square hood with 13 inch white painted enamel dial, Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell between fluted brass capped pilasters over a crossbanded shaped top trunk door between fluted quarter pilasters, raised panel canted base and bracket feet, 194cm high
A French black marble mantle clock, 19th century, of breakfront rectangular form with 4.5'' black dial with gilt Roman numerals and variegated marble centre and borders, the eight day movement by Vincenti striking on a bell, the case surmounted by a bronze group of a mother and three children, marked Coinchon and raised on winged paw feet, 50 cm high, 45cm wide, 22cm deep
A late 18th Century oak and mahogany banded longcase clock by Samuel Burton of Hawkshead, the 28cm brass dial with calendar aperture to the 30 hour movement striking on a bell, contained in case with angled cornice and quartered fluted columns to trunk, 205cm high, trunk door warped and hole to dial Note: Samuel Burton briefly recorded working in Hawkshead in Loomes [Brian], Clocks of Northern England
Loading...
