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A FRENCH GILT METAL AND BLUE PORCELAIN CLOCK GARNITURE, the twin barrel movement striking on a bell and stamped A D Mougin, G R 2428, 3" porcelain dial with Roman numerals and painted with flowers, the oblong case with Cupid surmount, scrolled side brackets, rounded base and bracket feet, 14" high, and a pair of ovoid urns to match, on gilt wood and velvet stands with bun feet, under domes with ebonised plinths and turned feet
AN OAK AND MAHOGANY LONGCASE CLOCK by Thomas Snow, Birstwith, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 14" arched dial painted with a Country House and sea shells in the spandrels, calendar dial, crossbanded case with elaborate stringing, swan neck pediment with finial on turned columns, canted trunk with arched door, on panel base, 91 1/4" high to top of finial
A PINE LONGCASE CLOCK by Baker, Hull, the thirty hour single hand movement with anchor escapement and outside count wheel striking on a bell, 10" square brass dial with Roman numerals, the centre chased with foliage and with calendar dial over signature roundel, in scumble work case, the moulded cornice on attached columns, arched door, panel base on plinth, 79 1/4" high
A MASONIC OAK AND MAHOGANY LONGCASE CLOCK by T Marshall, the eight day movement with anchor escapement striking on a bell, the 14" arched dial painted with Masonic emblems amongst landscapes, the arch with allegorical figure scene, the chapter ring inscribed with owner Emanuel Clegg`s name in place of numbers, secondary dial over a painted shield flanked by male figures with banner inscribed "Industry and Benevolence Unite Us In Friendship", the dial inscribed verso "T Marshall maker 1845", the banded case with scrolled pediment on baluster turned columns, arched door flanked by reeded pilasters, panel base with waved apron and splayed feet, 91 1/4" high Provenance: The vendor is a direct descendant of the original owner
AN OAK LONGCASE CLOCK by Gabriel Smith, Chester, the eight day movement with anchor escapement striking a bell, 13" arched brass dial, the centre chased with name cartouche, secondary dial and calendar aperture, silvered chapter ring with Roman and Arabic numerals, the arch with silvered boss chased with an eagle, the case with arched split pediment centred by a brass turned finial and raised on fluted columns, banded door with moulded edge, on panel base and plinth, 87 1/2" high
AN OAK LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the silvered centre chased with foliate scrolls and with signature over half penny moonphase and calendar dial, the case with gilt ball finials and caddy top on turned columns, arched door flanked by quarter columns, panelled base and bracket feet, 86 3/4" high
AN OAK LONGCASE by Dodson, Holbeck, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels and with bird on flowering branch in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the mahogany banded case with scrolled pediment and brass finial on fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 92 1/2" high
AN OAK THIRTY HOUR LONGCASE CLOCK, North Country, early 18th century, the single hand movement with cut away plates and anchor escapement, outside count wheel striking on a bell, 10" square brass dial, the matt centre with calendar aperture, silvered Roman chapter ring with fleur-de-lys marking the half hours, the case with cavetto cornice and plain frieze on turned engaged quarter columns, arched door, panel base with shaped apron, 81" high
A MAHOGANY LONGCASE CLOCK by T Tait, Felton, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with cottages in the spandrels and a figure in the landscape in the arch, Roman numerals and two secondary dials, the banded case with three brass finials and waved arch on baluster turned column, arched door flanked by quarter column, panel base, waved apron and bracket feet, 94" high
A MAHOGANY LONGCASE CLOCK by John Burges, Gosport, the eight day movement with anchor escapement striking on a bell, 11 3/4" arched brass dial with silvered chapter ring having Roman and Arabic numerals, matt centre with seconds dial and calendar aperture, the arch with signature boss, in modern case, the pagoda top with fret panel, turned finials on inlaid pilasters, moulded cornice on blind fluted columns, arched door flanked by quarter columns, the panel base with waved apron and bracket feet, 93 1/2" high
A 56 Hour Marine Chronometer Movement, dial and inner housing only, unsigned, No 1654, the brass bell housing further numbered 286 (lacking gimbal frame and with bell housing collar removed), the case with shuttered winding square and pull-off bezel set with a bevelled glass, to an engraved and silvered dial with Roman chapter ring and outside minute track, to a “rise and fall” and seconds subsidiaries with gilt spade hands (hour hand repaired), to a chain fusee 56 hour, 4 pillar movement, with maintaining power and 5 spoke wheels, to an Earnshaw detent escapement, with blued steel helical hairspring and bi-metallic cut compensated balance wheel, diameter of dial 3 5/8” and 3 15/16” to the bezel
An early 20th Century American Brass cased Ship’s Clock, Seth Thomas, the drum-shaped brass case with a hinged door over a large cast brass bell, to a signed 5 ½” silvered Roman dial with outside minute track and subsidiary seconds with blued steel spade hands, to a spring driven movement with anchor escapement and strike to the bell, height 10 ½”
A late 19th Century American drop dial Wall Clock, Seth Thomas, the octagonal case with gilt highlighted border, over a drop trunk with further hinged and glazed door with visible pendulum, to a spun brass bezel enclosing a 9 ½” painted Roman dial, with outside minute track and signed to the centre, with blued steel hands, to a spring driven movement with anchor escapement and strike on a bell, height 22”
A Mahogany and Boxwood Strung Mantel Clock, the arched case with hinged carry handle and inlaid panels to a shaped plinth base, and raised on splayed bracket feet, to a concave cast brass bezel with convex glass enclosing a 4” Roman enamel dial with outside minute track and blued steel spade hands, to a late fitted French carriage clock movement, with platform escapement and strike on a backmounted bell, and numbered 1904, height 10 ½”
A late 19th Century black and green variegated marble Mantel Clock, the breakfront plinth-shaped case with scrolling side pieces and overhanging cornice to an inlaid base, to a cast brass bezel set with bevelled glass enclosing a 3 ½” Roman chapter ring with outside minute track and centred with a visible Brocot escapement and blued steel moon hands, signed for Camerer, Cuss & Co, to a circular brass movement with strike on a bell, height 9”
A late 19th Century black and variegated marble mounted Mantel Clock, the architectural case with Palladian and scrolling pediment, over flat fronted columns to a plinth base with cast and beaded bezel, and bevelled glass enclosing a 4” black Roman chapter ring with gilt centre and further fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a bell (bell lacking), height 16”
A late 19th Century black and green variegated marble mounted Mantel Clock, the breakfront plinth-shaped case with overhanging cornice, to a shaped and moulded base (chips and losses), to a cast brass bezel with bevelled glass enclosing a 3 ¾” Roman enamel chapter ring (A/F), with outside minute track to a recessed centre with visible Brocot escapement and blued steel moon hands, to a circular brass movement with strike on a bell, height 11 ½”
A late 19th Century French ebonised and Walnut Mantel Clock, the arched case on a moulded plinth base, to a cast brass bezel with bevelled glass enclosing a 3” Roman enamel dial (chip to winding square), with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 9”
An early 20th Century Lacquered Brass Mantel Timepiece, modelled in the form of a lantern clock, the case with strapwork frame supporting a bell over cast dolphin panels, to an oversized Roman chapter ring, with inside quarters track and half-hour markers with engraved centre, and raised on ball feet, to a French carriage clock movement with platform escapement and strike on a bell, height 10 ¼”
An early 20th Century Mantel Timepiece, modelled in the form of a lantern clock, and signed W Carter & Son of Salisbury, of typical form with bell mounted in a strapwork frame with cast finials, to a Roman and Arabic oversize chapter ring with outside minute track, inside quarters and engraved detail, with pierced hands and raised on cast and applied feet, to a single fusee movement with anchor escapement and passing strike, height 16”
A mid-19th Century Dresden Porcelain Cased Mantel Clock, the waisted plinth raised on compressed feet and surmounted by a central plinth flanked by classical muses depicting Industry and Art, and painted in colours with gilt highlights (extensively restored), to a cast brass and beaded bezel enclosing a 3” Roman and Arabic enamel dial, with outside minute track and pierced and engraved brass hands, to a circular brass movement with backmounted count wheel and anchor escapement, strike on a bell, height 13 ½”
A late 20th Century Porcelain and gilt metal mounted Clock Garniture, produced for the V & A Museum “Marie Antoinette’s Flowers of Versailles Vases”, the waisted case with mask and sunburst finial, over foliate swag decoration, to a paste-set bezel, and raised on an oval plinth base, to a signed Roman chapter ring with outside minute track and gilt hands, to a spring driven movement with strike on a bell; together with a pair of urn-shaped Side Pieces issuing gilt flowers, height 15”
A Mahogany and Rosewood crossbanded 8 Day Long Case Clock, unsigned, the arched hood with scrolling pediment, over freestanding columns to an ogee throat and long arched trunk door, and raised on a plinth base, to a 12” arched brass dial with silvered boss and cast and applied spandrels enclosing a silvered Roman and Arabic chapter ring, to a matted centre with subsidiary seconds and blued steel hands, to a movement with shouldered plates united by four knopped pillars, with anchor escapement, strike on a bell (associated), height 87”
An Oak cased 8 Day Long Case Clock, the arched hood with overhanging cornice to ¾ columns, with ogee throat, and long arched trunk door and raised on a plinth base, to an 11” arched brass dial with starburst to the arch and further dolphin spandrels, and further urn spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters track, and further half-hour markers, signed W Hulbert of Bristol, to a matted centre with subsidiary seconds and date sector, width pierced and stamped black hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell (case, dial and movement associated), height 80”
An Oak Cased 8 Day Long Case Clock, unsigned, the case with overhanging cornice and caddy top surmounted by three giltwood ball finials, to a blind fretwork frieze and ¾ columns, to an ogee throat and long square trunk door, and raised on a plinth base to a 10” square brass dial, with applied fruiting vine and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track and engraved centre with subsidiary seconds and date sector, and black painted hands, to a movement with plates united by four knopped pillars and anchor escapement with count wheel strike on a bell (associated and composite), height 88”
A mid-18th Century Associated Walnut Cased 8 Day Long Case Clock, Thomas Page of Norwich, the associated case with overhanging cornice surmounted by a swan neck pediment and three globe and spike finials over ¾ Corinthian columns, to an ogee throat and domed long trunk door, to a panelled plinth base and raised on bracket feet, to an 11”square brass dial with cast mask and foliate spandrels enclosing a Roman and Arabic chapter ring, with outside minute track to a matted centre with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement and rack strike on a bell (associated), height 95”
An early 19th Century Oak Cased 8-dayLong Case Clock, Gudgeon & Son of Bury, the arched hood with pierced and scrolling pediment, over freestanding columns, to a shaped throat and arched long trunk door, raised on a plinth base (reduced), to a 12” arched white dial, with strike/silent subsidiary to the arch, over a Roman chapter ring with Arabic quarters and outside minute track, enclosing subsidiary seconds and date with pierced steel hands, to a signed false plate and with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 78”
An early 19th Century Mahogany Cased 8 Day Long Case Clock, unsigned, the arched hood with overhanging cornice surmounted by a scrolling pediment over freestanding fluted columns, to an ogee throat and long truck door with reduced plinth base, to a 12” second period painted Arabic dial, with gilt highlighted basket of floral detail to the arch over fruiting spandrels to an Arabic chapter ring with further Arabic quarters and outside minute track enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement with strike on a bell, height 79”
A late 18th Century Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, M Juler of Norwich, the overhanging cornice with two globe and eagle finials over fluted Corinthian columns, to a shaped throat and long arched trunk door with reeded canted corners, to a panelled base and raised on splayed feet, to a 12” arched 1st period painted dial decorated with gamebirds to the arch over sweetpea and rose spandrels, with gilt highlighted gesso borders enclosing a Roman and Arabic chapter ring with outside minute track and enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to signed false plate and movement with plates united by four knopped pillars with anchor escapement and rack strike on a bell (associated), height 85”
A late Victorian silver cruet stand by James Dixon & Sons, Sheffield 1899, on a shaped base with leaf-capped handle and feet, with wrythen borders, on trefoil feet, 23cm (9in) high, 664g (21.3 oz); another stand by Edward and John Barnard, London 1855, with a waisted oblong base engraved with the Courthope crest, on four scroll feet, 28cm (11in) high, 620g (20.5 oz), together with a silver mounted cut glass cruet bottle by the same maker, London 1854, with a turned bell finial and a bell shaped cover, engraved with the Courthope crest, 13.5cm (5.25in) high. Provenance: Courthope
A Louis Philippe ormolu and patinated bronze cased striking mantel clock, circa 1835, surmounted by a maiden robed in the Classical taste, leaning against a cabinet and reading a book, the cabinet decorated with torcheres, swans and volume spines, the plinth with a central bust in relief flanked by seated amorini and further motifs, the white Roman numeral enamel dial signed for Giteau, Palais Royal No. 140, Paris, the eight-day bell striking movement with silk suspension, 52cm high, 32cm wide. Provenance: Cowdray
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123939 item(s)/page